The Great Koonaklaster Speaks: A John Fahey Celebration | ||||
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Studio album by Various artists | ||||
Released | June 19, 2007 | |||
Genre | Blues, folk, Avant-garde | |||
Length | 64:24 | |||
Label | Table of the Elements | |||
Tributes to John Fahey chronology | ||||
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The Great Koonaklaster Speaks: A John Fahey Celebration is a tribute CD to guitarist John Fahey released in 2007.
The sessions for the 1997 Fahey/Cul de Sac collaboration album The Epiphany of Glenn Jones marks the first appearance of "The Great Kooniklaster" [ sic ], as an Art Deco object Fahey acquired, named, and placed in the studio to bring focus to the sessions. [1] Fahey used the term in a variety of ways. It appeared in the introduction of the guitar instruction book The Best of John Fahey as a "KoonaKlastier Konfectionary" and also appears in Fahey's book How Bluegrass Music Destroyed My Life. [2] [3]
Review scores | |
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Source | Rating |
Pitchfork Media | (8.2 of 10) [4] |
Record Collector | (5 stars) [5] |
Music critic Kris Needs of Record Collector gave the tribute album five stars and stated "With projects like this... Fahey still seems to be leading a not-so-quiet revolution from beyond the grave." [5]
In his review for Pitchfork Media, Grayson Currin praised the album, calling it "a mighty tribute to a worthy subject' and "the clearest and most brazen picture of the onus and inspiration Fahey has left for modern music. Importantly, this is a tribute record, but it's not a covers record: Instead, it collects unreleased work from 11 current experimental acts that feel Fahey's influence and attempt to offer a glimpse of it here." [4]
No. | Title | Performer | Length |
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1. | "Since I've Been a Man Full Grown" | Jack Rose | 11:08 |
2. | "Spanish Flang Dang" | Greg Malcolm | 5:13 |
3. | "Exorcise/Intone" | Ben Vida | 7:24 |
4. | "Hood River Lap Dance" | Richard Bishop | 4:25 |
5. | "My Babe, My Babe" | Michael Hurley | 3:00 |
6. | "Overcome" | No-Neck Blues Band | 3:46 |
7. | "Escapisms in a Comedic Forum" | Lichens | 3:27 |
8. | "Red Apple" | Badgerlore | 5:31 |
9. | "I Used to Strive for a Tree; Now I Thrive on a Mountain" | R. Keenan Lawler | 4:06 |
10. | "Ceremonial Knives" | Pumice | 4:53 |
11. | "Crossing the Susquehanna River Bridge" | David Daniell | 11:31 |
John Smith Hurt, better known as Mississippi John Hurt, was an American country blues singer and guitarist.
Cul de Sac are a rock group formed in 1990 in Boston, Massachusetts and led by guitarist Glenn Jones. Their music is primarily instrumental. Jones and keyboardist Robin Amos have been the only constant members.
Charles Samuel Bush is an American mandolinist who is considered an originator of progressive bluegrass music. In 2020, he was inducted into the International Bluegrass Music Hall of Fame as a member of New Grass Revival.
I Am the Resurrection: A Tribute to John Fahey is a tribute album to guitarist John Fahey released in 2006. The album's title is taken from the title of the third track of his album The Transfiguration of Blind Joe Death.
Jack Rose was an American guitarist originally from Virginia and later based in Philadelphia, Pennsylvania. Rose is best known for his solo acoustic guitar work. He was also a member of the noise/drone band Pelt.
John Aloysius Fahey was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been enormously influential and has been described as the foundation of the genre of American primitive guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate 20th-century classical, Portuguese, Brazilian, and Indian influences into his work.
Lichens is the moniker of artist Robert Aiki Aubrey Lowe, created for performance and recording solo and with collaborators.
The Dance of Death & Other Plantation Favorites is the third album by American fingerstyle guitarist and composer John Fahey, released in 1965. The 1999 reissue contained four previously unreleased tracks.
Old Fashioned Love is an album by American fingerstyle guitarist and composer John Fahey, released in 1975. It is credited on the cover to John Fahey & His Orchestra.
Fare Forward Voyagers is an album by American fingerstyle guitarist and composer John Fahey, released in 1973. It contains three songs, one comprising a complete side of the original LP.
John Fahey Visits Washington D.C. is an album by American fingerstyle guitarist and composer John Fahey, released in 1979.
The Epiphany of Glenn Jones is an album by American fingerstyle guitarist and composer John Fahey and the alternative rock/post-rock band Cul de Sac, released in 1997.
Red Cross is the 33rd and final studio album by American fingerstyle guitarist and composer John Fahey, released posthumously in 2003. The Revenant Records catalog refers to the album's title as Red Cross Disciple of Christ Today.
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Your Past Comes Back to Haunt You: The Fonotone Years, 1958–1965 is the title of a box set compilation of recordings by American fingerstyle guitarist and composer John Fahey, released in 2011.
Years Past Matter is the fourth studio album by the American black metal band Krallice. It was self-released by the band as a limited edition CD on August 25, 2012. A vinyl version of the album was subsequently released by Gilead Media on March 19, 2013.
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