Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s, she had shifted to a postmodernist, neoromantic style. She has been called "one of America's most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich has served as the Francis Eppes Distinguished Professor at Florida State University.
The Desert Music is a work of music for voices and orchestra composed by the minimalist composer Steve Reich. It is based on texts by William Carlos Williams and takes its title from the poetry anthology The Desert Music and Other Poems. The composition consists of five movements, with a duration of about 46 minutes. In both its arrangement of thematic material and use of tempi, the piece is in a characteristic arch form (ABCBA). The piece was composed in 1983 and had its world premiere on 17 March 1984 in Cologne, Germany.
James Dillon is a Scottish composer who is often regarded as belonging to the New Complexity school. Dillon studied art and design, linguistics, piano, acoustics, Indian rhythm, mathematics and computer music, but is self-taught in composition.
Ivan the Terrible, Op. 116, is the score composed by Sergei Prokofiev for Sergei Eisenstein's film Ivan the Terrible (1945) and its sequel (1958), the first two parts of an incomplete trilogy. The project was Prokofiev's second collaboration with Eisenstein, the first being the popular Alexander Nevsky (1938). The majority of the non-liturgical song texts were written by Vladimir Lugovskoy, who collaborated with Prokofiev on the texts for Alexander Nevsky.
The Miraculous Mandarin Op. 19, Sz. 73, is a one act pantomime ballet composed by Béla Bartók between 1918 and 1924, and based on the 1916 story by Melchior Lengyel. Premiered on 27 November 1926 conducted by Eugen Szenkar at the Cologne Opera, Germany, it caused a scandal and was subsequently banned on moral grounds. Although more successful at its Prague premiere, it was generally performed during the rest of Bartók's life in the form of a concert suite, which preserves about two-thirds of the original pantomime's music.
Flourish, Mighty Land, Op. 114, is a cantata written by Sergei Prokofiev in 1947, to commemorate the 30th anniversary of the October Revolution, along with his Thirty Years.
Lior Navok is an Israeli classical composer, conductor and pianist. He was born in Tel Aviv. Navok studied composition privately with the Israeli composer Moshe Zorman, and completed a Bachelor's degree at the Jerusalem Academy of Music and Dance, where he studied composition and conducting. He later completed he studied for a Master's and Doctorate at the New England Conservatory, where he studied with John Harbison.
Metropolis Symphony for Orchestra (1988–93) by American composer Michael Daugherty is a five-movement symphony inspired by Superman comics. The entire piece was created over the span of five years with separate commissions for each movement. Individual movements may be performed separately; however, it is preferred that the 41 minute symphony be performed in its entirety. MetropolisSymphony was premiered by the New Hampshire Symphony Orchestra, James Bolle conducting, in November 1993, at the Palace Theater in Manchester, New Hampshire. A connective narrative between movements was written and read by Jack Larson, who had played Jimmy Olsen on television in The Adventures of Superman. The orchestral version without narration was premiered by the Baltimore Symphony Orchestra, David Zinman conducting, in January 1994, at the Meyerhoff Concert Hall in Baltimore, Maryland.
Krzysztof Penderecki wrote his Seventh Symphony, subtitled "Seven Gates of Jerusalem", in 1996 to commemorate the third millennium of the city of Jerusalem. Originally conceived as an oratorio, this choral symphony was premièred in Jerusalem in January 1997; it was only after the first Polish performance two months later that Penderecki decided to call it a symphony. It is written for two sopranos, alto, tenor, bass, narrator, chorus and orchestra.
The Second Concerto for Orchestra is a concerto for orchestra by the American composer Steven Stucky. The work was commissioned by the Los Angeles Philharmonic while Stucky was their composer-in-residence for the inaugural season of the Walt Disney Concert Hall. It was completed in 2003 and was first performed on March 12, 2004, with the conductor Esa-Pekka Salonen leading the Los Angeles Philharmonic. The piece was awarded the 2005 Pulitzer Prize for Music.
Mothership is a single-movement composition for orchestra and electronica by the American composer Mason Bates. The piece received its world premiere March 20, 2011 at the Sydney Opera House by the YouTube Symphony Orchestra under Michael Tilson Thomas, with featured improvisatorial soloists Paulo Calligopoulos on electric guitar, Ali Bello on violin, Su Chang on zheng, and John Burgess on bass guitar. The premiere was broadcast live on YouTube and garnered nearly two million viewers.
Rusty Air in Carolina is a symphonic poem for electronica and orchestra by the American composer Mason Bates. The work was commissioned by conductor Robert Moody, a longtime friend and collaborator of Bates. It was premiered in 2006 by Robert Moody and the Winston-Salem Symphony. The piece was composed as a homage to the culture and climate of the Carolinas.
Foreign Bodies is an orchestral composition in three movements by the Finnish composer Esa-Pekka Salonen. The work was commissioned by the Finnish Broadcasting Company and was first performed at the Schleswig-Holstein Musik Festival on August 12, 2001 by the Finnish Radio Symphony Orchestra under the conductor Jukka-Pekka Saraste.
Circle Map is a composition for orchestra and electronics by the Finnish composer Kaija Saariaho. The work was jointly commissioned by the Royal Concertgebouw Orchestra, the Boston Symphony Orchestra, the Gothenburg Symphony Orchestra, the Orchestre National de France, the Royal Scottish National Orchestra, and the Stavanger Symphony Orchestra. It was first performed at the Holland Festival in Gashouder, Amsterdam on June 22, 2012, by the Royal Concertgebouw Orchestra under the conductor Susanna Mälkki.
The Symphony No. 2 is an orchestral composition by the American composer John Harbison. The work was commissioned by the San Francisco Symphony for its 75th anniversary. It was composed in 1987.
The Concerto for String Quartet and Orchestra is a composition for string quartet and orchestra by the American composer Gunther Schuller. The work was composed between 1987 and early 1988. Its world premiere was given on February 20, 1988, by the Pro Arte Quartet and the Madison Symphony Orchestra conducted by Schuller. The piece was a finalist for the 1988 Pulitzer Prize for Music.
The Concerto for Piano and Orchestra is a musical composition by the American composer Aaron Copland. The work was commissioned by the conductor Serge Koussevitzky who was then music director of the Boston Symphony Orchestra. It was first performed on January 28, 1927, by the Boston Symphony Orchestra conducted by Koussevitzky with the composer himself as the soloist. The piece is dedicated to Copland's patron Alma Morgenthau Wertheim.
The Concerto for Violin and Orchestra "Eleven Eleven" is the first violin concerto written by American composer Danny Elfman. Co-commissioned by the Czech National Symphony Orchestra, Stanford Live at Stanford University, and the Royal Scottish National Orchestra, the piece premiered at Smetana Hall in Prague, on June 21, 2017, with Sandy Cameron on violin and John Mauceri conducting the Czech National Symphony Orchestra. In 2019, the premiere recording of the concerto featured Cameron with Mauceri conducting the Royal Scottish National Orchestra.
Drama for Orchestra is an orchestral suite written by the American composer Vivian Fine. The work was commissioned by the San Francisco Symphony with support from Dr. and Mrs. Ralph Dorfman. It was inspired by the works of the Norwegian painter Edvard Munch. The music was completed on April 24, 1982, and was first performed by the San Francisco Symphony under the direction of Edo de Waart at Louise M. Davies Symphony Hall on January 5, 1983. Drama for Orchestra was a finalist for the 1983 Pulitzer Prize for Music.
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