The Sky's Gone Out | ||||
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Studio album by | ||||
Released | 22 October 1982 [1] | |||
Recorded | 1982 | |||
Studio |
| |||
Genre | ||||
Length | 42:24 | |||
Label | Beggars Banquet | |||
Producer | Bauhaus | |||
Bauhaus chronology | ||||
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The Sky's Gone Out is the third studio album by English gothic rock band Bauhaus, released in 1982 by record label Beggars Banquet.
NME said about the music: "[singer] Peter Murphy comes across like David Bowie imitating Jacques Brel declaiming a pastiche of Lautréamont backed by the early [Siouxsie and the] Banshees." [7]
The Sky's Gone Out was released in October 1982 by the record label Beggars Banquet. It featured a cover version of Brian Eno's "Third Uncle", a new recording of "Spirit", and experiments with ballads, disco, ska and reggae. [8]
The initial limited edition included the live album Press the Eject and Give Me the Tape as a bonus. The compact disc reissue dropped the run-out speech from the final track "Exquisite Corpse" (which, like the snoring on the song itself, was done by the band's sound engineer Derek Tompkins). The full length track (6:50) was used for the version released as part of the 5CD box set BBQCD2110. The Canadian edition of this album also contained a free 12" vinyl single featuring "Ziggy Stardust", "Kick in the Eye" and "Lagartija Nick". This version did not have the distinctive artwork from the US and UK editions but was presented as a white field with the album title and band logo in the upper right corner.
Review scores | |
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Source | Rating |
AllMusic | [9] |
Record Collector | [10] |
In his retrospective review of the album, Ned Raggett of AllMusic wrote, "On balance it's quite a fine album, but unlike Mask it misses the infusion of a more positive energy, and simply doesn't gel as perfectly, more notable for individual songs than as a whole." [9]
In their feature on the album in 2001 Alternative Press described The Sky's Gone Out as one of the Top 10 essential goth albums. [11]
All tracks are written by Bauhaus (Daniel Ash, David J, Kevin Haskins and Peter Murphy), except as noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Third Uncle" | Brian Eno | 5:14 |
2. | "Silent Hedges" | 3:09 | |
3. | "In the Night" | 3:05 | |
4. | "Swing the Heartache" | 5:51 | |
5. | "Spirit" | 5:28 | |
6. | "The Three Shadows, Part I" | 4:21 | |
7. | "The Three Shadows, Part II" | 3:12 | |
8. | "The Three Shadows, Part III" | 1:36 | |
9. | "All We Ever Wanted Was Everything" | 3:49 | |
10. | "Exquisite Corpse" | 5:39 |
No. | Title | Writer(s) | Length |
---|---|---|---|
11. | "Ziggy Stardust" (David Bowie cover) | Bowie | 3:13 |
12. | "Party of the First Part" | 5:27 | |
13. | "Spirit" (single version) | 3:45 | |
14. | "Watch That Grandad Go" | 5:40 |
Bauhaus were an English rock band formed in Northampton in 1978. Known for their dark image and gloomy sound, Bauhaus are one of the pioneers of gothic rock, although they mixed many genres, including dub, glam rock, psychedelia, and funk. The group consisted of Daniel Ash, Peter Murphy, Kevin Haskins (drums) and David J (bass).
Tones on Tail were a British post-punk band formed in 1982, originally as a musical side project of Daniel Ash of the gothic rock group Bauhaus. Their music was described by one critic as "doom-and-dance-pop."
"Ziggy Stardust" is a song by the English singer-songwriter David Bowie from his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Bowie and Ken Scott, he recorded it at Trident Studios in London in November 1971 with his backing band the Spiders from Mars—comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. Lyrically, the song is about Ziggy Stardust, a bisexual alien rock star who acts as a messenger for extraterrestrial beings. The character was influenced by English singer Vince Taylor, as well as the Legendary Stardust Cowboy and Kansai Yamamoto. Although Ziggy is introduced earlier on the album, this song is its centrepiece, presenting the rise and fall of the star in a very human-like manner. Musically, it is a glam rock song, like its parent album, and is based around a Ronson guitar riff.
In the Flat Field is the debut studio album by English gothic rock band Bauhaus. It was recorded between December 1979 and July 1980, and released on 3 November 1980 by record label 4AD, the first full-length release on that label. The cover artwork is a reproduction of Duane Michals' 1949 photograph, Homage to Puvis de Chavannes.
Mask is the second studio album by English gothic rock band Bauhaus. It was released on 16 October 1981 by record label Beggars Banquet.
Burning from the Inside is the fourth studio album by English gothic rock band Bauhaus, released on 15 July 1983 by record label Beggars Banquet. It peaked at No. 13 on the UK Albums Chart. The single, "She's In Parties", which spawned from the album, reached No. 26 in the UK Singles Chart.
Rest in Peace: The Final Concert is a live album by English gothic rock band Bauhaus of a concert performed in 1983 at the Hammersmith Palais in London.
Gotham is a double-disc live album by English gothic rock band Bauhaus of a concert performed in 1998, released in 1999 by record label Metropolis. The album also includes one appended studio track, a cover of "Severance", originally recorded by Dead Can Dance on their 1988 album The Serpent's Egg.
Press the Eject and Give Me the Tape is a live album by the British gothic rock band Bauhaus, released in 1982 on Beggars Banquet Records, and recorded in London and Liverpool in 1981 and 1982.
Crackle is a greatest hits album by English goth-rock band Bauhaus. The album was released in 1998 by record label Beggars Banquet, during the band's Resurrection Tour. It includes remastered versions of some of their single hits and most popular songs.
"The Passion of Lovers" is the sixth single released by British gothic rock band Bauhaus. It was released in 7" format on the Beggars Banquet label in 1981. The initial copies came with the lyrics on a printed insert.
Go Away White is the fifth and final studio album by English gothic rock band, Bauhaus and was internationally released on 3 March 2008 by record labels Cooking Vinyl in the UK and Bauhaus Music. It was the band's first album of new material since Burning from the Inside in 1983.
The discography of Bauhaus, a British gothic rock band, consists of five studio albums, four live albums, three compilation albums, four extended plays (EPs), eleven singles and three video albums. The band was formed in Northampton in 1978 by Daniel Ash (guitar), David J (bass), Kevin Haskins (drums) and Peter Murphy (vocals).
Bauhaus 1979–1983 is a compilation album by English post-punk band Bauhaus, released in 1985 by record label Beggars Banquet.
The Singles 1981–1983 is a greatest hits mini-album by English post-punk band Bauhaus. It was released in 1983 by record label Beggars Banquet.
Cascade is the fifth studio album by English musician Peter Murphy. It was released on 11 April 1995, through Atlantic and Beggars Banquet Records. Produced by Pascal Gabriel, it is Murphy's last album on Beggars Banquet and first album not to feature his backing band, The Hundred Men, which disbanded after Holy Smoke tour.
The Waking Hour is the sole album by English band Dali's Car, a project of Peter Murphy of Bauhaus and Mick Karn of Japan. It was released in November 1984 by record label Paradox, which was created specifically to release the record.
Pop is the only studio album by the English post-punk band Tones on Tail, a side project of the Bauhaus members Daniel Ash and Kevin Haskins, and the Bauhaus roadie Glenn Campling. It was released on 6 April 1984 by Beggars Banquet Records.
"A Strange Kind of Love" is a song by English musician Peter Murphy, from his third solo studio album, Deep (1989). Produced by Murphy himself and Simon Rogers, it was released as the third single off the album in 1990 through Beggars Banquet and RCA Records.
"You're So Close" is a song by English musician Peter Murphy, from his fourth solo studio album Holy Smoke (1992). Written by Murphy and Paul Statham, the song was released in 1992 as the second single from the album, through Beggars Banquet and RCA Records. Despite not matching with the success of the lead single off the album, "The Sweetest Drop", the song charted on Billboard Modern Rock Tracks, peaking at number 18.
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