Norham Castle, Sunrise | |
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Artist | J. M. W. Turner |
Year | c. 1845 |
Medium | Oil on canvas |
Dimensions | 90.8 cm× 121.9 cm(35.7 in× 48.0 in) |
Location | Tate Britain, London |
Accession | N01981 |
Norham Castle, Sunrise is an oil-on-canvas painting by English painter J. M. W. Turner, created around 1845. The painting depicts Norham Castle, overlooking the River Tweed, the border between England and Scotland. The painting was bequeathed to the National Gallery of British Art (now Tate Britain) as part of the Turner Bequest in 1856. It remains in the collection to this day. [1] It was one of the artist's last paintings, and falls within his "Modernist" period. This piece is well known for Turner's attentiveness to dawn light, and the softened silhouette it brings. [2]
Norham is a village in Northumberland, England in the border country between England and Scotland. The castle was a key stronghold overlooking the River Tweed and was frequently attacked by the Scots. [3] Turner visited the castle and the surrounding country in 1797. Following his journey, Turner created the watercolor Norham Castle: Sunrise, which was exhibited at the Royal Academy of Arts in 1798 to critical acclaim. [4] Turner revisted the ruins in 1801. In 1806, Turner began work on his Liber Studiorum , a collection of monochrome landscape prints. Norham Castle, Sunrise was among a series of unfinished colored reworkings of these prints. The source for this painting in particular was the Tate Collection's Liber catalogue's plate no. 57, Norham Castle on the Tweed, published in 1816. [1] [5]
By the end of his career, Turner had created six different versions of this painting and returned to Norham Castle multiple times to reflect on his work and life. [2]
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
John Sell Cotman was an English marine and landscape painter, etcher, illustrator, and a leading member of the Norwich School of painters.
English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom.
Thomas Girtin was an English watercolourist and etcher. A friend and rival of J. M. W. Turner, Girtin played a key role in establishing watercolour as a reputable art form.
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Norham is a village and civil parish in Northumberland, England, It is located 7 miles (11 km) south-west of Berwick on the south side of the River Tweed where it is the border with Scotland.
Sir Francis Job Short PPRE was a British printmaker and teacher of printmaking. He revived the practices of mezzotint and pure aquatint, while expanding the expressive power of line in drypoint, etching and engraving. Short also wrote about printmaking to educate a wider public and was President of the Royal Society of Painter Etcher & Engavers from 1910 to 1938. He was a member of the Art Workers' Guild and was elected Master in 1901.
Norham Castle is a castle in Northumberland, England, overlooking the River Tweed, on the border between England and Scotland. It is a Grade I listed building and a Scheduled Ancient Monument. The castle saw much action during the wars between England and Scotland.
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, having opened in 1897. It houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. In 2021 it ranked 50th on the list of most-visited art museums in the world.
Charles Turner was an English mezzotint engraver and draughtsman who specialized in portraiture. He collaborated with J. M. W. Turner on the early plates of the same's Liber Studiorum.
Sunrise with Sea Monsters is an unfinished oil painting by English artist J. M. W. Turner.
Kenmure Castle is a fortified house or castle in The Glenkens, 1 mile (1.6 km) south of the town of New Galloway in Kirkcudbrightshire, Galloway, south-west Scotland. The site was occupied from the Middle Ages, and the house incorporates part of a 17th-century castle. This was remodelled in the 19th century, but the house has been derelict since the mid-20th century. It was the seat of the Gordon family of Lochinvar, later raised to the peerage as Viscounts of Kenmure. The ruin is a scheduled monument.
Liber Studiorum is a collection of prints by J. M. W. Turner. The collected works included seventy-one prints that he worked on and printed from 1807 to 1819. For the production of the prints, Turner created the etchings for the prints, which were worked in mezzotint by his collaborating engravers.
Dolbadarn Castle is an oil painting by J. M. W. Turner (1775–1851) depicting Dolbadarn Castle, created in 1798–1799. It is part of a body of work completed by Turner during a tour of the region, which included Dolbadarn, Llanberis and other parts of Snowdonia. Many supporting studies can be found in a sketch book now held by Tate Britain. When Turner returned to his London studio he developed these sketches into a number of more accomplished paintings of North Wales, including this one, which is now kept at the National Library of Wales.
The Liber Veritatis, meaning Book of Truth in Latin, is a book of drawings recording his completed paintings made by Claude Lorrain, known in English as "Claude". Claude was a landscape painter in Rome, who began keeping this record in 1635/6, as he began to be highly successful, and maintained it until his death in 1682. The book is now in the British Museum, and was owned by the Dukes of Devonshire from the 1720s until 1957. It was reproduced in print form from 1774 to 1777 by Richard Earlom and had a considerable influence on British landscape art. The title Liber Veritatis was apparently invented for these reproductions, but is now also used for the original.
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Fishermen at Sea, sometimes known as the Cholmeley Sea Piece, is an early oil painting by English artist J. M. W. Turner. It was exhibited at the Royal Academy in 1796 and has been owned by the Tate Gallery since 1972. It was the first oil painting by Turner to be exhibited at the Royal Academy. It was praised by contemporary critics and burnished Turner's reputation, both as an oil painter and as a painter of maritime scenes.
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