The Museum of Imaginary Animals | ||||
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Studio album by | ||||
Released | 2000 | |||
Genre | Dream pop, Avant-garde | |||
Length | 45:01 | |||
Label | Domino Records [1] Merge Records [2] | |||
Producer | Pram [3] | |||
Pram chronology | ||||
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Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Birmingham Post | [5] |
The Encyclopedia of Popular Music | [1] |
Pitchfork Music | 7.7/10 [6] |
The Museum of Imaginary Animals is the fifth album by the English band Pram, released in 2000. [7] [3]
Exclaim! wrote: "It's rare that a band can be this eccentric and daring without sounding contrived or wilfully obscure, but there's an abiding organicism at the heart of Pram that keeps them, well, not exactly grounded, but welcoming." [8] The Washington Post wrote that "Pram isn't as out there as it wants to be, but much of The Museum of Imaginary Animals draws you in." [9] NME deemed the album "fractured and spindly, plundering post-rock and jazz and dub, without really sounding like any of them." [10]
All lyrics are written by Rosie Cuckston; all music is composed by Pram.
No. | Title | Length |
---|---|---|
1. | "The Owl Service" | 4:13 |
2. | "Bewitched" | 4:25 |
3. | "Mother of Pearl" | 5:10 |
4. | "Narwhal" | 4:05 |
5. | "History of Ice" | 4:02 |
6. | "The Mermaid's Hotel" | 4:02 |
7. | "A Million Bubbles Burst" | 5:38 |
8. | "Cat's Cradle" | 4:31 |
9. | "Picturebox" | 1:29 |
10. | "Play of the Waves" | 7:26 |
Pram are a British post-rock band formed in Birmingham, England in 1988 by Rosie Cuckston, Matt Eaton (guitar), Andy Weir (drums), and Samantha Owen (bass). Subsequent lineups have changed frequently, most notably with Cuckston's departure in 2008. Their electronic pop sound, described by AllMusic as "equally quaint and unsettling," employs unconventional instruments and draws on stylistic influences such as krautrock, exotica, and dub.
Freak Magnet is a studio album by Violent Femmes, released in 2000. It contains the single "Sleepwalkin'".
More Betterness! is a studio album by punk rock band No Use for a Name, released in 1999.
A New White is the first studio album by American hip hop sextet Subtle. It was released on Lex Records in 2004. "F.K.O." and "The Long Vein of the Law" were released as singles from the album. The album peaked at number 55 on the CMJ Top 200 chart, as well as number 10 on CMJ's RPM chart.
Measure is the second album by Matt Pond PA, released in 2000.
The Velvet Touch of Los Straitjackets is the third studio album by American instrumental rock band Los Straitjackets, released in 1999 by Yep Roc. It was recorded between September and December 1998, produced by Ben Vaughn, and engineered by Mark Linett.
The Moving Frontier is an album by Pram, released in 2007.
Gash is the debut EP by the neo-psychedelia band Pram. It was released in 1992 on Howl Records.
Dark Island is an album by English band Pram, released in 2003. The album contains the song "Track of the Cat", which was used on a BT advert in 2003.
Faith in Space is an album by the singer/songwriter Lida Husik. It was released in 1998 through Alias Records.
Iron Lung is an EP by Pram, released on 8 February 1993 through Too Pure.
The Stars Are So Big, The Earth Is So Small... Stay as You Are is the debut album of Pram, released in September 1993 through Too Pure. The album takes its name from a caption of an image in Marshall McLuhan’s work The Medium is the Massage.
Meshes is an EP by Pram, released in April 1994 through Too Pure.
Helium is the second album by English post-rock band Pram, released in September 1994 through Too Pure.
Sargasso Sea is an album by the English band Pram, released in 1995.
Music for Your Movies is an EP by Pram, released on 18 November 1996 through Duophonic Records.
North Pole Radio Station is the fourth album by Pram, released in 1998.
Sleepy Sweet is an EP by Pram, released on 3 August 1998 through Domino Records.
Nightlife is an album by Cobra Verde, released in 1999 through Motel Records.
Across the Meridian is the eighth studio album by British band Pram. It was released in July 2018 by Domino Records. It is their first album in eleven years since The Moving Frontier (2007)