External links
- "The Legend of Tennessee Moltisanti" Archived August 18, 2016, at the Wayback Machine at HBO
- "The Legend of Tennessee Moltisanti" at IMDb
| "The Legend of Tennessee Moltisanti" | |
|---|---|
| The Sopranos episode | |
| Episode no. | Season 1 Episode 8 |
| Directed by | Tim Van Patten |
| Written by | David Chase Frank Renzulli |
| Cinematography by | Phil Abraham |
| Production code | 108 |
| Original air date | February 28, 1999 |
| Running time | 49 minutes |
"The Legend of Tennessee Moltisanti" is the eighth episode of the HBO original series The Sopranos . It was written by David Chase and Frank Renzulli, directed by Tim Van Patten and originally aired on February 28, 1999.
At his daughter's wedding, Larry Boy tells Tony and his crew that, according to his source in the FBI, federal indictments will soon be handed down against the DiMeo crime family. One by one the capos gather their families, say goodbye to the tearful bride, and leave the ceremony early. Tony and Carmela swiftly collect cash and guns from different parts of their house while Meadow and A.J. watch. Tony hides everything, without her knowledge, in Livia's room at the Green Grove retirement community. The Soprano residence is searched by an FBI team led by Agent Dwight Harris.
Having dinner after the search, Tony explains to his children that Italians and Italian-Americans are not given the respect they deserve. Dr. Melfi, at a dinner with her own family, says a few careless words which allow her ex-husband to deduce that one of her patients is a mobster. He urges her to drop that patient, deploring the way a few thousand gangsters have tarnished the good name of millions of Italian-Americans. Anticipating arrest, Tony has told Dr. Melfi he might go on vacation and miss a session without notice; she understands what he means. He misses one, and the next time they meet, she tells him that, as previously agreed, she will still charge him. Tony angrily scatters dollar bills on the floor and leaves.
In nightmares, Christopher is haunted by Emil Kolar. He enlists Georgie to help dig up and relocate Emil's body. At the same time, Christopher is struggling to write a Mafia screenplay; he states that the characters have no arc and feels there is no arc in his own life. In a bakery, he shoots a clerk in the foot for making him wait too long. Tony is initially furious but calms down and shows some sympathy for his feelings. Christopher is resentful that he is not listed as one of those being investigated by the FBI. When his name finally appears in the newspaper, he is thrilled.
Livia divulges to Uncle Junior that Tony is seeing a psychiatrist, adding, "I don't want there to be any repercussions." [1] [2]
Listed in order of first appearance: [4]
In a retrospective review, Emily St. James of The A.V. Club was positive. While she opined that the story with Melfi's family "has a tendency to stop the show dead in its tracks" in that "no one watching really cares what Melfi's ex-husband thinks", St. James listed Christopher's conversations with Paulie and Tony among her favorite scenes from the entirety of The Sopranos and argued that "the series shows it has a certain affection for these characters, these scumbags." [5] Alan Sepinwall also praised the scene between Christopher and Paulie as "remarkable [...] as it illustrates the folly of trying to model your life on your favorite movie and TV characters", but wrote that the dialogue in the scenes with Melfi's family about the popular image of Italian-Americans "grows a little didactic at times". [6]
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