In the Flat Field | ||||
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Studio album by | ||||
Released | 3 November 1980 [1] | |||
Recorded | December 1979 – July 1980 | |||
Studio | BBC Maida Vale and Southern, London | |||
Genre | ||||
Length | 37:44 | |||
Label | 4AD | |||
Producer | Bauhaus | |||
Bauhaus chronology | ||||
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In the Flat Field is the debut studio album by English gothic rock band Bauhaus. It was recorded between December 1979 and July 1980, and released on 3 November 1980 by record label 4AD, the first full-length release on that label. The cover artwork is a reproduction of Duane Michals' 1949 photograph, Homage to Puvis de Chavannes. [2]
In the Flat Field is considered one of the first gothic rock albums. [3]
Following a 30-date tour, Bauhaus went to Southern Studios in Wood Green, London, to record their first album. The band had a clear conception of how they wanted the record to sound, and so they opted to produce it themselves. While most of the album was completed in time for the planned release date of September 1980, the group found it difficult to record a version of "Double Dare" as good as the one they had performed on DJ John Peel's BBC Radio 1 programme. The band applied to the BBC for permission to use the Peel session version on the album, but due to obstruction from the Musicians' Union, the process took over a month. [4]
NME 's Andy Gill wrote that the dark atmosphere of the record was reminiscent of contemporaries such as Siouxsie and the Banshees, Adam and the Ants, and Joy Division. [5] In his AllMusic review, critic Ned Raggett described Bauhaus as a "glam-inspired rock band" comparing vocalist Peter Murphy to Iggy Pop and David Bowie and guitarist Daniel Ash's performance to that of Bowie sideman Mick Ronson. Raggett noted that the album concluded with "a dramatic ending" with the song "Nerves". [3]
In the Flat Field was released on 3 November 1980 by record label 4AD. [6] It was met with a negative response from professional critics in the UK, but topped the UK Independent Albums Chart [7] and made the UK Albums Chart for one week at No. 72. [8] [7]
The album was first released on CD by 4AD in April 1988 with eight bonus tracks, including three non-album singles: "Dark Entries", "Terror Couple Kill Colonel", and a cover of T. Rex's "Telegram Sam". [9] Five of these bonus tracks had been previously compiled on the 4AD EP in 1983. [10]
On 19 October 2009, 4AD and Beggars Banquet reissued the album as an "Omnibus Edition", featuring a 24-bit John Dent remaster of the original nine-track album on CD in a replica mini-LP sleeve (with corresponding inner sleeve featuring the lyrics), plus a 16-track bonus disc of singles, outtakes, alternate recordings, and original versions. The set came inside a semi-long box, coupled with a 48-page book that included comments from band members, photos, complete lyrics, complete tour date information for 1979 and 1980, and an essay by Andrew Brooksbank on the formation and creation of the band, the singles, and the album.
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Classic Rock | 8/10 [11] |
Drowned in Sound | 9/10 [12] |
Pitchfork | 9.2/10 [13] |
Record Collector | [14] |
While In the Flat Field received positive reviews in fanzine publications, the album was "absolutely slated" by the British weekly music press according to Bauhaus biographer Ian Shirley. [15] Andy Gill of NME described the album as "nine meaningless moans and flails bereft of even the most cursory contour of interest, a record which deserves all the damning adjectives usually levelled at grim-faced 'modernists,'" ultimately dismissing them as "a hip Black Sabbath". [5] Dave McCullough of Sounds was also negative: "No songs. Just tracks (ugh). Too priggish and conceited. Sluggish indulgence instead of hoped for goth-ness. Coldly catatonic." [16]
The American Trouser Press , however, described it as "a dense, disjointed patchwork of sounds and uncertain feelings, supported by a pressured, incessant beat. Delving deep into the dark side of the human psyche, Bauhaus conjures up unsettling images of a world given over to death and decay." [17]
In his AllMusic retrospective review, Ned Raggett praised the album, writing that "few debut albums ever arrived so nearly perfectly formed". [3] while Treble's Jeff Terich described the songs as "twisted, glam-inspired post-punk raveups". [18] Jonathan Selzer of Classic Rock magazine described the album as "remarkably self-possessed, a distillation of influences down to a potent curtains-drawn universe of Bauhaus's own." [11]
AllMusic's Raggett wrote: "In the Flat Field practically single-handedly invented what remains for many as the stereotype of goth music—wracked, at times spindly vocals about despair and desolation of many kinds, sung over mysterious and moody music". [3] In 2012, Sonic Seducer ranked In the Flat Field at No. 4 on its list of "10 Key Albums for the Gothic Scene", calling it a work that had shattered outdated ideas of rock music. [19] Music author Dave Thompson described it as "one of the most courageous albums of the age." [20] Writing for Louder Than War , John Robb noted it as "a staple record for the true post-punk scene". [21] American musician and audio engineer Steve Albini called the album a "masterpiece" in a 2020 interview. [22]
In the Flat Field was listed in Tom Moon's 2008 book 1,000 Recordings to Hear Before You Die . [23]
In 2020, Rolling Stone included the album at No. 61 on its list of "The 80 Greatest Albums of 1980". [24]
All tracks are written by Bauhaus (Peter Murphy, Daniel Ash, David J, Kevin Haskins), except as noted
No. | Title | Length |
---|---|---|
1. | "Double Dare" | 4:54 |
2. | "In the Flat Field" | 4:00 |
3. | "A God in an Alcove" | 4:08 |
4. | "Dive" | 2:13 |
5. | "Spy in the Cab" | 4:31 |
No. | Title | Length |
---|---|---|
6. | "Small Talk Stinks" | 3:35 |
7. | "St. Vitus Dance" | 3:31 |
8. | "Stigmata Martyr" | 3:46 |
9. | "Nerves" | 7:06 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dark Entries" (single version) | 3:52 | |
2. | "Double Dare" | 4:54 | |
3. | "In the Flat Field" | 5:00 | |
4. | "A God in an Alcove" | 4:08 | |
5. | "Dive" | 2:13 | |
6. | "Spy in the Cab" | 4:31 | |
7. | "Small Talk Stinks" | 3:35 | |
8. | "St. Vitus Dance" | 3:31 | |
9. | "Stigmata Martyr" | 3:46 | |
10. | "Nerves" | 7:06 | |
11. | "Telegram Sam" (single version) | Marc Bolan | 2:11 |
12. | "Rosegarden Funeral of Sores" | John Cale | 5:34 |
13. | "Terror Couple Kill Colonel" (single version) | 4:21 | |
14. | "Scopes" | 1:34 | |
15. | "Untitled" | 1:27 | |
16. | "God in an Alcove" | 4:09 | |
17. | "Crowds" | 3:15 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dark Entries" (single A-side – AD 3[A]) | 3:52 | |
2. | "A God in an Alcove" (original version) | 4:09 | |
3. | "Untitled" (single B-side – AD 3[B]) | 1:28 | |
4. | "Terror Couple Kill Colonel" (original Beck version) | 4:45 | |
5. | "Telegram Sam" (original Beck version) | Bolan | 2:19 |
6. | "Terror Couple Kill Colonel" (single B-side – AD 7[B]) | 4:34 | |
7. | "Scopes" (single B-side – AD 7[B]) | 1:34 | |
8. | "Terror Couple Kill Colonel" (Southern mix #2) | 4:26 | |
9. | "Crowds" (single B-side – AD 17T[B]) | 3:16 | |
10. | "Dive" (out-take / alternative mix) | 2:15 | |
11. | "Spy in the Cab" (out-take / alternative mix) | 4:31 | |
12. | "Stigmata Martyr" (out-take / alternative mix) | 3:45 | |
13. | "Rosegarden Funeral of Sores" (single B-side – AD 17T[B]) | Cale | 5:32 |
14. | "Double Dare" (alternative version / mix #4) | 5:34 | |
15. | "Telegram Sam" (alternative mix #1) | Bolan | 2:24 |
16. | "Untitled 2" | 1:11 |
Credits are sourced from the liner notes of the original release. [25]
Bauhaus were an English rock band formed in Northampton in 1978. Known for their dark image and gloomy sound, Bauhaus are one of the pioneers of gothic rock, although they mixed many genres, including dub, glam rock, psychedelia, and funk. The group consisted of Daniel Ash, Peter Murphy, Kevin Haskins (drums) and David J (bass).
Gothic rock is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure.
Tones on Tail were a British post-punk band formed in 1982, originally as a musical side project of Daniel Ash of the gothic rock group Bauhaus. Their music was described by one critic as "doom-and-dance-pop."
Spleen and Ideal is the second studio album by Australian band Dead Can Dance. It was released on 25 November 1985 by 4AD. The album spearheaded the group's sonic transition from their post-punk and gothic rock-influenced roots towards a neoclassical dark wave style.
Within the Realm of a Dying Sun is the third studio album by Australian band Dead Can Dance. It was released on 27 July 1987 by 4AD.
The Black Album is the fourth studio album by English punk rock band the Damned, and the first to feature Paul Gray on bass guitar. It was released on 3 November 1980 by Chiswick as a double album, with "Curtain Call" filling the whole of side 3, and a selection of live tracks recorded at Shepperton Studios at a special concert for Damned fan club members on side 4. The song "13th Floor Vendetta" paid tribute to the film The Abominable Dr. Phibes (1971), opening with the lyrics "...the organ plays to midnight on Maldine Square tonight".
Treasure is the third studio album by Scottish alternative rock band Cocteau Twins, released on 12 November 1984 by 4AD. With this album, the band settled on what would, from then on, be their primary lineup: vocalist Elizabeth Fraser, guitarist Robin Guthrie and bass guitarist Simon Raymonde. The album also reflected the group's embrace of the distinctive ethereal sound they became associated with.
"Bela Lugosi's Dead" is the debut single by the English post-punk band Bauhaus, released on 6 August 1979 on the Small Wonder label. It is often considered the first gothic rock record.
"Ziggy Stardust" is a song written by the English singer-songwriter David Bowie for his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Bowie and Ken Scott, he recorded it at Trident Studios in London in November 1971 with his backing band the Spiders from Mars—comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. Lyrically, the song is about Ziggy Stardust, a bisexual alien rock star who acts as a messenger for extraterrestrial beings. The character was influenced by English singer Vince Taylor, as well as the Legendary Stardust Cowboy and Kansai Yamamoto. Although Ziggy is introduced earlier on the album, this song is its centrepiece, presenting the rise and fall of the star in a very human-like manner. Musically, it is a glam rock song, like its parent album, and is based around a Ronson guitar riff.
Mask is the second studio album by English gothic rock band Bauhaus. It was released on 16 October 1981 by record label Beggars Banquet.
The Sky's Gone Out is the third studio album by English gothic rock band Bauhaus, released in 1982 by record label Beggars Banquet.
Ethereal wave, also called ethereal darkwave, ethereal goth or simply ethereal, is a subgenre of dark wave music that is variously described as "gothic", "romantic", and "otherworldly". Developed in the early 1980s in the UK as an outgrowth of gothic rock, ethereal wave was mainly represented by 4AD bands such as Cocteau Twins, This Mortal Coil, and early guitar-driven Dead Can Dance.
"Dark Entries" is a song by the English gothic rock band Bauhaus, released as a stand-alone single in January 1980 by Axis and later issued on 4AD and Beggars Banquet. It features the 1944 painting Sleeping Venus by Paul Delvaux as cover art.
Crackle is a greatest hits album by English goth-rock band Bauhaus. The album was released in 1998 by record label Beggars Banquet, during the band's Resurrection Tour. It includes remastered versions of some of their single hits and most popular songs.
Go Away White is the fifth and final studio album by English gothic rock band, Bauhaus and was internationally released on 3 March 2008 by record labels Cooking Vinyl in the UK and Bauhaus Music. It was the band's first album of new material since Burning from the Inside in 1983.
The discography of Bauhaus, a British gothic rock band, consists of five studio albums, four live albums, three compilation albums, four extended plays (EPs), eleven singles and three video albums. The band was formed in Northampton in 1978 by Daniel Ash (guitar), David J (bass), Kevin Haskins (drums) and Peter Murphy (vocals).
Live in the Studio 1979 is a live album by English gothic rock band Bauhaus. It was released in 1997 by record label Nemo, included with the Andrew Brooksbank book Bauhaus: Beneath the Mask.
The discography of The Birthday Party, an Australian post-punk band, consists of four studio albums, two live albums, six compilation albums, six extended plays and nine singles. The group began under various names in Melbourne in 1973; formed by vocalist Nick Cave, guitarist Mick Harvey, drummer Phill Calvert, guitarist John Cocivera, bassist Brett Purcell, and saxophonist Chris Coyne —all of whom were students at Caulfield Grammar School. By 1978, following several membership changes, the band consisted of Cave, Harvey and Calvert with bassist Tracy Pew and guitarist Rowland S Howard. Under the name The Boys Next Door, the band released several singles and two studio albums, Door, Door in 1979 on Mushroom Records and The Birthday Party in 1980 on Missing Link Records.
Sleeps with the Fishes is the lone collaborative album from Clan of Xymox founding member Pieter Nooten and Canadian guitarist/producer Michael Brook, released by 4AD on 12 October 1987. Intended as Nooten's debut solo album after a brief split from Clan of Xymox, the record turned into a collaboration with Brook after a suggestion from 4AD label founder and boss Ivo Watts-Russell. Though not a huge commercial success, Sleeps with the Fishes was described by AllMusic as "essential listening for fans of 4AD, ambient music, minimalism, experimental electronic music, and morose themes alike... an overlooked masterpiece."
Musically, this is a timeless statement of dark, magnificent metal prowess and clarity.
Steve Albini: "They [Bauhaus] are a fantastic band. …Yeah, they were an inspirational great band. I saw a show of theirs, they played a rehearsal space in Chicago called the Space Place and Naked Raygun opened the show and yeah it was an absolutely astonishing show. I love their early singles and their first album, I think it's fantastic. I think that first album is a masterpiece and I think their singles are incredible."