The Jewel in the Lotus | ||||
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Studio album by | ||||
Released | 1974 | |||
Recorded | March 1974 | |||
Studio | Record Plant New York City | |||
Genre | ||||
Length | 44:17 | |||
Label | ECM 1043 ST | |||
Producer | Manfred Eicher | |||
Bennie Maupin chronology | ||||
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The Jewel in the Lotus is the debut album by jazz woodwind player Bennie Maupin, recorded in March 1974 and released on ECM later that year. [1] The sextet's rhythm section consists of pianist Herbie Hancock, bassist Buster Williams and percussionists Billy Hart, Freddie Waits and Bill Summers, with guest appearances from trumpeter Charles Sullivan. The title is a translation of the Buddhist mantra Oṃ maṇi padme hūṃ (Devanagari: ॐ मणि पद्मे हूँ). [2]
In 2011, Ricardo Villalobos and Max Loderbauer used samples of The Jewel in the Lotus as the basis for the track "Rensenada" on the remix album Re:ECM .
Review scores | |
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Source | Rating |
AllMusic | [1] |
Pitchfork | 9.1/10 [2] |
The Rolling Stone Jazz Record Guide | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Guardian | [5] |
All About Jazz | [6] |
The editors of AllMusic awarded the album a full five stars. Thom Jurek called it "a true jazz classic," and wrote: "The true worth of Jewel in the Lotus is that perhaps no other bandleader at the time could bring together players from such different backgrounds and relationships to his own musical development and make them interact with one another with material that is scored so closely and whose dynamics and tensions are so pronounced and steady... This album sounds as timeless and adventurous in the present as the day it was released." [1]
The authors of The Penguin Guide to Jazz Recordings described the album as "a record that steals into the room and leaves again without introductions, but without attempting to be pointlessly enigmatic." [4]
In a review for Pitchfork, Shuja Haider stated: "Though Bennie Maupin is listed as the leader, The Jewel in the Lotus defies assumptions about the hierarchy of musical composition and performance... Even when an individual speaks alone, it suggests, the collective listens together, and there is no higher calling than accompanying others." [2]
The Guardian's John Fordham commented: "The rich soundscapes of Bitches Brew and early Weather Report are strong references, with Maupin far more of an enabler and a colourist than a flat-out soloist. But his rich tapestries are more acoustic than most early 1970s fusion... and this is an absorbing collage of long flute sounds over marimba vamps and loosely impressionistic percussion, water-churning noises and electric keys washing around brooding bass clarinet lines, airy soprano melodies over Buster Williams' bowed bass." [5]
John Kelman, writing for All About Jazz, called the album "a masterpiece," and remarked: "Maupin's writing is often marked by richly distinctive lyricism, but it's the ongoing interplay of this sextet/septet that makes the album so remarkable. Like the attention to space paid by the three percussionists, there's a gossamer-like ethereality to these extraordinarily multi-directional conversations." [6]
Brian Payne of Jazz Journal wrote: "This is a strange and at times haunting album. It's invariably wistful and is a classic example of 1970s spiritual jazz." [7]
All compositions by Bennie Maupin
Head Hunters is the twelfth studio album by American pianist, keyboardist and composer Herbie Hancock, released October 26, 1973, on Columbia Records. Recording sessions for the album took place in the evening at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California. The album was a commercial and artistic breakthrough for Hancock, crossing over to funk and rock audiences and bringing jazz-funk fusion to mainstream attention, peaking at number 13 on the Billboard 200. Hancock is featured with woodwind player Bennie Maupin from his previous sextet and new collaborators – bassist Paul Jackson, percussionist Bill Summers and drummer Harvey Mason. The latter group of collaborators, which would go on to be known as The Headhunters, also played on Hancock's subsequent studio album Thrust (1974). All of the musicians play multiple instruments on the album.
Bennie Maupin is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet.
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Mwandishi is the ninth album by jazz pianist Herbie Hancock, released in 1971. It is the first album to officially feature Hancock’s ‘Mwandishi’ sextet consisting of saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart.
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Flood is the second live album, and sixteenth album overall, by American jazz pianist and keyboardist Herbie Hancock. Recorded live in Tokyo, the album was originally released exclusively in Japan in 1975 as a double LP 洪水, reads kōzui meaning flood. It features The Headhunters performing selections from the albums Maiden Voyage, Head Hunters, Thrust, and Man-Child –– with the latter album still two months away from release at the time of these concerts.
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Rava on the Dance Floor is a live album by Italian jazz trumpeter and composer Enrico Rava with Parco della Musica Jazz Lab, performing songs by Michael Jackson recorded in Italy in 2011 and released on the ECM label.
One Is the Other is an album by the Billy Hart Quartet recorded in April and May 2013 and released on ECM March the following year. The quartet features saxophonist Mark Turner, pianist Ethan Iverson, and bassist Ben Street.
Inside Out is an album by American jazz trumpeter Eddie Henderson recorded in 1973 and released on the Capricorn label.
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Imaginary Cities is a studio album by the Chris Potter Underground Orchestra recorded in December 2013 and released on ECM in January 2015, Potter's second album for the label. The ensembles features the return of his "Underground Quartet"—consisting rhythm section Craig Taborn, Adam Rogers, and Nate Smith—alongside vibraphonist Steve Nelson, bassist Scott Colley, bass guitarist Fima Ephron, and a string quartet.
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