The Only Ones | ||||
---|---|---|---|---|
Studio album by | ||||
Released | April 1978 (UK) | |||
Genre | ||||
Length | 33:49 | |||
Label | Columbia | |||
Producer |
| |||
The Only Ones chronology | ||||
|
The Only Ones is the debut studio album by English power pop band the Only Ones, released in April 1978 by Columbia Records. It was produced by the Only Ones themselves, with the assistance of Robert Ash and was mixed at Basing St., Escape and CBS.
The album was re-released in Europe in 2009 on Sony Music Entertainment, featuring bonus content. The reissue was a CD which comprises 13-tracks. It includes the original album digitally remastered from the original 1/2" mix tapes; alongside three bonus tracks.
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
The Irish Times | [3] |
Mojo | [4] |
Record Collector | [5] |
Sounds | [6] |
Spin Alternative Record Guide | 10/10 [7] |
Trouser Press called it "the best of the three original albums" in which "Perrett's languid vocals and songs provide the character and focus, while the band's skills carry it off handsomely". [8] The album is still widely admired by British critics. In 1994, The Encyclopedia of Popular Music named The Only Ones one of the 50 best punk albums of all-time. The compilers claimed that the Only Ones were "the closest thing the UK had to Johnny Thunders' Heartbreakers, a laconic, shamble of a band who were, at moments, touched by a creative greatness that made you get out of the glare". [9]
Since the end of the 1990s, the album has also appeared on several all-time greatest albums lists. [10] [11] [12] The album was also included in the book 1001 Albums You Must Hear Before You Die (2006). [13]
All tracks are written by Peter Perrett.
No. | Title | Length |
---|---|---|
1. | "The Whole of the Law" | 2:38 |
2. | "Another Girl, Another Planet" | 3:02 |
3. | "Breaking Down" | 4:52 |
4. | "City of Fun" | 3:32 |
5. | "The Beast" | 5:47 |
No. | Title | Length |
---|---|---|
6. | "Creature of Doom" | 2:35 |
7. | "It's the Truth" | 2:07 |
8. | "Language Problem" | 2:28 |
9. | "No Peace for the Wicked" | 2:51 |
10. | "The Immortal Story" | 3:57 |
Total length: | 33:49 |
No. | Title | Length |
---|---|---|
11. | "Lovers of Today" | 3:12 |
12. | "Peter and the Pets" | 3:04 |
13. | "As My Wife Says" | 1:53 |
The Only Ones
Session musicians
Production team
Chart (1978) | Peak position |
---|---|
UK Albums (OCC) [14] | 56 |
Legalize It is the debut studio album by Jamaican singer-songwriter and former Wailer Peter Tosh, released in June 1976. It was recorded at Treasure Isle and Randy's, Kingston.
Every Good Boy Deserves Fudge is the second studio album by American rock band Mudhoney. It was recorded in 1991, at a time when the band was thinking of signing to a major record label, but decided to release the album on Sub Pop. The album shipped 50,000 copies on its original release. It is credited with helping to keep Sub Pop in business.
Pink Flag is the debut studio album by English rock band Wire. It was released in November 1977 by Harvest Records. The album gained Wire a cult following within independent and post-punk music upon its initial release, later growing to be highly influential on many other musicians.
All Mod Cons is the third studio album by the British band the Jam, released in 1978 by Polydor Records. The title, a British idiom one might find in housing advertisements, is short for "all modern conveniences" and is a pun on the band's association with the mod revival. The cover is a visual joke showing the band in a bare room. The album reached No. 6 in the UK Albums Chart.
Quiet Life is the third studio album by English new wave band Japan, first released on 17 November 1979 in Canada by record label Hansa.
Special View is the second compilation album by English power pop band The Only Ones. Released in 1979 in the United States it consists of tracks selected by the American label Epic from the band's first two CBS (UK) albums.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King. It was recorded on November 21, 1964, at the Regal Theater in Chicago. The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone's 2003 edition of the 500 Greatest Albums of All Time list, before dropping to number 299 in a 2020 revision. In 2005, Live at the Regal was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States.
Sunshine Hit Me is the debut album from the British band The Bees. At the time when the album was recorded the band only comprised Paul Butler and Aaron Fletcher, who wrote, performed and recorded the album alone using a home studio in Butler's parents' garden. Both Butler and Fletcher had been active in the Isle of Wight music scene for a while, performing in local indie/electronic outfits Pnu Riff and, more recently, the Exploding Thumbs. Butler had also guested on several other albums produced on the island, including some by Max Brennan.
There's No Place Like America Today is the seventh studio album by Curtis Mayfield, released in 1975 on Curtom Records. It peaked at number 120 on the Billboard 200 chart, as well as number 13 on the Top R&B/Hip-Hop Albums chart.
Underwater Moonlight is the second studio album by English rock band the Soft Boys, released on 28 June 1980 by record label Armageddon.
Goodbye and Hello is the second album by Tim Buckley, released in August 1967, recorded in Los Angeles, California, in June of the same year.
Fuzzy is the debut studio album by American rock band Grant Lee Buffalo, released in 1993 by Slash Records. According to the band's website, "Fuzzy would galvanize the sound of Grant Lee Buffalo, i.e., the acoustic feedback howl of overdriven 12-string guitars, melodic distorto-bass, tribal drum bombast, the old world churn of pump organs and parlor pianos."
Mask is the second studio album by English gothic rock band Bauhaus. It was released on 16 October 1981 by record label Beggars Banquet.
Rip It Up is the second album by Scottish post-punk band Orange Juice, released in 1982. It contains their hit song of the same name, which reached the Top 10. The album was included in the book 1001 Albums You Must Hear Before You Die.
Eternally Yours is the second album by Australian punk rock band The Saints, released in 1978. Produced by band members Chris Bailey and Ed Kuepper, the album saw the band pursue a bigger, more R&B-driven sound, augmented by a horn section. The album also saw the introduction of bass guitarist Algy Ward, who replaced the band's previous bass player, Kym Bradshaw in mid-1977.
Fire of Love is the debut album of the American rock band the Gun Club, released in 1981 on Ruby Records.
Live! is a live in-studio album recorded on July 25, 1971, by Fela Kuti's band Africa '70, with the addition of former Cream drummer Ginger Baker on two songs. It was released in 1971 by EMI in Africa and Europe and by Capitol/EMI in the United States and Canada. It was reissued on CD by Celluloid in 1987 and was reissued on CD in remastered form by Barclay with a bonus track from 1978.
Bert Jansch is the debut album by Scottish folk musician Bert Jansch. The album was recorded on a reel-to-reel tape recorder at engineer Bill Leader's house and sold to Transatlantic Records for £100. Transatlantic released the album, which went on to sell 150,000 copies. The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. It was voted number 649 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).
A Date with the Everly Brothers is the fourth studio album by American singing duo the Everly Brothers, released in 1960. It peaked at No. 9 on the Billboard Pop albums charts and reached No. 3 in the UK.
What's That Noise? is the debut album by Coldcut, released in 1989.
Perrett's tremulous, wounded vocal fitted intoxicatingly throughout with Perry's delicious soloing and dark, mesmerising melodies.
This is their most satisfying, most focused collection, unsullied by the drugs and disillusionment that characterised their demise
Preferring flawed romance to fiery nihilism, Perrett peppered this 1978 debut with offerings of paranoid beauty
Frontman Peter Perrett was living the Pete Doherty lifestyle long before the Libertine, but found time to add his trademark narcotic drawl to John Perry's skyscraping fretwork in songs as stratospheric as Another Girl, Another Planet. If Babyshambles sounded like this, they'd fill stadiums.