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![]() Gonick's authorial voice is represented by the Professor, pictured on the cover of The Cartoon History of the Universe – From the Big Bang to Alexander the Great . | |
Author | Larry Gonick |
---|---|
Country | United States |
Language | English |
Subject | History |
Genre | non-fiction |
Publisher | Broadway Books |
Publication date | 1990 |
Pages | 358 |
ISBN | 0-385-26520-4 |
OCLC | 49747633 |
902/.07 20 | |
LC Class | D21.1 .G66 1990 |
Followed by | The Cartoon History of the Universe II |
The Cartoon History of the Universe is a book series about the history of the world. It is written and illustrated by American cartoonist, professor, and mathematician Larry Gonick, who started the project in 1978. [1] Each book in the series explains a period of world history in a loosely chronological order. Though originally published as a comic book series, the series is now published in trade paperback volumes of several hundred pages each. The final two volumes, published in 2007 and 2009, bring the narrative up to 2008 and are named The Cartoon History of the Modern World, volumes one and two. The books have been translated into many languages, including Portuguese, Greek, Czech and Polish.
San Francisco-based underground comix publisher Rip Off Press began publishing The Cartoon History of the Universe in 1978, with the first six issues being published by 1981. Rip Off Press published 9 issues from 1978 to 1992; the first collected edition was published by Doubleday in 1990.
While seeking a book publisher, Gonick received early support from Jacqueline Kennedy Onassis, who worked as an editor at Doubleday and championed The Cartoon History of the Universe's publication by the company. [2]
The Cartoon History is illustrated in a black-and-white cartoon style. Gonick occasionally uses crosshatching and other realistic drawing techniques, but he primarily draws with a lively brush-and-ink squiggle that resembles Bill Watterson's Calvin and Hobbes , Walt Kelly's Pogo , and René Goscinny and Albert Uderzo's Astérix . Occasionally, as in the sequences on India in the second book, he mimics Gilbert Shelton's style from The Fabulous Furry Freak Brothers .[ citation needed ]
His tribute to Asterix is explicit. When Gauls are depicted, not only do they often resemble Goscinny and Uderzo's characters Asterix and Obelix, but when Gonick treats the Gallic invasion of Italy (390 – 387 BCE), the characters, along with Vitalstatistix, appear unmistakably (Vitalstatistix is transported on a shield, Asterix pummels a Roman soldier, etc.); and as they trudge off into the sunset, the speech balloon reads "Come on, Asterix! Let's get our own comic book". [3]
Each volume or chapter begins with a one- or two-panel introduction. An Einstein-like Professor (representing Gonick's authorial voice) prepares to travel in his time machine to whatever place or era the chapter is about. The Professor reads a passage from a historical book, which activates the "time machine", a literary device. For example, the Professor reads a book about dinosaurs to introduce Volume 1 about prehistory. He reads from Hans Zinsser's Rats, Lice and History before Volume 19 about the Black Death. This introduction provides a bridge to the action, the main narrative of each chapter.
Any history book has a point of view, and Larry Gonick's might best be described as "humanist", but it is not written in the style of a didactic textbook. Instead, Gonick fleshes out history into a long yarn, injecting characterization into historical personages, continually reporting gory anecdotes, and focusing on quirky details—all backed up by research—to enliven his subject. He reports both the greatness of human achievement and acknowledges humanity's savagery.[ citation needed ]
In addition to being a straight (though unusual) history, The Cartoon History helps readers understand historical cause and effect—how the past relates to the present. It explains the motivations behind human beings' discoveries, inventions, explorations, wars, triumphs, and mistakes. Gonick's editorial aim seeks to do justice to every point of view.[ citation needed ]
Gonick consistently uses elements of satire to find the most humor in every situation. For example, one cartoon panel depicts the barbarism of a group of Huns who had elephants herded off a cliff for their sadistic enjoyment. One Hun exclaims with an oafish grin, "My emotions are valid!"—juxtaposing the Hun's brutal barbarism with an anachronistic, post-modern view of his own cruelty [3].
Also noteworthy is Gonick's use of caricature. For example, he depicts the weaselly Robert Guiscard, the 11th-century Norman adventurer, as an anthropomorphic weasel, an allusion to Guiscard's name and cunning nature, and depicts Babur, the 16th-century founder of the Mughal Empire with buckteeth (an allusion to the theory that the conqueror's name means "beaver").
Consistently enthusiastic in tone, Gonick uses each collection's bibliography to promote historical literacy. At the end of each published collection, Gonick thoroughly cites his sources. But rather than relying upon an ordinary, typeset bibliography, Gonick sustains his unorthodox style and exuberant tone as the Professor takes the reader through a cartoon tour of his sources.
Because much of The Cartoon History covers evolutionary science, physics, astronomy, and ancient history, Gonick has referenced original writings on these subjects, rather than relying on secondary sources or anthologies. Some of these primary sources are national epics, cultural writings, or holy scriptures, such as Homer's Iliad, the Rig Veda of India, and the Bible. In this way he prompts his readers also to read the primary sources.
Beginning with its original comic book Volume 1 in 1977, the complete series covers world history through 2008.
Asterix or The Adventures of Asterix is a bande dessinée comic book series about a village of indomitable Gaulish warriors who adventure around the world and fight the Roman Republic, with the aid of a magic potion, during the era of Julius Caesar, in an ahistorical telling of the time after the Gallic Wars.
René Goscinny was a French comic editor and writer, who created the Astérix comic book series with illustrator Albert Uderzo. He was raised primarily in Buenos Aires, Argentina, where he attended French schools, as well as lived in the United States for a short period of time. There he met Belgian cartoonist Morris. After his return to France, they collaborated for more than 20 years on the comic series Lucky Luke.
Larry Gonick is an American cartoonist best known for The Cartoon History of the Universe, a history of the world in comic book form, which he published in installments from 1977 to 2009. He has also written The Cartoon History of the United States, and he has adapted the format for a series of co-written guidebooks on other subjects, beginning with The Cartoon Guide to Genetics in 1983. The diversity of his interests, and the success with which his books have met, have together earned Gonick the distinction of being "the most well-known and respected of cartoonists who have applied their craft to unravelling the mysteries of science".
Asterix and the Great Divide is the twenty-fifth volume of the Asterix comic book series. First published in French in 1980, it was translated into English in 1981. It is the first Asterix adventure to be written by illustrator Albert Uderzo, following the death of Asterix co-creator and writer René Goscinny in 1977.
Asterix at the Olympic Games is the 12th comic book album in the Asterix series. Serialized in Pilote issues 434–455 in 1968, it was translated into English in 1972. The story satirizes performance-enhancing drug usage in sports.
Asterix and the Big Fight is a French comic book, the seventh in the Asterix comic book series. It was written by René Goscinny and illustrated by Albert Uderzo. Its original French title is Le Combat des chefs and it was first published in serial form in Pilote magazines, issues 261–302, in 1964. It was translated into English in 1971.
Asterix and the Chieftain's Shield is the eleventh volume in the Asterix comic book series, written by René Goscinny and drawn by Albert Uderzo. It was originally published as a serial in Pilote issues 399–421 in 1967.
Asterix and the Black Gold is the twenty-sixth volume of Asterix comic book series, originally published in 1981. It is the second book to be both written and drawn by Albert Uderzo.
Asterix and the Magic Carpet is the twenty-eighth volume of the Asterix comic book series by René Goscinny (stories) and Albert Uderzo (illustrations). It was first published in 1987, and was translated into English in 1988. It is the fourth Asterix album to be published after the death of René Goscinny in 1977 and is thus both written and drawn by Albert Uderzo alone.
The Twelve Tasks of Asterix is a 1976 English/French animated feature film based on the Asterix comic book series, and the third in the animated franchise. René Goscinny and Albert Uderzo, the creators of the series, wrote the story and directed the film themselves; with co-direction by Pierre Watrin and the screenplay co-written by Pierre Tchernia, a friend of Goscinny and Uderzo. The film was directed, produced and animated at Goscinny and Uderzo's own animation studio, Studios Idéfix, and is the only Asterix animated film that used the xerography process. At the time of its release, the film received mixed reviews since its tone is more cartoony and frequently breaks the fourth wall. Nowadays its reception is more favorable, with it often being cited as one of the best Astérix films, even reaching the status of a cult classic.
Asterix in Belgium is the twenty-fourth volume of the Asterix comic book series, by René Goscinny (story) and Albert Uderzo (illustrations).
Obelix and Co. is the twenty-third volume of the Asterix comic book series, by René Goscinny (stories) and Albert Uderzo (illustrations). The book's main focus is on the attempts by the Gaul-occupying Romans to corrupt the one remaining village that still holds out against them by instilling capitalism. It is also the penultimate volume written by Goscinny before his death in 1977; his final volume, Asterix in Belgium, was released after his death in 1979.
Asterix and Caesar's Gift is the twenty-first volume of the Asterix comic book series, by René Goscinny (stories) and Albert Uderzo (illustrations). It was the first Asterix adventure that was not published in serial form in Pilote magazine prior to its publication as a book.
Asterix and the Roman Agent is the fifteenth volume of the Asterix comic book series, by René Goscinny (stories) and Albert Uderzo (illustrations). It first appeared as a serial in Pilote magazine issues 531–552 in 1970 and was translated into English in 1972.
Asterix and the Class Act is officially the thirty-second album of the Asterix comic book series, by René Goscinny (stories) and Albert Uderzo, published in 2003. Unlike the other Asterix books, it is a compilation of short stories, rather than one long story. Each story has an introductory page giving some of its original history.
Asterix is a fictional character and the titular hero of the French comic book series Asterix.
All the Asterix stories, created by René Goscinny and Albert Uderzo, have been translated into English. The vast majority of the albums were translated by Anthea Bell and Derek Hockridge. Their first volume, Asterix the Gaul, was published by Brockhampton Press in 1969. Bell retired in 2016 due to ill health and died in 2018; Hockridge died in 2013. Adriana Hunter currently serves as translator, with Asterix and the Chariot Race being her debut.
Asterix and Obelix's Birthday: The Golden Book is the thirty-fourth album of the Asterix comic book series, designed and written by Albert Uderzo. The book also includes Asterix stories which were created jointly with René Goscinny. The album, which celebrates the 50th anniversary of the creation of the series, was released on 22 October 2009.
Georges Dargaud was a French publisher of comics, most famously Tintin magazine, Asterix, and Lucky Luke, through his Dargaud company.