Forever Changes is the third studio album by the American rock band Love, released by Elektra Records in November 1967. The album saw the group embrace a subtler folk- and baroque pop-oriented sound based around acoustic guitars and orchestral arrangements, while primary songwriter Arthur Lee explored darker themes alluding to mortality and his growing disillusionment with the counterculture. It was the final album recorded by the original band lineup; after its completion, guitarist Bryan MacLean left the group acrimoniously, and Lee subsequently dismissed the other members.
Alex or Aleck Miller, known later in his career as Sonny Boy Williamson, was an American blues harmonica player, singer and songwriter. He was an early and influential blues harp stylist who recorded successfully in the 1950s and 1960s. Miller used various names, including Rice Miller and Little Boy Blue, before calling himself Sonny Boy Williamson, which was also the name of a popular Chicago blues singer and harmonica player. To distinguish the two, Miller has been referred to as Sonny Boy Williamson II.
Otis Spann was an American blues musician, whom many consider to be the leading postwar Chicago blues pianist.
The Dreaming is the fourth studio album by English singer-songwriter Kate Bush, released on 13 September 1982 by EMI Records. Recorded over two years, the album was produced entirely by Bush and is often characterised as her most uncommercial and experimental release. The Dreaming peaked at No. 3 on the UK album chart and has been certified Silver by the BPI, but initially sold less than its predecessors and was met with mixed critical reception. Five singles from the album were released, including the UK No. 11 "Sat in Your Lap" and the title track.
Fun House is the second studio album by American rock band the Stooges. It was released on July 7, 1970, by Elektra Records. Though initially commercially unsuccessful, Fun House has since developed a strong cult following. Like its predecessor and successor, it is considered an integral work in the development of punk rock.
Here Come the Warm Jets is the debut solo album by Brian Eno, released on Island Records on 8 February 1974. It was recorded and produced by Eno following his departure from Roxy Music, and blends glam and pop stylings with avant-garde approaches. The album features numerous guests, including several of Eno's former Roxy Music bandmates along with members of Hawkwind, Matching Mole, Pink Fairies, Sharks, Sweetfeed, and King Crimson. Eno employed unusual directions and production methods to coax unexpected results from the musicians.
Germfree Adolescents is the 1978 debut album of English punk rock band X-Ray Spex. It contained the UK hit singles "The Day the World Turned Dayglo", "Identity" and "Germ Free Adolescents" which reached No. 18 in November 1978. Upon release, the critics noted it was not all new material: five songs on the twelve tracks had already been released on A-sides and B-sides of singles.
Mysterious Traveller is the fourth studio album by the jazz and jazz fusion ensemble Weather Report and was released in 1974. This was their final recording with founding bassist Miroslav Vitouš, who left due to creative differences. Vitouš was replaced by Alphonso Johnson. Another addition to the line-up is drummer Ishmael Wilburn. Greg Errico was the drummer for the tour between the previously released Sweetnighter and this album, but declined an invitation to be a permanent member of the band.
Sylvester Johnson was an American blues and soul singer, musician, songwriter and record producer. His most successful records included "Different Strokes" (1967), "Is It Because I'm Black" (1969) later covered by reggae artists Ken Boothe and Delroy Wilson, and "Take Me to the River" (1975), covered by Al Green and Talking Heads.
Never Trust a Hippy is the first solo album by Adrian Sherwood. It was released on Peter Gabriel's Real World Records label. It includes guest performances by Sly Dunbar and Robbie Shakespeare and S. E. Rogie. The album also contains Sherwood's remix of the track "Paradise of Nada" by Rizwan Muazzam Qawwali and Temple of Sound.
Skip McDonald is an American musician who also performs under the stage name Little Axe.
Live at Winterland is a live album by The Jimi Hendrix Experience. It compiles performances from the band's three concerts at the Winterland Ballroom in San Francisco, where they played two shows each night on October 10, 11 and 12, 1968. The album was released posthumously by Rykodisc in 1987 and was the first Hendrix release to be specifically conceived for the compact disc format.
Bo-Day-Shus!!! is the third album by Mojo Nixon and Skid Roper, released in 1987. It contains the song "Elvis is Everywhere," which became an MTV hit.
Your Mamma Won't Like Me is the third studio album by Suzi Quatro. Released in May 1975 by record label Rak in most countries, in the US the album was released through Arista Records, the label that had recently succeeded Bell Records which distributed Quatro's first two previous releases in that country. The LP marked a change in the hard rock sound from the singer's previous albums Suzi Quatro and Quatro, instead displaying a more funk-oriented rock sound.
Slow Fuse is the second album by Little Axe, released on September 30, 1996 by Wired Recordings. The album was re-issued as a digital download in 2014 featuring additional tracks.
Hard Grind is the third album by Little Axe, released on June 11, 2002 by On-U Sound Records.
Champagne & Grits is the fourth album by Little Axe, released on September 21, 2004 by Real World Records and Virgin Records.
Stone Cold Ohio is the fifth album by Little Axe, released on August 14, 2006 by Real World Records and Virgin Records.
Bought for a Dollar, Sold for a Dime is the sixth album by Little Axe, released on June 7, 2010 by Real World Records. The album was originally issued as in demo form as digital download in May 2008.
If You Want Loyalty Buy a Dog is the seventh album by Little Axe, released on October 24, 2011 by On-U Sound. It was the first album Skip McDonald produced without the aid of fellow Tackhead members Keith LeBlanc and Doug Wimbish.
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