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The Incredible String Band | ||||
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Studio album by | ||||
Released | October 1966 (UK) April 1967 (US) | |||
Recorded | 22 May 1966 | |||
Studio | Sound Techniques, Chelsea, London | |||
Genre | Folk | |||
Length | 45:07 | |||
Label | Elektra | |||
Producer | Joe Boyd | |||
The Incredible String Band chronology | ||||
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The Incredible String Band is the debut album by The Incredible String Band, released in the United Kingdom in October 1966 by record label Elektra. It is the only one of the band's albums to feature the original trio line-up with Clive Palmer, Robin Williamson and Mike Heron.
The trio had been signed to Elektra Records by Joe Boyd, who had seen them play in Glasgow.[ citation needed ] They recorded the album at the Sound Techniques studio in Chelsea, London in one afternoon in May 1966, with Boyd as producer.[ citation needed ] Boyd insisted on focusing on the group's own self-written material, rather than the traditional songs and tunes which they had also been performing, and with each performer singing his own material. This had the effect of marginalising Palmer, who had only one of his own songs featured on the record and only played on five songs in total. Less than half of the album featured collective performance. Nine of the album's sixteen songs were solo performances (five by Williamson, three by Heron and one by Palmer). Of the remaining seven songs, four were duets and only three featured all three musicians together.[ citation needed ]
The album showcased the trio's abilities on a variety of instruments, although the instrumentation is relatively orthodox compared to the band's later work. All three members played guitar and sang, with Palmer also playing banjo and kazoo and Williamson playing mandolin, banjo, tin whistle and fiddle/violin. The psychedelic imagery for which the band would become known is less prevalent on this album than on their later albums, although the liner notes, by Heron, include a surreal tale of the band's encounter with a magic blackbird. However, the album does contain unconventional tunes and singing styles.
The album was released in the United Kingdom in October 1966, and in the USA on Elektra in April 1967 (as attested in Billboard magazine's new album releases in the 9–15 April 1967 issue). The original LP sleeve used in the UK featured a photograph of the band holding up obscure musical instruments in a London music shop. For the US issue, a different photo was used, showing the three musicians posed on what appears to be a rusting bus.
The Incredible String Band did not chart when released, but in the UK following the Top 5 success of The Hangman's Beautiful Daughter it went to number 34 during a three-week run in the summer of 1968. [1]
The trio broke up immediately after recording the album, but Heron and Williamson reunited after a few months to continue the band's name as a duo, later augmented by other musicians.[ citation needed ]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Pitchfork | 5.2/10 [3] |
In a 1968 Sing Out! magazine interview Bob Dylan praised Williamson's "October Song" as one of his favorite songs of that period. Heron would later describe this album as his own favourite of the band's releases. [4]
In their retrospective review, Lindsay Planer of AllMusic praised the album, calling it "their most simple [album]. It is this minimalism that allowed the natural radiance of the band's (mostly) original material to be evident in the purist sense, and likewise without many of the somewhat intricate distractions and musical tangents that their future work would incorporate". [2]
No. | Title | Writer(s) | Length |
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1. | "Maybe Someday" | Mike Heron | 2:20 |
2. | "October Song" | Robin Williamson | 4:09 |
3. | "When the Music Starts to Play" | Heron | 2:43 |
4. | "Schaeffer's Jig" | Traditional | 0:58 |
5. | "Womankind" | Williamson | 3:45 |
6. | "The Tree" | Heron | 2:55 |
7. | "Whistle Tune" | Traditional, arr. Williamson | 1:02 |
8. | "Dandelion Blues" | Williamson | 3:02 |
No. | Title | Writer(s) | Length |
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1. | "How Happy I Am" | Heron | 2:20 |
2. | "Empty Pocket Blues" | Clive Palmer | 4:47 |
3. | "Smoke Shovelling Song" | Williamson | 3:47 |
4. | "Can't Keep Me Here" | Heron | 2:14 |
5. | "Good as Gone" | Williamson | 3:30 |
6. | "Footsteps of the Heron" | Heron | 3:14 |
7. | "Niggertown" | Traditional, arr. Palmer | 2:09 |
8. | "Everything's Fine Right Now" | Heron | 2:12 |
Chart | Entry date | Peak position |
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UK Albums Chart [1] | 20 July 1968 | 34 |
The Incredible String Band were a British psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Edinburgh in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion (1967), The Hangman's Beautiful Daughter (1968), and Wee Tam and the Big Huge (1968). They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music.
Joseph Spence was a Bahamian guitarist and singer. He is well known for his vocalizations and humming while playing the guitar. Several American musicians, including Taj Mahal, the Grateful Dead, Ry Cooder, Catfish Keith, Woody Mann, and Olu Dara, as well as the British guitarist John Renbourn, were influenced by and have recorded variations of his arrangements of gospel and Bahamian songs.
The 5000 Spirits or the Layers of the Onion is the second album by the Scottish psychedelic folk group the Incredible String Band (ISB). It was released in July 1967 on Elektra Records. The album was recorded following the reformation of the band as a duo consisting of Robin Williamson and Mike Heron. Notably, the album was a change in musical direction for the two as they transitioned from their more conventional folk music structures into complex psychedelic compositions influenced by British folk and Indian music.
The Hangman's Beautiful Daughter is the third album by Scottish psychedelic folk group the Incredible String Band (ISB), and was released in March 1968 on Elektra Records. It saw the band continuing its development of the elements of psychedelic folk and enlarging on past themes, a process they had begun on their previous album, The 5000 Spirits or the Layers of the Onion. Instrumentally, it was the ISB's most complex and experimental album to date, featuring a wide array of exotic instruments. In addition, the album captured the band utilising multi-tracks and overdubbing.
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