Carthage was an ancient city in Northern Africa, on the eastern side of the Lake of Tunis in what is now Tunisia. Carthage was one of the most important trading hubs of the Ancient Mediterranean and one of the most affluent cities of the classical world. It became the capital city of the civilisation of Ancient Carthage and later Roman Carthage.
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the Post-Impressionism of Roger Fry's Omega Workshops.
English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom.
John Martin was an English painter, engraver, and illustrator. He was celebrated for his typically vast and dramatic paintings of religious subjects and fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the prints made from them, enjoyed great success with the general public, with Thomas Lawrence referring to him as "the most popular painter of his day". He was also lambasted by John Ruskin and other critics.
The Art of the United Kingdom refers to all forms of visual art in or associated with the United Kingdom since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art.
The Battle of Trafalgar, 21 October 1805 is an 1822 painting by British artist J. M. W. Turner. It was commissioned by King George IV as a part of a series of works to decorate three state reception rooms in St James's Palace and link the Hanoverian dynasty with military success. This work was Turner's only royal commission, and was to stand as the pendant piece to Philippe-Jacques de Loutherbourg's Lord Howe's action, or the Glorious First of June. This massive history painting measures 2,615 millimetres x 3,685 millimetres and is his largest work. It was given to Greenwich Hospital shortly after its original installation. The painting now hangs in the National Maritime Museum, also in Greenwich, London.
The naval Battle of Alalia took place between 540 BC and 535 BC off the coast of Corsica between Greeks and the allied Etruscans and Carthaginians. A Greek force of 60 Phocaean ships defeated a Punic-Etruscan fleet of 120 ships while emigrating to the western Mediterranean and the nearby colony of Alalia.
The Punic people, usually known as the Carthaginians, were a Semitic people who migrated from Phoenicia to the Western Mediterranean during the Early Iron Age. In modern scholarship, the term Punic, the Latin equivalent of the Greek-derived term Phoenician, is exclusively used to refer to Phoenicians in the western Mediterranean, following the line of the Greek East and Latin West. The largest Punic settlement was Ancient Carthage, but there were 300 other settlements along the North African coast from Leptis Magna in modern Libya to Mogador in southern Morocco, as well as western Sicily, southern Sardinia, the southern and eastern coasts of the Iberian Peninsula, Malta, and Ibiza. Their language, Punic, was a variety of Phoenician, one of the Northwest Semitic languages originating in the Levant.
The Sicilian Wars, or Greco-Punic Wars, were a series of conflicts fought between ancient Carthage and the Greek city-states led by Syracuse over control of Sicily and the western Mediterranean between 580 and 265 BC.
The city of Carthage was founded in the 9th century BC on the coast of Northwest Africa, in what is now Tunisia, as one of a number of Phoenician settlements in the western Mediterranean created to facilitate trade from the city of Tyre on the coast of what is now Lebanon. The name of both the city and the wider republic that grew out of it, Carthage developed into a significant trading empire throughout the Mediterranean. The date from which Carthage can be counted as an independent power cannot exactly be determined, and probably nothing distinguished Carthage from the other Phoenician colonies in Northwest Africa and the Mediterranean during 800–700 BC. By the end of the 7th century BC, Carthage was becoming one of the leading commercial centres of the West Mediterranean region. After a long conflict with the emerging Roman Republic, known as the Punic Wars, Rome finally destroyed Carthage in 146 BC. A Roman Carthage was established on the ruins of the first. Roman Carthage was eventually destroyed—its walls torn down, its water supply cut off, and its harbours made unusable—following its conquest by Arab invaders at the close of the 7th century. It was replaced by Tunis as the major regional centre, which has spread to include the ancient site of Carthage in a modern suburb.
Ancient Carthage was an ancient Semitic civilisation based in North Africa. Initially a settlement in present-day Tunisia, it later became a city-state and then an empire. Founded by the Phoenicians in the ninth century BC, Carthage reached its height in the fourth century BC as one of the largest metropoleis in the world. It was the centre of the Carthaginian Empire, a major power led by the Punic people who dominated the ancient western and central Mediterranean Sea. Following the Punic Wars, Carthage was destroyed by the Romans in 146 BC, who later rebuilt the city lavishly.
Seaport with the Embarkation of the Queen of Sheba is an oil painting by Claude Lorrain, in the National Gallery, London, signed and dated 1648. The large oil-on-canvas painting was commissioned by Frédéric Maurice de La Tour d'Auvergne, Duc de Bouillon, general of the Papal army, together with Claude's Landscape with the Marriage of Isaac and Rebecca, also now in the National Gallery. It depicts the departure of the Queen of Sheba to visit King Solomon in Jerusalem, described in the tenth chapter of the First Book of Kings. A more usual subject would be their meeting; this is one of many harbour scenes painted by Claude. The Queen is departing from a city with classical buildings, with the early morning Sun lighting the sea, as vessels are loaded.
The Phoenicians were an ancient Semitic group of people who lived in the Phoenician city-states along a coastal strip in the Levant region of the eastern Mediterranean, primarily modern Lebanon. They developed a maritime civilization which expanded and contracted throughout history, with the core of their culture stretching from Arwad in modern Syria to Mount Carmel. The Phoenicians extended their cultural influence through trade and colonization throughout the Mediterranean, from Cyprus to the Iberian Peninsula.
Snow Storm: Hannibal and his Army Crossing the Alps is an oil on canvas painting by J. M. W. Turner, first exhibited in 1812. Left to the nation in the Turner Bequest, it was acquired by the National Gallery in London in 1856, and is now held by the Tate Gallery.
Dido building Carthage, or The Rise of the Carthaginian Empire is an oil on canvas painting by J. M. W. Turner. The painting is one of Turner's most important works, greatly influenced by the luminous classical landscapes of Claude Lorrain. Turner described it as his chef d'oeuvre. First exhibited at the Royal Academy summer exhibition in 1815, Turner kept the painting until he left it to the nation in the Turner Bequest. It has been held by the National Gallery in London since 1856.
In art, a pendant is one of two paintings, statues, reliefs or other type of works of art intended as a pair. Typically, pendants are related thematically to each other and are displayed in close proximity. For example, pairs of portraits of married couples are very common, as are symmetrically arranged statues flanking an altar.
Fishermen at Sea, sometimes known as the Cholmeley Sea Piece, is an early oil painting by English artist J. M. W. Turner. It was exhibited at the Royal Academy in 1796 and has been owned by the Tate Gallery since 1972. It was the first oil painting by Turner to be exhibited at the Royal Academy. It was praised by contemporary critics and burnished Turner's reputation, both as an oil painter and as a painter of maritime scenes.
England: Richmond Hill, on the Prince Regent's Birthday is an 1819 painting by the English artist J. M. W. Turner. It was displayed at the 1819 Royal Academy Summer Exhibition at Somerset House, the largest work that Turner had yet presented. It depicts a real event on Richmond Hill hosted by Lady Cardigan at Cardigan House on 12 August 1817 to celebrate the birthday of the Prince Regent. Petersham Meadows by the bend in the River Thames is in the background. Just across the river in Twickenham was Turner's own house Sandycombe Lodge. Ham House is also visible in the distance. The work appears to show the Regent just off the canvas as several of the guests turn to look. Turner's biographer James Hamilton describes it as featuring "flighty Watteauesque figures, ideal evanescent trees, and a horizon so extended as to be unreal". It may have been an attempt to secure the Regent's patronage. He did subsequently receive his only royal commission for the naval painting The Battle of Trafalgar in 1822.
Regulus is an oil painting by English artist J. M. W. Turner, first painted in 1828, and overpainted during a varnishing day in 1837. It depicts the story of the Roman consul Marcus Atilius Regulus who was captured by Carthaginian forces and eventually executed after being blinded by the Sun. The scene is a landscape of either Rome or Carthage, dominated by the blinding white Sun in the center.
