A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo-wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds, and percussion instruments, or the concert band, which uses brass, woodwinds, and percussion.
The Pomp and Circumstance Marches, Op. 39, are a series of five marches for orchestra composed by Sir Edward Elgar. The first four were published between 1901 and 1907, when Elgar was in his forties; the fifth was published in 1930, a few years before his death; and a sixth, compiled posthumously from sketches, was published in 1956 and in 2005–2006. They include some of Elgar's best-known compositions.
The Symphony No. 1 in E minor, Op. 39, is a four-movement work for orchestra written from 1898 to 1899 by the Finnish composer Jean Sibelius.
Sergei Prokofiev wrote his Symphony No. 2 in D minor, Op. 40, in Paris in 1924-25, during what he called "nine months of frenzied toil". He characterized this symphony as a work of "iron and steel".
Sergei Prokofiev wrote his Symphony No. 3 in C minor, Op. 44, in 1928.
Symphony No. 3 was Aaron Copland's final symphony. It was written between 1944 and 1946, and its first performance took place on October 18, 1946 with the Boston Symphony Orchestra performing under Serge Koussevitzky. If the early Dance Symphony is included in the count, it is actually Copland's fourth symphony.
Václav Nelhýbel was a Czech American composer, mainly of works for student performers.
English Dances, Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951. Each set consists of four dances inspired by, although not based upon, country folk tunes and dances. Each movement is denoted by the tempo marking, as the individual movements are untitled.
Polish composer Witold Lutosławski's Concerto for Orchestra was written in the years 1950–54, on the initiative of the artistic director of the Warsaw Philharmonic, Witold Rowicki, to whom it is dedicated. It is written in three movements, lasts about 30 minutes, and constitutes the last stage and a crowning achievement of the folkloristic style in Lutosławski's work. That style, inspired by the music of the Kurpie region, went back in time to the pre-1939 years. Having written a series of small folkloristic pieces for various instruments and their combinations, Lutosławski decided to use his experience of stylisation of Polish folklore in a bigger work. However, the Concerto for Orchestra differs from Lutosławski's earlier folkloristic pieces not only in that it is more extended, but also in that what is retained from folklore is only melodic themes. The composer moulds them into a different reality, lending them new harmony, adding atonal counterpoints, and turning them into neo-baroque forms.
Ralph Vaughan Williams's Symphony No. 8 in D minor was composed between 1953 and 1955. Sir John Barbirolli, its dedicatee, conducted the Hallé Orchestra in the premiere at the Kings Hall in Manchester, on 2 May 1956. It is the shortest of the composer's nine symphonies, and is mostly buoyant and optimistic in tone.
The Symphony No. 3 by Arnold Bax was completed in 1929. It was dedicated to Sir Henry Wood and is perhaps the most performed and most immediately approachable of Bax's symphonies.
Souvenir des Ming is the title of Jeffrey Ching's Fourth Symphony, which was composed in London between 14 January and 29 June 2002, and is in a single large movement lasting about thirty-five minutes. There is a further parenthetical title, Passacaglia and Fugue on Ming dynasty Fragments, which describes the actual thematic content and form of the work. In China the work is known as Minglü huiyin 明律回音.
Gary Alan Kulesha is a Canadian composer, pianist, conductor, and educator. Since 1995, he has been Composer Advisor to the Toronto Symphony Orchestra. He has been Composer-in-Residence with the Kitchener-Waterloo Symphony (1988–1992) and the Canadian Opera Company (1993–1995). He was awarded the National Arts Centre Orchestra Composer Award in 2002.
John Corigliano's Symphony No. 1 for Orchestra was written between 1988 and 1989 during the composer's tenure as the first Composer-In-Residence for the Chicago Symphony Orchestra. The symphony's first performance was by the Chicago Symphony conducted by Daniel Barenboim on March 15, 1990.
Symphony No. 6 is an orchestral work by Carlos Chávez, composed in 1961–62.
Russian composer Alfred Schnittke's Symphony No. 7 was composed in 1993. It is dedicated to conductor Kurt Masur who gave its world premiere performance in New York with the New York Philharmonic Orchestra on 10 February 1994.
The Symphony No. 1 in G minor by Russian composer Vasily Kalinnikov was written from 1894 to 1895 and first published in 1900. The symphony is dedicated to Russian music critic and teacher Semyon Kruglikov.
The Symphony No. 1 is a four-movement orchestral composition by the Finnish composer Uuno Klami, who wrote the piece from 1937 to 1938. Georg Schnéevoigt and the Helsinki Philharmonic Orchestra premiered the work on 5 May 1939; later that year, Klami enlisted in the Finnish military and fought against the Soviet Union in the Winter War.
The Symphony No. 2 is a four-movement orchestral composition by the Finnish composer Uuno Klami, who wrote the piece from in 1945; it is the final of Klami's two numbered symphonies. Toivo Haapanen and the Helsinki Philharmonic Orchestra premiered the work at the Helsinki Conservatory on 15 December 1946.
