View of Richmond Hill and Bridge | |
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Artist | J. M. W. Turner |
Year | 1808 |
Type | Oil on canvas, landscape |
Dimensions | 91.4 cm× 121.9 cm(36.0 in× 48.0 in) |
Location | Tate Britain, London |
View of Richmond Hill and Bridge is an 1808 landscape painting by the British artist Joseph Mallord William Turner. [1] It depicts a view of Richmond Bridge in Surrey, then some miles outside London. In the distance is Richmond Hill. A few years later Turner designed and lived in Sandycombe Lodge in nearby Twickenham.
Turner presents it as a pastoral scene with bright sunshine and bathing woman and grazing sheep despite the presence of the substantial nearby settlement of Richmond. Edwin Landseer saw the painting in Turner's studio in 1808 and reviewed it. It is now in the collection of the Tate Britain in Pimlico, having been part of the Turner bequest of 1856. [2]
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
Kew Bridge is a wide-span bridge over the Tideway linking the London Boroughs of Richmond upon Thames and Hounslow. The present bridge, which was opened in 1903 as King Edward VII Bridge by King Edward VII and Queen Alexandra, was designed by John Wolfe-Barry and Cuthbert A Brereton. Historic England listed it at Grade II in 1983.
The Reichenbach Falls are a waterfall cascade of seven steps on the stream called Rychenbach in the Bernese Oberland region of Switzerland. They drop over a total height of about 250 metres (820 ft). At 110 metres (360 ft), the upper falls, known as the Grand Reichenbach Fall, is by far the tallest segment and one of the highest waterfalls in the Alps, and among the forty highest in Switzerland. The Reichenbach loses 290 metres (950 ft) of height from the top of the falls to the valley floor of the Haslital. Today, a hydroelectric power company harnesses the flow of the Reichenbach Falls during certain times of year, reducing its flow.
Caversham Bridge is a bridge across the River Thames between Caversham and the town centre of Reading. The bridge is situated on the reach above Caversham Lock, carrying the A4155 road across the river and also providing pedestrian access to the adjacent mid-river Pipers Island.
Peter Tillemans was a Flemish painter, best known for his works on sporting and topographical subjects. Alongside John Wootton and James Seymour, Tillemans was one of the founders of the English school of sporting painting.
George Cooke, was an English line engraver.
Sandycombe Lodge is a Grade II* listed house at 40 Sandycoombe Road, Twickenham, in the London Borough of Richmond upon Thames. In the picturesque-cottage style, it was designed and built in 1813 by the artist J. M. W. Turner (1775–1851) as his country retreat and as a home for his father William (1745–1829). Turner lived there from 1814 to 1826. Originally known as Solus Lodge, it is the only surviving building designed by Turner, and shows the influence of his friend Sir John Soane. The appearance of the house had been much altered by the addition of second floors to the original side wings.
Rome, From Mount Aventine is an 1835 painting by J. M. W. Turner, based on drawings made by him in the city in 1828. It shows a view of the city of Rome from the Aventine Hill.
Fishermen at Sea, sometimes known as the Cholmeley Sea Piece, is an early oil painting by English artist J. M. W. Turner. It was exhibited at the Royal Academy in 1796 and has been owned by the Tate Gallery since 1972. It was the first oil painting by Turner to be exhibited at the Royal Academy. It was praised by contemporary critics and burnished Turner's reputation, both as an oil painter and as a painter of maritime scenes.
Abergavenny Bridge,, crosses the River Usk at the boundary between Abergavenny and Llanfoist. The bridge carries the A4143. The bridge is of medieval origin, but was substantially reconstructed in the early 19th century, to support a tramroad, and in the mid 19th century, when the two bridges were combined.
The Golden Bough is a painting from 1834 by the English painter J. M. W. Turner. It depicts the episode of the golden bough from the Aeneid by Virgil. It is in the collection of the Tate galleries.
Interior of a Gothic Church is an early oil on board painting by English artist Joseph Mallord William Turner, made c. 1797.
Moonlight, a Study at Millbank is an oil painting by J. M. W. Turner, painted c. 1797. The nocturne is painted in oils on a mahogany board which measures 31.4 cm × 40.3 cm. It has been held by the Tate Gallery since 1910.
Morning amongst the Coniston Fells, Cumberland, is a painting by J. M. W. Turner, painted c. 1798. It depicts the Old Man of Coniston, Cumbria, England.
Tate Britain holds a self-portrait of J. M. W. Turner which it dates to c.1798 or c.1799, when the artist was aged about 23 or 24 years old.
Peace – Burial at Sea is an oil painting on canvas by the English Romantic artist J. M. W. Turner (1775–1851), first exhibited in 1842. The painting serves as a memorial tribute to Turner's contemporary, the Scottish painter Sir David Wilkie (1785–1841), depicting Wilkie's burial at sea. It was intended as a companion piece to War. The Exile and the Rock Limpet which alludes to the sordid demise of the former Emperor of France Napoleon Bonaparte. The two works are characterized by their sharply contrasting colours and tones: War utilizes a strident yellow and red while Peace is painted a cool blend of white, blue and black.
London from Greenwich Park is an 1809 landscape painting by the English artist J. M. W. Turner. It looks down from Greenwich Hill towards Greenwich Hospital and the Queen's House. In the distance beyond the River Thames is the City of London with St Paul's Cathedral towering over the other buildings. It emphasises the extent of the capital as an expanding metropolis. It replicates a similar view by the Dutch painter Hendrick Danckerts dating back to 1670.
Two Captured Danish Ships Entering Portsmouth Harbour is an 1807 maritime painting by the English artist Joseph Mallord William Turner. It depicts two captured Danish ships of the line being brought into harbour by the Royal Navy at Spithead the major naval base off Portsmouth in Hampshire.
Mortlake Terrace: Early Summer Morning is an 1826 landscape painting by British artist artist Joseph Mallord William Turner. Turner was commissioned by William Moffat, the owner of Mortlake Terrace, to paint two views of the house. Mortlake Terrace is located on Mortlake High Street with the River Thames to its rear. The painting looks eastward along the Thames, with Barnes Terrace in the distance. It was exhibited at the Royal Academy's 1826 Summer Exhibition at Somerset House.
Cologne, the Arrival of a Packet Boat in the Evening is an 1826 landscape painting by the British artist Joseph Mallord William Turner. It shows a scene as the Rhine River passes through the city of Cologne as a packet boat arrives. Visible on the skyline to the right is Great St. Martin Church, Cologne.