Chili Bouchier was an English film actress who achieved success during the silent film era, and went on to many screen appearances with the advent of sound films, before progressing to theatre later in her career.
Royal Cavalcade, also known as Regal Cavalcade, is a 1935 British, black-and-white, drama film directed by six separate directors: Thomas Bentley, Herbert Brenon, Norman Lee, Walter Summers, W. P. Kellino and Marcel Varnel. The film features Marie Lohr, Hermione Baddeley, Owen Nares, Robert Hale, Austin Trevor, James Carew, Edward Chapman and Ronald Shiner as the Soldier in Trenches. The film was presented by Associated British Pictures Corporation.
Shooting Stars is a 1927 British drama film directed by Anthony Asquith and A. V. Bramble and starring Annette Benson, Brian Aherne and Wally Patch. The screenplay concerns a starlet who plots an escape to Hollywood.
The Blue Danube is a 1932 British romance film directed by Herbert Wilcox and starring Brigitte Helm, Joseph Schildkraut and Desmond Jeans. Its plot, based on a short story by Doris Zinkeisen, concerns a Hungarian gypsy who leaves his girlfriend for a countess, but soon begins to suffer heartache. The Blue Danube was made in both English and German-language versions.
Carnival is a 1931 British drama film in black and white with colour sequences directed by Herbert Wilcox and produced by his British & Dominions Film Corporation, starring Matheson Lang, Joseph Schildkraut, Kay Hammond and Chili Bouchier. During a performance of Othello a jealous actor attempts to strangle his wife who he believes has committed adultery. It was a remake of the 1921 film Carnival. The French musician Alfred Rode appears with his band.
Thistledown is a 1938 British musical film produced by Irving Asher, directed by Arthur B. Woods and starring Aino Bergo, Keith Falkner, Athole Stewart, Sharon Lynn and Amy Veness. The screenplay concerns the Austrian wife of a Scottish aristocrat.
Mrs. Fitzherbert, also known as Princess Fitz and A Court Secret, is a 1947 black and white British historical drama film directed by Montgomery Tully and starring Peter Graves, Joyce Howard and Leslie Banks. It depicts the relationship between George IV and Maria Fitzherbert. It is an adaptation of the 1945 novel Princess Fitz by Winifred Carter
Bruce Lester was a South African-born English film actor with over 60 screen appearances to his credit between 1934 and his retirement from acting in 1958. Lester's career divided into two distinct periods. Between 1934 and 1938, billed as Bruce Lister, he appeared in upwards of 20 British films, mostly of the cheaply shot and quickly forgotten quota quickie variety. He then moved to the US, where he changed his surname to Lester, and found himself for a time appearing in some of the biggest prestige productions of their day, alongside stars such as Bette Davis, Joan Crawford, Tyrone Power and Errol Flynn. Lester himself never achieved star-billing, but was said to have remarked that this at least meant that if a film was a flop, no blame ever fell on his shoulders.
The Return of Carol Deane is a 1938 British drama film directed by Arthur B. Woods and starring Bebe Daniels, Arthur Margetson and Peter Coke. The film is adapted from the story The House on 56th Street by Joseph Santley and spans the time period from the 1910s to the 1930s. It was made at Teddington Studios by the British subsidiary of Warner Brothers. The film's sets were designed by the art director Peter Proud.
The Mad Hatters is a 1935 British comedy film directed by Ivar Campbell and starring Chili Bouchier, Sydney King and Evelyn Foster.
Get Off My Foot is a 1935 British comedy film, directed by William Beaudine and starring Max Miller and Chili Bouchier. It is classed as a lost film.
Mayfair Melody is a 1937 British musical film, directed by Arthur B. Woods and starring popular bass-baritone singer Keith Falkner in the first of his three screen performances.
Mr. Satan is a 1938 British spy thriller, directed by Arthur B. Woods and starring James Stephenson and Chili Bouchier. Unlike a majority of Woods' quota quickie productions of the 1930s which are believed lost, this film survives in the British Film Institute National Archive.
The Singing Cop is a 1938 British musical comedy spy drama, directed by Arthur B. Woods and starring singer Keith Falkner and Chili Bouchier. The film was a quota quickie production, based on a short story by Kenneth Leslie-Smith. It is now classed as a lost film.
Where's Sally? is a 1936 British comedy film, directed by Arthur B. Woods and starring Chili Bouchier, Gene Gerrard and Claude Hulbert. The film was a quota quickie production and is now believed to be lost.
Confidential Lady is a 1939 British comedy drama film, directed by Arthur B. Woods and starring Ben Lyon and Jane Baxter. It is now classed as a lost film.
Faithful is a 1936 British musical drama film, directed by Paul L. Stein and starring Jean Muir and Hans Söhnker.
The Silver King is a 1929 British silent drama film directed by T. Hayes Hunter and starring Percy Marmont, Harold Huth and Chili Bouchier. The film is an adaptation of the 1882 play The Silver King by Henry Arthur Jones. It was made at Cricklewood Studios and Lime Grove Studios. The film was an ambitious production by the Welsh-Pearson company made at an estimated cost of around £60,000. However the company's decision to shoot it and other films that year as silents led to large financial losses due to the emergence of sound.
Golden Madonna is a 1949 British-Italian drama film directed by Luigi Carpentieri and Ladislao Vajda and starring Phyllis Calvert, Tullio Carminati and Michael Rennie. It was considered a lost film and was on the BFI 75 Most Wanted list, until a copy was loaned to the British Film Institute by Cohen Media. Filmed on location, a group of original negatives and contact prints taken by Francis Goodman are in the possession of London's National Portrait Gallery.
Maria Marten is a 1928 British silent drama film directed by Walter West starring Trilby Clark, Warwick Ward and Dora Barton. It is based on the real story of the Red Barn Murder in the 1820s, and is one of five film versions of the events. The film shifted the action to fifty years earlier to the height of the Georgian era. This was the last of the silent film adaptations of the Maria Marten story, and its success paved the way for the much better 1935 sound film remake starring Tod Slaughter. A 35mm print of the 1928 silent film exists in the British Film Institute's archives.
