The Little People | |
---|---|
Directed by | George Pearson |
Written by | Thorold Dickinson George Pearson |
Produced by | George Pearson Thomas Welsh |
Starring | Betty Balfour Frank Stanmore Gerald Ames |
Cinematography | Percy Strong |
Edited by | Fred Pullin |
Production company | |
Distributed by | Butcher's Film Service |
Release date |
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Country | United Kingdom |
Languages | Silent English intertitles |
The Little People is a 1926 British silent romance film directed by George Pearson and starring Mona Maris, Frank Stanmore and Gerald Ames. [1]
The film's sets were designed by the Brazilian art director Alberto Cavalcanti.
The King's Highway is a 1927 British romantic adventure film directed by Sinclair Hill and starring James Carew, Gerald Ames, Matheson Lang and Joan Lockton. The film follows the romance and escapades of an eighteenth-century English highwaymen.
Not So Quiet on the Western Front is a 1930 British comedy film directed by Monty Banks and starring Leslie Fuller, Mona Goya and Wilfred Temple. It was made as a quota quickie by British International Pictures at Elstree Studios. Its title is a reference to All Quiet on the Western Front.
The Great Gay Road is a 1931 British drama film directed by Sinclair Hill and starring Stewart Rome, Frank Stanmore and Kate Cutler.
A Light Woman is a 1928 British silent romance film directed by Adrian Brunel and starring Benita Hume, C. M. Hallard and Gerald Ames. It is also known by the alternative title Dolores. The screenplay concerns a flighty young woman who learns the error of her ways through a series of love affairs.
Brother Officers is a 1915 British silent war film directed by Harold M. Shaw and starring Henry Ainley, Lettice Fairfax and Gerald Ames. It was based on a play by Leo Trevor. A soldier wins the Victoria Cross during the First World War.
The House Opposite is a 1931 British crime film directed by Walter Summers and starring Henry Kendall, Frank Stanmore and Arthur Macrae. It was shot at Elstree Studios outside London. It was based on the 1931 novel The House Opposite by Joseph Jefferson Farjeon. It follows a police officer who pursues a gang of blackmailers.
The Hellcat is a 1928 British silent romance film directed by Harry Hughes and starring Mabel Poulton, Eric Bransby Williams and John F. Hamilton. It was based on a play by Florence Kilpatrick and made at the Nettlefold Studios in Walton-on-Thames.
Houp La! is a 1928 British silent comedy film directed by Frank Miller and starring George Bellamy, Frank Stanmore and Peggy Carlisle. It was loosely based on the 1916 stage musical Houp La! by Hugh E. Wright and Fred Thompson. The film was made at Isleworth Studios in London.
Little Miss London is a 1929 British silent comedy film directed by Harry Hughes and starring Pamela Parr, Frank Stanmore and Reginald Fox. It was made by British Instructional Films at Bushey Studios. The screenplay concerns a business magnate who poses as a poor man while his daughter falls in love with a man posing as an aristocrat.
What Next? is a 1928 British silent comedy film directed by Walter Forde and starring Forde, Pauline Johnson and Frank Stanmore. It was made at Nettlefold Studios in Walton-on-Thames. There is a copy held at the BFI archive.
Red Pearls is a 1930 British silent crime film directed by Walter Forde and starring Lillian Rich, Frank Perfitt and Arthur Pusey. It was made at the Nettlefold Studios in Walton. It was based on the novel Nearer! Nearer! by J. Randolph James. The film was produced just as the change to sound films was taking place in Britain.
You'd Be Surprised! is a 1930 British musical comedy film directed by Walter Forde and starring Forde, Joy Windsor and Frank Stanmore. The film was shot at the Nettlefold Studios in Walton. It was made during the transition to sound film. Originally silent, it had synchronised songs and music added. A silent version was also released to cater to cinemas that hadn't converted to sound yet.
The Old Man is a 1931 British mystery film directed by Manning Haynes and starring Maisie Gay, Anne Grey and Lester Matthews. It is based on the play of the same name by Edgar Wallace, with several actors reprising their roles. The film marked the screen debut of Scottish actor Finlay Currie.
Love in a Wood is a 1915 British silent comedy film directed by Maurice Elvey and starring Gerald Ames, Elisabeth Risdon and Kenelm Foss. The film is a contemporary-set version of William Shakespeare's play As You Like It.
A Gamble for Love is a 1917 British silent sports film directed by Frank Wilson and starring Gerald Ames, James Lindsay and George Foley. It was based on the 1914 novel of the same title by Nat Gould, set in the horseracing world.
Satan's Sister is a 1925 British silent adventure film directed by George Pearson and starring Betty Balfour, Guy Phillips and Philip Stevens. It is an adaptation of the 1921 novel Satan: A Romance of the Bahamas by Henry De Vere Stacpoole. The novel was later adapted again as the 1965 film The Truth About Spring.
The Apache is a 1925 British silent drama film directed by and starring Adelqui Migliar. It also features Mona Maris and Jameson Thomas. It is a Paris-set melodrama. The title refers to the Apache dance popularly associated with the city during the era.
The Alley of Golden Hearts is a 1924 British silent drama film directed by Bertram Phillips and starring Queenie Thomas, John Stuart and Frank Stanmore.
Such Women Are Dangerous is a 1934 American pre-Code drama film directed by James Flood, written by Oscar M. Sheridan, Jane Storm and Lenore Coffee, and starring Warner Baxter, Rosemary Ames, Rochelle Hudson, Mona Barrie, Herbert Mundin and Henrietta Crosman. It was released on June 8, 1934, by Fox Film Corporation.
The Christian is a 1915 British silent film directed by George Loane Tucker and starring Derwent Hall Caine and Elizabeth Risdon. The film is an adaptation of Hall Caine's 1897 novel The Christian. This was the third film of the story, the first The Christian (1911) was made in Australia and the second The Christian (1914) was made in the United States. The Christian was made by the London Film company, which was at the time England's most highly regarded producing organisation and whose policy was to film works of the great authors.