The New Possibility | ||||
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Studio album by | ||||
Released | 1968 | |||
Genre | Folk, Christmas | |||
Length | 40:06 | |||
Label | Takoma | |||
Producer | John Fahey | |||
John Fahey chronology | ||||
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The New Possibility: John Fahey's Guitar Soli Christmas Album is a 1968 album by American folk musician John Fahey. It is a collection of solo-guitar arrangements of familiar Christmas songs and has been Fahey's best selling recording, remaining in print since it was first released. The album is especially noteworthy since holiday music had never before been played in Fahey's acoustic-steel string blues guitar style.
As Fahey recounts, "I was in the back of a record store in July and I saw all these cartons of Bing Crosby's White Christmas albums. The clerk said it always sells out. So I got the idea to do a Christmas album that would sell every year." The New Possibility has been one of Fahey's best selling recordings, selling over 100,000 copies initially, and has been continually in print. [1]
Fahey's original liner notes discuss the German-American theologian and Christian existentialist philosopher Paul Tillich's reference to the birth of Jesus Christ as "The New Possibility". Fahey notes the scholarly research on the secular and mythological/superstitious ideas connected with the "Christmas Story". [2] These liner notes were removed in later reissues. When asked why, Fahey said, "I just didn't feel that way any more." [3]
In 1979, Fahey said, "Well, the arrangements are pretty good, but on the other hand there are more mistakes on this album than on any of the other 17 albums I’ve recorded. And yet, here’s the paradox… this album has not only sold more than any of my others, I meet people all the time who are crazy about it. I mean really love it. What can I say. I’m confused." [4]
Fahey recorded three more Christmas albums, in addition to re-recording the tracks of The New Possibility as Christmas Guitar, Volume One. There were numerous reissues on LP, 8-track tape, and cassette. Some later reissues confusingly used the cover art from the 1975 album Christmas with John Fahey Vol. II . A 2000 CD reissue of The New Possibility includes the entire contents of both that album and Christmas with John Fahey Vol. II.
John Fahey's Guitar Christmas Book, a folio of guitar transcriptions of songs from The New Possibility and Christmas with John Fahey Vol. II, was published by Stropes Editions in 1981. It is no longer in print. [5]
Review scores | |
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Source | Rating |
AllMusic | [6] [7] |
The Encyclopedia of Popular Music | [8] |
The Great Folk Discography | 4/10 [9] |
The Rolling Stone Album Guide | [10] |
In his Mojo review of the 2000 reissue - which also includes Christmas with John Fahey Vol. II - critic Andrew Male wrote "This beautiful collection of the American steel-string guitarist’s festive efforts, from 1968 and 1975, possesses a deliciously deep and spooky ambience, a disjointed jauntiness coupled with a frost-fall morning melancholy, Fahey’s guitar somehow sounding like an Elizabethan harpsichord grown wild and mad out in the Appalachian mountains." However, another Mojo article, "How To Buy Fahey", dismisses these recordings as "Cliff-territory bland". [11]
Jonathan Widran, writing for AllMusic writes it "reminds one of the simple charms of the season and how easy it is to capture that when you keep a no-frills approach. Because he rarely varies the tempos among the tracks—he's mostly in the slow to gently loping ballad mode—the songs have a slight tendency to run into each other." [6]
In 2017, Pitchfork dedicated an entire article - titled "Why You Should Listen to John Fahey’s Christmas Music—Even If You Hate Christmas Music" to The New Possibility and Fahey's other Christmas releases, hailing the former as a "landmark" release and praising its experimental interpretations of Christmas music. [12]
Production notes:
Anthology of American Folk Music is a three-album compilation, released in 1952 by Folkways Records, of eighty-four recordings of American folk, blues and country music made and issued from 1926 to 1933 by a variety of performers. The album was compiled from the experimental film maker Harry Smith's own personal collection of 78 rpm records.
The Transfiguration of Blind Joe Death is a 1965 album by American fingerstyle guitarist and composer John Fahey. Originally issued in a hand-lettered edition of 50, it was Fahey's first album to be released by a label other than his own Takoma Records. As with all of Fahey's independently released early albums, it had little critical recognition upon release. The album has grown in stature since its reissue on CD in 1997 and is now highly regarded critically. It was Fahey's fourth album to see release, though after his fifth album, The Great San Bernardino Birthday Party & Other Excursions, was labeled Guitar Vol. 4, reissues of The Transfiguration of Blind Joe Death were subtitled John Fahey, Volume 5.
Blind Joe Death is the first album by American fingerstyle guitarist and composer John Fahey. There are three different versions of the album, and the original self-released edition of fewer than 100 copies is extremely rare.
Elvis' Christmas Album is the third studio album and first Christmas album by American singer and musician Elvis Presley on RCA Victor, LOC -1035, a deluxe limited edition, released October 15, 1957, and recorded at Radio Recorders in Hollywood. It has been reissued in numerous different formats since its first release. It spent four weeks at No. 1 on the Billboard Top Pop Albums chart, and was the first of two Christmas-themed albums Presley would record, the other being Elvis Sings the Wonderful World of Christmas, released in 1971. The publication Music Vendor listed Elvis' Christmas Album on their singles charts for two weeks in December 1957 – January 1958, with a peak position of No. 49.
The Voice of the Turtle is the seventh album by American guitarist John Fahey. Recorded and released in 1968, it is considered one of his more experimental albums, combining elements of psychedelia, early blues, country fiddles, ragas, and white noise with folk music. The album had many reissues with various track listings, jacket designs and mismatched titles.
The Yellow Princess is the ninth album by American folk musician John Fahey. Released in 1968, it was his second and last release on the Vanguard label.
Death Chants, Breakdowns & Military Waltzes is a 1963 album by American fingerstyle guitarist and composer John Fahey. Various sources show either a 1963 or 1964 original release. It was Fahey's second release and the first to gain a national distributor.
The Dance of Death & Other Plantation Favorites is the third album by American fingerstyle guitarist and composer John Fahey, released in 1965. The 1999 reissue contained four previously unreleased tracks.
Old Fashioned Love is an album by American fingerstyle guitarist and composer John Fahey, released in 1975. It is credited on the cover to John Fahey & His Orchestra.
Fare Forward Voyagers (Soldier's Choice) (or simply, Fare Forward Voyagers) is an album by American fingerstyle guitarist and composer John Fahey, released in 1973. It contains three songs, one comprising a complete side of the original LP.
The Great San Bernardino Birthday Party & Other Excursions is an album by American fingerstyle guitarist and composer John Fahey, released in 1966. The cover simply labels the album Guitar Vol. 4 while the liner notes label it The Great San Bernardino Birthday Party & Other Excursions. The title never appeared on the record labels themselves. It marked the beginning of Fahey's interest in his recording of experimental soundscapes and sound effects. Despite Fahey's distaste for the 1960s counterculture, it is his release most often referred to as psychedelic.
Requia is the eighth album by American fingerstyle guitarist and composer John Fahey. Released in November 1967, it was the first of Fahey's two releases on the Vanguard label. It originally received hostile reviews from music critics, particularly for its musique concrète experimentation. It has since been recognised as precursor to new-age music, and has been re-released multiple times, including by Terra in 1985, Vanguard in 1997 and 1998 and Ace in 1998.
America is an album by American folk musician John Fahey, released in 1971. Originally intended to be a double album, it was released as a single LP. The unreleased material was subsequently restored in later CD and vinyl reissues.
Of Rivers and Religion is an album by American folk musician John Fahey, released in 1972. It was his first recording on a major label and is credited to John Fahey and His Orchestra. It marked a significant change from Fahey's previous releases, incorporating a backing band and performing songs and arrangements in a Dixieland jazz style. Although Time picked it as one of the Top Ten albums of 1972, it was also a difficult album to market and had little enthusiasm at Reprise.
After the Ball is an album by the American folk musician John Fahey, released in 1973. It was his second and last recording on the Reprise label and like its predecessor, Of Rivers and Religion, it sold poorly.
The Best of John Fahey 1959–1977 is a compilation album by American fingerstyle guitarist and composer John Fahey, released in 1977. The songs are collected from four of Fahey's dozen or so releases up to that point.
Christmas with John Fahey, Vol. II is a Christmas album by American fingerstyle guitarist and composer John Fahey, released in 1975.
Live in Tasmania is a live album by American fingerstyle guitarist and composer John Fahey, released in 1981. It was his first live album release after 18 albums.
Railroad is an album by American fingerstyle guitarist and composer John Fahey, released in 1983. It was originally released as Railroad 1 by mistake. The Shanachie Records reissue is correctly labeled as Railroad. It was his last principal recording for Takoma Records, the label he founded in 1959.
Two-Fisted Tales is the third studio album by American band the Long Ryders, released in 1987 by Island Records. It was their last studio album for 32 years until 2019's Psychedelic Country Soul. The album yielded two singles, a cover of NRBQ’s "I Want You Bad" and "Gunslinger Man". On Two-Fisted Tales, the Long Ryders moved further away from their country rock origins towards a more college rock direction.