Of Rivers and Religion | ||||
---|---|---|---|---|
Studio album by | ||||
Released | August 15, 1972 | |||
Recorded | 1972 | |||
Genre | Folk, jazz | |||
Length | 37:40(Original LP) 34:49 (Reissue) | |||
Label | Reprise | |||
Producer | John Fahey, Denny Bruce | |||
John Fahey chronology | ||||
|
Of Rivers and Religion is an album by American folk musician John Fahey, released in 1972. It was his first recording on a major label (Reprise Records) and is credited to John Fahey and His Orchestra. It marked a significant change from Fahey's previous releases, incorporating a backing band and performing songs and arrangements in a Dixieland jazz style. Although Time picked it as one of the Top Ten albums of 1972, it was also a difficult album to market and had little enthusiasm at Reprise. [1]
Of Rivers and Religion was the first album Fahey recorded with producer/manager Denny Bruce. Bruce had negotiated the contract with Reprise after failing to negotiate with Fahey's previous label, Vanguard Records. [1]
Bruce arranged for the musicians, beginning with Jack Feierman who wrote the majority of the arrangements. [1] Many of the New Orleans session players had previously contributed to Walt Disney's soundtrack for Song of the South . [2] Some of the same musicians would appear on Fahey's second release for Reprise, After the Ball . [1] Multi-instrumentalist and session musician Chris Darrow later commented, "I remember the first time I ever heard him, I thought they'd turned the record from 45 to 33 or something, 'cause I couldn't believe how slow he played." [3] The session band appeared on "Dixie Pig Bar-B-Q Blues", "Texas and Pacific Blues" and "Lord Have Mercy". [4]
Speaking of both Of Rivers and Religion and After the Ball in a 1998 interview for The Wire , Fahey recalled, "I don't understand why they got bad reviews. It's like every time I wanted to do something other than play guitar I got castigated." [5]
The album cover featured a photo staged at Disneyland's Tom Sawyer's Island. [4]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Christgau's Record Guide | A [6] |
The Encyclopedia of Popular Music | [7] |
The Great Folk Discography | 8/10 [8] |
The Rolling Stone Album Guide | [9] |
Spin Alternative Record Guide | 6/10 [10] |
Tom Hull | A [11] |
Time picked Of Rivers and Religion as one of the Top Ten albums of 1972. [1]
In his AllMusic review, critic Brian Olewnick called it "A fine effort and certainly something that belongs on the shelves of any fan of the late, very great guitarist", [3] while music critic Robert Christgau said "[it's] not for everyone, but I think this is his best" and gave it an A rating; [6] later, Christgau would rank it as the twenty-fifth best record of the decade. [12]
In his 1972 review for Rolling Stone Bob Palmer praised the change in direction and said, "[Fahey] uses traditional motifs to construct pieces of dazzling contrasts, counter-balancing their deep feelings and dark undertows with a dry but devastating sense of humor... it's Fahey's show most of the way and the guitarist makes the most of what is surely his finest hour." [13]
Production notes
First Rays of the New Rising Sun is a compilation album credited to American rock musician Jimi Hendrix, issued in April 1997 on MCA Records. Featuring songs mostly intended for his planned fourth studio album, it was one of the first releases overseen by Experience Hendrix, the family company that took over management of his recording legacy. It reached the album charts in the United States, United Kingdom, and four other countries.
The Transfiguration of Blind Joe Death is a 1965 album by American fingerstyle guitarist and composer John Fahey. Originally issued in a hand-lettered edition of 50, it was Fahey's first album to be released by a label other than his own Takoma Records. As with all of Fahey's independently released early albums, it had little critical recognition upon release. The album has grown in stature since its reissue on CD in 1997 and is now highly regarded critically. It was Fahey's fourth album to see release, though after his fifth album, The Great San Bernardino Birthday Party & Other Excursions, was labeled Guitar Vol. 4, reissues of The Transfiguration of Blind Joe Death were subtitled John Fahey, Volume 5.
Blind Joe Death is the first album by American fingerstyle guitarist and composer John Fahey. There are three different versions of the album, and the original self-released edition of fewer than 100 copies is extremely rare.
John Aloysius Fahey was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been enormously influential and has been described as the foundation of the genre of American primitive guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate 20th-century classical, Portuguese, Brazilian, and Indian influences into his work.
The Voice of the Turtle is the seventh album by American guitarist John Fahey. Recorded and released in 1968, it is considered one of his more experimental albums, combining not only folk elements, but shreds of psychedelia, early blues, country fiddles, ragas, and white noise. The album had many reissues with various track listings, jacket designs and mismatched titles.
Denny Bruce is an American record producer and artist manager.
John B. Sebastian is the debut album by American singer-songwriter John Sebastian, previously best known as the co-founder and primary singer-songwriter of the 1960s folk-rock band the Lovin' Spoonful. The album, released in January 1970, includes several songs that would become staples of Sebastian's live performances during the early and mid-1970s. Most notably, the album included "She's a Lady", Sebastian's first solo single, and an alternate version of "I Had a Dream" which was used to open the soundtrack album of the 1970 documentary film Woodstock. John B. Sebastian also featured support performances by David Crosby, Stephen Stills and Graham Nash several months before that trio agreed to work together as a performing unit.
The Yellow Princess is the ninth album by American folk musician John Fahey. Released in 1968, it was his second and last release on the Vanguard label.
The New Possibility: John Fahey's Guitar Soli Christmas Album is a 1968 album by American folk musician John Fahey. It is a collection of solo-guitar arrangements of familiar Christmas songs and has been Fahey's best selling recording, remaining in print since it was first released. The album is especially noteworthy since holiday music had never before been played in Fahey's acoustic-steel string blues guitar style.
Death Chants, Breakdowns & Military Waltzes is a 1963 album by American fingerstyle guitarist and composer John Fahey. Various sources show either a 1963 or 1964 original release. It was Fahey's second release and the first to gain a national distributor.
The Dance of Death & Other Plantation Favorites is the third album by American fingerstyle guitarist and composer John Fahey, released in 1965. The 1999 reissue contained four previously unreleased tracks.
Old Fashioned Love is an album by American fingerstyle guitarist and composer John Fahey, released in 1975. It is credited on the cover to John Fahey & His Orchestra.
Fare Forward Voyagers (Soldier's Choice) (or simply, Fare Forward Voyagers) is an album by American fingerstyle guitarist and composer John Fahey, released in 1973. It contains three songs, one comprising a complete side of the original LP.
The Great San Bernardino Birthday Party & Other Excursions is an album by American fingerstyle guitarist and composer John Fahey, released in 1966. The cover simply labels the album Guitar Vol. 4 while the liner notes label it The Great San Bernardino Birthday Party & Other Excursions. The title never appeared on the record labels themselves. It marked the beginning of Fahey's interest in his recording of experimental soundscapes and sound effects. Despite Fahey's distaste for the 1960s counterculture, it is his release most often referred to as psychedelic.
Requia is the eighth album by American fingerstyle guitarist and composer John Fahey. Released in November 1967, it was the first of Fahey's two releases on the Vanguard label. It originally received hostile reviews from music critics, particularly for its musique concrète experimentation. It has since been recognised as precursor to new-age music, and has been re-released multiple times, including by Terra in 1985, Vanguard in 1997 and 1998 and Ace in 1998.
America is an album by American folk musician John Fahey, released in 1971. Originally intended to be a double album, it was released as a single LP. The unreleased material was subsequently restored in later CD and vinyl reissues.
After the Ball is an album by the American folk musician John Fahey, released in 1973. It was his second and last recording on the Reprise label and like its predecessor, Of Rivers and Religion, it sold poorly.
The Best of John Fahey 1959–1977 is a compilation album by American fingerstyle guitarist and composer John Fahey, released in 1977. The songs are collected from four of Fahey's dozen or so releases up to that point.
The Return of the Repressed: The John Fahey Anthology is a compilation album by American fingerstyle guitarist and composer John Fahey, released in 1994. Fahey's career, health and personal life had been in decline. The release of The Return of the Repressed, along with an article in Spin magazine by Byron Coley served to provide a renewal of his career.
Christopher Lloyd Darrow was an American multi-instrumentalist and singer-songwriter. He was considered to be a pioneer of country rock music in the late-1960s and performed and recorded with numerous groups, including Kaleidoscope and the Nitty Gritty Dirt Band.