Together | ||||
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Studio album by | ||||
Released | August 1968 | |||
Recorded | November 1967 | |||
Studio | Sierra Sound Laboratories, Berkeley, California and February 1968 Vanguard Studios, 71 West 23rd Street, New York City, NY | |||
Genre | ||||
Length | 34:31 | |||
Label | Vanguard VSD-79277 [1] | |||
Producer | Samuel Charters | |||
Country Joe and the Fish chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
MusicHound Rock: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Together is the third album by the San Francisco psychedelic rock band Country Joe and the Fish, released in 1968. [6] [7] Country Joe McDonald had briefly left the band prior to the recording sessions. [8] All of the band members contributed to the songwriting. [8] Together is the most commercially successful album from the band. [2]
The original lineup of the band broke up after the release of Together. [9] [10]
AllMusic wrote that "McDonald tended to favor droning mantras like the album-closing 'An Untitled Protest', which worked better when contrasted with the likes of Melton's catchy anti-New York diatribe, 'The Streets of Your Town', and the group-written 'Rock and Soul Music'." [2]
Billboard 200 - No. 23 [11]
Country Joe and the Fish was an American psychedelic rock band formed in Berkeley, California, in 1965. The band was among the influential groups in the San Francisco music scene during the mid- to late 1960s. Much of the band's music was written by founding members Country Joe McDonald and Barry "The Fish" Melton, with lyrics pointedly addressing issues of importance to the counterculture, such as anti-war protests, free love, and recreational drug use. Through a combination of psychedelia and electronic music, the band's sound was marked by innovative guitar melodies and distorted organ-driven instrumentals which were significant to the development of acid rock.
Joseph Allen "Country Joe" McDonald is an American musician who was the lead singer of the 1960s psychedelic rock group Country Joe and the Fish.
Walking Man is the fifth studio album by singer-songwriter James Taylor. Released in June 1974, it was not as successful as his previous efforts, reaching only No. 13 on the Billboard Album Chart and selling 300,000 copies in the United States. Until 2008's Covers, it was Taylor's only studio album not to receive a gold or platinum certification from the RIAA.
Tom Petty and the Heartbreakers is the debut album by the band of the same name, released on November 9, 1976, by Shelter Records. The album was recorded and mixed at the Shelter Studio in Hollywood, California.
No Fun Aloud is the debut solo studio album by Glenn Frey. It was released in 1982 on Asylum.
Electric Music for the Mind and Body is Country Joe and the Fish's debut album. Released in May 1967 on the Vanguard label, it was one of the first psychedelic albums to come out of San Francisco.
Machine Gun Etiquette is the third studio album by English punk rock band the Damned. It was released on 2 November 1979 by Chiswick Records.
Vanity/Nemesis is the fourth studio album by Swiss heavy metal band Celtic Frost, released on 11 April 1990 through Noise Records.
Woodstock: Music from the Original Soundtrack and More is a live album of selected performances from the 1969 Woodstock counterculture festival officially known as "The Woodstock Music & Art Fair". The album was compiled & produced by Eric Blackstead. Originally released on Atlantic Records' Cotillion label as a triple album on May 11, 1970, it was re-released as a 4 CD box by Mobile Fidelity Sound Labs in 1986 followed by a two-CD set released by Atlantic in 1987. Atlantic re-issued the two-CD set in 1994 correcting a few mastering errors found on their 1987 release. Veteran producer Eddie Kramer along with Lee Osbourne were the sound engineers during the three-day event.
Greetings from Timbuk3 is the debut album by American band Timbuk 3, released in 1986. The album contains their only charting single, "The Future's So Bright, I Gotta Wear Shades," which reached number 19 on the US Billboard Hot 100.
Life in Exile after Abdication is the second album by Moe Tucker, released in 1989.
I-Feel-Like-I'm-Fixin'-to-Die is the second studio album by the influential San Francisco psychedelic rock band, Country Joe and the Fish, released in 1967. Recordings took place in Vanguard studios in 71 West 23rd Street, New York City. The title track remains one of the most popular Vietnam protest songs from the 1960s and originally appeared on a 1965 7" EP titled Rag Baby: Songs of Opposition. On the album, "I-Feel-Like-I'm-Fixin'-to-Die Rag" appears following "The Fish Cheer", which at concerts became a Country Joe standard. At Woodstock, Joe had the crowd yell F-U-C-K instead of F-I-S-H. Another musical highlight is the track "Janis" written for McDonald's then-girlfriend Janis Joplin. It is the second song written for a female musician for their albums, the other being "Grace". Two singles were released in the wake of the album. These include "Janis"/"Janis (instrumental)" and "Who Am I"/"Thursday".
Devil's Canyon is the eighth studio album by American southern rock band Molly Hatchet, released in 1996. The album was recorded seven years after Lightning Strikes Twice, with only Danny Joe Brown of the original line-up. During the recording of the album, Brown was forced to retire because of his precarious health condition and was replaced by Phil McCormack, who completed the vocal tracks.
Play Dirty is the fourth studio album by British heavy metal band, Girlschool, released on Bronze Records in 1983 and produced by Noddy Holder and Jim Lea from the hard rock band Slade. It was the first Girlschool album not to enter the UK Top 40 album chart and signalled a general downturn in their career, along with an inclination towards a softer rock sound. Kelly Johnson left the band soon after the release and an intended full US-tour never materialised. In the UK, two singles were lifted from the album, each having a picture-sleeve:
David Bennett Cohen is an American musician best known as the original keyboardist and one of the guitar players for the late-1960s psychedelic rock and blues band Country Joe and the Fish.
Luxury You Can Afford is the seventh studio album by Joe Cocker, released in 1978 on Asylum Records, his only release for that label.
Reunion is the sixth studio album by the American psychedelic rock group Country Joe and the Fish, released in 1977. It constituted a reunion of the members of the 1967 band. It was produced by Sam Charters for Fantasy Records and recorded between January and April 1977. The music is not as psychedelic, and several tracks are country rock.
CJ Fish is the fifth album by the San Francisco psychedelic rock group, Country Joe and the Fish, released in May 1970 on the Vanguard label. It would be the first production with Tom Wilson and Country Joe & the Fish's last studio album for Vanguard Records. Recording took place at the Record Plant in Los Angeles, California.
Here We Are Again is the fourth album by the psychedelic rock band Country Joe and the Fish. It was released in 1969 with the US catalog number Vanguard VSD 79299. It peaked on the Billboard 200 at number 48, and stayed on the charts for eleven weeks. Only Country Joe McDonald and Melton remained from the original lineup that began breaking up since the previous album. The past members would appear as guest musicians however.
Southbound is the fourteenth studio album by American rock band The Doobie Brothers featuring collaborations with various artists in remakes of various hits by the band. It was the group's only album that featured Tony Pia since he joined the band in 2010 before leaving the group in August 2016 since Hossack's retirement due to cancer and his death in 2012. And it was also the band's last studio album to feature keyboardist / vocalist Guy Allison before his departure from the group in October the following year in 2015.