The Hand That Rocks the Cradle was theatrically released in the United States on January 10, 1992, by Buena Vista Pictures through its Hollywood Pictures label. The film was a box office success, grossing approximately US$140 million worldwide against a budget of $11.9 million, subsequently becoming one of the year's most profitable films.[8] In the home video market, it became the top rental in July 1992,[9] and was the seventh-most rented film of 1992 in the United States.[10] The film received numerous accolades, including Saturn Award nominations for Best Horror Film, Best Actress (De Mornay), and Best Supporting Actress (Moore).
Claire Bartel, a Seattle housewife pregnant with her second child, is sexually assaulted by her new obstetrician, Dr. Victor Mott, during a routine check-up. Her husband Michael encourages her to report Dr. Mott to the state medical board, which results in other women coming forward with accusations. After Dr. Mott commits suicide to avoid arrest, his wife is informed that he voided his life insurance policy and his assets have been frozen because of the law suits, leaving her penniless and forcing the sale of her lavish home. Traumatized, Mrs. Mott goes into pre-term labor and suffers a miscarriage that necessitates an emergency hysterectomy. While recovering, she sees a news story identifying Claire as the first woman who came forward with allegations against her husband.
Six months later, Claire has given birth to her son, Joey, and is in the midst of building her own personal greenhouse with the help of an intellectually disabled handyman named Solomon, who has bonded with their young daughter Emma. While searching for a nanny, Claire is met by Mrs. Mott, who introduces herself as "Peyton Flanders" and makes a good impression. The couple hire her, unaware of her real identity.
Mrs. Mott begins to sabotage the Bartels by degrees: She frequently breastfeeds Joey in secret, causing him to reject Claire's milk, manipulates Emma into turning against Claire, and surreptitiously destroys Michael's workplace proposal. After Solomon discovers Mrs. Mott breastfeeding Joey, she places a pair of Emma's underwear in his toolbox, resulting in Claire firing him, believing he is a pedophile preying on Emma. Despite this, Solomon continues to return to the home secretly to watch over the family.
Mrs. Mott arranges a surprise birthday party for Claire, which is attended by Claire's friend, Marlene, a real estate agent and former girlfriend of Michael. Mrs. Mott steals Marlene's cigarette lighter and places it in Michael's coat pocket. On the day of the party, Claire finds the lighter and vocally and vulgarly accuses him of having an affair with Marlene, only to find her and the partygoers in the next room. Marlene leaves hurt and humiliated.
Claire grows increasingly suspicious of "Peyton", and suggests the family take a vacation without her. Mrs. Mott overhears this conversation, and boobytraps the greenhouse, hoping to kill Claire. Meanwhile, Marlene discovers Mrs. Mott’s true identity via a real estate listing of the Motts' residence. Marlene arrives at the Bartels' home, where Mrs. Mott lures her into the greenhouse and sets off her trap, collapsing the glass ceiling and killing Marlene. Claire returns and discovers Marlene's body, triggering an asthma attack. Claire attempts to use her inhalers, but finds they have all been emptied, resulting in her being hospitalized.
Mrs. Mott unsuccessfully attempts to seduce Michael while Claire is in the hospital. After Claire is discharged, she visits Marlene's office and also uncovers the truth about Mrs. Mott upon visiting the Motts' house. Enraged, Claire returns home and punches Mrs. Mott in the face before revealing the truth to Michael. The couple immediately fire her and order her to leave their home. Fearing for their safety, they plan to spend the night in a hotel.
As the Bartels prepare to leave, Mrs. Mott breaks into the home and attacks Michael with a shovel, pushing him down the basement stairs and breaking his legs. She then attempts to fulfill her true goal: taking the children for herself. After witnessing Mrs. Mott attack Claire, Emma turns against her and locks her in the upstairs nursery. Mrs. Mott escapes and finds Solomon in the attic, aiding in the children's escape. Mrs. Mott attempts to kill Claire, apparently triggering another asthma attack. Mrs. Mott mocks her before attempting to take Joey, but Claire, having faked the attack, lunges at Mrs. Mott when Solomon momentarily distracts her. Claire pushes Mrs. Mott out the attic window, fatally impaling her on the picket fence below. Touched at how Solomon risked his life to protect her family, Claire welcomes him back, and they all leave the attic to help Michael as the police and paramedics arrive.
The Hand That Rocks the Cradle originated as Amanda Silver's film school thesis.[11] Silver completed approximately thirty drafts of the screenplay over a two-year period.[12] Commenting on her inspiration, she said: "I was fascinated with [the idea of] what happens when people give their trust over to someone who's out to destroy them."[12] The film takes its title from the 1865 poem by William Ross Wallace.[6]
In August 1990, it was reported Interscope Communications was preparing the film for Hollywood Pictures. By October 1990 Curtis Hanson was hired to direct.[1] The setting and location was originally meant to be in Atlanta, Georgia, but was changed to the Seattle metropolitan area.[1]
Casting
Rebecca De Mornay read the screenplay for the film and sought to play the role of Peyton, as she was "haunted" by the story.[12] De Mornay commented that the producers considered her for the project because "they wanted someone who is likable" and the part was against type for the roles she had become known for.[12]
Filming
House of Dr. Mott, located in Seattle
Principal photography of The Hand That Rocks the Cradle began on April 15, 1991, after being rescheduled from February 22.[1] The film shoot was delayed due to the casting of the female leads.[1] The film was shot on location in Washington state in Issaquah, Seattle, and Tacoma.[1]
The Motts' residence is located at 2502 37th Avenue West in Seattle,[13] and the Bartels' residence at 808 North Yakima Avenue in Tacoma.[14]
Release
Sneak previews for The Hand That Rocks the Cradle were held in several cities in the United States on December 31, 1991[15][16][17] and on January 4, 1992,[18] before the film had its nationwide theatrical premiere on January 10, 1992.[1]
Home media
The Hand That Rocks the Cradle was released on VHS on July 8, 1992, on DVD on December 8, 1998, with the original theatrical trailer as the sole special feature.[19] On September 4, 2012 Disney/Buena Vista released the film on Blu-ray disc with the same theatrical trailer as the previous releases. The film was presented in its original widescreen aspect ratio, approximately 1.85:1.[20]
Reception
Box office
The Hand That Rocks the Cradle grossed $7.7 million during its opening weekend,[21] ranking number one at the U.S. box office over Hook, which had held the number one spot for four weeks. It remained the number one film at the U.S. box office for four consecutive weeks, then was upended by Medicine Man, which was also released by Hollywood Pictures. By the end of its run, the film earned a total of $88 million in the United States and Canada[2][22] and $52 million internationally,[3] for a worldwide total of $140 million.
Critical response
On Rotten Tomatoes, 67% of 54 reviews are positive. The consensus summarizes: "Thanks largely to Rebecca De Mornay's delightfully villainous turn in the central role, The Hand That Rocks the Cradle is an entertaining—albeit rather silly—domestic thriller."[23] On Metacritic, the film has a score of 64 out of 100, based on reviews from 26 critics.[24] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[25]
De Mornay was praised for her performance
Gene Siskel stated that he "had trouble accepting the premise of this picture because of the casual way in which the nanny is hired in an early scene by the mother," citing that the premise is unrealistic. However, he gave praise to Julianne Moore's character, saying, "Much more believable is the supporting character of the mother's best friend" and that "the friend is a terrific character, it's too bad she doesn't have more scenes in the picture." He mentioned that his "biggest objection to The Hand That Rocks the Cradle is to its scenes with the children in jeopardy or psychic pain." Siskel finally remarked that "there are some fun thrills in The Hand That Rocks the Cradle to be sure, but I found a lot of it distasteful, too." Roger Ebert had a higher opinion of the film, stating that he "found this film worked" and that "It touches on a fear and that's why it appeals to us." Ebert praised De Mornay's performance in the film, saying, "She does, I think, a very good job, a very, very sound job of being the villainess in this film and I think it's an effective performance", a statement which Siskel agreed with, and that he found the scenes of the children "very interesting because I saw them as a portrait of the evil of that woman."[26]
Vincent Canby of The New York Times said of the film that "The Hand That Rocks the Cradle is meant to scare audiences more or less in the way that the patrons of the early nickelodeons were frightened when they saw the image of a train rushing at them. Audiences aren't asked to think, only to react" and that "The Hand That Rocks the Cradle proves again that not thinking isn't especially easy even today. Though Mr. Hanson is a slick movie maker, he is not an especially persuasive one here. Don't be gulled by those who would compare The Hand That Rocks the Cradle to Fatal Attraction, which features three strong characters who, in one way or another, are ready to answer for their actions." He added that "Mr. Hanson creates the occasionally effective shock effect to satisfy those who want to squeal in mock fright. More often the devices he uses are such tired tricks as the crosscutting between two sets of simultaneous, often innocent, actions to create the illusion of suspense that can't be sustained."[27] Rebecca Hawkes of The Daily Telegraph gave the film a rating a 3 stars out of 5 and said that "It's a tense, viscerally unsettling moment, that helps make the film into something more than just a fun, formulaic thriller",[28] while Sue Heal of The Radio Times rated the film 4 stars out of 5, stating that "This is pure unbridled hokum, of course, but extremely effective until the last 30 minutes, when the plot rapidly self-destructs."[29]
The Hand That Rocks the Cradle received criticism from some feminists for its depiction of sexual assault and violence between women.[12]The Washington Post reviewer Rita Kempley criticized the film, arguing that it is anti-feminist.[11] De Mornay challenged these accusations, saying: "This is a compelling story, and a compelling thriller... We have a lack of women writers and a lack of good roles for women. Because of this shortage, there's the belief in some circles that when women are portrayed in the film, they must always be portrayed as wonderful human beings. This is a kind of minority thinking I don't like. It's counterproductive."[12]
The film was remade as Khal-Naaikaa, an Indian film which was released on August 6, 1993.[38]
In 2014, it was announced Supernatural writer Daniel Loflin was set to executive produce and write an adaptation for the film alongside Ted Field, a producer on the original film.[39] The remake was reportedly in development at ABC Family, but it did not move forward.
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