The Wolfman | ||||
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Film score by | ||||
Released | February 23, 2010 | |||
Recorded | 2009–2010 | |||
Genre | Film score | |||
Length | 66:05 | |||
Label | Varèse Sarabande | |||
Danny Elfman chronology | ||||
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The Wolfman (Original Motion Picture Soundtrack) is the score album to the 2010 film of the same name directed by Joe Johnston, which is a remake on the 1941 film The Wolf Man . The film initially had an original score composed by Danny Elfman, before it was rejected and Elfman eventually replaced by Australian musician Paul Haslinger. The studio then reverted back to Elfman's initial score composed for the film after they felt Haslinger's electronic score did not suit the film's setting and tone.
Elfman's score was then completed with the help of other composers, due to the former's commitments on Alice in Wonderland (2010). Varèse Sarabande released the album consisting of Elfman's score for the original cut for the film on February 23, 2010. The score was well received by critics.
In August 2008, Danny Elfman was announced as the film's composer. [1] [2] His involvement in the project was mostly being grew up with Wolfman and other monsters during his childhood. [3] Johnston wanted a score that was "atmospheric, stylish and narrative", and Elfman adhered to the former's instructions providing a dark, melodic and moody score. [3] The studio, however, rejected the score after the film was cut down half an hour in length and the music became too "wall-to-wall", creating what Johnston called too much repetition. [4]
Due to the film's turbulent production, Elfman's contractual obligation to work on the Tim Burton-directorial Alice in Wonderland (2010), meant that he was unable for re-scoring the film. The producers eventually decided that rather than expand on his ideas with a new compose, a path that they would eventually take, they would instead attempt a completely different approach with a different composer which includes extensive reshooting of scenes. [3] The idea was to quicken the pace and strike a similar tone to the successful Underworld film series, turning a slow-paced story into a much faster one. Later, Paul Haslinger was subsequently roped in as the composer in November 2009. [5] He wrote a contemporary electronic score for the film, which the studio quickly realized was not appropriate for the late 19th-century Gothic setting. Elfman's previously recorded original score is, as a result, the one that is used in the final film. [6] Conrad Pope, Edward Shearmur and Thomas Lindgren were brought in to shape Elfman's score for the film's final edit and also compose 15 minutes of new material. [7] British musician Lustmord further contributed additional music. [8]
Danny Elfman's version of The Wolfman score was officially released on February 23, 2010, 11 days after the film's release through Varèse Sarabande. The album consisted of the actual score Elfman made for the earlier edit, before it was temporarily rejected. Thus, the music in the final film was mostly different from the original work on the CD release, which reflected the first incarnation of the score. [9] A believed-to-be sample of Haslinger's rejected score was released around the same time, but was ultimately confirmed as false by record producer Ford A. Thaxton and Haslinger himself. [10]
Thomas Glorieux of Maintitles.net wrote "The Wolfman is a perfect score for a film, and realizing that this kind of quality music gets rejected is like saying you want to divorce from the perfect person." [11] Christian Clemmensen of Filmtracks.com called it as "a strong score as presented" and wrote "like Sleepy Hollow , it's easy to get the impression that The Wolfman will be a score that appeals more to die-hard Elfman fans than the mainstream". [12] James Christopher Monger of AllMusic wrote "there are enough genuine, Edward Scissorhands /Sleepy Hollow-inspired moments, where surprisingly memorable melody breaks through the graveyard dirt into the moonlit night, that there’s no denying that the listener is truly in the presence of a master audio storyteller." [13] The Hollywood Reporter wrote "Danny Elfman's reinstated score works awfully hard to inject excitement". [14] Tim Grierson of Screen Daily wrote "Danny Elfman's knowingly bombastic score recalls his work with long-time collaborator Tim Burton but without the usual vigour or panache." [15] James Southall of Movie Wave described it as "one of those glorious, darkly romantic gothic horror scores". [16] A. O. Scott of The New York Times called it as "throbbing" and "stabbing". [17]
No. | Title | Length |
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1. | "Wolf Suite, Pt. 1" | 4:12 |
2. | "Wolf Suite, Pt. 2" | 5:54 |
3. | "Prologue" | 2:57 |
4. | "Dear Mr. Talbot" | 1:45 |
5. | "Bad Moon Rising" | 0:59 |
6. | "Gypsy Massacre" | 2:23 |
7. | "Wake Up, Lawrence" | 5:16 |
8. | "The Funeral" | 4:13 |
9. | "The Healing Montage" | 2:49 |
10. | "First Transformation" | 3:30 |
11. | "You Must Go" | 3:46 |
12. | "The Antique Shop" | 3:32 |
13. | "Country Carnage" | 2:31 |
14. | "Be Strong" | 2:31 |
15. | "The Madhouse" | 5:32 |
16. | "Reflection / 2nd Transformation" | 4:11 |
17. | "The Traveling Montage" | 4:26 |
18. | "The Finale" | 4:11 |
19. | "Wolf Wild #2" | 1:27 |
Total length: | 66:05 |
Credits adapted from AllMusic: [18]
Instrumentation
Page LA Studio Voices
Management
Daniel Robert Elfman is an American film composer, singer, songwriter, and musician. He came to prominence as the lead singer and primary songwriter for the new wave band Oingo Boingo in the early 1980s. Since scoring his first studio film in 1985, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.
Pee-wee's Big Adventure is a 1985 American adventure comedy film directed by Tim Burton in his feature-film directing debut. It is the first installment of the Pee-wee Herman trilogy. Starring Paul Reubens as Pee-wee Herman, who also co-wrote the screenplay with Phil Hartman and Michael Varhol, along with E.G. Daily, Mark Holton, Diane Salinger, and Judd Omen. Described as a "parody" or "farce version" of the 1948 Italian classic Bicycle Thieves, it tells the story of Pee-wee's nationwide search for his stolen bicycle.
Brian Williams is a Welsh musician, sound designer and film score composer. He has released albums under the name Lustmord starting in the 1980s and through the present.
The orchestral score of Lost is composed, orchestrated, and produced by Michael Giacchino and has been released on a series of soundtrack albums by Varèse Sarabande. It was conducted by Tim Simonec.
X-Men: The Last Stand – Original Motion Picture Soundtrack was composed by John Powell and released on May 23, 2006 by Varèse Sarabande and Fox Music. X-Men: The Last Stand was the third film in the series, and Powell was the third composer used following Michael Kamen and John Ottman.
The Wolfman is a 2010 American gothic horror film directed by Joe Johnston, from a screenplay by Andrew Kevin Walker and David Self. A remake of the 1941 film The Wolf Man, it stars Benicio del Toro, Anthony Hopkins, Emily Blunt and Hugo Weaving. The film’s story follows an actor based in America who, after his brother's brutal murder, returns to his ancestral homeland in England, where he gets bitten by a werewolf and is cursed to become one.
Paul Haslinger is an Austrian musician and composer. He lives and works in Los Angeles, California.
Forbidden Zone (Original Motion Picture Soundtrack) is the soundtrack album to Forbidden Zone, the 1982 cult film directed by Richard Elfman, with music by his brother Danny Elfman and performed by The Mystic Knights of the Oingo Boingo.
Speed Racer: Original Motion Picture Score is the soundtrack of the film of the same name, which is based on the Japanese anime and manga series Speed Racer by Tatsunoko Productions. The score was composed by Michael Giacchino. It was originally released on May 6, 2008 by Varèse Sarabande. In Japan, it was released by Geneon Entertainment on June 25, 2008.
Batman: Original Motion Picture Score is the score album for the 1989 film Batman by Danny Elfman. According to the Batman DVD Special Edition, Elfman said that producer Jon Peters was not sure about him as a composer until Tim Burton made him play the main titles. Elfman admitted he was stunned when Peters announced that the score would be released on its own album. The score was widely acclaimed by the press and in many contemporary reviews is cited as the highlight of the film.
Select commercially released recordings of Danny Elfman's music for film, television, stage and the concert hall. For a full list of Elfman's compositions, see List of compositions by Danny Elfman. For Elfman's recordings as lead singer/songwriter for Oingo Boingo, see the Oingo Boingo discography page.
Oz the Great and Powerful (Original Motion Picture Soundtrack) is the soundtrack album to the 2013 film of the same name, produced by Walt Disney Pictures. The film is directed by Sam Raimi, and featured musical score composed by Danny Elfman. The score was recorded at Sony Scoring Stage and the album featured 27 tracks with a promotional single titled "Almost Home" performed by American singer-songwriter Mariah Carey. The soundtrack was released by Walt Disney Records on March 5, 2013, followed by a physical CD release in association with Intrada Records on March 26.
Alice in Wonderland (An Original Walt Disney Records Soundtrack) is the score album to the 2010 film Alice in Wonderland directed by Tim Burton and produced by Walt Disney Pictures, which is a live-action adaptation of Disney's 1951 film and re-imagining of Lewis Carroll's works. The film's original score is composed by Danny Elfman, a regular collaborator of Burton.
The music to the 2011 science fiction sports drama film Real Steel directed by Shawn Levy, featured a compilation of songs by popular artists as heard in the film and an album that contains the original score written and composed by Danny Elfman. The first album, Real Steel – Music from the Motion Picture, was released on October 4, 2011 by Interscope Records. It consists of 13 tracks featuring artists including Foo Fighters, Tom Morello, Eminem, Royce da 5'9", The Crystal Method, Yelawolf, 50 Cent and Limp Bizkit. Elfman's score that featured over 17 tracks, was released into a separate album as Real Steel – Original Score on November 8, 2011 by Varèse Sarabande.
Milk (Original Motion Picture Soundtrack) is the soundtrack to the 2008 film of the same name, featuring musical score composed by Danny Elfman and a selection of contemporary pop hits. The album was released on November 18, 2008 through Decca Records to critical acclaim and received nominations at various ceremonies, including an Academy Award nomination.
The A-Team: Original Motion Picture Soundtrack is the soundtrack to the 2010 film The A-Team directed by Joe Carnahan, based on the 1980s television series of the same name created by Frank Lupo and Stephen J. Cannell. The film's musical score is composed by Alan Silvestri and released on June 21, 2010 through the Varèse Sarabande label.
Knight and Day (Original Motion Picture Soundtrack) is the album consisting of the film score composed by John Powell for the 2010 satirical action comedy film Knight and Day directed by James Mangold, starring Tom Cruise and Cameron Diaz. The soundtrack was released through Varèse Sarabande on June 24, 2010.
Men in Black 3 (Original Motion Picture Soundtrack) is the score soundtrack to the 2012 film Men in Black 3, the third and final instalment in the Men in Black franchise as well as in the original trilogy and a sequel to Men in Black II (2002), starring Will Smith, Tommy Lee Jones and Josh Brolin. The film's musical score is composed by Danny Elfman and released through Sony Classical Records on May 29, 2012, four days after the film.
Men in Black II (Music from the Motion Picture) is the soundtrack to the 2002 film Men in Black II directed by Barry Sonnenfeld; a sequel to Men in Black (1997) and the second instalment in the eponymous film trilogy starring Will Smith and Tommy Lee Jones, reprising their roles from the predecessor. The soundtrack released through Columbia Records on June 25, 2002 and featured original score composed by Danny Elfman and three songs—"Black Suits Comin' (Nod Ya Head)" by Will Smith and Trā-Knox, "Who Let the Dogs Out" by Baha Men and "I Will Survive" by Tim Blaney—the former of which was released as a single on May 13, 2002.