Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the Late Middle Ages, reaching its climax after the Fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements; the most famous product of the school, El Greco, was the most successful of the many artists who tried to build a career in Western Europe, and also the one who left the Byzantine style farthest behind him in his later career.
Theodore Poulakis was a Greek Renaissance painter and teacher. He is considered the father of the Heptanese School and one of the most prolific painters of Venetian Crete. Poulakis was a member of the Cretan School, his contemporary was Emmanuel Tzanes. Emmanuel Tzanes and Poulakis were active painters of the Cretan School until Candia, went to war with the Ottomans around 1649. Candia finally fell after twenty years of siege in 1669. Poulakis settled on the island of Corfu. Stephanos Tzangarolas was another famous painter in Corfu around the same period. Poulakis's works are likened to Andreas Pavias and Georgios Klontzas. Poulakis works exhibit qualities of the Venetian school. Over 130 of his paintings have survived and can be found all over the world.
The Crucifixion is a tempera painting by Andreas Pavias, who was active in Crete during the second half of the 15th century and is considered part of the Cretan School. It is now in the National Gallery of Greece. The painting influenced countless arts. Georgios Klontzas, Emmanuel Lambardos, Ioannis Moskos created similar works. Pavias introduced multiple figures to his Crucifixion. Georgios Klontzas began to employ a similar method in his famous work In Thee Rejoiceth. A work that was emulated by Theodore Poulakis and Franghias Kavertzas. The painting exhibited characteristics of the traditional maniera greca and the Venetian style.
Georgios Klontzas also known as George Klontzas and Zorzi Cloza dito Cristianopullo. He was a scholar, painter, and manuscript illuminator. He is one of the most influential artists of the post-Byzantine period. He defined the Cretan Renaissance. He worked for both Catholic and Orthodox patrons. His artistic output included: icons, miniatures, triptychs, and illuminated manuscripts. He is known for occupying his icons with countless figures. The technique is extremely complex and unique to Klontzas. Andreas Pavias attempted this technique in the Crucifixion of Jesus. Klontzas's painting All Creation rejoices in thee is his most popular work. Klontzas influenced Theodore Poulakis he created an extremely similar painting called In Thee Rejoiceth. Klontzas's work is strongly influenced by the Venetian school. His triptychs strongly resemble the works of Gentile da Fabriano, namely the Intercession Altarpiece. Klontzas's Last Judgement resembles Michelangelo's Last Judgement in the Sistine Chapel. There are very close similarities. There is no indication that Klontzas saw the work but it is a possibility. According to the Institute of Neohellenic Research fifty-four items of his art exist today.
Frantzeskos or Franghias Kavertzas was a Greek painter. His painting style resembles the late Cretan School or early Greek Baroque period. His work was influenced by Georgios Klontzas, Michael Damaskinos and Emmanuel Tzanfournaris. He was active in Crete during the early part of the 17th century roughly after the death of Georgios Klontzas. He painted two icons that are very similar to Klontzas's most notable pieces. Theodore Poulakis also painted similar themes. Kavertzas artwork incorporates the Venetian school. His works influenced Leos Moskos. His most notable works are the Last Judgement, In You Rejoiceth.
Leo or Leos Moskos was a painter and educator. There were two other painters named Moskos active around the same period, Elias Moskos and Ioannis Moskos, who may have been his relatives. Indeed, Leo is often confused with Elias Moskos. Some of his work was inspired by Georgios Klontzas and Franghias Kavertzas. He traveled all over the Venetian Empire. Records indicate he traveled to Venice, Cephalonia, and Zakynthos His style resembled the Cretan School. He taught famous painter Panagiotis Doxaras. His most popular work is the Last Judgment. His paintings can be found all over the world. Twenty of his paintings have survived.
Ioannis Moskos was a Greek painter that migrated to Venice. Two other very famous painters with the name Moskos were active around the same period Elias Moskos and Leos Moskos. Leos Moskos frequently traveled all over the Venitian Empire and was in Venice around the same period as Ioannis. He is not Elias Moskos's son. The Moskos painters may have had some relationship but documentation is unavailable. Ioannis painted in the traditional maniera greca and the Venetian style. His art resembles Michael Damaskinos and Andreas Pavias. He was affiliated with the church of San Giorgio dei Greci. He left a huge assortment of paintings that can be found all over the world. His most popular work is The Crucifixion.
In Thee Rejoiceth also known as Epi Si Harri is a tempera and gold leaf painting by Georgios Klontzas. The painting is a tribute to the Virgin Mary. Klontzas was active on the island of Crete during the second half of the 16th century. He was a member of the Cretan School. He was one of the most prolific Greek painters of the 16th century. Most of his works were copied by other artists. The In Thee Rejoiceth painting was copied by countless Greek and Italian painters. Theodore Poulakis created a version in the 17 century that is very similar to Klontzas's In Thee Rejoiceth. Franghias Kavertzas also painted a similar theme. He called his painting In You Rejoices. Leos Moskos also created his version of the popular painting. The Klontzas painting is currently at the Hellenic Institute of Byzantine and Post-Byzantine Studies Museum in Venice.
In Thee Rejoiceth also known as Epi Si Harri is a tempera and gold leaf painting by Theodore Poulakis. The central figure of the piece is the Virgin Mary. The painting is a tribute to her. Poulakis was from Chania Crete. He was active on the Ionian islands and in Venice during the second half of the 17th century. He was a member of the Cretan School and the father of the Heptanese School. According to the Institute of Neohellenic Research, 130 paintings are attributed to Poulakis.
In You Rejoiceth also known as Epi Si Harri is a tempera and gold leaf painting by Francheskos Kavertzas. The painting is a tribute to the Virgin Mary. Kavertzas was active on the island of Crete during the first half of the 17th century. He was a member of the late Cretan School. Seven of his works survived, five were signed. His two most notable pieces are The Last Judgment and In You Rejoiceth. The theme and style behind In You Rejoiceth mostly resembles Georgios Klontzas's painting In Thee Rejoiceth. Theodore Poulakis also created his own version of the masterpiece In Thee Rejoiceth towards the second half of the 17th century. Many artists created their own version of the painting. The theme became a prototype in Crete during the 17th century. Leos Moskos also created his own version of the painting. The Klontzas and Poulakis paintings both feature the Hymn to the Virgin. The Kavertzas painting lacks the pictorial representation of the Hymn to the Virgin. The name is used on paintings that are stylistically similar to Klontzas's original work. Francheskos Kavertzas painting is located in Paris at the Musée des beaux-arts de la ville de Paris.
The Last Judgment also known as The Second Coming is an icon by Georgios Klontzas. The painting is a depiction of the return of Jesus Christ. The Second Coming is believed to be the final and infinite judgment by God of the people of every nation resulting in the approval of some and the penalizing of others. This painting is a depiction of that event. Klontzas was a Greek artist from the island of Crete. His artistic output was during the second half of the 16th century. He was affiliated with the early works of El Greco. He was one of the most productive Greek painters of the 16th century along with Michael Damaskinos. Klontzas was a member of the Cretan School. Most of his works were copied by other artists. His version of the Second Coming was used as a framework for other artists during the Late Cretan School. Leos Moskos and Francheskos Kavertzas both created similar versions.
The Last Judgement Triptych is a triptych by Georgios Klontzas. Klontzas was a Greek painter and prominent member of the Cretan School. He is likened to El Greco and Michael Damaskinos. His artistic period was between 1550 and 1608. He had a workshop in Heraklion, Crete. He created many forms of art such as triptychs, portable icons or paintings, and manuscripts. Klontzas created several versions of the Last Judgment or Second Coming. His The Last Judgment also features the same theme but is a painting, not a triptych. Klontzas also created other triptychs.
The Crucifixion is an egg tempera painting created by Ioannis Moskos. Moskos was a Greek painter originally from Crete. He migrated to Venice. Two other painters named Moskos were active during the same period. Their names were Elias Moskos and Leos Moskos. Leos and Ioannis were both in Venice during the same period. Ioannis was a member of the Late Cretan School. He was active from 1650 to 1721. Forty-four of his paintings survived.
The Last Judgment also known as the Second Coming is a painting by Leos Moskos. His artistic legacy was during the 17th century. Twenty of his paintings survived. He shared the same last name as Elias Moskos and Ioannis Moskos, they may have been related. All three painters flourished during the same period. Moskos worked all over Europe namely, Crete, Zakynthos, and Venice. His student was famous painter Nikolaos Doxaras.
The Vision of Constantine was an egg tempera painting created by Elias Moskos. Moskos was active during the 17th century. Fifty-two paintings are attributed to the artist. He was active on the Greek islands of Crete and Zakynthos. He is one of the few artists that belongs to the Cretan school and the Heptanese School. Constantine is one of the most important figures in the Christian religion. He was the first Roman emperor to accept the new faith. He has been depicted in art since the inception of the new religion. He is often depicted with his mother Helen. The Vision of Constantine was very popular in Greek and Italian art.
The Virgin and Child on Bronze is an egg tempera painting by Greek painter Elias Moskos. Moskos was originally from Crete. The painter migrated to Zakinthos. Two other painters with the name Moskos were active during his lifetime. They were Ioannis Moskos and Leos Moskos. All three painters were affiliated with Venice. Fifty-two of Elias's paintings survived. It is difficult to characterize the work of some painters belonging to the late Cretan School. Some artists also belong to the Heptanese School. The technical migration from the maniera Greca of Cretan-Venetian painting to the more refined Ionian-Venetian style is visible in the works of Elias Moskos and Theodoros Poulakis. His painting of the Virgin and Child drastically migrates from the traditional mannerism prevalent in Cretan painting. The painting clearly belongs to the Heptanese School. His painting of the Virgin and Child is at the Benaki Museum in Athens Greece.
The Virgin Glykofilousa with the Akathist Hymn is a tempera painting created by Greek painter Stephano Tzangarola. The work is a symbol of the craftsmanship of the Heptanese School and the evolution of Greek painting from the Byzantine style to the Cretan Renaissance style. Tzangarola was originally from Crete and migrated to Corfu. The Ionian Islands became the artistic center of the Greek world. He was active from 1675 to 1710 during the Greek Baroque period and Rococo. Twenty-two of his works survived. His student was famous Greek painter and Archpriest Andreas Karantinos.
The Archangel Michael was created by Greek painter Theodore Poulakis. He was also a teacher. He was affiliated with Greek painter Philotheos Skoufos. Poulakis was active on the Ionian Islands and Venice. He studied painting in Venice for over a decade. He was also involved with Venetian politics. He was a member of the quarantia. He was a representative of two schools, the Cretan School and Heptanese School. He is considered one of the founding members of the Heptanese School along with Elias Moskos. One hundred thirty of his paintings survived.
Transfiguration and Monastic Scenes is a multi-themed tempera painting created by Greek painter Georgios Klontzas. Klontzas was a Cretan Renaissance painter. The artist was hired to assess work completed by El Greco. Klontzas was from a wealthy family and owned a successful workshop in the center of Crete. His existing catalog consists of Fifty-four works. He completed incredible triptychs and manuscripts. Klontzas and Micheal Damaskinos are two of the most prominent Greek painters of the 16th century due to the size of their catalogs and the popularity of their works excluding El Greco.
Triptych of the Last Judgement is a tempera-painted triptych created by Cretan Renaissance painter Georgios Klontzas. Klontzas was active in Crete during the later part of the 16th century. El Greco was active around the same period and was also from Crete. Klontzas was hired to assess his work. Klontzas completed tempera paintings, triptychs, and illuminated manuscripts. His existing catalog comprises over fifty-four pieces of his art. Klontzas frequently painted the theme of the Last Judgment. Some of his well-known works include The Last Judgement Triptych (Klontzas) and The Last Judgment (Klontzas). The Vatican owns Triptych of the Just in Glory also created by Klontzas which also features the Last Judgment.
