The movie was shot in Chicago at the Field Museum of Natural History. Production was originally intended to be held at the American Museum of Natural History in New York City.[5] However, a deal could not be reached and, after taking interest in the film's premise, the Field Museum offered to let the studio shoot there instead. The film was the second on-screen collaboration between Hunt, Miller, and supporting actor Chi Muoi Lo, all three of whom also worked on the film Kindergarten Cop.
The film was released in the United States on January 10, 1997, by Paramount Pictures. It grossed over $48 million worldwide. It was the last film appearance of actress Audra Lindley.
Plot
John Whitney, an anthropologist for the Field Museum of Natural History in Chicago, studies a tribe in South America and drinks a soup made by the tribesmen. Shortly after, Whitney accosts a merchant ship captain, asking him to remove the cargo he had intended to send to Chicago off the ship. Unwilling to delay the ship's departure, the captain refuses and Whitney sneaks aboard. Unable to find his cargo, he cries out. Six weeks later, the ship arrives on Lake Michigan with its crew missing. Chicago PDhomicide detective Lieutenant Vincent D'Agosta and his partner, Sergeant Hollingsworth, investigate the ship and find dozens of bodies and severed heads in the bilge.
Another week later, Margo Green, an evolutionary biologist, arrives at work at the museum and discovers that co-worker Greg Lee is applying for the same research grant she is after he had gotten one for himself already. Margo and her mentor, Albert Frock, examine Whitney's crates after their arrival by air, and find the crates empty, except for a bed of leaves and a stone statue of the "Kothoga", a mythical forest monster. Margo notices a fungus on the leaves and sends it to be analyzed; the rest of the leaves are incinerated. That night, security guard Frederick Ford is murdered like the ship's crew. D'Agosta suspects a connection. Believing the killer is still inside the museum, he orders it closed until the police have finished searching. Ann Cuthbert, the museum director, protests and mentions an important upcoming exhibition.
Margo discovers the fungus contains concentrated hormones found in several animal species. In the container of leaves, she finds a mutated beetle that possesses both insect and reptilian DNA. Ford's autopsy reveals that his hypothalamus was extracted from his brain, like the bodies from the ship. In the museum's basement, the police are startled by a mentally-ill, homeless ex-convict and kill him. Finding Ford's wallet on him, and an identity tag from one of the crew of the ship, everyone except D'Agosta considers the case closed, though Mayor Robert Owen and the museum’s head of security Tom Parkinson force D'Agosta to let the exhibition proceed.
On the opening night, D'Agosta orders a lock-down of all museum areas except the main exhibition hall. Frock and Margo, trapped in the laboratory wing, continue working and discover Ford's killer is after the hormones on the leaves. D'Agosta and several officers search the basement tunnels once again. They are attacked by an unseen creature, killing K-9 Officer Bradley and a police dog. D'Agosta tells Hollingsworth to evacuate the museum, but he is too late. In the main hall, the headless body of a murdered policeman falls into the crowd, causing a panic. During the hysteria, the museum's alarms are tripped and their security system goes haywire, trapping a small group of people inside. Two security guards try to restore the power but are killed by an unseen creature.
D'Agosta meets Margo and Frock in the lab, where a Kothoga, an enormous chimeric beast, attacks them; they close a steel door to stop it. Margo theorizes the fungus mutated a smaller creature, and Frock says that without the leaves to eat, the Kothoga instinctively seeks the closest substitute, human hypothalami, until it runs out of targets and dies; he further postulates that the tribe knew of the fungus, and used it on a human or animal to deal with an external threat, then hid until the threat was destroyed and the Kothoga died of "starvation." D'Agosta finds a radio and tells Hollingsworth to lead the museum guests out via an old coal tunnel. Tom, Greg, and benefactors Mr. and Mrs. Blaisedale refuse to go, and CPD officer McNally stays behind to guard them; the Kothoga returns to the main hall and murders them and the S.W.A.T. officers who enter through the skylights.
Margo suggests using liquid nitrogen to kill the Kothoga, as it is part-reptilian and likely cold-blooded. While collecting the remaining leaves in the lab, Margo and D'Agosta discover Frock has been killed. In the sewers, D'Agosta uses the leaves to lure the Kothoga away from the coal tunnel, allowing the guests to escape, though CPD officer Bailey and a guest are both killed. However, liquid nitrogen has no effect on the creature. Margo and D'Agosta flee. In the lab, her computer completes the analysis of the creature's human DNA, revealing John Whitney is the Kothoga, mutated after drinking the tribesmen's soup.
The Kothoga smashes into the lab through the ceiling, while D'Agosta is locked outside. The creature chases Margo, corners her, and suddenly hesitates, seemingly recognizing her. Margo starts an explosive fire that incinerates the Kothoga, surviving by hiding inside a maceration tank. As dawn comes, D'Agosta and a team of police break into the lab, see the charred remains of the Kothoga, and rescue Margo from the tank.
Lewis Van Bergen as John Whitney, museum anthropologist who went missing after his expedition in South America. John Whitney turns into a monster The Kothoga, ingesting the mushrooms.
The Relic was based on the horror novel by Douglas Preston, an ex-journalist and former public relations director for the American Museum of Natural History in New York City,[5] and Lincoln Child (though it omits their major character, FBI agent Pendergast).
The director, Peter Hyams, commented "I don't think you can scare people, unless you involve them." and "A movie like this has to be intelligent."[2]
Because the novel portrayed the museum's administration in an unflattering light, they turned the film's producers down.[7]Paramount Pictures offered the museum a seven-figure sum of money to film there, but the administration was worried that the monster movie would scare kids away from the museum. The producers were faced with a problem as only museums in Chicago and Washington, D.C., resembled the one in New York. The Field Museum of Natural History in Chicago loved the premise and allowed them to shoot there.[7]
Penelope Ann Miller had not done a horror film prior to The Relic but was drawn to director Peter Hyams' desire to have a strong, smart female lead. Tom Sizemore was attracted to the film because he got to play the male lead: "I had the responsibility of pushing the narrative forward."[5]
Makeup artist Stan Winston and his team made three creatures with two people moving the heads and people on the side working the electronics to move the arms, claws, mouth, and so on.[5] Hyams reviewed Winston's early drawings and his only suggestion was to make the monster more hideous looking. The director also suggested certain invertebrates for inspiration and Winston came up with an arachnoid outline for the monster's face.[7] In the scenes where the creature is running or jumping, a computer-generated version was used.[8]
In addition to shooting on location in Chicago, a set was built in Los Angeles of a tunnel flooded with water. Sizemore spent most of the shoot either damp, cold or soaking wet and, as a result, caught the flu twice. The production was shut down briefly when Hyams became too sick to work.[8]
Release
The Relic premiered on January 10, 1997. It opened #1 at the box office, grossing $9,064,143 its opening week and a total of $33,956,608 in the US, against an estimated cost $60 million.[3] It was released on Blu-ray on April 6, 2010.[9]
Reception
On review aggregator Rotten Tomatoes, The Relic holds an approval rating of 37%, based on 35 reviews, and an average rating of 4.7/10.[10] On Metacritic, the film has a weighted average score of 55 out of 100, based on 14 critics, indicating "mixed or average reviews".[11] Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale.[12]
James Berardinelli of ReelViews said that "when all is said and done, this horror/science fiction amalgamation seems like nothing more ambitious than a bad reworking of elements from Aliens, Species, Jaws and Predator."[13]
Positive reviews came from critics Roger Ebert and Gene Siskel; Siskel described the film as "surprisingly entertaining",[14] and Ebert said that the film was clever in how it "combines the conventions of the horror and disaster genres" and "is actually a lot of fun, if you like special effects and gore."[15]
Film historian Leonard Maltin gave the movie 2.5 out of a possible 4 stars, summing it up as "Alien in a museum".
Peter Stack of the San Francisco Chronicle gave the film a mixed review, stating, "'The Relic' will quickly fade to video, where it might fare well as a bump-in-the-night benefiting from the fast-forward button."[16]
Russell Smith of The Austin Chronicle gave the film a 2.5/5 stating, "Long story short: This film stands as a near-perfect specimen of two hardy cinema archetypes – the cheesy but diverting creature feature and the weekend bargain matinee."[17]
In a more negative review, Richard Harrington of The Washington Post stated, "It's a familiar story in the horror film business: good novel, terrible adaptation (just ask Stephen King and Clive Barker). As written by Douglas Preston and Lincoln Child, "The Relic" deserved to be taken off the shelf; as adapted by a quartet of screenwriters and directed by Peter Hyams, it should have been left on one."[18]
Despite the negative reviews, the film gained a strong following. Lead actress, Penelope Ann Miller is fond of the film: "It had a lot of things in it that were definitely out there. But it was a good scary movie."[19]
The film was nominated for multiple science-fiction and fantasy awards, including best horror film and best actress (for Penelope Ann Miller) at the 1997 Saturn Awards.[citation needed]
Relic is a 1995 novel by American authors Douglas Preston and Lincoln Child, and the first in the Special Agent Pendergast series. As a horror novel and techno-thriller, it comments on the possibilities inherent in genetic manipulation, and is critical of museums and their role both in society and in the scientific community. It is the basis of the film The Relic (1997).
Penelope Ann Miller, sometimes credited as Penelope Miller, is an American actress. She began her career on Broadway in the original run of Biloxi Blues (1985–1986), later appearing in the 1988 film adaptation of the same name. After playing small roles in the comedies Adventures in Babysitting (1987) and Big Top Pee-wee (1988), and receiving a Tony Award nomination for her leading role in the Broadway revival of Our Town (1988–1989), Miller came to prominence with a succession of major parts in films such as The Freshman, Awakenings, Kindergarten Cop, Other People's Money (1991), Chaplin (1992), The Shadow (1994), and The Relic (1997). For her portrayal of exotic dancer Gail in Carlito's Way (1993), she was nominated for the Golden Globe Award for Best Supporting Actress.
Frankenstein's Daughter is an independently made 1958 American black-and-white science fiction/horror film drama, produced by Marc Frederic and George Fowley, directed by Richard E. Cunha, that stars John Ashley, Sandra Knight, Donald Murphy, and Sally Todd. The film was distributed by Astor Pictures and was released theatrically as a double feature with Missile to the Moon.
It! The Terror from Beyond Space is an independently made 1958 American science fiction horror film, produced by Robert Kent, directed by Edward L. Cahn, that stars Marshall Thompson, Shawn Smith, and Kim Spalding. The film was distributed by United Artists as a double feature with Curse of the Faceless Man.
Peter Hyams is an American film director, screenwriter and cinematographer known for directing 1977 conspiracy thriller film Capricorn One, the 1981 science fiction-thriller Outland, the 1984 science fiction film 2010: The Year We Make Contact, the 1986 action/comedy Running Scared, the comic book adaptation Timecop, the action film Sudden Death, and the horror films The Relic and End of Days.
Mary Shelley's Frankenstein is a 1994 science fiction horror film directed by Kenneth Branagh who also stars as Victor Frankenstein, with Robert De Niro portraying Frankenstein's monster, and co-stars Tom Hulce, Helena Bonham Carter, Ian Holm, John Cleese, Richard Briers and Aidan Quinn. Considered the most faithful film adaptation of Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus, despite several differences and additions in plot from the novel, the film follows a medical student named Victor Frankenstein who creates new life in the form of a monster composed of various corpses' body parts.
The Monster Squad is a 1987 American horror comedy film directed by Fred Dekker, and written by Dekker and Shane Black. Peter Hyams and Rob Cohen served as executive producers. It was released by TriStar Pictures on August 14, 1987. The film features pastiches of the Universal Monsters, led by Count Dracula. They are confronted by a group of savvy kids out to keep them from controlling the world. While being financially unsuccessful during its theatrical run and receiving mixed reviews from critics, the film has gained a positive reception from audiences and has become a cult classic in the years since its release.
Reliquary is the 1997 New York Times best-selling sequel to Relic, by American authors Douglas Preston and Lincoln Child. The legacy of the blood-maddened Mbwun lives on in Reliquary, but the focus is shifted from the original museum setting to the tunnels beneath the streets of New York City. The book is the second in the Special Agent Pendergast series.
Creature is a 1985 American science fiction horror film directed by William Malone, starring Stan Ivar, Wendy Schaal, Lyman Ward, Annette McCarthy, Robert Jaffe, Diane Salinger, and Klaus Kinski. It features early special effects work by Robert and Dennis Skotak, who would go on to design the special effects for Aliens.
Gamera: Guardian of the Universe is a 1995 Japanese kaiju film directed by Shusuke Kaneko and written by Kazunori Itō, with special effects by Shinji Higuchi. It is the ninth installment in the Gamera film series, serving as a reboot of the franchise, and is the first entry in the franchise's Heisei period. The film stars Tsuyoshi Ihara, Akira Onodera, Shinobu Nakayama, Ayako Fujitani, and Yukijirō Hotaru, with Naoki Manabe and Jun Suzuki portraying the giant monster Gamera, and Yuhmi Kaneyama playing Gyaos.
The Shadow is a 1994 American superhero film from Universal Pictures, produced by Martin Bregman, Willi Bear, and Michael Scott Bregman, and directed by Russell Mulcahy. It stars Alec Baldwin, supported by John Lone, Penelope Ann Miller, Peter Boyle, Ian McKellen, Jonathan Winters, and Tim Curry. The film is based on the pulp fiction character of the same name created in 1931 by Walter B. Gibson.
Critters is a 1986 American science fiction comedy horror film directed by Stephen Herek in his directorial debut, and co-written with Domonic Muir. It stars Dee Wallace, M. Emmet Walsh, Billy "Green" Bush and Scott Grimes in his film debut. The plot follows a group of small, furry aliens with carnivorous behavior escaping from two shape-shifting bounty hunters, landing in a small countryside town to feast on its inhabitants.
Mansquito is a 2005 American made-for-television monster movie directed by Tibor Takács, and stars Corin Nemec, Musetta Vander and Matt Jordon. It shares many similarities with the 1986 adaptation of The Fly, and was conceived by Ray Cannella, Manager of Program Acquisition for the Syfy Channel. He and other two colleagues began producing films for the channel feeling that they could do better than the films they bought from independent producers.
The Mist is a 2007 American science-fiction horror film based on the 1980 novella The Mist by Stephen King. The film was written, directed and co-produced by Frank Darabont. Darabont had been interested in adapting The Mist for the big screen since the 1980s. The film features an ensemble cast, including Thomas Jane, Marcia Gay Harden, Nathan Gamble, Andre Braugher, Sam Witwer, Toby Jones, Frances Sternhagen, Buck Taylor, Robert Treveiler, William Sadler, Alexa Davalos, David Jensen, Chris Owen, Andy Stahl and future The Walking Dead stars Jeffrey DeMunn, Laurie Holden, Melissa McBride and Juan Gabriel Pareja.
Downtown is a 1990 American buddy cop action comedy film directed by Richard Benjamin. The film starred Anthony Edwards, Forest Whitaker, Penelope Ann Miller and Joe Pantoliano.
Blood Beach is a 1981 American horror film written and directed by Jeffrey Bloom and starring David Huffman, John Saxon, and Burt Young. The premise, conceived by Steven Nalevansky, involves a creature lurking beneath the sand of Santa Monica Beach that attacks locals and vacationers. The film's tagline is: "Just when you thought it was safe to go back in the water—you can't get to it."
Scream of the Banshee is a 2011 monster movie directed by Steven C. Miller and released as part of the After Dark Originals series. In the words of one of the film's stars, Lance Henriksen, “It’s a re-telling of the screaming banshee myth” and follows an archeology professor who accidentally unleashes a banshee from nearly a century of confinement with deadly consequences.
Deep Space is a 1988 sci-fi horror film directed by Fred Olen Ray, starring Charles Napier, Ann Turkel and Bo Svenson. Napier stars a cop trying to stop the murderous rampage of an escaped creature engineered by the government.
The Mad Doctor of Blood Island is a 1969 Filipino horror film, co-directed by Eddie Romero and Gerardo de Leon, and starring John Ashley, Angelique Pettyjohn, Eddie Garcia and Ronald Remy.
Bottom Feeder is a 2007 American monster movie written and directed by Randy Daudlin. The film centers on a group of utility workers who have become trapped in the maze of tunnels underneath the city where they are stalked and killed by something terrible.
1 2 Dretzka, Gary (19 May 1996). "Unnatural History: The Friendly Field Museum is Transformed into the Menacing Setting of a New Monster-From-Hell Movie". Chicago Tribune. p.18.
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