Related Research Articles
Lord Edgware Dies is a 1934 British mystery film directed by Henry Edwards and starring Austin Trevor, Jane Carr, and Richard Cooper. The film was based on the 1933 Agatha Christie novel Lord Edgware Dies.
Flat Number Three is a 1934 British crime film directed by Leslie S. Hiscott starring Mary Glynne, Betty Astell and Cecil Parker. Its plot involves a lawyer who assists a widow who has killed her blackmailer.
Death on the Set is a 1935 British mystery film directed by Leslie S. Hiscott and starring Henry Kendall, Eve Gray, Jeanne Stuart and Wally Patch. Its plot concerns a film director who murders a leading gangster and takes his place, later pinning the killing on a prominent actress. It is also known by the alternative title Murder on the Set.
The Right to Live is a 1933 British crime film directed by Albert Parker and starred Davy Burnaby, Pat Paterson and Francis L. Sullivan. It was made at Ealing Studios as a quota quickie by the British subsidiary of Fox Film.
C.O.D. is a 1932 British crime film directed by Michael Powell and starring Garry Marsh, Arthur Stratton and Sybil Grove. A man helps a woman to dispose of the body of her stepfather.
The Third Clue is a 1934 British crime film directed by Albert Parker and starring Basil Sydney, Molly Lamont and Raymond Lovell. The film was based on Neil Gordon's novel The Shakespeare Murders, which also inspired The Claydon Treasure Mystery (1938). It was made at Wembley Studios as a quota quickie by the British subsidiary of 20th Century Fox.
The White Lilac is a 1935 British mystery film directed by Albert Parker and starring Basil Sydney, Judy Gunn, Claude Dampier and Percy Marmont. It is based upon the play of the same name by Ladislas Fodor. It was made at Wembley Studios as a quota quickie by the British subsidiary of Fox Film.
Forging Ahead is a 1933 British comedy mystery film directed by Norman Walker and starring Margot Grahame, Garry Marsh and Anthony Holles. Its plot involves a gang of criminals who pretend a house is haunted in order to keep people away.
The School for Scandal is a 1930 British historical comedy film directed by Thorold Dickinson and Maurice Elvey and starring Basil Gill, Madeleine Carroll and Ian Fleming. It is the first sound film adaptation of Richard Brinsley Sheridan's play The School for Scandal. It is also the only feature-length film shot using the unsuccessful Raycol colour process, and marked the screen debut of Sally Gray. The film was shot at the Elstree Studios of British International Pictures with sets designed by the art director Lawrence P. Williams. It ended up being released as a second feature and is classified as a quota quickie.
Stranglehold is a 1931 British drama film directed by Henry Edwards and starring Isobel Elsom, Garry Marsh and Derrick De Marney. It was made by Warner Brothers at Teddington Studios as a quota quickie. It is now a lost film.
Dangerous Seas is a 1931 British crime film directed by Edward Dryhurst and starring Julie Suedo, Sandy Irving and Charles Garry.
Two Wives for Henry is a 1933 British comedy film directed by Adrian Brunel and starring Garry Marsh, Dorothy Boyd and Jack Raine. A man decides to take a "substitute" wife with him for a vacation in Brighton, but things soon begin to go wrong.
The Claydon Treasure Mystery is a 1938 film directed by H. Manning Haynes and starring John Stuart, Garry Marsh and Evelyn Ankers. Murder at a large old manor house attracts the attentions of a mystery writer. It was made at Wembley Studios as a quota quickie by the British subsidiary of 20th Century Fox.
Blind Man's Bluff is a 1936 British drama film directed by Albert Parker and starring Basil Sydney, Enid Stamp-Taylor and James Mason. The film was a quota quickie made at Wembley Studios by the Hollywood studio Fox's British subsidiary.
Death Drives Through is a 1935 British sports drama film directed by Edward L. Cahn and starring Chili Bouchier, Robert Douglas and Miles Mander. It was made as a quota quickie by the independent producer Clifford Taylor at Ealing Studios. The racing scenes were shot at Brooklands.
Don't Be a Dummy is a 1932 British comedy film directed by Frank Richardson and starring William Austin, Muriel Angelus and Garry Marsh. The film was a quota quickie made by the British subsidiary of Warner Brothers at their Teddington Studios base.
Late Extra is a 1935 British crime film directed by Albert Parker and starring James Mason, Virginia Cherrill, and Alastair Sim.
Dial 999 is a 1938 British crime film directed by Lawrence Huntington and starring John Longden, Elizabeth Kent and Neville Brook. It was made as a quota quickie by 20th Century Fox at Wembley Studios. The film's title aimed to capitalize on the recent introduction of the emergency telephone number 999.
After Dark is a 1932 British crime film directed by Albert Parker and starring Horace Hodges, Hugh Williams and Grethe Hansen. It was made at Walton Studios as a quota quickie.
Darts Are Trumps is a 1938 British comedy film directed by Maclean Rogers and starring Eliot Makeham, Nancy O'Neil and Ian Colin. A darts player manages to thwart a jewel thief.
References
- ↑ BFI.org
- ↑ Chibnall p.275
- ↑ Missing Believed Lost British Pictures. Retrieved 21-10-2010
