The Gospel at Colonus

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The Gospel at Colonus
The Gospel at Colonus.jpg
Original Broadway Playbill
Music Bob Telson
Lyrics Lee Breuer
Book Lee Breuer
Basis Oedipus at Colonus by Sophocles
Productions1983 Brooklyn Academy of Music
1985 American Music Theater Festival, Philadelphia
1987 Guthrie Theatre, Minneapolis
1988 Lunt-Fontanne Theatre, Broadway
1990 American Conservatory Theater, San Francisco
1995 in Malvern, Pa. at the People's Light and Theatre Co. Freefest 2004 Apollo Theater
2010 Ordway Center for the Performing Arts, St. Paul
2015 Nate Holden Performing Arts Center, Los Angeles
2015 Playhouse on the Square, Memphis 2018 Coatesville Cultural Society at the First Unitarian Church of Philadelphia
Awards Pulitzer Prize finalist, 1985

The Gospel at Colonus is an African-American musical version of Sophocles's tragedy, Oedipus at Colonus. The show was created in 1983 by the experimental-theatre director Lee Breuer, one of the founders of the seminal American avant-garde theatre company Mabou Mines, and composer Bob Telson. The musical was a finalist for the Pulitzer Prize for Drama. The show had a brief run on Broadway in 1988.

Contents

Productions

The Gospel at Colonus premiered at the Brooklyn Academy of Music's Next Wave Festival in November to December 1983. [1]

The following year it received a production at the Arena Stage in Washington D.C. running from Nov 23, 1984 – Dec 30, 1984 [2]

The musical ran at the American Music Theater Festival, Philadelphia, in September 1985. [3] [4]

A production at the Alliance Theatre, Atlanta Ga, in 1987 included Morgan Freeman and the Blind Boys of Alabama. [5] [6] [7]

The Gospel at Colonus opened on Broadway at the Lunt-Fontanne Theatre on March 11, 1988, in previews, officially on March 14, 1988, and closed on May 15, 1988, after 61 performances and 15 previews. Directed by Lee Breuer, the cast featured Morgan Freeman (Messenger), Sam Butler, Jr. (The Singer), Clarence Fountain and the Five Blind Boys of Alabama (Oedipus) and the Institutional Radio Choir of Brooklyn. Breuer was nominated for the 1988 Tony Award for his book. [8]

The musical was a finalist for the 1985 Pulitzer Prize for Drama. [9] The musical won the 1984 Obie Award as Best Musical. [10]

The musical was produced at the Apollo Theater, New York City, in October 2004, featuring Charles S. Dutton as the Preacher, the Blind Boys of Alabama and the Legendary Soul Stirrers. [11]

The production at the Nate Holden Performing Arts Center, Los Angeles, by the Ebony Repertory Theatre was nominated for the 2015 Los Angeles Drama Critics Circle Awards for theatrical excellence. [12] [13]

In 2018 Breuer and Telson reunited most of the original 1983 BAM cast to present The Gospel at Colonus at the Delacorte Theater in New York's Central park. The New Yorker magazine wrote: "Superlatives are increasingly difficult to back up, since most of the world speaks and tweets in exclamation points by now, but I think it’s safe to say that the director Lee Breuer’s “The Gospel at Colonus” is a masterpiece. I first saw it at BAM in 1983, when it premièred, and I left the theatre with my shirtfront drenched with tears and the perspiration of relief: here was a portrait of black life—of black music, joy, and pain—that I could understand. Brilliantly recasting Sophocles’ tragedy “Oedipus at Colonus” as a Pentecostal sermon, Breuer and his incredible composer, Bob Telson, got at the heart of difference and history and how the two helped create America. A limited run of free shows at the Public's Delacorte Theatre, Sept. 4–9, features the legendary groups the Blind Boys of Alabama and the Original Soul Stirrers." — Hilton Als

Overview

Breuer and Telson handed the storytelling duties to a black Pentecostal preacher and the choir of his church, who in turn enacted the story of Oedipus's torment and redemption as a modern parable. They employed the unusual device of casting The Blind Boys of Alabama to collectively portray Oedipus as well as the Institutional Radio Choir in Brooklyn and Chancel Choir of the Abyssinian Baptist Church in Harlem. Other casting innovations in the performance include multiple actors in single roles, such as when The Messenger is called upon to assume the role of Oedipus in tandem with the singer cast when the role calls for stage motion that would be difficult for the blind singer to negotiate alone, the multiplicity of Oedipus's daughters and one son when the children of Oedipus appear collectively (with Jevetta Steele as Ismene, her sister Jearlyn Steele doubling for actress Isabell O'Connor as Antigone, and brothers J.D. and Fred Steele standing in as Polynices and Eteocles, with actor Kevin Davis doubling as Polynices), and, indeed, with different portions of the cast, singly and in groups, assuming the duties of the traditional Greek chorus.

The New York Times's Mel Gussow has expressed the view that the result was the translation of the Greek myth into a Christian parable. In his review of the BAM production, Gussow noted: "It is surprising how organically "Oedipus" can fit within the framework of a gospel musical... the evening has the shape of a church service." [1]

While the traditions of Greek theater as religious ritual are unfamiliar to modern audiences, Gospel at Colonus reaffirms those possibilities by its use of call-and-response and ecstatic, sung re-enactment of a culturally important story.

Television and film

In 1985 PBS televised the original Brooklyn Academy of Music production, as presented by the American Music Theater Festival at the Annenberg Center in Philadelphia, as part of the Great Performances series. The performers included Morgan Freeman as The Messenger, Carl Lumbly as Theseus, Jevetta Steele as Ismene, and Robert Earl Jones as Creon. In the 1985 incarnation, The Soul Stirrers (credited collectively) and the Institutional Radio Choir assume roles as citizens of Colonus. [3]

The first-act song "How Shall I See You Through My Tears?" was used as the opening number of the 2003 film, Camp .

Musical numbers

Related Research Articles

<span class="mw-page-title-main">Sophocles</span> 5th century BC Athenian tragic playwright

Sophocles was an ancient Greek tragedian, known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: Ajax, Antigone, Women of Trachis, Oedipus Rex, Electra, Philoctetes, and Oedipus at Colonus. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four.

<span class="mw-page-title-main">Pulitzer Prize for Drama</span> American award for distinguished plays

The Pulitzer Prize for Drama is one of the seven American Pulitzer Prizes that are annually awarded for Letters, Drama, and Music. It is one of the original Pulitzers, for the program was inaugurated in 1917 with seven prizes, four of which were awarded that year. It recognizes a theatrical work staged in the U.S. during the preceding calendar year.

<span class="mw-page-title-main">Antigone</span> Daughter of Oedipus in Greek mythology

In Greek mythology, Antigone is a Theban princess, and a character in several ancient Greek tragedies. She is the daughter of Oedipus, king of Thebes. Her mother is Jocasta. In another variation of the myth, her mother is Euryganeia. She is a sister of Polynices, Eteocles, and Ismene. The meaning of the name is, as in the case of the masculine equivalent Antigonus, "in place of one's parents" or "worthy of one's parents". Antigone appears in the three 5th century BC tragic plays written by Sophocles, known collectively as the three Theban plays. She is the protagonist of the tragedy Antigone. She makes a brief appearance at the end of Aeschylus' Seven against Thebes, while her story was also the subject of Euripides' now lost play with the same name.

<i>Antigone</i> (Sophocles play) Tragedy by Sophocles

Antigone is an Athenian tragedy written by Sophocles in 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second oldest surviving play of Sophocles, preceded by Ajax, which was written around the same period. The play is one of a triad of tragedies known as the three Theban plays, following Oedipus Rex and Oedipus at Colonus. Even though the events in Antigone occur last in the order of events depicted in the plays, Sophocles wrote Antigone first. The story expands on the Theban legend that predates it, and it picks up where Aeschylus' Seven Against Thebes ends. The play is named after the main protagonist Antigone.

<span class="mw-page-title-main">Oedipus</span> Mythical Greek king of Thebes

Oedipus was a mythical Greek king of Thebes. A tragic hero in Greek mythology, Oedipus accidentally fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.

<span class="mw-page-title-main">Polynices</span> Mythological prince of Thebes

In Greek mythology, Polynices was the son of Oedipus and either Jocasta or Euryganeia and the older brother of Eteocles. When Oedipus was discovered to have killed his father and married his mother, Oedipus was expelled from Thebes, leaving Eteocles and Polynices to rule. Because of a curse put on them by their father, the two sons did not share the rule peacefully. During a battle for control over Thebes, the brothers killed each other.

<i>Oedipus Rex</i> Classical Athenian tragedy by Sophocles

Oedipus Rex, also known by its Greek title, Oedipus Tyrannus, or Oedipus the King, is an Athenian tragedy by Sophocles that was first performed around 429 BC. Originally, to the ancient Greeks, the title was simply Oedipus (Οἰδίπους), as it is referred to by Aristotle in the Poetics. It is thought to have been renamed Oedipus Tyrannus to distinguish it from Oedipus at Colonus, a later play by Sophocles. In antiquity, the term "tyrant" referred to a ruler with no legitimate claim to rule, but it did not necessarily have a negative connotation.

<i>Oedipus at Colonus</i> Ancient Greek tragedy by Sophocles

Oedipus at Colonus is the second-last of the three Theban plays of the Athenian tragedian Sophocles. It was written shortly before Sophocles's death in 406 BC and produced by his grandson at the Festival of Dionysus in 401 BC.

<span class="mw-page-title-main">The Blind Boys of Alabama</span> American gospel group

The Blind Boys of Alabama, also billed as The Five Blind Boys of Alabama, and Clarence Fountain and the Blind Boys of Alabama, is an American gospel group. The group was founded in 1939 in Talladega, Alabama, and has featured a changing roster of musicians over its history, the majority of whom are or were vision impaired.

<span class="mw-page-title-main">Jevetta Steele</span> American R&B and gospel music singer (born 1963)

Jevetta Steele is an American R&B and gospel music singer.

<span class="mw-page-title-main">Lee Breuer</span> American theatre director (1937–2021)

Esser Leopold "Lee" Breuer was an Obie Award-winning and Pulitzer-, Grammy-, Emmy- and Tony-nominated American playwright, theater director, academic, educator, filmmaker, poet, and lyricist. Breuer taught and directed on six continents.

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Robert Eria Telson is an American composer, songwriter, and pianist best known for his work in musical theater and film, for which he has received Tony, Pulitzer, and Academy Award nominations.

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<span class="mw-page-title-main">Eric "Ricky" McKinnie</span> American gospel singer

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The Institutional Radio Choir was a gospel choir that recorded between 1962-2003. The choir began in 1954 at the Institutional COGIC in Brooklyn, NY, under Bishop Carl E Williams Sr. After recording an album entitled: "Well Done," the choir backed up Shirley Caesar on her two albums, I'll Go and My Testimony. Caesar allotted the choir's director two songs on the album, one of which was entitled (When Trouble Comes) Stretch Out. The song went on to become a gospel standard, especially in Pentecostal circles. The choir went on to record over 20 albums, most of which charted in the Top 10 on the Gospel Billboard charts.

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References

  1. 1 2 Gussow, Mel. The Gospel at Colonus, The New York Times Guide to the Arts of the 20th Century: 1900-1929, Taylor & Francis, 2002, ISBN   1579582907, pp. 2785-2786
  2. "Arena Stage History - 1984 – 1985 Season". www.arenastage.org/. Retrieved 4 March 2017.
  3. 1 2 O'Conner, John J. "'The Gospel at Colonus' on Great Performances" The New York Times, November 8, 1985
  4. Klein, Joe. "Sounds", "Raging Glory" New York Magazine, February 27, 1984, p. 76
  5. "1980s | Alliance Theatre". alliancetheatre.org. Retrieved 2018-06-01.
  6. "Bob Farley reflects on retirement and 25 years at Georgia Ensemble". ArtsATL. 2017-09-15. Retrieved 2018-06-01.
  7. "Stage News: The Gospel at Colonus,' Threepenny's Brilliant Traces,' etc" . Retrieved 2018-06-01.
  8. "The Gospel at Colonus Broadway" Playbill (vault), accessed March 20, 2016
  9. "Pulitzer Prize, Drama" pulitzer.org, accessed March 20, 2016
  10. "Obie Awards, 1984" obieawards.com, accessed March 20, 2016
  11. Gates, Anita. "Lost in the Joyful Noise of Sophocles" The New York Times, October 30, 2004
  12. Gans, Andrew. "Los Angeles Drama Critics Circle Nominations Announced; Deaf West Theatre Will Be Honored" Playbill, January 29, 2016
  13. Nichols, David C. "'The Gospel at Colonus' proves timely, timeless" Los Angeles Times, June 25, 2015