Too Many Crooks | |
---|---|
Directed by | George King |
Written by |
|
Produced by | George King |
Starring |
|
Music by | William Hodgson (as W. Hodgson) |
Production company | |
Distributed by | Fox Film Company (UK) |
Release date |
|
Running time | 38 minutes |
Country | United Kingdom |
Language | English |
Too Many Crooks is a 1930 British comedy crime film directed by George King and starring Laurence Olivier, Dorothy Boyd and Arthur Stratton. [1]
It was shot at Twickenham Studios as a quota quickie for distribution by Fox Film. [2] The film is currently missing from the BFI National Archive, and is listed as one of the British Film Institute's "75 Most Wanted" lost films. [3]
A man tries to burgle his own safe on the same night that a professional criminal attempts it. [4]
Flat Number Three is a 1934 British crime film directed by Leslie S. Hiscott starring Mary Glynne, Betty Astell and Cecil Parker. Its plot involves a lawyer who assists a widow who has killed her blackmailer.
The Road to Fortune is a 1930 British drama film directed by Arthur Varney and starring Guy Newall, Doria March and Florence Desmond. It was based on a novel by Hugh Broadbridge.
The Big Splash is a 1935 British comedy film directed by Leslie S. Hiscott and starring Frank Pettingell, Finlay Currie and Marguerite Allan. A millionaire hires a man to play his double. It was made as a quota quickie at Beaconsfield Studios.
Enter the Queen is a 1930 British silent short comedy film directed by Arthur Varney and starring Richard Cooper, Dora March, Chili Bouchier and Percy Walsh.
The Man I Want is a 1934 British comedy film directed by Leslie S. Hiscott and starring Henry Kendall, Wendy Barrie and Betty Astell. The screenplay concerns a man who accidentally comes across some stolen jewels. The film was made at Beaconsfield Studios.
The School for Scandal is a 1930 British historical comedy film directed by Thorold Dickinson and Maurice Elvey and starring Basil Gill, Madeleine Carroll and Ian Fleming. It is the first sound film adaptation of Richard Brinsley Sheridan's play The School for Scandal. It is also the only feature-length film shot using the unsuccessful Raycol colour process, and marked the screen debut of Sally Gray. The film was shot at the Elstree Studios of British International Pictures with sets designed by the art director Lawrence P. Williams. It ended up being released as a second feature and is classified as a quota quickie.
Should a Doctor Tell? is a 1930 British drama film directed by H. Manning Haynes and starring Basil Gill, Norah Baring and Maurice Evans. The screenplay concerns a doctor who agonises over whether to tell his son that the woman he is marrying is pregnant by another man, which would mean breaking the hypocratic oath.
The Heirloom Mystery is a 1936 British drama film directed by Maclean Rogers and starring Edward Rigby, Mary Glynne and Gus McNaughton. After being secretly commissioned by a man to create a replica piece of furniture so he can sell the valuable original without his wife knowing, Charles Marriott's firm find themselves under investigation.
Calling All Stars is a 1937 British musical comedy film directed by Herbert Smith and starring Arthur Askey, Evelyn Dall and Max Bacon. The film is a revue, featuring a number of musical acts playing themselves. It was made at Beaconsfield Studios for release as a quota quickie. The film's art direction is by Norman G. Arnold.
Chelsea Life is a 1933 British drama film directed by Sidney Morgan and starring Louis Hayward, Molly Johnson and Anna Lee. It was shot at Elstree Studios as a quota quickie for release by the British subsidiary of Paramount Pictures.
The Fortunate Fool is a 1933 British comedy film directed by Norman Walker and starring Hugh Wakefield, Joan Wyndham and Jack Raine.
Many Tanks Mr. Atkins is a 1938 British comedy war film directed by Roy William Neill and starring Claude Hulbert, Reginald Purdell and Barbara Greene.
Two Wives for Henry is a 1933 British comedy film directed by Adrian Brunel and starring Garry Marsh, Dorothy Boyd and Jack Raine. A man decides to take a "substitute" wife with him for a vacation in Brighton, but things soon begin to go wrong.
Love's Option is a 1928 British silent adventure film directed by George Pearson and starring Dorothy Boyd, Patrick Aherne and James Carew. It was made at Cricklewood Studios based on the novel The Riddle by Douglas Newton. The film was distributed by Paramount Pictures' British subsidiary, enabling the company to meet its yearly quota set down by the British government. The film follows several rivals attempting to gain control of a valuable Spanish copper mine. It was known by the alternative title A Girl of Today.
Busman's Holiday is a 1936 British comedy film directed by Maclean Rogers and starring Wally Patch, Gus McNaughton and Muriel George. A bus conductor and his driver manage to round up a gang of criminals. It was made at Nettlefold Studios as a quota quickie for distribution by RKO Pictures. It is also known by the alternative title Bow Bells.
Full Speed Ahead is a 1936 British drama film directed by Lawrence Huntington and starring Paul Neville, Moira Lynd and Richard Norris. The film was made at Wembley Studios as a quota quickie for distribution by the Hollywood company Paramount Pictures. It is also known by the alternative title Full Steam Ahead.
Ticket of Leave is a 1936 British crime film directed by Michael Hankinson and starring Dorothy Boyd, John Clements and George Merritt. It was made as a quota quickie at British and Dominions Elstree Studios by the British subsidiary of Paramount Pictures. The screenplay concerns a woman who joins forces with a criminal after he robs her flat. The title refers to the ticket of leave given to prisoners when they were released from jail.
The House of Unrest is a 1931 British mystery film directed by Leslie Howard Gordon and starring Dorothy Boyd, Malcolm Keen and Tom Helmore. It was made as a quota quickie at Cricklewood Studios.
The Lure is a 1933 British crime film directed by Arthur Maude and starring Anne Grey, Cyril Raymond and Alec Fraser. It was made at Wembley Studios as a quota quickie.
Call Me Mame is a 1933 British comedy film directed by John Daumery and starring Ethel Irving, John Batten and Dorothy Bartlam. It was made at Teddington Studios as a quota quickie.