Hannibal was a Carthaginian general and statesman who commanded the forces of Carthage in their battle against the Roman Republic during the Second Punic War.
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
The Chevin is the ridge on the south side of Wharfedale in Leeds, West Yorkshire, England, overlooking the market town of Otley, and often known as Otley Chevin.
John Robert Cozens was a British draftsman and painter of romantic watercolour landscapes.
The Fighting Temeraire, tugged to her last berth to be broken up, 1838 is an oil-on-canvas painting by the English artist Joseph Mallord William Turner, painted in 1838 and exhibited at the Royal Academy in 1839.
Henri-Paul Motte was a French painter from Paris, who specialised in history painting and historical genre.
Napoleon Crossing the Alps is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805. Initially commissioned by the King of Spain, the composition shows a strongly idealized view of the real crossing that Napoleon and his army made across the Alps through the Great St Bernard Pass in May 1800.
Bonaparte Crossing the Alps is a 1848–1850 oil painting by French artist Paul Delaroche. The painting depicts Napoleon Bonaparte leading his army through the Alps on a mule, a journey Napoleon and his army of soldiers made in the spring of 1800 in an attempt to surprise the Austrian army in Italy. Several versions of this painting exist: in the Louvre- Lens and the Walker Art Gallery in Liverpool, England. Queen Victoria owned a small version of it.
The Battle of the Rhône Crossing was a battle during the Second Punic War in September of 218 BC. Hannibal marched on the Italian Alps, and an army of Gallic Volcae attacked the Carthaginian army on the east bank of the Rhône. The Roman army camped near Massalia. The Volcae tried to prevent the Carthaginians from crossing the Alps and invading Italy.
Alexander Cozens (1717–1786) was a British landscape painter in watercolours, born in Russia, in Saint Petersburg. He taught drawing and wrote treatises on the subject, evolving a method in which imaginative drawings of landscapes could be worked up from abstract blots on paper. His son was the artist John Robert Cozens.
Hannibal's crossing of the Alps in 218 BC was one of the major events of the Second Punic War, and one of the most celebrated achievements of any military force in ancient warfare.
Seaport with the Embarkation of the Queen of Sheba is an oil painting by Claude Lorrain, in the National Gallery, London, signed and dated 1648. The large oil-on-canvas painting was commissioned by Frédéric Maurice de La Tour d'Auvergne, Duc de Bouillon, general of the Papal army, together with Claude's Landscape with the Marriage of Isaac and Rebecca, also now in the National Gallery. It depicts the departure of the Queen of Sheba to visit King Solomon in Jerusalem, described in the tenth chapter of the First Book of Kings. A more usual subject would be their meeting; this is one of many harbour scenes painted by Claude. The Queen is departing from a city with classical buildings, with the early morning Sun lighting the sea, as vessels are loaded.
The Burning of the Houses of Lords and Commons, 16th October, 1834 is the title of two oil on canvas paintings by J. M. W. Turner, depicting different views of the fire that broke out at the Houses of Parliament on the evening of 16 October 1834. They are now in the Philadelphia Museum of Art and Cleveland Museum of Art.
Dido building Carthage, or The Rise of the Carthaginian Empire is an oil on canvas painting by J. M. W. Turner. The painting is one of Turner's most important works, greatly influenced by the luminous classical landscapes of Claude Lorrain. Turner described it as his chef d'oeuvre. First exhibited at the Royal Academy summer exhibition in 1815, Turner kept the painting until he left it to the nation in the Turner Bequest. It has been held by the National Gallery in London since 1856.
Snow Storm, or Snow Storm: Steam-Boat off a Harbour's Mouth, is a painting by English artist Joseph Mallord William Turner (1775–1851) from 1842.
In 1842, British artist J. M. W. Turner painted three watercolours of the Rigi, a mountain in the Alps in Central Switzerland, which he had visited the previous summer. Widely regarded as some of his finest works, the watercolours capture the transitory effects of light and atmospheric conditions at the Rigi. According to John Ruskin, "Turner had never made any drawings [watercolours] like these before, and never made any like them again ... He is not showing his hand in these, but his heart."
War. The Exile and the Rock Limpet is an oil painting of 1842 by the English Romantic painter J. M. W. Turner (1775–1851). Intended to be a companion piece to Turner's Peace - Burial at Sea, War is a painting that depicts a moment from Napoleon Bonaparte's exile at Saint Helena. In December 1815, the former Emperor was taken by the British government to the Longwood House, despite its state of disrepair, to live in captivity; during his final years of isolation, Napoleon had fallen into despair. Turner's decision to pair the painting with Peace was heavily criticized when it was first exhibited but it is also seen as predecessor to his more famous piece Rain, Steam and Speed – The Great Western Railway (1844).
The Wrath Of The Seas is an 1886 painting by Russian artist Ivan Aivazovsky. Oil on canvas, it measures 70.1 × 110 cm, and is held in a private collection.
Moonlight, a Study at Millbank is an oil painting by J. M. W. Turner, painted c. 1797. The nocturne is painted in oils on a mahogany board which measures 31.4 cm × 40.3 cm. It has been held by the Tate Gallery since 1910.
Peace – Burial at Sea is a painting in oils on canvas by the English Romantic artist J. M. W. Turner (1775–1851), first exhibited in 1842. The work is a memorial tribute to Turner's contemporary the Scottish painter Sir David Wilkie (1786–1841). The canvas depicts Wilkie's burial at sea. This work was intended as a companion piece to War. The Exile and the Rock Limpet which alludes to the sordid demise of the former Emperor of France Napoleon Bonaparte. The two works are characterized by sharply contrasting colors and tones: War utilizes a strident yellow and red while Peace is painted a cool blend of white, blue and black.
