The Fade Out

Last updated

The Fade Out
Cover to Fade Out 1.jpg
Cover to The Fade Out #1, art by Sean Phillips
Publication information
Publisher Image Comics
ScheduleMonthly
Format Ongoing series
Genre
Publication dateAugust 2014 – January 2016
No. of issues12
Creative team
Written by Ed Brubaker
Artist(s) Sean Phillips
Colorist(s) Elizabeth Breitweiser
Collected editions
Act One (#1–4) ISBN   1632151715
Act Two (#5–8) ISBN   1632154471
Act Three (#9–12) ISBN   1632156296
Hardcover ISBN   1632159112

The Fade Out is a crime comics series created by writer Ed Brubaker and artist Sean Phillips with the help of colorist Elizabeth Breitweiser and research assistant Amy Condit. Twelve issues were published by Image Comics between August 2014 and January 2016. The story has been collected into three trade paperback volumes and a single hardcover collection.

Contents

The story, partly inspired by the life of Brubaker's uncle, is set in 1948 and stars Charlie Parish, a Hollywood screenwriter suffering from posttraumatic stress disorder (PTSD) and fronting for his blacklisted best friend, Gil. When Charlie wakes from a blackout in the same room as a murdered starlet, he and Gil set out to bring her killer to justice. As they learn more about her troubled past, they find themselves up against powerful Hollywood elites who do not want to upset the status quo.

Although Brubaker had been concerned the premise was not commercial enough to have wide appeal, The Fade Out sold better than any of the authors' previous collaborations, and early issues went through several printings. The series received positive reviews from critics.

Publication history

Development

Ed Brubaker's uncle, John Paxton, was a noted Hollywood screenwriter in the 1930s and 1940s known for Murder, My Sweet , Crossfire , The Wild One and On the Beach . [1] [2] His wife, Sarah Jane Paxton, worked public relations for 20th Century Fox at the same time. [3] They told Brubaker stories about their experiences, and he developed a lifelong fascination with the time and setting. [1] [4] In particular, he was drawn to the false personas he felt everyone had to put forward to succeed. [5]

In mid-2014, having just finished their previous collaboration, Fatale , Brubaker and artist Sean Phillips were deliberating whether their next project would be a noir period piece or a science fiction tale. [1] Brubaker did not think a noir set in 1940s Hollywood was commercial enough to be accepted through normal channels, but the timing aligned with their five-year exclusive contract with Image Comics. [6] [7] This contract guaranteed the creators could publish any comic without having to pitch it to the publisher first. [6] The pair announced The Fade Out and their new contract on January 9, 2014, at Image Expo. [8] At the time, no length was given for the series because they were not sure how many issues were needed to tell the story. Since Fatale had taken twice as long as originally planned, they did not want to mislead fans or feel pressure to conclude before they were ready. [4] They did know it would be a minimum of 12 issues. [9]

When they were asked for a promotional image for use at Image Expo, Brubaker suggested "a typewriter and some blood and a dead body's hands". Phillips removed the hands and incorporated the blood into the logo. After completing the image, he thought the stark white background would help the book stand out on sales racks and continued to use it for subsequent covers. [10]

While the central plot is a murder mystery, the initial idea was of a writer with PTSD who cannot write and is instead fronting for his blacklisted best friend. [4] Throughout the series, Brubaker switched between first- and third-person narration because it allowed him to tell a broader story. [9] He was also trying to create a layered story which would reward repeated reading, so he avoided extraneous details. [4] When writing the scripts, Brubaker listened to music from the 1940s to stay in the right frame of mind. [5]

Phillips, who lives in the United Kingdom, sometimes has difficulty accurately portraying modern America and said "1948 Hollywood might as well be sci-fi". [10] Since there was not enough time for him to do his own research and maintain a monthly schedule, Brubaker hired Amy Condit as a research assistant. [10] Condit, who is the manager of the Los Angeles Police Museum, supplied Phillips with thousands of reference photos. [3] [5] Phillips also bought some DVDs he thought might be useful, but never found time to watch them. [4]

Although Phillips has been using digital tools like Cintiq and Manga Studio to create his art since 1997, The Fade Out is his first project completed using them exclusively. The change increased the amount of time needed to create each page by almost 50 percent, but had no effect on colorist Elizabeth Breitweiser. Visually, Phillips style remained the same as his previous work, which critic Charley Parked notes for its "strong spotted blacks and bold use of negative space". [11] Phillips also changed his regular lettering font to one more "sympathetic to the period". [1] During publication, he chose to remain in the dark about where the story was going, sometimes receiving only a few pages of the script at a time. [12]

Publication

The 40-page first issue was released in print and digitally on August 20, 2014. [1] [13] Jamie McKelvie and Chip Zdarsky provided art for two retailer-exclusive variant covers. These variants were commissioned directly by the retailers. [14] Unlike most comics sold in the direct market, unsold copies of this issue could be returned to the publisher. [15] This tactic allowed retailers to place higher orders without taking a financial risk. [16] Estimated sales were just under 35,000 copies, making it the 61st best-selling comic book for the month. [15] Due to re-orders, the issue sold out at the distributor level on the day of release. A second printing was announced the next day and was released on September 24, 2014, the same day as issue two. [17] Including sales for the second printing, the first issue sold approximately 41,000 copies. [18] In addition to the standard print version, a larger "magazine" version with eight additional pages of art was available for an extra cost. [19] This version, which was not returnable, was estimated to have sold an additional 8300 copies. [15] All told, The Fade Out #1 had better sales than anything Brubaker and Phillips had previously done together. Brubaker suspects the numbers were higher partly because they had developed a following, and partly because retailers had become more supportive of Image books in general. [20]

The second issue also went through a second printing, which was released the same day as issue three. [21] Its total sales were estimated to be around 30,500. [17]

In addition to the regular 22 pages of story, each issue included extra material. Because the opening credit page was a two-page splash across the inside front cover and page one, an additional page needed to be inserted to make the story start on the recto side of the page. Brubaker's solution was to use page two as a cast list with short descriptions that updated as the story progressed, which he felt was "old-fashioned and neat". [10] [22] Jess Nevins and Devin Faraci, among others, contributed essays and articles at the end of each issue about crime and misfortune among actors famous in the 1940s. [3] The back cover of each issue included promotional images or reviews for the fictional movie being filmed in the comic. These typically foreshadowed future events or expanded on minor characters. [22]

In September 2015, Image's solicitations for upcoming comics revealed The Fade Out would end with issue twelve, which was released on January 6, 2016. [23] [24] Like the first issue, it had twice as many pages as a standard comic book. [4] It sold an estimated 16,500 copies and was the 136th-best selling issue of the month. [25] Brubaker has said The Fade Out was, at the time, his most complex story and it ended "exactly the way [he had] pictured it in the beginning". [22] The creators had already begun work on their next collaboration, Kill or Be Killed , before the final issue of The Fade Out had been published. [4] The series was collected into three trade paperback volumes during publication and one oversized hardcover in October 2016. [26] The articles and essays found in the single issues are not included in the collections. [19]

In the letter column of Kill or Be Killed #12 (September 2017), Brubaker mentioned plans for a semi-sequel to The Fade Out. He said that if made, the comic book would share the setting and some of the supporting characters, but the plot would be unrelated. [27]

Plot

Charlie Parish, a Hollywood screenwriter suffering from PTSD, is fronting for his blacklisted best friend, Gil. When Charlie wakes from a blackout in the same room as a murdered starlet, he and Gil set out to bring her killer to justice. As they follow leads trying to piece together the night leading up to the murder, cooperative witnesses are punished by the studio's fixer. Charlie is prepared to quit when Gil tries to blackmail the head of the studio by anonymously claiming he "knows what happened" with the starlet. Misunderstanding the threat, the studio head tries to destroy evidence that he had sexually abused her when she was a child actor. Charlie and Gil are able to retrieve a folder of photographs and decide to keep fighting for justice. They plan to kidnap the other studio co-founder, who is now suffering from Alzheimer's disease and will freely admit to the past sins. They arrive at the co-founder's mansion at the same time the fixers are murdering him to prevent him from talking. As the two friends are escaping from the fixers, Gil is shot and killed. When Charlie resigns himself to working in the corrupt culture, the fixer reveals the actress was murdered by an undercover FBI agent who was looking for communists in Hollywood.

Reception

An interior panel from The Fade Out drawn by Sean Phillips and colored by Elizabeth Breitweiser showing the use of a period-appropriate font, color splotches, and shadows. The Fade Out excerpt.png
An interior panel from The Fade Out drawn by Sean Phillips and colored by Elizabeth Breitweiser showing the use of a period-appropriate font, color splotches, and shadows.

Critics gave the series positive reviews. According to the review aggregator Comic Book Roundup, the first issue scored an average 9.2/10 based on 41 reviews, the series as a whole averaged 8.9/10 based on 154 reviews, and the final issue averaged 9.6/10 based on 9 reviews. [28] The series won the 2016 Eisner Award for "Best Limited Series". [29]

Sam Marx, writing for Comicosity, called The Fade Out the creators' "most ambitious series yet" and praised their ability to set a scene. [7] Reviewing for Comic Book Resources , Greg McElhatton gave Brubaker credit for avoiding excessive exposition at the start of the story, but felt some of the characters seemed stereotypical. [30] The first issue was placed on the Entertainment Weekly "Must List". [31] Chase Magnett of Comics Bulletin described the ending as "an anti-climax with no big showdown, revelations, or death", but went on to say the "sense of disappointment is exactly why it's great". [32] McElhatton agreed, saying a happy ending would have "felt like a cheat", but the "central mystery [is given] a proper amount of closure". [24]

Phillips' art was commended by McElhatton, who appreciated the variety of body types in crowd scenes and the strong use of body language to convey emotion. [30] Jim Bush at Entertainment Fuse usually liked Phillips' work, but felt the sex scenes in issue seven did not play to the artist's strengths. [33] Mary Kate Jasper, a reviewer for Comic Book Resources, noted how colorist Elizabeth Breitweiser enhanced Phillips' work with "splotches of color in unexpected arrangements, giving everyone the appearance of being forever in shadow or inside with the windows drawn". She particularly liked how Breitweiser made characters' eyes appear to glisten and stand out in otherwise dark panels. [34]

Collected editions

TitleMaterial collectedPublished dateISBN
The Fade Out: Act OneThe Fade Out #1-4February 2015 978-1632151711
The Fade Out: Act TwoThe Fade Out #5-8September 2015 978-1632154477
The Fade Out: Act ThreeThe Fade Out #9-12February 2016 978-1632156297
The Fade Out: Deluxe EditionThe Fade Out #1-12October 2016 978-1632159113

In other media

Brubaker received calls from interested parties in Hollywood about adapting The Fade Out very early in its publication. However, he did not want to sell the rights until the series was finished. He had done so with a previous work, and it affected the way he wrote it because he was imagining it in the other medium. [5]

Related Research Articles

<span class="mw-page-title-main">Vertigo Comics</span> Imprint of comic-book publisher DC Comics

Vertigo Comics was an imprint of American comic book publisher DC Comics started by editor Karen Berger in 1993. Vertigo's purpose was to publish comics with adult content, such as nudity, drug use, profanity, and graphic violence, that did not fit the restrictions of DC's main line, thus allowing more creative freedom. Its titles consisted of company-owned comics set in the DC Universe, such as The Sandman and Hellblazer, and creator-owned works, such as Preacher, Y: The Last Man and Fables.

Image Comics is an American comic book publisher and is the third largest direct market comic book and graphic novel publisher in the industry by market share. Its best-known publications include Spawn, The Walking Dead, Kick-Ass, Invincible, Jupiter's Legacy, Witchblade, The Maxx, Savage Dragon, Bone, Saga, Radiant Black and Stray Dogs.

<i>Gotham Central</i> Comic-book series

Gotham Central is a police procedural comic-book series that was published by DC Comics. It was written by Ed Brubaker and Greg Rucka, with pencils initially by Michael Lark. The story focused on the Gotham City Police Department and the difficulties of its officers living and working in Gotham City, home of Batman.

<span class="mw-page-title-main">Ed Brubaker</span> American comic book writer

Ed Brubaker is an American comic book writer, cartoonist and screenwriter who works primarily in the crime fiction genre. He began his career with the semi-autobiographical series Lowlife and a number of serials in the Dark Horse Presents anthology, before achieving industry-wide acclaim with the Vertigo series Scene of the Crime and moving to the superhero comics such as Batman, Catwoman, The Authority, Captain America, Daredevil and Uncanny X-Men. Brubaker is best known for his long-standing collaboration with British artist Sean Phillips, starting with their Elseworlds one-shot Batman: Gotham Noir in 2001 and continuing with a number of creator-owned series such as Criminal, Incognito, Fatale, The Fade Out and Kill or Be Killed.

<span class="mw-page-title-main">Sean Phillips</span> British comic book artist, born 1965

Sean Phillips is a British comic book artist, best known for his collaborations with Ed Brubaker on comics including Sleeper, Incognito, the Criminal series of comics, Fatale, The Fade Out, and Kill or Be Killed.

<i>Powers</i> (comics) Comic book series

Powers is a creator-owned comic book series written by Brian Michael Bendis and illustrated by Michael Avon Oeming. The series' first volume was published by Image Comics from 2000 to 2004, the latter moving to Marvel Comics as a part of its Icon imprint. In 2018 it moved to DC Comics as part of its Jinxworld imprint. The Jinxworld imprint moved in 2021 to Dark Horse Comics. The characters and its creators appear in Crossover.

<span class="mw-page-title-main">Icon Comics</span> Imprint of Marvel Comics

Icon Comics was an imprint of Marvel Comics for creator-owned titles, designed to keep select "A-list" creators producing for Marvel rather than seeing them take creator-owned work to other publishers.

John Paxton was an American screenwriter.

<i>Criminal</i> (comics) Icon Comics series by Ed Brubaker and Sean Phillips

Criminal is a creator-owned comic book series written by Ed Brubaker and illustrated by Sean Phillips. It was originally published by Marvel Comics' Icon imprint and later by Image Comics.

<span class="mw-page-title-main">Black Eye Productions</span> Defunct Canadian comic book publisher

Black Eye Books is a small but influential Canadian comic book publishing company founded by Michel Vrana. Under the auspices of Vrana, Black Eye was known as a publisher of artfully designed alternative comics and graphic novels, most of whose cartoonists have gone on to successful careers with fellow Canadian publisher Drawn & Quarterly. For several years, Vrana acted as Drawn & Quarterly's exclusive outside design consultant. In 2019 the company was relaunched as a micro-press with a focus on using crowdfunding to bring projects to fruition.

<i>Incognito</i> (comics) Comic book limited series

Incognito is a six-issue comic book limited series written by Ed Brubaker with art by Sean Phillips. It was originally published by the Icon Comics imprint of Marvel Comics.

<span class="mw-page-title-main">Fear Itself (comics)</span> Superhero comics story

"Fear Itself" is a 2011 crossover comic book storyline published by Marvel Comics, consisting of a seven-issue, eponymous miniseries written by Matt Fraction and illustrated by Stuart Immonen, Wade Von Grawbadger, and Laura Martin, a prologue book by writer Ed Brubaker and artist Scot Eaton, and numerous tie-in books, including most of the X-Men family of books.

<i>Fatale</i> (Image Comics) Supernatural noir comic book by Ed Brubaker and Sean Phillips

Fatale is a supernatural noir comic book created by Ed Brubaker and Sean Phillips. It was published by Image Comics between January 2012 and July 2014. The series was initially announced as a 12-issue limited series, but was later extended to 24 issues.

<i>MIND MGMT</i> American comic book series

MIND MGMT is an American comic book series created by Matt Kindt and published through Dark Horse Comics. The first issue was released on May 23, 2012 to positive reviews and received a second printing in April 2013. The series continued to receive positive coverage during its run, but Kindt's art style was a common point of criticism. The series concluded with issue 36 in August 2015. The story has been collected into six hardcover and three omnibuses.

<i>Invisible Republic</i> (comics)

Invisible Republic is an American science fiction comic book series created by Corinna Bechko and Gabriel Hardman and published through Image Comics. The first issue was released on March 18, 2015 to favorable reviews. The creators intended the story to run between 39 and 50 issues. The title has been on indefinite hiatus since the fifteenth issue, released on March 2017.

<i>Rachel Rising</i> Comic book series

Rachel Rising is a 42-issue American comic book series created by Terry Moore and published through Abstract Studio. The first issue was released on August 3, 2011, to positive reviews. Reviewers sometimes criticized the pace later in the run, but the series won industry awards throughout its publication. Since its conclusion in 2016, members of the cast have reappeared in other works by Moore. Plans for a television adaptation were announced in April 2013, but was still in the scripting stage in 2015.

<i>Revival</i> (comics) American horror comics series by Tim Seeley and Mike Norton

Revival is an American horror comics series created by writer Tim Seeley and artist Mike Norton. The pair worked with colorist Mark Englert and cover artist Jenny Frison to produce the series, which was published by Image Comics as 47 monthly issues released between July 2012 and February 2017. It has since been reprinted in both paperback and hardcover editions that contain multiple issues.

<i>Batman: Gotham Noir</i>

Batman: Gotham Noir is an Elseworlds graphic novel published by DC Comics in 2001, written by Ed Brubaker, with art by Sean Phillips.

<i>Kill or Be Killed</i> (comics) American comic book series

Kill or be Killed is an American comic book series created by writer Ed Brubaker and artist Sean Phillips. Elizabeth Breitweiser is the colorist. The series was announced in April 2016, and the first issue was published by Image Comics on August 3, 2016. The series received mostly positive reviews from critics until its conclusion with issue 20 in June 2018.

<i>Lazarus</i> (comics) Comic book series

Lazarus is an American dystopian science fiction comic book series created by writer Greg Rucka and artist Michael Lark. The two began developing the idea in 2012 and partnered with colorist Santi Arcas to finish the art. Image Comics has been publishing the book since the first issue was released on June 23, 2013. Other creators were brought in later to assist with lettering and inking. A six-issue spin-off limited series, Lazarus: X+66, was released monthly in 2017 between issues 26 and 27 of the regular series. Rucka initially said the series could run for up to 150 issues, but later reduced the estimate by half. Lazarus is being collected into paperback and hardcover editions, which sell better than the monthly issues.

References

  1. 1 2 3 4 5 Sava, Oliver (August 8, 2014), "Exclusive preview: Brubaker, Phillips, and Breitweiser tackle post-WWII Hollywood in The Fade Out #1 Archived 2016-08-10 at the Wayback Machine ", The A.V. Club (accessed May 29, 2016)
  2. ↑ Sims, Chris (January 6, 2016), "The Real Tragedy Is That He’ll Never Leave: Ed Brubaker on 'The Fade Out,' Part One Archived 2016-03-22 at the Wayback Machine ," ComicsAlliance (accessed May 28, 2016)
  3. 1 2 3 Truitt, Brian (August 19, 2014), "'Fade Out' stars melodramatic noir of '40s Hollywood Archived 2016-04-17 at the Wayback Machine ," USA Today (accessed June 7, 2016)
  4. 1 2 3 4 5 6 7 Smith, Zack (January 6, 2016), "Brubaker and Phillips on The Fade Out's Finale Archived 2016-04-17 at the Wayback Machine ," Newsarama (accessed May 28, 2016)
  5. 1 2 3 4 Kim, James (March 3, 2015), "'The Fade Out': comic book writer Ed Brubaker on Hollywood in the 1940s Archived 2016-07-24 at the Wayback Machine ," SCPR (accessed May 28, 2016)
  6. 1 2 Schmidt, Kevin (January 15, 2015), "Talking to Ed Brubaker on His Five Year Deal with Image, The Fade Out and The Winter Soldier – At Image Expo Archived 2016-08-21 at the Wayback Machine ," Bleeding Cool (accessed May 28, 2016)
  7. 1 2 Marx, Sam (August 21, 2014), "Review: The Fade Out #1 Archived 2016-03-14 at the Wayback Machine ," Comicosity (accessed May 28, 2016)
  8. ↑ Dissanayake, David (January 9, 2014), "Ed Brubaker and Sean Phillips Sign a Five Year Deal with Image... Archived 2016-08-21 at the Wayback Machine ," Bleeding Cool (accessed June 10, 2016)
  9. 1 2 Phegley, Kiel (August 11, 2014), "Ed Brubaker on Horror, Jealousy and "Fatale's" Finale Archived 2016-08-13 at the Wayback Machine ," Comic Book Resources (accessed May 28, 2016)
  10. 1 2 3 4 Harper, David (August 20, 2014), "Artist Alley: Sean Phillips and the Dark Side of Hollywood in "The Fade Out" Archived 2016-04-17 at the Wayback Machine ," Multiversity Comics (accessed May 30, 2016)
  11. ↑ Parker, Charley (June 9, 2015), "Sean Phillips Archived 2017-04-01 at the Wayback Machine ", Lines and Colors. Retrieved March 31, 2017
  12. ↑ Reese, Nathan (August 14, 2014), "Sex, Blood, and Tentacles: Ed Brubaker's Comic Book Noir Archived 2016-08-27 at the Wayback Machine ," Complex (accessed May 28, 2016)
  13. ↑ "The Fade Out #1 Archived 2016-06-30 at the Wayback Machine " Image Comics (accessed June 10, 2016)
  14. ↑ The Fade Out #1 (w)Ed Brubaker (a)Sean Phillips (p)Image Comics (August 20, 2014)
  15. 1 2 3 "August 2014 Comic Book Sales Figures Archived 2016-04-17 at the Wayback Machine ," Comichron (accessed May 28, 2016)
  16. ↑ "DC Comics Offers Sales Incentive on Plain Janes Archived 2016-08-15 at the Wayback Machine ," Diamond Comics Distributors (accessed June 10, 2016)
  17. 1 2 Burlingame, Russ (August 21, 2014) "Ed Brubaker and Sean Phillips's The Fade-Out Sells Out Archived 2016-08-09 at the Wayback Machine ," ComicBook.com (accessed June 10, 2016)
  18. ↑ "Comic Book Sales for 2014 Archived 2016-06-16 at the Wayback Machine ," Comichron (accessed June 10, 2016)
  19. 1 2 Wilson, Matt D (May 15, 2014) "Ed Brubaker and Sean Phillips Go Hollywood Noir with 'The Fade Out' Archived 2016-08-20 at the Wayback Machine ," ComicsAlliance (accessed May 28, 2016)
  20. ↑ Harper, David (March 28, 2016), "This Noir Life: A Retrospective of the Brubaker/Phillips Partnership Archived 2016-06-12 at the Wayback Machine ," SKTCHD (accessed May 28, 2016)
  21. ↑ Salazar, Kat (August 21, 2014), "The Fade Out comes into focus Archived 2016-11-15 at the Wayback Machine ", Image Comics. Retrieved September 13, 2016
  22. 1 2 3 Sims, Chris (January 7, 2016), "They Work For The Machine: Ed Brubaker on 'The Fade Out,' Part Two Archived 2016-06-10 at the Wayback Machine ," ComicsAlliance (accessed May 28, 2016)
  23. ↑ (September 15, 2015), ""The Fade Out" Ends, "Spawn" Takes on Satan & More in Image December Solicitations Archived 2016-04-17 at the Wayback Machine , Comic Book Resources (accessed June 13, 2016)
  24. 1 2 McElhatton, Greg (January 7, 2016), "The Fade Out #12 Archived 2016-06-16 at the Wayback Machine ," Comic Book Resources (accessed May 2016)
  25. ↑ "January 2016 Comic Book Sales Figures Archived 2017-01-29 at the Wayback Machine ," Comichron (accessed May 28, 2016)
  26. ↑ "The Fade Out Archived 2016-08-11 at the Wayback Machine ," Image Comics. Retrieved September 12, 2016
  27. ↑ Kill or Be Killed #12. September 15, 2017. (w)Ed Brubaker (a)Sean Phillips (p)Image Comics
  28. ↑ "The Fade Out #12 Archived 2017-03-16 at the Wayback Machine ," Comic Book Roundup (accessed May 28, 2016)
  29. ↑ Schedeen, Jesse (July 23, 2016), "Comic-Con 2016: 2016 Eisner Award Winners Revealed Archived 2016-04-17 at the Wayback Machine ," IGN. Retrieved September 8, 2016
  30. 1 2 McElhatton, Greg (August 20, 2014), "The Fade Out #1 Archived 2016-04-17 at the Wayback Machine ," Comic Book Resources (accessed May 28, 2016)
  31. ↑ Harper, David (July 2, 2015), "Image Expo: Publisher Eric Stephenson on Where Image Is and Where It's Headed Archived 2016-09-11 at the Wayback Machine ," SKTCHD. Retrieved September 12, 2016
  32. ↑ Magnett, Chase (January 7, 2016), "The Fade Out #12: Burning the Past Archived 2016-03-17 at the Wayback Machine ," Comics Bulletin (accessed May 28, 2016)
  33. ↑ Bush, Jim (July 1, 2015), "The Fade Out #7 Review Archived 2016-04-17 at the Wayback Machine ," Entertainment Fuse (accessed May 28, 2016)
  34. ↑ Jasper, Marykate (October 1, 2014), "The Fade Out #2 Archived 2016-08-13 at the Wayback Machine ," Comic Book Resources (accessed May 28, 2016)

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.