|Through the Dark|
Still with Colleen Moore and Forrest Stanley
|Directed by||George W. Hill|
|Written by||Frances Marion (scenario)|
|Based on||"The Daughter of Mother McGinn"|
by Jack Boyle
|Starring|| Forrest Stanley |
|Cinematography||L. William O'Connell|
|Distributed by||Goldwyn Pictures|
|Language||Silent (English intertitles)|
Through the Dark is a 1924 American silent mystery crime drama film directed by George W. Hill, and starring Colleen Moore and Forrest Stanley as the popular detective character Boston Blackie. The film's scenario, written by Frances Marion, is based on the short story "The Daughter of Mother McGinn" by Jack Boyle.The film was produced by William Randolph Hearst's Cosmopolitan Productionss and distributed through Goldwyn Pictures.
The film was banned by the British Board of Film Censors upon its release for its depiction of unspecified "taboo" subject matter.
An incomplete print of Through the Dark is preserved at the Library of Congress.
Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
The Son of the Sheik is a 1926 American silent adventure/drama film directed by George Fitzmaurice and starring Rudolph Valentino and Vilma Bánky. The film is based on the 1925 romance novel of the same name by Edith Maude Hull, and is a sequel to the 1921 hit film The Sheik, which also stars Rudolph Valentino. The Son of the Sheik is Valentino's final film and went into general release nearly two weeks after his death from peritonitis at the age of 31.
Boston Blackie is a fictional character created by author Jack Boyle. Blackie, a jewel thief and safecracker in Boyle's stories, became a detective in adaptations for films, radio and television—an "enemy to those who make him an enemy, friend to those who have no friend."
Irene is a 1926 American silent romantic comedy film starring Colleen Moore, and partially shot in Technicolor. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Irene written by James Montgomery with music and lyrics by Harry Tierney and Joseph McCarthy.
Lilac Time is a 1928 American silent romantic war film directed by George Fitzmaurice and starring Colleen Moore and Gary Cooper. The film is about young American aviators fighting for Britain during World War I who are billeted in a field next to a farmhouse in France. The daughter who lives on the farm meets one of the new aviators who is attracted to her. As the flyers head off on a mission, the young aviator promises to return to her.
Flaming Youth is a 1923 American silent drama film directed by John Francis Dillon and starring Colleen Moore and Milton Sills. The film was produced and distributed by Associated First National. Flaming Youth is based on the novel Flaming Youth by Samuel Hopkins Adams. In his retrospective essay "Echoes of the Jazz Age," writer F. Scott Fitzgerald cited Flaming Youth as the only film that captured the sexual revolution of the Jazz Age.
We Moderns (1925) is an American silent comedy film directed by John Francis Dillon and starring Colleen Moore. The film was produced by Moore's husband John McCormick (1893-1961), was released through First National Pictures. It was based on the play and novel by Israel Zangwill. The play ran for 22 performances in 1924 at the Gaiety Theatre, produced and directed by Harrison Grey Fiske and starring Helen Hayes and Isabel Irving.
Slippy McGee is a 1923 American silent drama film directed by Wesley Ruggles and based on the book Slippy McGee: Sometimes Known as the Butterfly Man by Marie Conway Oemler that was published in 1917. The film was an Oliver Morosco Production released by Associated First National and featured actress Colleen Moore as Mary Virginia. It is not known whether the film survives.
Synthetic Sin is a 1929 American comedy film directed by William A. Seiter, based on a play of the same name. While filmed as a silent, it was released by Warner Bros. accompanied with a Vitaphone music soundtrack and sound effects. However most of the Vitaphone discs are still lost, apart from the final reel.
The Perfect Flapper is a 1924 American romantic comedy film directed by Earl Hudson and starring Colleen Moore. This was Moore's second "flapper film" after Flaming Youth. It was released after Through the Dark and Painted People.
The Egg Crate Wallop is a 1919 American silent comedy film starring Charles Ray and featuring actress Colleen Moore. The film was directed by Jerome Storm and Thomas H. Ince was its producer.
Dinty is a 1920 American silent comedy drama film written by Marshall Neilan specifically for Wesley Barry, a young actor known for his freckled complexion. Prominent among the supporting players were Colleen Moore, Marjorie Daw, Pat O'Malley, and Noah Beery.
Oh, Kay! is a 1928 silent film produced by John McCormick and distributed by First National Pictures. McCormick's wife Colleen Moore starred and Mervyn LeRoy directed the film. It is based on the 1926 musical Oh, Kay!, which had music by George Gershwin, lyrics by Ira Gershwin, and a book by Guy Bolton and P. G. Wodehouse.
Ella Cinders is a 1926 American silent comedy film directed by Alfred E. Green, starring Colleen Moore, produced by her husband John McCormick, and featuring Moore's recurring co-star, Lloyd Hughes. The film is based on the syndicated comic strip of the same name by William M. Conselman and Charles Plumb, which in turn was based upon the millennia-old folk tale of Cinderella.
The Face in the Fog is a 1922 American silent film produced by Cosmopolitan Productions and distributed by Paramount Pictures. It was directed by Alan Crosland and starred Lionel Barrymore. An incomplete print is preserved at the Library of Congress.
Just Around the Corner is an extant 1921 American silent drama film produced by William Randolph Hearst's Cosmopolitan Productions and distributed through Paramount Pictures. The film is based on a short story, "Superman," by Fannie Hurst and was directed by Frances Marion, a prolific Hollywood scenarist.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920 at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
The Nth Commandment is a 1923 American silent drama film directed by Frank Borzage and starring Colleen Moore. It is based on a story, The Nth Commandment, by Fannie Hurst, a well-known novelist of the day.
Missing Millions is a 1922 American silent drama film directed by Joseph Henabery and written by Jack Boyle and Albert S. Le Vino. The Boston Blackie film stars Alice Brady, David Powell, Frank Losee, Riley Hatch, John B. Cooke, William B. Mack, and George LeGuere. The film was released on September 17, 1922, by Paramount Pictures.
Flirting with Love is a 1924 American silent comedy drama film directed by John Francis Dillon and starring Colleen Moore, Conway Tearle, and Winifred Bryson. It is based upon the short story "Counterfeit" by Leroy Scott.
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