The Wizard of Oz (1902 musical)

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The Wizard of Oz
Fred R. Hamlin's Musical Extravaganza
Fred R. Hamlin's musical extravaganza, The wizard of Oz LCCN2014636750.jpg
One of many promotional posters for the show, this one showing the Dance of All Nations Scene.
Music Paul Tietjens
Charles A. Zimmerman
Gus Edwards
Leo Edwards
and others
Lyrics L. Frank Baum
Vincent Bryan
Will D. Cobb
William Jerome
and others
Book L. Frank Baum
Glen MacDonough
Finnegan [1]
Basis The Wonderful Wizard of Oz by L. Frank Baum
Productions1902 Chicago
1903 Broadway

The Wizard of Oz was a 1902 musical extravaganza based on the 1900 novel The Wonderful Wizard of Oz by L. Frank Baum. Although Baum is the credited bookwriter, Glen MacDonough was hired on as jokewriter after Baum had finished the script, and the book was largely ghostwritten by a man named Finnegan. [2] Much of the original music was by Paul Tietjens and has been mostly lost, although it was still well-remembered and in discussion at MGM in 1939 when the classic film version of the story was made. [3] The original show was particularly popular because of its two comedy stars: Fred Stone playing the Scarecrow, and David C. Montgomery as the Tin Woodman. [4]

Contents

The show premiered at the Chicago Grand Opera House [5] on June 16, 1902 and then went on tour throughout the upper Midwest before moving to the Majestic Theatre on Broadway on January 21, 1903, where it ran for 293 performances through October 3. [6] A second company was established, and the show went on tour from September 1903 through March 1904 [7] before returning to the Majestic with an updated "Edition De Luxe". [8] This version played through May and then moved on to the New York Theater for three weeks [6] before returning to Chicago for a five-week run to finish the season.

The two companies toured the country from August 1904 to April 1905, and again from September 1905 to May 1906. By this time, demand had slowed and the second company was disbanded on February 28, 1906. The main "Company A" had one final tour from August to November 1906 before the rights were sold to Hurtig and Seamon. The new production resumed the tour through May 1907, and continued for the 1907–08 and 1908–09 seasons. Finally, the show was released to stock theater companies in 1911. [8]

The show's history is covered in more than 100 pages of the book Oz Before the Rainbow: L. Frank Baum's 'The Wonderful Wizard of Oz' on stage and screen to 1939 by Mark Evan Swartz. [8]

Characters and original cast

In order of appearance, the 1902 Chicago cast consisted of: [5]

Role and comments from programCast member
Dorothy Gale, a Kansas girl Anna Laughlin
Imogene, Dorothy's CowEdwin J. Stone
Cynthia Cynch, the Lady LunaticHelen Byron
The Witch of the North, a friend in needAileen May
Sir Dashemoff Daily, Poet LaureateBessie Wynn[e]
The Army of PastoriaJoseph Schrode
Pastoria II, Ex-King of the Emerald CityNeil McNeil
Tryxie Tryfle, prospective Queen of the Emerald City Mabel Barrison
Brigadier General Riskitt, commanding Pastoria's ArmyHarold Morey
The Scarecrow, looking for brains Fred Stone
The Cowardly Lion Arthur Hill
Nick Chopper, the Tin Woodman, in search of a heart David C. Montgomery
Private Gruph, the Guardian of the Gate Harold Morey
The Soldier with the Green WhiskersJoseph Schrode
Sir Wiley Gyle, an Inventor who scorns all magical artsStephen Maley
Oz, the Wonderful Wizard, Ruler of the Emerald CityJohn Slavin

There were several major character changes from the original book:

Plot

Cover of production announcement showing an 'Inland Gnome', drawn by W.W. Denslow in 1894 The Wizard of Oz 1902 musical extravaganza cover.png
Cover of production announcement showing an 'Inland Gnome', drawn by W.W. Denslow in 1894

The main plot of the show, as recounted in newspapers of the time, is Pastoria's attempts to regain the throne from the Wizard of Oz. The original protagonists' search for the Wizard puts them on the wrong side of the law. Synopsis by David Maxine

Act One: The Storm

The show opens on a Kansas farm from which Dorothy and her pet calf Imogene are blown to the Land of Oz by a tornado. Dorothy's farmhouse lands on a Wicked Witch, and the Munchkins proclaim Dorothy their heroine for setting them free. Dorothy wants to go home to Kansas. The Good Witch of the North gives Dorothy a Ruby Ring and tells her to go to the Emerald City to ask the Wizard of Oz to send her back to Kansas. Dorothy also gets a love interest when Sir Dashemoff Daily, the poet laureate of Oz, falls in love with her. Now, it so happens that a Kansas streetcar conductor named Pastoria, along with Tryxie Tryfle, his waitress-girlfriend, has been blown to Oz in the same tornado. To make matters more complicated, it turns out that Pastoria is the former King of Oz, having been ousted by the Wizard. Pastoria determines to regain his throne. Another new character is an Ophelia-like lady lunatic named Cynthia Cynch. She has gone "mad" searching for her long-lost lover, Niccolo Chopper. Dorothy and her pet calf proceed on their journey and meet the Scarecrow and the Tin Woodman (who happens to be Cynthia Cynch's lover turned tin). Dorothy with her friends and Pastoria with his entourage all stumble into a deadly Poppy Field where they nearly perish from the poisonous breath of the flowers. Everyone is saved by the Witch of the North, who creates a summer snowstorm to break the spell of the poppies.

Act Two: The Emerald City

Dorothy and her friends arrive in the Emerald City where the Wizard grants brains to the Scarecrow and a heart to the Tin Woodman. To celebrate, the Wizard announces a "Ball of All Nations" in which everybody gets to sing a topical song of ethnic origin. Pastoria arrives in the Emerald City, breaks up with Tryxie Tryfle, and stages a coup in which the Wizard of Oz is arrested. Dorothy and her pals are declared enemies of the state and they run for their lives as Pastoria regains the throne of Oz.

A scene from the play The Wizard of Oz, which opened Oct. 16, 1904, at the Grand Opera House, Seattle. A scene from "The Wizard of Oz" (SAYRE 12611).jpg
A scene from the play The Wizard of Oz, which opened Oct. 16, 1904, at the Grand Opera House, Seattle.

Act Three: The Borderland

In hiding and in disguise, Dorothy and company flee the Emerald City. They encounter Cynthia Cynch who is delighted to have found her missing tin lover. But alas, Dorothy, the Scarecrow, and Tin Woodman are eventually captured by Pastoria's henchmen and sentenced to death. Just as they are about to be executed, Dorothy calls on the Witch of the North, who magically appears and sets everyone free.

Conception and script

Arthur Hill as the Lion and Anna Laughlin as Dorothy Dorothy and Cowardly Lion 1.jpg
Arthur Hill as the Lion and Anna Laughlin as Dorothy

L. Frank Baum decided to collaborate with his friend, composer Paul Tietjens, and The Wonderful Wizard of Oz illustrator W. W. Denslow as set and costume designer, to bring the book to the stage. They completed a script, score and designs in 1901, hewing fairly close to the novel. [9] They submitted the package to the manager of the Chicago Grand Opera House, Fred R. Hamlin, who liked it and approached Julian Mitchell to be director. [10]

Mitchell did not like the script, criticizing its lack of spectacle, calling it too subdued and small-scale. However, he sent a wire to Hamlin with the message "Can see possibilities for extravaganza". When Mitchell accepted the project, he brought in new songwriters, cutting some of the original Tietjens numbers. He rewrote the script, together with Glen MacDonough, introducing new characters and incidents, reducing the Cowardly Lion's role, deleting the appearance of the Wicked Witch of the West entirely, and substituting a cow for Toto as Dorothy's companion. Baum was anxious about this, but went along. He hoped Mitchell's experience in directing, as well as the casting of comedy team Fred Stone and David C. Montgomery as the Scarecrow and Tin Woodman, would make the show a hit. It turned out to be a roaring success, with 293 performances. [11] [12]

Original production

In rewriting Baum's 1901 script, Mitchell hired MacDonough to add topical humor. Baum described MacDonough as a New York joke writer in a letter to The Chicago Record-Herald , responding to criticism that the show "teemed with wild and woolly western puns and forced gags". [13] In a letter to The Chicago Tribune published June 26, 1904, Baum decried rumors that he was "heartbroken and ashamed" with the final product of the musical: "I acknowledge that I was unwise enough to express myself as dissatisfied with the handling of my play on its first production ... few authors of successful books are ever fully satisfied with the dramatization of their work. They discern great gaps in the original story that are probably never noticed by playgoers." He admitted to protesting several innovations, but ultimately concluded: "The people will have what pleases them, and not what the author happens to favor, and I believe that one of the reasons why Julian Mitchell is regarded as a great producer is that he faithfully tries to serve the great mass of playgoers – and usually succeeds." [14]

Fred Stone as the Scarecrow and David C. Montgomery as the Tin Woodman (1902) Montgomery-Stone-Wizard-of-Oz.jpg
Fred Stone as the Scarecrow and David C. Montgomery as the Tin Woodman (1902)

Most of the original songs were written by Paul Tietjens on Baum's lyrics, except for three: "The Guardian of the Gate" (although it was attributed to Tietjens), which was cut after only a few performances, "The Different Ways of Making Love" (wooing) and "It Happens Every Day" were composed by Nathaniel D. Mann. Mann later wrote the score for Baum's 1908 film/theatrical presentation, The Fairylogue and Radio-Plays . Most of Baum's songs related to the story in some way, as in operetta, but as performed, the play was more like vaudeville, and new songs by other songwriters were frequently substituted. In fact, the first song interpolated into the musical was "The Traveler and the Pie", a major number for the Scarecrow. Baum and Tietjens had written it for a play called The Octopus; or the Title Trust, which was never produced and possibly never completed. The song stayed in the show. James O'Dea and Edward Hutchinson wrote one of the show's most celebrated songs, "Sammy", in which Tryxie Tryfle sings of a lost love before King Pastoria, though the only surviving recording of the piece was sung by a man (Harry Macdonough). [15] [16]

The witches are largely absent in this version; The Good Witch of the North appears, named Locasta, and The Wicked Witch of the East is a special effect. Toto, Dorothy's dog, was replaced by a cow named Imogene. The Wicked Witch of the West does not appear, but she is mentioned, and Glinda the Good Witch of the South, who had appeared only in Act Three, was written out by Mitchell in 1903. His re-write of that act was set in the Borderland that divides Oz and Glinda's Domain, as Dorothy and her friends try to escape Pastoria.[ citation needed ]

New characters include King Pastoria II, Oz's true king working as a Kansas motorman and his girlfriend, Trixie Tryfle, a waitress. There is also Cynthia Cynch, the Lady Lunatic, a prototype for Nimmie Amee, Nick (Niccolo) Chopper's girlfriend. Niccolo Chopper is renowned for his ability on the piccolo, the subject of one of her songs, and he is shown playing a piccolo in The Wonderful Wizard of Oz , the first Oz film made without Baum's input, which was highly influenced by the popular play. The Wizard was presented as various ethnic stock character stereotypes, depending upon who played him. He was assisted by Sir Wiley Gyle and General Riskitt. David L. Greene and Dick Martin erroneously captioned a picture of General Riskitt as "Sir Wiley Gyle" in The Oz Scrapbook, and Donald Abbott carried this mistake over into his illustrations for How the Wizard Saved Oz. [17]

The animals in the play, including the Cowardly Lion, did not speak, following the pantomime tradition. Although the lion costume was realistic, far more so than Bert Lahr's in the MGM film, his main purpose was a bit of comic relief and scaring off the villains on occasion. His quest for courage is completely omitted, much as the other characters' quests are deemphasized in favor of various comic routines. Ultimately, though, their desire to seek the Wizard's aid gets them caught on the wrong side of the revolution, jailed and ultimately scheduled for execution. In a deus ex machina, another tornado arrives to sweep Dorothy home from the chopping block. [18]

Many new plot twists are virtually pointless. In addition to a kiss of protection, Dorothy gets three wishes, one of which is wasted on a triviality. The second is used to bring the Scarecrow to life, and the third is used so she can learn the song Sir Dashemoff Daily (a trouser role) has written to his girlfriend, Carrie Barry. This song was written by Baum and Tietjens, but some programs credited the song to Glen MacDonough and A. Baldwin Sloane to make their connection to the play look greater.[ citation needed ]

Probably the biggest influence on the 1939 MGM film, aside from making the story into a musical (but not using the score created for the stage version), is the field of poppies sequence that ended Act I. In the novel, Baum imaginatively has a legion of field mice pull a cart with the Cowardly Lion out of the poppy field. This was deemed unfeasible (though the stage version of The Wiz created a variation, with the mice as anthropomorphic vice cops), and Baum, though he included it in the 1901 script, replaced the scene with that of the Snow Queen creating a storm that destroys the poppies, much as Glinda does in the 1939 movie.[ citation needed ] This concluded Act I with an elaborate dance known as "Winter Jubilation", which James Patrick Doyle plays on synthesizers on the album, Before the Rainbow: The Original Music of Oz.

Cast of the production at East Texas State Normal College in 1921 1921 Locust yearbook p. 156 ("Wizard of Oz" Cast).jpg
Cast of the production at East Texas State Normal College in 1921

Because there were no cast recordings until the late 1920s, theatre productions, including this production, often exceeded four hours in length because of multiple demands for encores, since many of the attendees knew they would never get to attend again. The most popular songs were often sung multiple times and this was often used to gauge whether a song should be retained or dropped. Two popular routines that were worked in include a sailing routine and a football routine, the latter parodying the level of violence in the sport, which had recently been lessened due to new regulations. [19]

Preparing for Broadway - The 1902 Midwest tour

After its successful summer run in Chicago, the show went on tour throughout the Midwest. This not only gave the cast more experience and increased publicity, but also provided a chance to make some adjustments to the show before it headed to Broadway. There were only a few cast changes in August prior to the tour: Carlton King and Grace Kimball took over the roles of Pastoria and Tryxie Tryfle, and Bobby Gaylor became the Wizard of Oz. [20] Montgomery and Stone, who had been key to the success of the show as the Tin Woodman and Scarecrow, received five-year contracts. [8]

Success on Broadway, 1903 to 1904

The Wizard of Oz opened at the Majestic Theatre on Broadway on January 21, 1903 and ran through October 3rd. Due to its success, a touring company ("Company 2") was created and began its tour on September 7, 1903 at the Montauk Theater in Brooklyn, NY. Several of the Broadway stars were part of that opening show, while their touring counterparts performed as understudies in New York City. [8] They were joined on the tour circuit by the Broadway company ("Company A") on October 5, 1903. Both companies toured through March 1904, when Company A returned to the Majestic for another engagement through the end of April, with a revised show billed as the "Edition De Luxe" that included many new musical numbers.

The show changed venues to the New York Theatre for a short run on May 2-21, 1904, and then returned to Chicago's Grand Opera House for a triumphant revival in its home city from May 23 - July 9, 1904.

The major characters continued to be played by Fred Stone, David Montgomery, and Anna Laughlin, while new performers took over other roles over the years. [6] [21]

RoleBroadway 19031903-1904

Touring Co A

1903-1904

Touring Co 2

Broadway / Chicago

spring/summer 1904

The Scarecrow Fred Stone Fred Stone Bert Swor Fred Stone
The Tin Woodman David C. Montgomery David C. Montgomery John Swor David C. Montgomery
Dorothy Gale Anna Laughlin Anna Laughlin Isabelle D'Armond Anna Laughlin
PastoriaGilbert Clayton

Owen Westford

Owen WestfordArthur Larkin??
Tryxie TryfleGrace Kimball

Lotta Faust

Lotta Faust Madge Ryan

Carolyn Huestice

Lotta Faust
The Wizard of OzBobby Gaylor

James Wesley

James WesleyDaniel Barrett

William Barry

Charles Swain
Sir Dashemoff Daily

[The Poet Prince]

Bessie Wynn[e]

Edith Yerrington

Gertrude MacKenzie

Gertrude MacKenzieMildred EiaineMay De Sousa
Cynthia CynchHelen Byron

Jeannette Lowrie

Allene Crater

Allene CraterMay TaylorAllene Crater
The Witch of the NorthEdith HutchinsEdith Hutchins??Albertine Benson
ImogeneEdwin J. Stone

Joseph Schrode

Joseph SchrodeL. J. WyckoffJoseph Schrode
The Cowardly Lion Arthur Hill Arthur Hill C. Ray Wallace Arthur Hill
Sir Wiley GyleStephen MaleyStephen Maley??Stephen Maley

National touring companies, 1904 to 1906

Starting in August 1904 both the "A" and "2" companies were touring full time, although they did return to New York's Academy of Music at 14th and Irving Place for the Holiday season (November 7 - December 31). Company A tended to have week-long engagements in large cities, while Company 2 tended to have 1-3 day engagements in smaller cities and towns. As interest in the show slowly began to wane, both companies took an extended summer break from April -September 1905. By 1906, two companies were no longer required and Company 2 disbanded on February 28, 1906. Montgomery and Stone announced that they were moving on to other work at the end of the season (May 1906). Although Company A resumed touring in August, by November the Producer felt the show had run its course and put it up the rights for auction after the November 9, 1906 performance. [22] The highest bidder was Hurtig & Seamon. [8]

Performers changed more frequently during this period, sometimes multiple times in a single season, as shown in the table below. In a few cases, the performers names are not yet identified.

Role1904–1905

Touring Co A

1904–1905

Touring Co 2

1905–1906

Touring Co A

Touring Co 2

1905–1906

Touring Co 2

Aug – Nov 1906

Touring Co A

The Scarecrow Fred Stone Bert Swor Fred Stone Bert Swor George Stone
The Tin Woodman David C. Montgomery John Swor David C. Montgomery John SworFred Nice
Dorothy Gale Anna Laughlin Blanche Powell ToddMabel Barrison

Netta Vesta

Mona Desmond [23]

Blanche Powell ToddAnna Wilks
Pastoria??Lute VhromanCharles E. MitchellLute Vhroman??
Tryxie TryfleVirginia LevickFlorence Lee

Florence Sinnot

Marion StanleyMildred LeeNellie Nice
The Wizard of Oz??John MayerJames WesleyDaniel BarrettCharles E. Mitchell?
Sir Dashemoff Daily

[The Poet Prince]

??Mildred ElaineVirginia Foltz

Helena May

??Ethel Green
Cynthia CynchAllene CraterMay TaylorAllene CraterEulalie JensenRosa Gore
The Witch of the NorthAlbertine Benson??Lenore Stevens

Therese Von Brune

Vera StaceyFrances Lears
ImogeneJoseph SchrodeL. J. WyckoffJoseph SchrodeFred WoodwardJoseph Schrode
The Cowardly Lion Arthur Hill Fred WoodwardGeorge RamsaJoe A West??
Sir Wiley GyleStephen Maley??George B. Field????

The final years, 1906 to 1909

The Hurtig & Seamon show started its tour almost immediately, with the first show starting in New York City on December 9, 1906 at the Yorkville Theater. [24] Although little information for this partial season is available, it seems that much of the cast would have been retained due to the limited preparation time (see table). One exception was that the role of Dorothy was taken over by Minerva Coverdale. The show continued to tour under the new management for another two seasons before finally closing for good in February, 1909.

Role1906–1907

Hurtig & Seamon

1907–1908

Hurtig & Seamon

1908–1909

Hurtig & Seamon

The Scarecrow George StoneGeorge StoneGeorge Stone
The Tin Woodman Fred Nice

Irving Christian

Frank Wilkins

Charles Wilkins

William Baker
Dorothy Gale Minerva CoverdaleMinerva CoverdaleBeatrice Turner
Pastoria??James Wilson??
Tryxie Tryfle??Gertrude BartholdGertrude Barthold
The Wizard of Oz??Willam BarryJames Wesley
Sir Dashemoff Daily

[The Poet Prince]

??Hattie Simms McCarthyEdith Millward
Cynthia Cynch??Lillian English

Mildred Barry

Zoa Mathews
The Witch of the North??Myrtle OwensJesse Willard
ImogeneJoseph SchrodeJoseph SchrodeJoseph Schrode
The Cowardly Lion ??Robert BurnsRobert Burns
Sir Wiley Gyle??????

Reception

The critic of The New York Times described the show as "the Darling of Mr. Belasco's Gods". [25] Leone Langdon-Key loved the scenery, but found Baum's script commonplace, commenting that many lines start with, "Well, wouldn't that..." and deplored Tietjens's "fondness for a lack of contrast and rhythms".

Grand Duke Boris Vladimirovich of Russia gained considerable notoriety by drinking champagne from the satin slipper of one of the chorus girls during a 1902 trip to Chicago. [26]

Sequel

The success of the play led Baum to write The Marvelous Land of Oz after four years of demand for a sequel to the novel. He dedicated the book to Montgomery and Stone, and made the roles of the Scarecrow and Tin Woodman prominent, with the roles of Dorothy and the Cowardly Lion reduced to a reminiscence. After the team balked at leaving Wizard for a sequel, Baum wrote the stage musical, The Woggle-Bug , eliminating the Tin Woodman, replacing the Scarecrow with Regent Sir Richard Spud, replacing Glinda with Maetta from The Magical Monarch of Mo and renaming the Emerald City the "City of Jewels," though Oz is mentioned several times. The first appearance of the title character was moved from halfway through the novel to the opening scene, and his mentor, Professor Knowitall, name shortened to Professor Knowitt, was raised to the level of romantic lead with a girlfriend named Prissy Pring, a Captain in General Jinjur's Army of Revolt. Jack Pumpkinhead and The Woggle-Bug became a comic team analogous to the Scarecrow and Tin Woodman. The play was performed at the Garrick Theater in Chicago and opened to reviews panning Baum's script and praising the score by Frederic Chapin. No songs were interpolated (although two were derived from an earlier source and erroneously credited to Baum), but the general consensus was that the play was a cash-in or rip-off of The Wizard of Oz rather than a sequel.

Post-World War II revivals

In 1945, Milwaukee Civic Light Opera Company produced the Witmark rental version which includes Harburg/Arlen songs from the 1939 MGM movie.

In 1946, the Witmark rental version was produced by Milwaukee Civic Light Opera Company & John McCormick's company (in England) which incorporates elements and songs of the 1939 MGM movie version.

In 1949 the Denis DuFor for the Louisville Park Theatrical Association produced the Muny version of Oz and included songs from the 1902 musical.

In 1952, at the State Fair Auditorium in Texas, a version was produced with music by Tietjens, Sloane, Arlen, Harburg, and Gabrielson.

Loretto Academy produced the show in 1952 with songs from the MGM movie.

The musical was performed in a concert version in New York City's Alma Gluck Recital Hall in May 1982 by the New Amsterdam Theatre Company.

It was revived in Tarpon Springs, Florida by the New Century Opera Company in 1998, 2006, and 2007. The version was adapted by Constantine Grame who is now the Executive & Artistic Director at New Century Opera Company.

The Canton Comic Opera Company, a community theatre company in Canton, Ohio, performed a "restored" version in 2010. It was done with a 28-piece orchestra and a cast of 50. It was adapted, directed, and conducted by Joseph N. Rubin.

In 2016 a Swedish production was produced called "Trollkarlen av Oz" and adapted and directed by Dick Lundberg, who also played the Scarecrow and Sir Wiley Gyle.

In 2023 Offsite Connecticut Theatre did the show. T. Craft adapted and directed the show; she also starred as Dorothy, Trixie, and some chorus roles. A recording of the show can be found on YouTube.

Music

The following table lists all musical numbers included over the years in the 1902 Wizard of Oz production. Most of this information is found (in a more descriptive, chronological format) in the book Oz before the Rainbow, by Mark Evan Swartz. [8] This and other references are provided citations in the column header, and then simply named in the individual rows. Some of the music was known even beyond the United States. During the Baums' 1906 stay at the Shepherd's Hotel in Cairo, Egypt, a Hungarian Gypsy Band played songs from the musical in their honor. [27]

Much of what is known has come from surviving scripts and show programs which are not comprehensive, resulting in gaps. In particular, the musical numbers from 1906 - 1909 are not well documented.

IndexActTitleLyricistComposerCharacterDatesNotesSheet music

publisher/date

References

Swartz [8]

1902 program [5]

1903 script [18]

Recording [28]

01.11Instrumental Introduction:

Prelude

N/A Paul Tietjens N/A1902 - 19091902 program
01.21Overture [Selection]N/A Paul Tietjens N/A1909 -Tietjens Instrumentals: Opening Prayer (Transformation); Phantom Patrol; Just a Simple Girl From the Prairie; Poppy Song; Love is Love; When We Get What's A'Coming to Us; The Traveler and the Pie; When You Love, Love, Love; Rejoice, The Wizard is No Longer King. M. Witmark & Sons (1902)Swartz
021Instrumental Introduction:

[Farm] Life in Kansas

N/A Paul Tietjens Chorus

Dorothy

1902 - 19091902 Program, Swartz
031Instrumental Introduction:

Cyclone

N/A Paul Tietjens Chorus1902 - 19091902 Program, Swartz
041Instrumental Introduction:

Transformation

N/A Paul Tietjens N/A1902 - 19091902 Program; Recording
051Instrumental Introduction:

Maypole Dance

N/A Paul Tietjens Chorus1902 - 1909Cut for the Jan 1903 New York opening1902 Program, 1903 Script, Swartz
061Instrumental Introduction:

Death of the Wicked Witch

N/A Paul Tietjens Chorus1902 - 19091902 Program
071Instrumental Introduction:

Locasta's Entrance

N/A Paul Tietjens Chorus,

Locasta

1902 - 19091902 Program
081Niccolo's Piccolo L. Frank Baum

Glen MacDonough

Paul Tietjens

A. Baldwin Sloane

Cynthia1902 - 1906+Publisher? (1902)1902 Program, 1903 Script, Swartz
09.11In Michigan Glen MacDonough A. Baldwin Sloane Pastoria

Chorus

1902 - 1904Replaced for the Mar 1904 Edition De Luxe1902 Program, 1903 Script, Swartz
09.21The Tale of a CassowaryWill D. Cobb Gus Edwards Cynthia1904 - 1905Added for the Mar 1904 Edition De Luxe

Replaced for the 1905 touring season

Shapiro, Remick, and Co. (1904)Swartz
09.31The Tale of a Monkey Vincent P. Bryan Leo Edwards Cynthia1905 - 1906Added for the 1905 touring seasonSwartz
09.41The Bullfrog and the Coon Felix F. Feist Joseph S. NathanCynthia1905 - 1906 Leo Feist (1906)Recording
09.51Pocahontas Vincent P. Bryan Gus Edwards Cynthia1907 - 1908Recording
10.11The Man Who Stays in Town Glen MacDonough A. Baldwin Sloane Pastoria / Tryxie1902Cut in the show's third week to reduce length of show

(Attribution to MacDonough is unconfirmed and uncredited)

Swartz
10.21When the Circus Comes to TownRobert J. AdamsJames O'DeaPastoria / Tryxie1903 - 1904Added for the Jan 1903 New York opening Sol Bloom (1902)1903 Script, Swartz
10.31Daisy DonahueRobert J. AdamsJames O'DeaPastoria / Tryxie1903 - 1904Replaced for the Mar 1904 Edition De LuxeRecording
10.41Down on the Brandywine Vincent P. Bryan J. B. MullenPastoria / Tryxie1904 - 1906Added for the Mar 1904 Edition De Luxe Shapiro, Remick, and Co. (1904)Swartz; Recording
11.11Carrie Barry [Won't You Marry Me?] L. Frank Baum

Glen MacDonough

Paul Tietjens

A. Baldwin Sloane

Dorothy

Chorus

1902 - 19061902 Program, 1903 Script, Swartz
11.21Come Take a Skate With MeR. A. Browne Gus Edwards Dorothy1907 - 1908Originally sung in His Honor, the Mayor (1906)Recording
121Alas for the Man Without Brains

[The Scarecrow]

L. Frank Baum Paul Tietjens Scarecrow

Chorus

1902 - 1906 M. Witmark & Sons (1902)1902 Program, 1903 Script, Swartz
13.11Love is Love

[Ballad Romanza]

L. Frank Baum Paul Tietjens Sir Daily1902Replaced in Aug 1902 M. Witmark & Sons (1902)1902 Program, Swartz; Recording
13.21As Long as There's Love in the World Vincent P. Bryan?

James O'Dea?

Leo Edwards?

Edward Hutchinson?

Sir Daily1902Starting Aug 1902, replaced for the Jan 1903 New York opening
13.31That is Love

[That Must Be Love]

Maurice SteinbergMaurice SteinbergSir Daily1903 - 1906Added for the Jan 1903 New York opening.

Except May - Jul 1904

"Songs Sung in Hamlin and Mitchell's Musical Extravaganza The Wizard of Oz" M. Witmark & Sons (1903)1903 Script, Swartz
13.41Only YouFrank Keesee Charles A. Zimmermann Sir Daily1904May - Jul 1904 Leo Feist (1906)Swartz
13.51I Love You All the TimeWill R. Anderson

Vincent P. Bryan?

Leo Edwards?Sir Daily1903 - 1904?By Dec 1904Swartz; Recording
14.11Mary CanaryEdward P. Moran Seymour Furth Sir Daily1904Added for the Mar 1904 Edition De Luxe

Replaced May 1904

Swartz
14.21When the Heart is SadHollister Charles A. Zimmermann Sir Daily1904 - 1905May - Sep 1904Swartz
14.31The Moon Has His Eyes on YouBilly Johnson Albert Von Tilzer Sir Daily1904 - 1906Starting Sep 1904Recording
15.11When You Love, Love, Love L. Frank Baum Paul Tietjens Scarecrow,

Tin Man,

Dorothy

1902 - 1906 M. Witmark & Sons (1902)

"Songs Sung in Hamlin and Mitchell's Musical Extravaganza The Wizard of Oz" M. Witmark & Sons (1903)

1902 Program; 1903 Script; Swartz; Recording
15.21When You Love, Love Love

[Schottische]

N/A Paul Tietjens Scarecrow,

Tin Man,

Dorothy

1902 - 1904? M. Witmark & Sons (1902)1902 Program
161Poppy Song

[Poppy Chorus]

L. Frank Baum Paul Tietjens Chorus1902 - 1906 M. Witmark & Sons (1902)

"Songs Sung in Hamlin and Mitchell's Musical Extravaganza The Wizard of Oz" M. Witmark & Sons (1903)

1902 Program; 1903 Script; Swartz; Recording
171Act 1 Finale:

Invocation and Death of Poppies

N/A Paul Tietjens Chorus19021902 Program
181Act 1 Finale:

Transformation

N/A Paul Tietjens Chorus19021902 Program
191Act 1 Finale:

Winter Jubilation

N/A Paul Tietjens Chorus1902 - 1906?1902 Program
202The Guardian of the Gate L. Frank Baum Paul Tietjens Private Gruph1902Cut in the show's first week to reduce length of show M. Witmark & Sons (1902)Swartz
212Hayfoot, StrawfootN/A Paul Tietjens Chorus19021902 Program, Swartz
222When We Get What's A'Coming to Us L. Frank Baum Paul Tietjens Scarecrow

Tin Man

Dorothy

1902 M. Witmark & Sons (1902)1902 Program; Swartz; Recording
232The Phantom PatrolN/A Paul Tietjens Chorus1905 - 1906 M. Witmark & Sons (1902)Swartz; Recording
24.12Mr Dooley William Jerome Jean Schwartz Wizard1902Originally sung in A Chinese Honeymoon (1902)Shapiro, Bernstein & Von Tilzer (1902)1902 Program; Swartz; Recording
24.22On a Pay Night EveningWestSchilinskiWizard1903, 1904Replaced in Jan 1904, but reinstated Jun 19041903 Script; Swartz
24.32The Tale of a Shirt [The Tale of the Red Shirt]W. W. BrackettLottie L. MedaWizard1904Added Jan 1904, Replaced Jun 1904M. Witmark & Sons (1904)Swartz
24.42Mrs. O'Harahan Harold Atteridge Bert Peters Wizard1905 - 1906 Victor Kremer Co (1905)
24.52Julie Dooley Frank R. Adams

Will M. Hough

Joseph E. Howard Wizard1905 - 1906Originally sung in His Highness the Bey (1904)

Added for the 1905 touring season

Swartz; Recording
24.62Meet Me Down At the Corner Will D. Cobb Harry HoytWizard1907?Recording
24.72Budweiser's a Friend of MineBryanFurthWizardc. 1908Originally sung in Ziegfeld Follies of 1907Recording
25.12The Witch Behind the MoonAlbertLouis(?) WeslynCynthia1902 - 1903 M. Witmark & Sons (1902)1902 Program; Swartz; Recording (noted)
25.22There's a Lot of Things You Never Learn in SchoolEd GardenierEdwin S. BrillCynthia1903 - 1904Doty & Brill (1902)Recording
25.32Twas Enough to Make a Perfect Lady Mad Vincent P. Bryan J. B. MullenCynthia1904 - 1906 Shapiro, Remick, and Co. (1904)
262The Different Ways of Making Love L. Frank Baum Nathaniel D. Mann Dorothy

Cynthia

1902Cut in June 1902 M. Witmark & Sons (1902)Swartz
27.12SammyJames O'DeaEdward HutchinsonTryxie1902 - 1905 Sol Bloom (1902)

"Songs Sung in Hamlin and Mitchell's Musical Extravaganza The Wizard of Oz" M. Witmark & Sons (1903)

1902 Program; 1903 Script; Swartz; Recording
27.22Johnnie, I'll Take You Will D. Cobb Gus Edwards Tryxie1904 - 1905 Shapiro, Remick, and Co. (1904)
27.32Tale of a StrollGeorge Totten Smith

Byrd Dougherty

Benjamin M. Jerome Tryxie1905 - 1906Added for the 1905 touring season Charles K. Harris (1905)Swartz; Recording
27.4Johnnie Morgan Harry Williams (songwriter) Egbert Van Alstyne?Tryxie1904? Shapiro, Remick, and Co. (1904)
27.52Can't You See I'm Lonely Felix F. Feist Harry ArmstrongTryxie1905 - 1906 Leo Feist (1905)Recording
27.62Are You Sincere? Alfred Bryan (lyricist) Albert GumbleTryxie1908 - 1909 ?Later parodied by Nat M. Wills as "Are Youse in Here?" on Victor 5613.Recording
282The Dance of All Nations:

Connemara Christening

Edgar Smith A. Baldwin Sloane Tin Man1902 - 19061902 Program; 1903 Script; Swartz
29.12The Dance of All Nations:

Spanish Bolero

Edgar Smith A. Baldwin Sloane Scarecrow1902 - 19041902 Program; 1903 Script; Swartz
29.22Good Bye, FedoraHarry H. WilliamsRobert J. AdamsScarecrow1904 - 1905 Shapiro, Remick, and Co. (1904)Recording
29.32Sitting Bull Vincent P. Bryan Charles A. Zimmermann Scarecrow1905 - 1906Added for the 1905 touring seasonSwartz; Recording
29.42Green Corn Dance Vincent P. Bryan Charles A. Zimmermann?Scarecrow1905 - 1906Added for the 1905 touring seasonSwartz
302The Dance of All Nations:

Wee Highland Mon

Edgar Smith A. Baldwin Sloane Wizard1902 - ?1902 Program; 1903 Script; Swartz
31.12The Dance of All Nations:

Rosalie [My Royal Rosy]

Will D. Cobb Gus Edwards Dorothy

Cynthia

1902 - 1904Replaced in Jan 1904, but reinstated Jun 1904 F. A. Mills (date?)1902 Program; 1903 Script; Swartz; Recording (noted)
31.22Under a Panama Vincent P. Bryan J. B. MullenDorothy1904Added Jan 1904, Replaced Jun 1904

Also featured in Sergeant Brue (1904) and mentioned in Sally Benson's novel Meet Me in St. Louis ]

Shapiro, Remick, and Co. (1903)Swartz; Recording
31.32An Afternoon Tea Edgar Smith A. Baldwin Sloane Dorothy

Scarecrow Tin Man

1904Recording (noted)
32.12I Love Only One Girl in the

Wide, Wide World

Will D. Cobb Gus Edwards Sir Daily1903 - 1904 F. A. Mills (1903)Recording
32.22I Never Loved a Love as I Love You

[I'll Never Love Another Love Like I Love You]

Will D. Cobb Gus Edwards Sir Daily1904 - 1905 Shapiro, Remick, and Co. (1904)
32.32Only YouFrank Keesee Charles A. Zimmermann Sir Daily1905 - 1905Moved later in the show (see 13.4) Leo Feist (1906)
32.42My Own Girl Vincent P. Bryan Leo Edwards Sir Daily1905 - 1906Added for the 1905 touring seasonSwartz
33.12The Lobster Song

[I Was Walking Round the Ocean]

Hugh MortonGustave KerkerScarecrow

Tin Man

19021902 Program; Swartz
33.22Nautical Nonsense (Hurrah for Baffin's Bay!) Vincent P. Bryan Theodore F. MorseScarecrow

Tin Man

1903 - 1904 Howley, Haviland, & Dresser (date?)Swartz; 1903 Script ("Specialty"); Recording
33.32The Nightmare Vincent P. Bryan J. B. MullenScarecrow

Tin Man

1904 - 1906By Dec 1904Swartz
33.42Football Vincent P. Bryan Charles A. Zimmermann Scarecrow

Tin Man

1905 - ?Added for the 1905 touring season Vincent Bryan Music Company (1905)Swartz; Recording
34.12I'd Like to Go Halves on That David C. Montgomery Tin Man1904 - 1906By Dec 1904Swartz; Recording
34.22Marching Thro Georgia Vincent P. Bryan Charles A. Zimmermann Scarecrow

Tin Man

1904 - 1905Swartz
34.32Marching Through Port Arthur Vincent P. Bryan Charles A. Zimmermann Scarecrow

Tin Man

1905Added for the 1905 touring seasonSwartz
35.12Act 2 Finale: Waltz and Grand MarchN/A Paul Tietjens Chorus
35.12Act 2 Finale: Rejoice, The Wizard is No Longer King L. Frank Baum Paul Tietjens Chorus1902Section from the Finale published as "Just a Simple Girl from the Prairie" M. Witmark & Sons (1902)1902 Program; Swartz; Recording
35.12Act 2 Finale: Star of My Native Land Glen MacDonough A. Baldwin Sloane Pastoria

Chorus

19031903 Script
363Cooks and Waitresses Number

[March]

N/A Charles A. Zimmermann Chorus19031903 Script
373Opening Chorus Glen MacDonough A. Baldwin Sloane Chorus1903Cut in Mar 1903
383I'll Be Your Honey in The SpringtimeHarry FreemanHarry FreemanDorothy Chorus1902 M. Witmark & Sons (1902)1902 Program; Swartz
393She Really Didn't Mind the Thing At AllJohn Slavin Nathaniel D. Mann Wizard1902Cut Jun 1902 M. Witmark & Sons (1902)Swartz
40.13That's Where She Sits All Day

[Cockney Coon Song]

Frank LeoFrank LeoScarecrow

Tin Man

1902 - 1908T. B. Harms & Co1902 Program; 1903 Script; Swartz; Recording
40.23Blooming LizeMatt C. WoodwardBenjamin M. JeromeScarecrow

Tin Man

1902August 1902

Originally sung in The Chaperons (1902)

40.33Pimlico MalindaJames O'DeaRobert J. AdamsScarecrow

Tin Man

1903Replaced in Jan 1903
40.43Must You?Harry Boden

David C. Montgomery

Bert BrantfordScarecrow

Tin Man

1903Jan 1903 (several weeks after opening) M. Witmark & Sons (1903)

"Songs Sung in Hamlin and Mitchell's Musical Extravaganza The Wizard of Oz" M. Witmark & Sons (1903)

1903 Script
413The Traveller and the Pie L. Frank Baum Paul Tietjens Scarecrow1902 - 1906Intermittently usedM. Witmark & Sons (1902)

"Songs Sung in Hamlin and Mitchell's Musical Extravaganza The Wizard of Oz" M. Witmark & Sons (1903)

1902 Program; 1903 Script; Swartz; Recording
42.13Honey, My Sweet Henry M. BlossomJr.George A. SpinkDorothy

Chorus

19031903 Script
42.23The Sweetest Girl in DixieRobert J. AdamsJames O'DeaDorothy1904 - 1905Originally sung in Sergeant Brue (1904) Jerome H. Remick & Co (1903)Recording
42.33Fraidy CatJames A. BrennanJames A. BrennanDorothy1911O'Neill & Story (1912)
433Finale [All Aboard for Sunny Kansas]Ensemble19021902 Program; 1903 Script; Swartz
??MarchN/A Paul Tietjens 1902? M. Witmark & Sons (1902)
??WaltzesN/A Paul Tietjens 1902? M. Witmark & Sons (1902)
??Waltz and Grand MarchNA Paul Tietjens 1902?
??LanciersN/A Paul Tietjens 1902? M. Witmark & Sons (1902)
??It Happens Ev'ry Day L. Frank Baum Nathaniel D. Mann Cynthia

Pastoria Wizard

1902Cut to reduce length of show. Possibly performed between "The Different Ways of Making Love" and "Sammy" M. Witmark & Sons (1902)
??How'd You Like to Like a Girl Like MeFelix F. FeistJos S. NathanDorothy?1906 Leo Feist (1906)
??It's Lovely to Love a Lovely GirlEdward P. MoranSeymour J. FurthDorothy?1903 - 1904??"Songs Sung in Hamlin and Mitchell's Musical Extravaganza The Wizard of Oz" M. Witmark & Sons (1903)

M. Witmark & Sons (1904)

??Nemo and his BearAl. GumbleDave J. ClarkDorothy

Chorus

1907Mentioned in contemporary article in Omaha Daily Bee, Sep 8, 1907.Jerome H. Remick & Co

See also

Notes

  1. personal correspondence from Michael Patrick Hearn to Scott Andrew Hutchins, 20 April 2012.
  2. personal correspondence from Michael Patrick Hearn to Scott Andrew Hutchins, 20 April 2012.
  3. Fricke, Stillman, Scarfone. The Wizard of Oz: The 50th Anniversary Pictorial History
  4. Swartz, Mark Evan (2000). Oz Before the Rainbow: L. Frank Baum's The Wonderful Wizard of Oz on Stage and Screen to 1939. Johns Hopkins University Press. p. 79. Retrieved March 6, 2024.
  5. 1 2 3 "Chicago Theater Collection – Historic Programs: Grand Opera House, Wizard of Oz". July 27, 1902. Retrieved January 19, 2015.
  6. 1 2 3 "The Wizard of Oz". Internet Broadway Database.
  7. "A Production History of the 1903 Oz". December 15, 2011. Retrieved January 19, 2015.
  8. 1 2 3 4 5 6 7 8 Swartz, Mark Evan (2000). Oz before the rainbow : L. Frank Baum's The wonderful Wizard of Oz on stage and screen to 1939. Baltimore: Johns Hopkins University Press. ISBN   0-8018-6477-1. OCLC   45066029.
  9. The script was to be an appendix to Frank Joslyn Baum's biography of his father, To Please a Child, but it was not published due to copyright concerns.
  10. Maxine, David. "A Gibson Girl in Oz" . Retrieved October 2, 2021.
  11. Baum, L. Frank (Lyman Frank); Denslow, William Wallace; Hamlin, Fred (Frederic Albert); Harburg, E. Y. (Edgar Yipsel); Arlen, Harold (April 21, 2000). "To See the Wizard – The Wizard of Oz: An American Fairy Tale". www.loc.gov. Retrieved October 2, 2021.
  12. "Wizard of Oz by Tietjens/Fulton – David Bailey Music Studio". www.davidbaileymusicstudio.com. Retrieved October 2, 2021.
  13. Baum, L. Frank. "Music and the Drama", Letter to the editor, The Chicago Record-Herald , February 3, 1903
  14. "Mr. Baum to the Public", The Chicago Tribune , June 26, 1904
  15. "Victor matrix [Pre-matrix A-]1657. Sammy / Harry Macdonough – Discography of American Historical Recordings". adp.library.ucsb.edu. Retrieved October 2, 2021.
  16. "Sammy". Library of Congress. Retrieved October 2, 2021.
  17. "The Wizard of Oz: scrapbook;". archives.nypl.org. Retrieved October 2, 2021.
  18. 1 2 "The Wizard of Oz (1903)" (PDF). static.nypl.org. Retrieved October 2, 2021.
  19. Lewis, Guy M. (1969). "Teddy Roosevelt's Role in the 1905 Football Controversy". The Research Quarterly. 40: 717–724. "The History of the NCAA". National Collegiate Athletic Association. Archived from the original on April 30, 2007. Retrieved November 24, 2012.
  20. "The Theaters". The Minneapolis Journal. September 27, 1902. pp. Part II, p.1. Retrieved September 2, 2022.
  21. "The Theater". The Evening Star (Washington D.C.). February 27, 1904. pp. Part 2, p.1. Retrieved September 2, 2022.
  22. "The Stage". The Fairmont West Virginian. November 6, 1906. p. 2. Retrieved September 7, 2022.
  23. program dated November 13, 1905
  24. "New Play by a New Author". The Sun [NY]. December 9, 1906. pp. Section 3, p.8. Retrieved September 16, 2022.
  25. "The Wizard of Oz: A Warm Welcome at the North Pole of Broadway; Brilliant Scenic Effects and Good Comic Acting by Anna Laughlin, Fred A. Stone, and D. C. Montgomery", The New York Times , published January 21, 1903
  26. Obituary, New York Herald-Tribune , November 1943.
  27. Gage-Baum, Maud (1907). In Other Lands Than Ours. p. 22.
  28. The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical (Media notes). San Diego, California: Hungry Tiger Press. 2003.

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References