Paul Leroy Robeson was an American bass-baritone concert artist, stage and film actor, professional football player, and activist who became famous both for his cultural accomplishments and for his political stances.
The Emperor Jones is a 1920 tragic play by American dramatist Eugene O'Neill that tells the tale of Brutus Jones, a resourceful, self-assured African American and a former Pullman porter, who kills another black man in a dice game, is jailed, and later escapes to a small, backward Caribbean island where he sets himself up as emperor. The play recounts his story in flashbacks as Brutus makes his way through the jungle in an attempt to escape former subjects who have rebelled against him.
Ruby Pearl Elzy was an American operatic soprano. She appeared on stage and in films. She recorded on albums before her death in her 30s from surgery to remove a benign tumor.
Julius Lorenzo Cobb Bledsoe was an American baritone and one of the first African-American artists to gain regular employment on Broadway.
Fredericka Carolyn "Fredi" Washington was an American stage and film actress, civil rights activist, performer, and writer. Washington was of African American descent. She was one of the first Black Americans to gain recognition for film and stage work in the 1920s and 1930s.
The Provincetown Players was a collective of artists, people and writers, intellectuals, and amateur theater enthusiasts. Under the leadership of the husband and wife team of George Cram “Jig” Cook and Susan Glaspell from Iowa, the Players produced two seasons in Provincetown, Massachusetts and six seasons in New York City, between 1916 and 1922. The company's founding has been called "the most important innovative moment in American theatre." Its productions helped launch the careers of Eugene O'Neill and Susan Glaspell, and ushered American theatre into the Modern era.
The Hairy Ape is a 1922 expressionist play by American playwright Eugene O'Neill. It is about a beastly, unthinking laborer known as Yank, the protagonist of the play, as he searches for a sense of belonging in a world controlled by the rich. At first, Yank feels secure as he stokes the engines of an ocean liner, and is highly confident in his physical power over the ship's engines and his men.
Louis Gruenberg was a Russian-born American pianist and prolific composer, especially of operas. An early champion of Schoenberg and other contemporary composers, he was also a highly respected Oscar-nominated film composer in Hollywood in the 1940s.
Dudley Bowles Murphy was an American film director.
Charles Sidney Gilpin was one of the most highly regarded stage actors of the 1920s. He played in critical debuts in New York City: the 1919 premier of John Drinkwater's Abraham Lincoln and the lead role of Brutus Jones in the 1920 premiere of Eugene O'Neill's The Emperor Jones, also touring with the play. In 1920, he was the first black American to receive The Drama League's annual award as one of the 10 people who had done the most that year for American theatre.
Black and Tan (1929) is a musical short film written and directed by Dudley Murphy. The plot is about a couple in the performing arts; it is set during the contemporary Harlem Renaissance in New York City. It is the first film to feature Duke Ellington and His Orchestra performing as a jazz band, and was also the film debut of actress Fredi Washington. The film is thought to express the emergence of African-American artists in New York City during the Harlem Renaissance.
Robert Adams was a British Guyanese actor of stage and screen. He was the founder and director of the Negro Repertory Arts Theatre, one of the first professional black theatre companies in Britain, and became the world's first black television actor when he appeared in Theatre Parade: Scenes From Hassan on BBC TV in 1937. He was also the first Black actor to play a Shakespearian role on television, in 1947.
Clarence Muse was an American actor, screenwriter, director, singer, and composer. He was the first African American to appear in a starring role in a film, 1929's Hearts in Dixie. He acted for 50 years, and appeared in more than 150 films. He was inducted into the Black Filmmakers Hall of Fame in 1973.
All God's Chillun Got Wings (1924) is an expressionist play by Eugene O'Neill about miscegenation inspired by the old Negro spiritual. He began developing ideas for the play in 1922, emphasising its authenticity in his notes: "Base play on his experience as I have seen it intimately." O'Neill wrote the play in the autumn of 1923 and revised the text only slightly for its 1924 publication. Arguably one of his most controversial of plays, it starred Paul Robeson in the premiere, in which he portrayed the Black husband of an abusive White woman, who, resenting her husband's skin colour, destroys his promising career as a lawyer.
The Emperor Jones may refer to:
The Emperor Jones is an opera in two acts with a prologue and interlude composed by Louis Gruenberg to an English-language libretto adapted by the composer from Eugene O'Neill's 1920 play, The Emperor Jones. It premiered on January 7, 1933, at the Metropolitan Opera in New York City with Lawrence Tibbett in the title role. Set on an unnamed island in the West Indies, the opera tells the story of African American Brutus Jones, a former Pullman porter and ex-convict who escaped to the island, set himself up as its tyrannical "Emperor", and became rich by exploiting the natives. The natives start a revolt against him, and as he tries to escape through the jungle, he is haunted by visions of his past life and the man he had murdered. As the natives close in, he commits suicide using the silver bullet which he had worn around his neck as a good-luck charm. With a score that incorporates elements of jazz and negro spirituals, The Emperor Jones was the eleventh American opera to premiere at the Met, and has continued to be performed into the 21st century, albeit rarely.
Frank Henry Wilson was an American stage, radio, and film actor and writer.
Jimmy Mordecai also known as James Mordecai was a Harlem-based jazz tap dancer in the 1920s and 1930s. He featured in the 1929 short film St. Louis Blues starred in the 1930 Vitaphone Varieties musical short film Yarmekraw based on James P. Johnson's song of the same name.
Jasper Deeter was an American-born stage and film actor, stage director, and founder of Hedgerow Theatre in Rose Valley, Pennsylvania, one of the first regional repertory theatres in the United States.
The Emperor Jones is a 1960 Australian TV play based on the play The Emperor Jones by Eugene O'Neill. It starred Joe Jenkins, a dancer who was living in Australia. He played a triple role.
