The Bleeding | ||||
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Studio album by | ||||
Released | April 12, 1994 | |||
Recorded | November 12 – December 3, 1993 | |||
Studio | Morrisound Recording, Tampa, FL | |||
Genre | Death metal | |||
Length | 36:54 | |||
Label | Metal Blade | |||
Producer | Scott Burns | |||
Cannibal Corpse chronology | ||||
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Remastered cover (2006) | ||||
Remastered cover (2009) | ||||
The Bleeding is the fourth studio album by American death metal band Cannibal Corpse,released on April 12,1994 through Metal Blade Records.
It is the last album featuring singer and founding member Chris Barnes and is the first album featuring guitarist Rob Barrett. According to SoundScan numbers,The Bleeding is the fifth top-selling death metal LP in the United States,amassing over 98,300 copies sold. The Bleeding is also Cannibal Corpse's most successful album to date. [1] [2]
The Bleeding is considered by most publications to be one of the band's finest albums,and some consider it to be one of the greatest heavy metal releases of the 1990s.
Following the Tomb of the Mutilated album cycle,and original guitarist Bob Rusay's replacement with Rob Barrett,producer Scott Burns pushed the band to compose stronger material and be "right up there with the best death metal bands in the world," such as Morbid Angel and Death. The band composed and arranged the album's material during the winter in a haunted house. Barrett claims to have cowritten several of the album's tracks with Webster and Owen. The band members have stated that tensions were high between them during this time. [3] [4]
The album was recorded at Morrisound Recording in Tampa,Florida during the fall of 1993.
A video was made for the song "Staring Through the Eyes of the Dead". A re-mastered version of The Bleeding is available and features new cover art,a bonus track ("The Exorcist",a Possessed cover) and the music video of "Staring Through the Eyes of the Dead". This music video would later be featured in Beavis and Butt-Head . [5]
The music on The Bleeding is generally considered to be less extreme and more mature and accessible than the band's previous releases. [6] Justin Norton of Decibel said,"While Butchered at Birth and Tomb were cudgel strikes,The Bleeding is more a methodical surgeon’s cut." [7] It is noted for its advanced musicianship and refined approach to songwriting as compared to its predecessors,and according to Metal Hammer,it "added brains to the blood and gore". [8] [9] [10] [11] [12] According to Barnes,"I think they were wanting to,in a way,prove themselves as well-skilled musicians." [13] The album has more groove-based sections than previous releases,and is noted for the more decipherable approach to vocals by Chris Barnes. [14] Barnes said,"It just felt right to enunciate and pronounce the lyrics more clearly [on The Bleeding] because I felt the music was more clearly pronounced. [...] I think that at that point in time I wanted to prove to myself that I could still sing really heavy [...] but people could understand my lyrics more,because the lyrics [and storylines] are very important to me [...] it’s an artwork to me [...] and I want my art to be heard." [15] Decibel noted that with The Bleeding,"Cannibal Corpse set to change their destiny from shock to substance". [16] Rich Hobson of Metal Hammer wrote that the addition of Rob Barrett on guitar "brought a tightness and precision to the Cannibal Corpse sound that had been conspicuous by its absence on their earlier albums". [17] Founding guitarist Jack Owen believed the album to be "almost a commercial evolution in death metal songwriting". [18] The Bleeding has been called "the essence of Cannibal Corpse." [19] The album's lead guitar parts have been likened to Slayer. Some of the album's grooves have been described as "pure filth." [20] In addition to the macabre and sexual violence themes present on the band's previous albums,the lyrical content on The Bleeding also explores psychological horror. The album's song structures have been described as more "linear" than on the band's previous work. The album has been called "death metal with hooks," and “Stripped,Raped,And Strangled" has been called "as close to a radio single as the band would ever write.” [21] [22] The vocals have been described as "hideous." [23] As with its predecessor,the bass guitar is extremely prominent in the album's mix. According to bassist Alex Webster,"All the songs have cool little bass things that jump out and go a little bit beyond what the guitar is doing in a particular section –for example,there’s a bunch of cool almost-solos on the bass in An Experiment In Homicide." [24]
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Collector's Guide to Heavy Metal | 6/10 [25] |
But something about 'Stripped, Raped And Strangled', to me, it showed something with the band that never appeared again with any of their albums after that, even Created To Kill. But that is a purposeful thing. I was told by one of the members I will never write another song like that, which I thought was a big mistake. So it's a special song to me in that way, and I love that song. I'll play that song forever.
Jason Birchmeier of Allmusic called The Bleeding one of the "standout death metal albums of the mid-'90s". [1] Chris Krovatin of Kerrang! said, "Showing a confident sense of style, an indomitable momentum, and some of the band’s most iconic and memorable songs, this record is a declaration of the Cannibal Corpse we’ve all come to know and shed blood for in the past two-plus decades." [27] Metal Hammer named The Bleeding as one of the best metal albums of the 1990s, saying it contains "some of the most horrifyingly violent and undeniably catchy anthems in the band’s arsenal." [28] Joe DiVita of Loudwire named The Bleeding as the best death metal album of 1994. [29] Metal Injection included the album's second track "Fucked With a Knife" in its list of "The 10 Gnarliest Extreme Metal Lyrics", joking "maybe they got rid of Chris Barnes after The Bleeding because the band was close to going respectable. Just look at that romance". [30]
Starring Through the Eyes of the Dead" and "Stripped, Raped and Strangled" have become staples of the band’s live sets. Founding guitarist Jack Owen cited The Bleeding as his favorite Cannibal Corpse album. [31] [32] Bassist Alex Webster said, "I feel that The Bleeding was a big step forward for me as a bass player, and as a band it put us on the same level as some of the other groups we thought were a little more professional-sounding than we were. We looked up to bands like Morbid Angel and Death." [33]
All lyrics are written by Chris Barnes
No. | Title | Music | Length |
---|---|---|---|
1. | "Staring Through the Eyes of the Dead" | 3:30 | |
2. | "Fucked with a Knife" | Webster | 2:15 |
3. | "Stripped, Raped and Strangled" |
| 3:27 |
4. | "Pulverized" |
| 3:35 |
5. | "Return to Flesh" |
| 4:21 |
6. | "The Pick-Axe Murders" | Webster | 3:03 |
7. | "She Was Asking for It" |
| 4:33 |
8. | "The Bleeding" | Owen | 4:20 |
9. | "Force Fed Broken Glass" |
| 5:02 |
10. | "An Experiment in Homicide" |
| 2:36 |
Total length: | 36:54 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
11. | "The Exorcist" (Possessed cover) | Mike Torrao | Torrao | 4:36 |
Writing, performance and production credits are adapted from the album liner notes. [34]
Deicide is an American death metal band from Tampa, Florida. Formed in 1987 by drummer/composer Steve Asheim and guitarist brothers Eric and Brian Hoffman as "Carnage", then hiring bassist/vocalist/lyricist Glen Benton and becoming "Amon". They changed the band name to Deicide in 1989. The band rose to mainstream success in 1992 with their second album Legion, and is credited as the second-best-selling death metal band of the Soundscan Era, after Cannibal Corpse.
Cannibal Corpse is an American death metal band formed in Buffalo, New York, in 1988, now based out of Tampa, Florida.
Alex Webster is an American musician who is the bassist and a co-founder of the death metal band Cannibal Corpse. He is one of two original remaining members, alongside drummer Paul Mazurkiewicz. He is also the bassist of Blotted Science and the supergroup Conquering Dystopia. Before Cannibal Corpse was formed, he was a member of Beyond Death.
Jack Owen is an American guitarist and a member of the death metal band Six Feet Under. He was one of the founding members of Cannibal Corpse. He also had a stint with Deicide—another influential and long-running Florida death metal band—with whom he recorded four albums. In 2007, Owen played shows with Adrift before joining Order of Ennead at times when their guitarist, John Li, was unavailable.
Chris Barnes is an American death metal vocalist who is the frontman of Six Feet Under. He is noted for his low guttural vocals and explicitly violent lyrics.
Deicide is the debut album by Florida death metal band Deicide. It was released on June 25, 1990, by Roadrunner Records. The album contains all of their demo tracks, plus the songs "Deicide" and "Mephistopheles".
Butchered at Birth is the second studio album by American death metal band Cannibal Corpse. It was released on July 1, 1991 through Metal Blade Records.
Eaten Back to Life is the debut studio album by American death metal band Cannibal Corpse. It was released on August 17, 1990, through Metal Blade Records.
Tomb of the Mutilated is the third studio album by American death metal band Cannibal Corpse, released on September 22, 1992, by Metal Blade Records.
Vile is the fifth studio album by American death metal band Cannibal Corpse, released on May 21, 1996 through Metal Blade Records.
Gallery of Suicide is the sixth studio album by American death metal band Cannibal Corpse, released on April 21, 1998, through Metal Blade Records.
Hammer Smashed Face is the debut EP and single by American death metal band Cannibal Corpse, released on March 23, 1993 by Metal Blade Records.
Severed Survival is the debut album by American death metal band Autopsy, released by Peaceville Records in 1989.
Kill is the tenth studio album by American death metal band Cannibal Corpse, released on March 21, 2006, through Metal Blade Records. This release marks the return of guitarist Rob Barrett, who had previously played on The Bleeding and Vile. The European version of the album comes with a live DVD filmed in Strasbourg in 2004 called Hammer Smashed Laiterie. The album was produced at Mana Recording Studios by Hate Eternal and future Cannibal Corpse guitarist Erik Rutan. It is also the first album in which the band tuned down to G♯ standard.
Morrisound Recording is an audio recording facility in Tampa, Florida, United States, owned and operated by brothers Jim and Tom Morris. Since its opening in 1981, Morrisound has been responsible for the popularization of death metal, but caters to other genres.
None So Vile is the second studio album by Canadian death metal band Cryptopsy, released on 3 July 1996 by Wrong Again Records. The album was later reissued by Displeased Records and Century Media Records. It was re-released on vinyl in 2012 by War on Music.
Slowly We Rot is the debut studio album by American death metal band Obituary, released in 1989 through Roadrunner Records.
Robert Joseph Barrett III is an American death metal musician, best known as the current guitarist for Cannibal Corpse. He played with the band from 1993 to 1997 and rejoined in 2005. He has cited Gary Moore, Malcolm Young, Randy Rhoads, Eddie Van Halen, Tony Iommi and Steve Vai, among others, as his influences. He currently resides in Nashville, Tennessee.
Centuries of Torment: The First 20 Years is the third video album by American death metal band Cannibal Corpse, released in 2008. It contains a three-hour documentary on the history of the band and several concert performances as extra features. It was released on July 8 in USA and July 14 in Europe. This DVD has also been certified platinum in Canada.
Florida death metal is a regional scene and stylistic subdivision of death metal. Some of the most significantly pioneering and best-selling death metal acts emerged in Florida, especially in the Tampa Bay area. As a result, Tampa is unofficially known by many death metal fans as the "capital of death metal." The scene coalesced in the mid-1980s through early 1990s around the output of bands such as Death, Nasty Savage, Deicide, Monstrosity, Morbid Angel, Atheist, Obituary, and others. The producer Scott Burns and the studio Morrisound Recording were also instrumental in developing and popularizing the Florida scene. Some bands which originated outside of Florida, such as Malevolent Creation and Cannibal Corpse, relocated to the state in order to participate in this burgeoning scene. The Florida bands featured a more technical approach to the evolving death metal sound, a style which spread beyond the confines of the state, and some were instrumental in creating the progressive death metal subgenre. The death metal genre as a whole, including the Florida scene, declined in popularity in the second half of the 1990s, but many bands within the Florida scene persisted and the scene resurged in popularity in subsequent decades. Although the scene attracted more media attention, it continued to be underground due to its extreme nature.
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