The Desert Music is a work of music for voices and orchestra composed by the minimalist composer Steve Reich. It is based on texts by William Carlos Williams and takes its title from the poetry anthology The Desert Music and Other Poems. The composition consists of five movements, with a duration of about 46 minutes. In both its arrangement of thematic material and use of tempi, the piece is in a characteristic arch form (ABCBA). The piece was composed in 1983 and had its world premiere on 17 March 1984 in Cologne, Germany.
Roman Festivals, P 157 is a tone poem in four movements for orchestra completed in 1928 by the Italian composer Ottorino Respighi. It is the last of his three tone poems about Rome, following Fountains of Rome (1916) and Pines of Rome (1924). Each movement depicts a scene of celebration in ancient and contemporary Rome, specifically gladiators battling to the death, the Christian Jubilee, a harvest and hunt festival, and a festival in the Piazza Navona. Musically, the piece is the longest and most demanding of Respighi's Roman trilogy.
James Dillon is a Scottish composer who is often regarded as belonging to the New Complexity school. Dillon studied art and design, linguistics, piano, acoustics, Indian rhythm, mathematics and computer music, but is self-taught in composition.
Flute repertoire is the general term for pieces composed for flute. The following lists are not intended to be complete, but rather to present a representative sampling of the most commonly played and well-known works in the genre. The lists also do not generally include works originally written for other instruments and subsequently transcribed, adapted, or arranged for flute, unless such piece is very common in the repertory, in which case it is listed with its original instrumentation noted.
Ivan the Terrible, Op. 116, is the score composed by Sergei Prokofiev for Sergei Eisenstein's film Ivan the Terrible (1942–45) and its sequel (1946), the first two parts of an incomplete trilogy. The project was Prokofiev's second collaboration with Eisenstein, the first being the popular Aleksandr Nevskiy (1938). The majority of the non-liturgical song texts were written by Vladimir Lugovskoy, who collaborated with Prokofiev on the texts for Aleksandr Nevskiy.
The Miraculous Mandarin Op. 19, Sz. 73, is a one act pantomime ballet composed by Béla Bartók between 1918 and 1924, and based on the 1916 story by Melchior Lengyel. Premiered on 27 November 1926 conducted by Eugen Szenkar at the Cologne Opera, Germany, it caused a scandal and was subsequently banned on moral grounds. Although more successful at its Prague premiere, it was generally performed during the rest of Bartók's life in the form of a concert suite, which preserves about two-thirds of the original pantomime's music.
Lior Navok is an Israeli classical composer, conductor and pianist. He was born in Tel Aviv. His music has been performed internationally by orchestras and ensembles including the Oper Frankfurt, Nuernberg Opera, Israel Philharmonic Orchestra, Boston Modern Orchestra Project, and the Tanglewood Festival Orchestra. Amongst the awards he has received are those from the Israel Cultural Excellence Foundation and the Massachusetts Cultural Council. He has also received awards from the Fromm Music Foundation, Lili Boulanger Memorial Fund Award, and Israel Prime Minister Award. In 2004, he was one of seven composers awarded commissions for new musical works by the Serge Koussevitzky Foundation in the Library of Congress and the Koussevitzky Music Foundation.
Metropolis Symphony for Orchestra (1988–93) by American composer Michael Daugherty is a five-movement symphony inspired by Superman comics. The entire piece was created over the span of five years with separate commissions for each movement. Individual movements may be performed separately; however, it is preferred that the 41 minute symphony be performed in its entirety. MetropolisSymphony was premiered by the New Hampshire Symphony Orchestra, James Bolle conducting, in November 1993, at the Palace Theater in Manchester, New Hampshire. A connective narrative between movements was written and read by Jack Larson, who had played Jimmy Olsen on television in The Adventures of Superman. The orchestral version without narration was premiered by the Baltimore Symphony Orchestra, David Zinman conducting, in January 1994, at the Meyerhoff Concert Hall in Baltimore, Maryland.
Krzysztof Penderecki wrote his Seventh Symphony, subtitled "Seven Gates of Jerusalem", in 1996 to commemorate the third millennium of the city of Jerusalem. Originally conceived as an oratorio, this choral symphony was premièred in Jerusalem in January 1997; it was only after the first Polish performance two months later that Penderecki decided to call it a symphony. It is written for two sopranos, alto, tenor, bass, narrator, chorus and orchestra.
Mothership is a single-movement composition for orchestra and electronica by the American composer Mason Bates. The piece received its world premiere March 20, 2011 at the Sydney Opera House by the YouTube Symphony Orchestra under Michael Tilson Thomas, with featured improvisatorial soloists Paulo Calligopoulos on electric guitar, Ali Bello on violin, Su Chang on zheng, and John Burgess on bass guitar. The premiere was broadcast live on YouTube and garnered nearly two million viewers.
Anthology of Fantastic Zoology is an orchestral symphony by the American composer Mason Bates. The work was commissioned by the Chicago Symphony Orchestra, for whom Bates was then composer-in-residence. It was premiered June 18, 2015 at Symphony Center in Chicago, with the Chicago Symphony Orchestra performing under conductor Riccardo Muti, to whom the work is dedicated. The piece is based on the eponymous book by Jorge Luis Borges.
The Piano Concerto is a concerto for solo piano and orchestra in three movements by the Finnish composer Esa-Pekka Salonen. The work was jointly commissioned by the New York Philharmonic, the BBC, the NDR Symphony Orchestra, and Radio France. It was premiered February 1, 2007 in Avery Fisher Hall, New York City, with Salonen conducting the pianist Yefim Bronfman and the New York Philharmonic. Salonen dedicated the piece to Yefim Bronfman.
The Symphony No. 2 is an orchestral composition by the American composer John Harbison. The work was commissioned by the San Francisco Symphony for its 75th anniversary. It was composed in 1987.
Fresco is an orchestral composition by the Finnish composer Magnus Lindberg. The work was commissioned by the Los Angeles Philharmonic. Its world premiere was given in Los Angeles on March 12, 1998 by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen, to whom the piece is dedicated.
Cantigas is an orchestral composition by the Finnish composer Magnus Lindberg. The work was commissioned by the Cleveland Orchestra and was composed between 1998 and early 1999. Its world premiere was performed in Cleveland by the Cleveland Orchestra under the direction of Christoph von Dohnányi on April 1, 1999.
The Concerto for Piano and Orchestra is a musical composition by the American composer Aaron Copland. The work was commissioned by the conductor Serge Koussevitzky who was then music director of the Boston Symphony Orchestra. It was first performed on January 28, 1927, by the Boston Symphony Orchestra conducted by Koussevitzky with the composer himself as the soloist. The piece is dedicated to Copland's patron Alma Morgenthau Wertheim.
The Requiem by the Hungarian composer György Ligeti is a large-scale choral and orchestral composition, composed between 1963 and 1965.
The Concerto for Violin and Orchestra "Eleven Eleven" is the first violin concerto written by American composer Danny Elfman. Co-commissioned by the Czech National Symphony Orchestra, Stanford Live at Stanford University, and the Royal Scottish National Orchestra, the piece premiered at Smetana Hall in Prague, on June 21, 2017, with Sandy Cameron on violin and John Mauceri conducting the Czech National Symphony Orchestra. In 2019, the premiere recording of the concerto featured Cameron with Mauceri conducting the Royal Scottish National Orchestra.
The Concerto for Piano and Orchestra is a piano concerto by the British composer Thomas Adès. The work was commissioned by the Boston Symphony Orchestra for the pianist Kirill Gerstein and was completed in 2018. It was first performed by Gerstein and the Boston Symphony Orchestra conducted by the composer at Symphony Hall, Boston, on 7 March 2019. The piece is Adès's second piano concerto following In Seven Days in 2008.
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