The Other Side of Aspen

Last updated

The Other Side of Aspen
The Other Side of Aspen.png
Film title card
Directed byMatt Sterling [lower-alpha 1]
Screenplay byMatt Sterling [lower-alpha 1]
Produced by Chuck Holmes
Starring
Production
company
Distributed byFalcon Studios
Release date
  • November 1978 (1978-11)
Running time
39 minutes
CountryUnited States
LanguageEnglish

The Other Side of Aspen is a 1978 American gay pornographic film produced by Falcon Studios, directed by Matt Sterling, starring Casey Donovan, Al Parker, and Dick Fisk. The film consists of sex scenes filmed in Lake Tahoe, California, interspersed with dialogue scenes shot in San Francisco. The Other Side of Aspen was Falcon's first feature-length release, notable as one of the first adult films distributed on videocassette.

Contents

The film was a critical and commercial success upon release, and marked a turning point in the development of the gay pornography industry. Its elevated production values, largely unprecedented at the time, led to feature film-style releases becoming the norm across the gay pornography industry. The film popularized a macho gay porn aesthetic that would remain broadly popular for decades after the film's release.

Plot

In San Francisco, a skiing instructor (Jeff Turk) recounts to his friend (Mike Flynn) a particular incident that occurred during his recent visit to Aspen, Colorado. While traveling to instruct two clients (Al Parker and Casey Donovan), he witnessed two men (Chad Benson and Dick Fisk) having sex in a cabin. Upon arriving at his destination, he found his clients also having sex; they are subsequently joined by the men from the cabin and the instructor in an orgy. Having recounted the story, the instructor comments that he is aroused; he exposes his penis to his friend, who reaches for it.

Cast

Cast sourced from the Gay Erotic Video Index. [2]

Production

Development

Chuck Holmes founded Falcon Studios in 1972, launching the company by purchasing three short gay pornography films by director Matt Sterling and an adult mailing list for USD$4,200. [3] [4] The founding of Falcon as a pornography company that conducted business primarily through mail order was a reflection of the emerging home video market, which provided the conditions for the commercialization and professionalization of the gay pornography industry through the establishment of a studio system that would come to dominate the production and distribution of gay pornography from the mid-1970s onward. [5] Falcon's first release, the 1972 short film Johnny Harden and the Champs, defined the studio's aesthetic of "down-to-earth men" with "naturally athletic bodies" that would recur in many of the studio's subsequent films. [6]

In fall 1977, Falcon cameraman Colin Meyer suggested to Holmes that the studio produce a film with "all the biggest porn icons at that time": [7] Casey Donovan, the star of Boys in the Sand (1971) and the first ever gay porn star; Al Parker, a popular model at Falcon rival Colt Studios who had appeared in several Falcon films; and the up-and-coming Dick Fisk. [7] [8] The film was marketed as the first release in the Falcon Video Pac line, [5] with the title The Other Side of Aspen chosen after a staffer at Falcon suggested making "a movie in the snow." [9]

Filming

The Other Side of Aspen's skiing and sex scenes were shot in Lake Tahoe, California. [10] Holmes regularly took skiing trips, and filmed scenes for the studio on one such trip so he could claim the vacation as a write-off. [8] The film's setting of Aspen, Colorado references the city's popularity as a destination for LGBT tourists; in 1979, the city was the first municipality in Colorado to pass a non-discrimination ordinance, and has hosted Aspen Gay Ski Week annually since that same year. [8] [11]

At the time, gay pornographic films were typically eight- to 10-minute single-scene film loops that were shot and released individually on 8 mm film; [6] The Other Side of Aspen was similarly shot as four individual scenes. After filming concluded in Lake Tahoe, Holmes, Sterling, and Falcon co-founder Vaughn Kincey elected to shoot additional scenes of dialogue in San Francisco. [8] The dialogue scenes were edited between the sex scenes (an industry practice now referred to as "webbing" [5] ), giving the film a narrative with plot and continuity, and making The Other Side of Aspen the first feature film to be released by Falcon. [12]

Donovan and Parker met for the first time while flying to Lake Tahoe to shoot the film. [13] The film's first sex scene between Donovan and Parker was improvised; the encounter was filmed after the actors began to have sex of their own accord during a still photography session. [12] During the encounter, Parker fisted Donavan; this was cut from the film's original 1978 release, but was included in its 2002 re-release. [14] After filming concluded, Fisk and Benson pursued a romantic relationship. [6]

Release

The Other Side of Aspen was heavily marketed in the lead-up to its release (an atypical approach for gay adult films at the time [8] ), with reservation cards and a brochure promoting the film sent to the top customers on Falcon's mailing list. [12] The film would be released in all extant media formats of the time: standard 8 mm, Super 8, Sound 8, VHS, and Betamax, [2] making The Other Side of Aspen one of the first adult films to be released on videocassette. [8] The film was re-released on DVD in 2001, making it the first film Falcon Studios released on DVD; John Holmes notes that Falcon was a late adopter of the DVD format, as the studio was "especially cautious about the commercial viability" of the medium. [15] A remastered version of the film was released in 2014. [16]

Reception and legacy

Critical and commercial response

The Other Side of Aspen was a major critical and commercial success upon its release, and was described by the TLA Entertainment Group as "one of the best gay adult films ever made." [14] Alternative pornography director Black Spark has commented positively on The Other Side of Aspen, describing the nostalgic qualities of film favorably in comparison to "boring" contemporary mainstream pornography. [17] A short documentary about the film, Another Side of Aspen, was produced by Falcon in 2011 to promote the release of The Other Side of Aspen VI. [18] The documentary is directed by Michael Stabile, shot by Ben Leon, and produced by Jack Shamama; footage from the documentary was later used in Stabile's 2015 feature-length documentary film Seed Money: The Chuck Holmes Story . [19] [20]

By 1993, 45,000 copies of The Other Side of Aspen had been sold, making it the best-selling gay pornography film at that time [21] and producing the highest revenues in Falcon's corporate history up to that point. [12] Its success prompted Falcon to release their back catalog of over 200 film loops on home video in the years subsequent to the film's release, as well as produce new material exclusively on home video. [5] Falcon was thus uniquely positioned to exploit the home video market in a way its competitors were not, with John R. Burger noting that "film-to-videotape transfer and the subsequent packaging, marketing, and distribution of video is a costly procedure. Unable to compete in this new marketplace, many companies went out of business." [22]

In 2002, the film's re-release won Best Classic Gay DVD at the GayVN Awards, [23] and Best Classic Video at the Grabby Awards. [24]

Impact

The Other Side of Aspen is regarded as a turning point for the development of gay pornography as a genre and industry: its elevated production values were largely unprecedented at the time, and feature film-style releases would become the norm across the gay pornography industry in the wake of The Other Side of Aspen's success. [8] [5] The film cemented the legacy of Donovan and Parker, with writer Jeffrey Escoffier noting that the film "put Donovan back into the spotlight and confirmed Parker's celestial status." [13]

The film is credited with popularizing the macho gay porn star aesthetic that would remain broadly popular in the decades subsequent to the film's release, which Holmes described as his response to the "scummy" look of stag films of the 1960s. [6] Escoffier writes that The Other Side of Aspen "crystallized Chuck Holmes' vision of the erotic movie [...] it signaled the culmination of the gay macho sexual ethos, the confirmation of the ideal gay male body–young, a swimmer's build, no tattoos, and little hair–and the codification of gay porn movies as a genre." [25] Mercer concurs, noting:

Holmes' creative ambition, famously, was little more than to produce porn featuring performers with clean feet. This apparent modesty belies the extent to which his personal vision would inform the commercial and aesthetic direction that Falcon Studios would take and much of his competitors would subsequently follow: towards an increasing emphasis on a vision of 'cleanliness', professional production values, a polished, generic, aesthetic, and homogeneity in output. [5]

The aesthetics of The Other Side of Aspen are further examined by Lynda Johnston, who notes that the setting of an exclusive ski resort "laden with signifiers of wealth" furthers emphasizes this polished and professional tone. [11] Whitney Strub similarly argues that The Other Side of Aspen was "a harbinger of gay hardcore's emerging dominant modality," as the genre moved away from fetishistic material typical of the early- to mid-1970s, and towards "soft stylization" and "a more standardized masculinity." [26] Strub notes how the removal of the fisting scene from The Other Side of Aspen was part of a broader effort by Falcon beginning in the 1980s to pivot away from the fetish and kink videos it produced in the early 1970s; the company began to de-emphasize this content it its mail order catalogs before removing it entirely, a trend Strub notes was later exacerbated by "moralistic New Right bigotry" and "its internalized echoes in the scapegoating of leather, kink, and fisting communities" in the wake of the HIV/AIDS epidemic. [4]

Sequels

A total of five sequels to The Other Side of Aspen have been produced by Falcon, and often star the most popular performers of the film's given era. [25] Michael Joseph Gross argues that the franchise has gone "mostly downhill", as "Falcon's ideal of male beauty has become transparently crafted" with "bodies that look increasing fictional," in contrast to the naturalistic appearance of the actors in the original 1978 film. [6]

Notes

  1. 1 2 3 Credited as Bill Clayton, a pseudonym used by multiple directors at Falcon. [1]

Related Research Articles

<span class="mw-page-title-main">Zak Spears</span> American gay pornographic film actor

Zak Spears, is an American gay pornographic film actor. Spears appeared in the feature film The Doom Generation (1995) using his real name, Khristofor Rossianov.

<span class="mw-page-title-main">Casey Donovan (actor)</span> American pornographic actor (1943–1987)

John Calvin Culver, better known under his stage name Casey Donovan, was an American male pornographic film actor from the late 1960s until the mid-1980s, appearing primarily in adult films and videos catering to gay male audiences, during the Golden Age of Porn. Following a brief career as a Latin teacher and a stint as a highly-paid male model, Donovan appeared in Boys in the Sand (1971), the film that would cement his status as a gay icon. Attempts to build on his notoriety to achieve mainstream crossover success failed, but Donovan continued to be a bankable star in the adult industry for the next 15 years. He was briefly a mainstream actor, who appeared on stage, as well as a theatre producer and manager, and appeared as himself in TV series Emerald City.

<span class="mw-page-title-main">Chi Chi LaRue</span> American film director

Larry David Paciotti is an American director of pornographic films. He appears as the drag-diva persona Chi Chi LaRue, and has been credited as director under the names "Lawrence David" and "Taylor Hudson".

<span class="mw-page-title-main">GayVN Awards</span> Gay adult entertainment industry award

The GayVN Awards are film awards presented annually to honor work done in the gay pornographic industry. The awards were sponsored by AVN Magazine, the parent publication of GAYVN Magazine, and continue the recognition for gay pornography which was part of the AVN Awards from 1986–1998. The awards went on a hiatus after the 2011 ceremony and returned in 2018.

<i>Boys in the Sand</i> 1971 film by Wakefield Poole

Boys in the Sand is a landmark American gay pornographic film, released early in the Golden Age of Porn. The 1971 film was directed by Wakefield Poole and stars Casey Donovan. It was the first gay porn film to include credits and to be reviewed by the film industry journal Variety, and one of the earliest porn films – after Andy Warhol's 1969 film Blue Movie, but preceding 1972's Deep Throat – to gain mainstream credibility.

<span class="mw-page-title-main">Bisexual pornography</span> Pornography depicting bisexuality

Bisexual pornography is a genre of pornography that most typically depicts men and at least one woman who all perform sex acts on each other. A sex scene involving women and one man who all perform sex acts on each other is generally not identified or labeled as bisexual.

Falcon Entertainment, a United States company based in San Francisco, California, is one of the world's largest producers of gay pornography.

J. C. Adams is an American author, magazine editor, and reporter whose work focuses on the gay male pornographic industry, and a gay pornographic film director.

<span class="mw-page-title-main">Golden Age of Porn</span> Era of mainstream success for sexually explicit films (1969–1984)

The term "Golden Age of Porn", or "porno chic", refers to a 15-year period (1969–1984) in commercial American pornography, in which sexually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public. This American period, which had subsequently spread internationally, and that began before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969, with the theatrical release of the film Blue Movie directed by Andy Warhol, and, somewhat later, with the release of the 1970 film Mona produced by Bill Osco. These films were the first adult erotic films depicting explicit sex to receive wide theatrical release in the United States. Both influenced the making of films such as 1972's Deep Throat starring Linda Lovelace and directed by Gerard Damiano, Behind the Green Door starring Marilyn Chambers and directed by the Mitchell brothers, 1973's The Devil in Miss Jones also by Damiano, and 1976's The Opening of Misty Beethoven by Radley Metzger, the "crown jewel" of the Golden Age, according to award-winning author Toni Bentley. According to Andy Warhol, his Blue Movie film was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was shown in theaters.

<span class="mw-page-title-main">Steven Scarborough</span> American pornographic film director

Steven Scarborough is an American gay pornographic film director, the founder of Hot House Entertainment (1993), and he was an Executive Vice-President and director for Falcon Studios from 1987 to 1993.

<span class="mw-page-title-main">Lucas Entertainment</span> New York-based gay pornographic studio

Lucas Entertainment is a New York-based gay pornographic studio started by porn star Michael Lucas, funded by his ex-husband Richard Winger. It is one of the largest such studios in the world. The studio is known for lavish, big-budget films, and it contends that its 2006 film Michael Lucas' La Dolce Vita is the most expensive gay porn ever made. The film won 14 GayVN awards in 2007, the current record.

A pornographic film actor or actress, pornographic performer, adult entertainer, or porn star is a person who performs sex acts in video that is usually characterized as a pornographic movie. Such videos tend to be made in a number of distinct pornographic subgenres and attempt to present a sexual fantasy; the actors selected for a particular role are primarily selected on their ability to create or fit that fantasy. Pornographic videos are characterized as either softcore, which does not contain depictions of sexual penetration or extreme fetishism, and hardcore, which can contain depictions of penetration or extreme fetishism, or both. The genres and sexual intensity of videos is mainly determined by demand. Depending on the genre of the film, the on-screen appearance, age, and physical features of the actors and their ability to create the sexual mood of the video is of critical importance. Most actors specialize in certain genres, such as straight, bisexual, gay, lesbian, bondage, strap-on, anal, double penetration, semen swallowing, teenage, orgy, age roleplay, fauxcest, interracial or MILFs and more.

<span class="mw-page-title-main">Gay pornography</span> Pornography depicting sex acts between males

Gay pornography is the representation of sexual activity between males. Its primary goal is sexual arousal in its audience. Softcore gay pornography also exists; which at one time constituted the genre, and may be produced as beefcake pornography directed toward heterosexual female, homosexual male and bisexual audiences of any gender.

<span class="mw-page-title-main">Kurt Marshall</span> American actor and model

Kurt Marshall was a model and an actor who performed in gay pornographic films in the mid-1980s. Although he appeared in only four films, the gay pornographic industry trade publication Unzipped named him one of the top 100 gay porn stars of all time in 2006, author Leigh Rutledge listed him as the ninth most influential gay porn star of all time in 2000, and adult film magazine editor John Erich called him one of the "most beautiful" gay adult film stars of the 1980s.

Rod Barry is a former pornographic actor and director from the United States who has been credited in over 150 pornographic films and internet-based shows since entering the industry in 1996. Most of Barry's appearances have been in the gay pornography genre, but he has appeared in bisexual, transsexual and heterosexual videos. In 2008, he was inducted into the gay pornography industry's Hall of Fame.

Charles M. "Chuck" Holmes was an American adult film producer, businessman and philanthropist. He founded Falcon Studios in 1971.

<i>Dream Team</i> (1999 film) 1999 gay pornographic film, written and directed by Jerry Douglas

Dream Team is a 1999 gay pornographic film, written and directed by Jerry Douglas, starring Tony Donovan, Rick Chase and Kurt Young, and produced by Studio 2000. This movie tells the coming-of-age stories of a group of high school basketball team players who come to terms with their sexualities at a young age in 1957, and later in a 1962 reunion.

Fred Charles Halsted was an American gay pornographic film director, actor, escort, publisher, and sex club owner. His films Sex Garage and L.A. Plays Itself are the only gay pornographic movies in the permanent collection of the Museum of Modern Art, where they were screened before a capacity audience on April 23, 1974. A screening of L.A. Plays Itself was sponsored by the San Francisco Museum of Modern Art on February 28, 2013, and another took place on December 16, 2011, at the Los Angeles art gallery Human Resources. His films have also been shown the Netherlands Film Museum and in competition at The Deauville Film Festival.

Tom Chase is an American gay pornographic film actor who was active in the 1990s and 2000s. He is best known as the first lifetime exclusive model for Falcon Studios, and for his later work at Colt Studio Group.

References

  1. Escoffier 2009, pp. 321.
  2. 1 2 "The Other Side of Aspen 1". Gay Erotic Video Index. Retrieved 18 November 2019.
  3. Mercer 2017, pp. 52.
  4. 1 2 Strub 2019, pp. 36.
  5. 1 2 3 4 5 6 Mercer 2017, pp. 53.
  6. 1 2 3 4 5 6 Gross, Michael Joseph (March 2002). "Falcon's Crest". Out . pp. 64–70. Retrieved 18 November 2019.
  7. 1 2 Escoffier 2009, pp. 172.
  8. 1 2 3 4 5 6 7 Stabile, Michael (dir.) (10 April 2015). Seed Money: The Chuck Holmes Story (Film). Breaking Glass Pictures.
  9. Escoffier 2009, pp. 173.
  10. Escoffier 2009, pp. 140.
  11. 1 2 Johnston, Lynda (2013). Caudwell, Jayne; Browne, Kath (eds.). "Queering Skiing and camping up nature in Queenstown". Sexualities, Spaces and Leisure Studies. Routledge: 53.
  12. 1 2 3 4 Escoffier 2009, pp. 143.
  13. 1 2 Escoffier 2009, pp. 142.
  14. 1 2 "The Other Side of Aspen". TLA Entertainment Group . Archived from the original on 30 June 2010. Retrieved 18 November 2019.
  15. Mercer 2017, pp. 57.
  16. "The Other Side of Aspen » de Falcon restauré !". Pink TV (in French). 11 March 2014. Archived from the original on 10 April 2014. Retrieved 18 November 2019.
  17. McGlotten, Shaka (2 July 2014). Virtual Intimacies: Media, Affect, and Queer Sociality. State University of New York Press. p. 117. ISBN   978-1438448787.
  18. "Another Side of Aspen: A History of the Epic "The Other Side of Side of Aspen" Series". Falcon Studios. 26 April 2011. Retrieved 8 December 2020.
  19. Street, Sharan (26 April 2011). "Documentary Short Adds Another Side to Falcon's 'Aspen' Series". Adult Video News . Retrieved 8 December 2020.
  20. DeWittison, Cedric (18 April 2011). "How Falcon's "Aspen" Series Revolutionized Porn". Fleshbot . Gawker Media . Retrieved 8 December 2020.
  21. Escoffier 2009, pp. 178.
  22. Burger, John R. (1994). One-Handed Histories: The Eroto-Politics of Gay Male Video Pornography. Routledge. p. 15. ISBN   978-1560238522.
  23. "2002 GayVN Awards". IMDb . Retrieved 18 November 2019.
  24. "2002 Grabby Awards". IMDb . Retrieved 18 November 2019.
  25. 1 2 Escoffier 2009, pp. 144.
  26. Strub 2019, pp. 35.
  27. "The Other Side of Aspen III: Snowbound". Falcon Studios. Retrieved 8 May 2020.
  28. "The Other Side of Aspen III: Snowbound". Male-Erotika Movie Review. Retrieved 3 December 2020.
  29. "The Other Side of Aspen IV: The Rescue". Falcon Studios. Retrieved 8 May 2020.
  30. "The Other Side of Aspen IV: The Rescue". Male-Erotika Movie Review. Archived from the original on 11 December 2004. Retrieved 3 December 2020.
  31. Escoffier 2009, pp. 281.
  32. Parsley, Jason (31 January 2012). "And the Winners Are…2012 XBIZ Awards". South Florida Gay News . Retrieved 18 November 2019.
Bibliography