Tokyo Storm Warning

Last updated

Tokyo Storm Warning
Warren Ellis TSW 3 cover.jpg
Cover to Tokyo Storm Warning #3. Art by James Raiz
Publication information
Publisher Cliffhanger/Wildstorm (DC Comics)
ScheduleMonthly
Format Mini-series
Publication dateAugust–December 2003
No. of issues3
Creative team
Written by Warren Ellis
Penciller(s) James Raiz
Inker(s) Andrew Currie
Colorist(s) Wildstorm FX
Collected editions
Red/Tokyo Storm Warning ISBN   1-4012-0283-7

Tokyo Storm Warning is a creator-owned comic book series by WildStorm imprint Cliffhanger. Written by Warren Ellis with art by James Raiz and Andrew Currie, it was first published as a three-issue comic book mini-series in 2003.

Contents

Creation

The book was written during a period in which Ellis mostly produced books in three-issue bursts for DC imprints, along with Mek , Red and Reload as he had reached the end of his exclusive contract with DC, and was reassessing his next steps. [1] [2] Ellis described Tokyo Storm Warning as "a gentle piss-take of the giant robot genre played straight." [3] Raiz had recent experience drawing robots for Dreamwave Productions' licensed Transformers: Armada series; acquainted with Ellis already, he emailed the writer during a lull between Transformers assignments and was offered the chance to draw Tokyo Storm Warning. [4]

Tokyo Storm Warning has been described as a homage to the anime Neon Genesis Evangelion with cyberpunk elements. [5]

Plot

In an alternate timeline, the capture of U-234 on 14 May 1945 and the discovery of its nuclear cargo (intended for the Japanese atomic program in Tokyo) leads the US to decide to use its first atomic bomb on the Japanese capital instead to prevent the Japanese developing their own device. On August 6, 1945 Tokyo is devastated by the nuclear attack.

Following this Japan finds itself plagued by giant monsters over the next sixty years. In August 2003, American military pilot Zoe Flynn arrives in the rebuilt city, on secondment to the Tokyo Storm Exo War unit. Tokyo Storm pilots the ARCangels - a trio of advanced, seemingly alien mecha that mysteriously appeared in Tokyo Bay in 1992. Equally enigmatic is Tokyo Storm Tower's power source. Flynn is assigned to take the place of fellow exchange pilot Kaneshiro in ARCangel 3, only for the city to immediately suffer a monster manifestation. With Tokyo being destroyed, Flynn has to go straight into battle with the other ARCangels despite her only previous experience being in simulators. Like other manifestations, the monster heads for Tokyo Storm Tower, which was ground zero for the nuclear blast in 1945. [6]

With the launch of the other ARCangels delayed by technical problems, Flynn is left battling alone until the arrival of the experienced Renji Yamashiro in ARCangel 1, with the fight causing huge casualties in the city around them. With support from Yamashiro, Flynn is able to destroy the creature. Afterwards, she tries to find out more about previous unexplained robotic defenders of the city such as the Hypermen and Megashogun from Yameshiro and ARCangel 2 pilot Kishitani. Flynn later questions Sakai and Yameshiro about the unexplained appearances and motives of the monsters, but her investigation is cut short by a new manifestation - this time of an unprecedented three monsters simultaneously. [7]

All three ARCangels are launched in response, but ARCangels 1 and 2 are swiftly incapacitated. With the trio of monsters bearing down on the Tower, Sakai confesses that he is the cause of the manifestations through keeping the source of the wonders in the Tower's Terminal Command. Flynn kills him and heads down into Terminal Command, finding a young boy called Eiko who has been drawing monsters and robots since the bomb dropped on Tokyo who is somehow causing them to appear but holding himself in stasis. Flynn is able to persuade him to walk into the suspended nuclear explosion and die, saving Tokyo and causing the various monsters and robots to instantly vanish. [8]

Reception

Tokyo Storm Warning has received largely negative reviews. In an overview of Ellis' work for Locus , Claude Lalumière called the series "sloppily told and confusingly illustrated" while also being "overly simplistic", comparing it negatively to thematically similar issues of Planetary . [9] Publishers Weekly were also unimpressed, criticising the weak pay-off and Raiz' "cluttered and hard to follow" art. [10]

Collected editions

The series was collected into a 'flip book' trade paperback with Red .

TitleISBNRelease dateContents
Red/Tokyo Storm Warning 9781401202835 27 April 2014Red #1-3, Tokyo Storm Warning #1-3

Related Research Articles

<span class="mw-page-title-main">Cyberpunk</span> Postmodern science fiction genre in a futuristic dystopian setting

Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.

<span class="mw-page-title-main">Godzilla</span> Fictional monster

Godzilla is a fictional monster, or kaiju, that debuted in the eponymous 1954 film, directed and cowritten by Ishirō Honda. The character has since become an international pop culture icon, appearing in various media: 33 Japanese films produced by Toho Co., Ltd., five American films, and numerous video games, novels, comic books, and television shows. Godzilla has been dubbed the King of the Monsters, an epithet first used in Godzilla, King of the Monsters! (1956), the American localization of the 1954 film.

<span class="mw-page-title-main">Mecha</span> Humanoid walking vehicles in science fiction

In science fiction, mecha or mechs are giant robots or machines typically depicted as piloted and as humanoid walking vehicles. The term was first used in Japanese after shortening the English loanword 'mechanism' or 'mechanical', but the meaning in Japanese is more inclusive, and 'robot' or 'giant robot' is the narrower term.

<i>Kaiju</i> Japanese media genre

Kaiju is a Japanese term that is commonly associated with media involving giant monsters. A subgenre of science fiction, it was created by Eiji Tsuburaya and Ishirō Honda. The term can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters.

Wildstorm Productions is an American comic book imprint. Originally founded as an independent company established by Jim Lee under the name "Aegis Entertainment" and expanded in subsequent years by other creators, Wildstorm became a publishing imprint of DC Comics in 1998. Until it was shut down in 2010, the Wildstorm imprint remained editorially separate from DC Comics, with its main studio located in California. The imprint took its name from a portmanteau of the titles of the Jim Lee comic series WildC.A.T.S. and Stormwatch.

<span class="mw-page-title-main">Warren Ellis</span> English comic book writer, novelist, and screenwriter

Warren Girard Ellis is an English comic book writer, novelist, and screenwriter. He is best known as the co-creator of several original comics series, including Transmetropolitan (1997–2002), Global Frequency (2002–2004) and Red (2003–2004), which was adapted into the feature films Red (2010) and Red 2 (2013). Ellis is the author of the novels Crooked Little Vein (2007) and Gun Machine (2013) and the novella Normal (2016).

<span class="mw-page-title-main">Mechagodzilla</span> Godzilla kaiju

Mechagodzilla is a fictional mecha character that first appeared in the 1974 film Godzilla vs. Mechagodzilla. In its debut appearance, Mechagodzilla is depicted as an extraterrestrial villain that confronts Godzilla. In subsequent iterations, Mechagodzilla is usually depicted as a man-made weapon designed to defend Japan against Godzilla and other kaiju. In all incarnations, the character is portrayed as a robotic doppelgänger with a vast array of weaponry, and along with King Ghidorah, is commonly considered to be an archenemy of Godzilla.

<i>Godzilla vs. Megaguirus</i> 2000 Japanese kaiju film by Masaaki Tezuka

Godzilla vs. Megaguirus is a 2000 Japanese kaiju film directed by Masaaki Tezuka, with special effects by Kenji Suzuki. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 25th film in the Godzilla franchise and the second film in the franchise's Millennium series, as well as the 24th Godzilla film produced by Toho. The film stars Misato Tanaka, Shōsuke Tanihara, Yuriko Hoshi, Masatoh Eve, and Toshiyuki Nagashima; it also features the fictional monster characters Godzilla and Megaguirus, portrayed by Tsutomu Kitagawa and Minoru Watanabe, respectively.

<span class="mw-page-title-main">USAir Flight 1016</span> 1994 aviation accident

USAir Flight 1016 was a regularly scheduled flight in the southeastern United States, between Columbia, South Carolina, and Charlotte, North Carolina. On July 2, 1994, the flight encountered heavy thunderstorms and microburst-induced windshear while attempting to land, and crashed into heavy trees and a private residence near the airport. The crash and ensuing fire caused 37 fatalities and seriously injured twenty others.

<i>Godzilla 1985</i> 1985 film

Godzilla 1985 is a 1985 kaiju film directed by R. J. Kizer and Koji Hashimoto. The film is a heavily re-edited American localization of the Japanese film The Return of Godzilla, which was produced and distributed by Toho Pictures in 1984. In addition to the film being re-cut, re-titled, and dubbed in English, Godzilla 1985 featured additional footage produced by New World Pictures, with Raymond Burr reprising his role as American journalist Steve Martin from the 1956 film Godzilla, King of the Monsters!, which itself was a heavily re-edited American adaptation of the 1954 Japanese film Godzilla.

<span class="mw-page-title-main">Japanese science fiction</span> Genre of speculative fiction

Science fiction is an important genre of modern Japanese literature that has strongly influenced aspects of contemporary Japanese pop culture, including anime, manga, video games, tokusatsu, and cinema.

<i>Spider-Man</i> (Japanese TV series) Japanese tokusatsu television series (1978-79)

Spider-Man, also referred to as Japanese Spider-Man or Toei Spider-Man, is a Japanese live-action tokusatsu superhero television series produced by Toei Company, loosely based on Marvel Comics' character of the same name via a contract that was negotiated by producer Gene Pelc. The series lasted 41 episodes, which aired on Tokyo Channel 12 from May 17, 1978, to March 14, 1979. A theatrical episode was shown in the Toei Manga Matsuri film festival on July 22, 1978. From March 5 to December 24, 2009, Marvel uploaded English subtitled versions of all 41 episodes on their website.

<i>Ultraman: The Adventure Begins</i> 1987 American film

Ultraman: The Adventure Begins is a 1987 American-Japanese animated superhero film jointly produced by Hanna-Barbera Productions and Tsuburaya Productions and animated by both Studio Sign and Ashi Productions. It is the second foreign Ultra Series production overall, and the second foreign Ultraman film after The 6 Ultra Brothers vs. the Monster Army. Originally intended as a pilot for an animated series, no such series ever emerged and the pilot was made into a full-length film. It was broadcast on television in the United States on October 12, 1987, with a Japanese theatrical release following on April 28, 1989. The costumes based on the three main heroes were made for use in stage shows in Japan.

<i>Mothra</i> (film) 1961 film directed by Ishirō Honda

Mothra is a 1961 Japanese kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd, it is the first film in the Mothra franchise. The film stars Frankie Sakai, Hiroshi Koizumi, Kyōko Kagawa, Jerry Ito, and The Peanuts. In the film, an expedition to an irradiated island brings civilization in contact with a primitive native culture. When one sensationalist entrepreneur tries to exploit the islanders, their ancient deity arises in retaliation.

<span class="mw-page-title-main">Creature Commandos</span> Fictional DC Comics team

The Creature Commandos are a fictional DC Comics team of military superhumans originally set in World War II. The original team was introduced in Weird War Tales #93, created by J. M. DeMatteis and Pat Broderick. The team was composed of a human team leader, a werewolf, a vampire, a Frankenstein's monster, and a gorgon.

<i>1945</i> (Gingrich and Forstchen novel)

1945 is an alternate history written by Newt Gingrich and William R. Forstchen in 1995 that described the period immediately after World War II in which the United States had fought only against Japan, which allowed Nazi Germany to force a truce with the Soviet Union, and the two victors confront each other in a cold war, which swiftly turns hot.

<i>Firestorm</i> (TV series) Japanese anime television series

Firestorm (ファイアーストーム) is a Japanese anime series created by Gerry Anderson and John Needham. The series combines CGI animation for mecha and traditional 2D animation for characters. The series was not warmly received, and subsequently failed to gain a wider release.

Big Science Action is a superhero team published by DC Comics. They first appeared in Final Crisis Sketchbook #1, and were created by Grant Morrison and J. G. Jones.

References

  1. "Warren Ellis: Free Agent Again". Newsarama . December 5, 2003.[ dead link ]
  2. "Warren Ellis - Interview".
  3. "Scans_daily | Speaking of British writers writing Japanese action heroes".[ better source needed ]
  4. "TransFans.net - Interviews: James Raiz". Archived from the original on December 14, 2005.
  5. Fifty Key Figures in Cyberpunk Culture. Routledge. May 12, 2022. ISBN   9781000578614.
  6. Warren Ellis  ( w ),James Raiz ( p ),Andrew Currie ( i ).Tokyo Storm Warning,vol. 1,no. 1(August 2003). Cliffhanger .
  7. Warren Ellis  ( w ),James Raiz ( p ),Andrew Currie ( i ).Tokyo Storm Warning,vol. 1,no. 2(September 2003). Cliffhanger .
  8. Warren Ellis  ( w ),James Raiz ( p ),Andrew Currie ( i ).Tokyo Storm Warning,vol. 1,no. 3(December 2003). Cliffhanger .
  9. "Locus Online: Claude Lalumière on Warren Ellis".
  10. "RED/TOKYO STORM WARNING by Warren Ellis".