Amarna Tomb 4 | |
---|---|
Burial site of Meryra | |
Coordinates | 27°39′50″N30°55′39″E / 27.66389°N 30.92750°E |
Location | Northern tomb of the nobles, Amarna |
The tomb of Meryra is part of a group of tombs located near Amarna, Upper Egypt. Placed in the mountainsides, the graves are divided into north and south groupings; the northern tombs are located in the hillsides and the southern on the plains. Meryra's burial, identified as Amarna Tomb 4 is located in the northern cluster. The sepulchre is the largest and most elaborate of the noble tombs of Amarna. It, along with the majority of these tombs, was never completed. [1] The rock cut tombs of Amarna were constructed specifically for the officials of King Akhenaten. Norman de Garis Davies originally published details of the Tomb in 1903 in the Rock Tombs of El Amarna, Part I – The Tomb of Meryra. The tomb dates back to the 18th Dynasty.
Meryra | ||||||
---|---|---|---|---|---|---|
Era: New Kingdom (1550–1069 BC) | ||||||
Egyptian hieroglyphs |
Meryra served as the high priest of the cult of Aten, a new religious tradition instituted by King Akhenaten. This belief system placed exclusive emphasis on sun worship in the form of Aten, or the solar disc, a deity encapsulating the idea of many gods into the essence of the sun. [2] The tomb provides little information regarding the personal life of Meryra. Familial references are limited to depictions of his wife, Tenre, who is described as “a great favorite of the Lady of the two Lands.” Lady of the two Lands refers to Nefertiti, the queen of Akhenaten. Not all officials at Amarna had tombs. Having a tomb at Amarna reflected closeness with Akhenaten, due, in part, to demonstrating a commitment to Akhenaten's institution of Atenism. [1]
The tomb was found in relatively good condition compared to the other tombs of Amarna. After the death of Akhenaten, depictions of his rule and religion were destroyed because they were considered to be heretical. In Meryra's tomb, Akhenaten and Nefertiti’s features have been consistently erased. The desecration is confined to these individuals, and the names and figures of the princesses remain untouched. The tomb consists of four sections: the antechamber, the hall of columns, a second hall, and the shrine. The entrance to the tomb was originally decorated with inscriptions to the Amarna Royal family and the deity Aten. These decorations have either been destroyed, or are hidden by the modern doors protecting the tomb entrance. The antechamber itself shows Meryre offering prayers to the Akhenaten, and the cartouches of the king, Nefertiti and the Aten. The door jambs are inscribed with funerary prayers for Akhenaten and the Aten. The entrance from the antechamber to the outer hall is decorated with the Short Hymn to the Aten, and shows Meryre's wife Tenre making offerings to the sun-disc.
The sculptured reliefs of Meryra's tomb were done in a new artistic style instituted under Akhenaten. The technique of modeling in plaster which was used consisted of the images initially being cut directly into the stone, and then covered by a layer of plaster, which was finally painted over. [3] Like the style, the subject of the scenes was also unique. Traditionally, tombs in the New Kingdom contained decorations dedicated to the owner of the tomb, such as depictions of family members and ancestors, or scenes about the owner's career, amusement or domestic life. [3] This tradition was not carried out in the tomb of Meryra, or the other tombs of Amarna, which instead focused almost exclusively on Akhenaten and worship of the Aten. Davies acknowledges the tombs of Amarna were often difficult to identify as little emphasis was placed on the owner. This contrasts sharply with the dominant tradition of New Kingdom tombs in which cartouches and images of the ruling king were marginal aspects to the tomb, sometimes not even identified. [3]
The reliefs in the Tomb of Meryra are decidedly centered upon praising Akhenaten, and Meryra himself only appears marginally, sometimes indistinguishable from other minor figures carved in the relief. Despite this, Meryra maintains a constant contextual presence in the scenes, even if not being explicitly portrayed. In the scene Davies titles "A Royal Visit to the Temple", Akhenaten and Nefertiti are depicted paying a visit to Meryra at the temple. It is uncertain if Meryra is included in this image and the description of the scene has been destroyed. Davies speculates that the scene either shows Akhenaten on his way to the temple to appoint Meryra as the High Pries of Aten, or it is simply as example of Meryra honored with the presence of the King and Queen at the temple and exercising his office for them. Either situation serves to promote the role and importance of Meryra, even though the scene seems to be immediately focused upon Akhenaten. As the art was not focused upon Meryra, maintaining a strong contextual importance allowed for Meryra to still be bestowed with honor and praise.
In the immediately preceding scene, Akhenaten officially declares Meryra as the High Priest of Aten. Despite being the High Priest of Aten, Meryra was not recognized with the power to access the Aten, an exclusive ability of Akhenaten. In the text of this relief, Akhenaten addresses Meryra with the proclamation, "Behold, I am attaching you to myself, to be the Greatest of Seers of the Aten, in the House of Aten, in Ahket-aten." [4] In this statement, the reliance on Akhenaten in Atenism is referred to in a physical sense, as Akhenaten pledges to "attach" Meryra to him. This is similar to the contact the royal family has with the Aten, which is furnished with hands, or ankhs extending from its rays. One purpose of the ankhs is to literally fill the recipient through bodily orifices with the life and prosperity of the Aten. [1]
A variety of texts were found in the tomb, including prayers to be said by visitors to the tomb, as well as religious texts, such as the Hymn to the Aten. The Great Hymn to the Aten, traditionally ascribed to Akhenaten himself celebrates the Aten as the universal creator of all life. Although similar to hymns to Amun, the Hymn to the Aten reflects the originality of Akhenaten's simplistic perception of his solar religion. [2]
Aten also Aton, Atonu, or Itn was the focus of Atenism, the religious system formally established in ancient Egypt by the late Eighteenth Dynasty pharaoh Akhenaten. Exact dating for the 18th dynasty is contested, though a general date range places the dynasty in the years 1550 to 1292 B.C.E. The worship of Aten and the coinciding rule of Akhenaten are major identifying characteristics of a period within the 18th dynasty referred to as the Amarna Period.
Amarna is an extensive Egyptian archaeological site containing the remains of what was the capital city of the late Eighteenth Dynasty. The city was established in 1346 BC, built at the direction of the Pharaoh Akhenaten, and abandoned shortly after his death in 1332 BC. The name that the ancient Egyptians used for the city is transliterated as Akhetaten or Akhetaton, meaning "the horizon of the Aten".
Akhenaten, also spelled Akhenaton or Echnaton, was an ancient Egyptian pharaoh reigning c. 1353–1336 or 1351–1334 BC, the tenth ruler of the Eighteenth Dynasty. Before the fifth year of his reign, he was known as Amenhotep IV.
Nefertiti ) was a queen of the 18th Dynasty of Ancient Egypt, the great royal wife of Pharaoh Akhenaten. Nefertiti and her husband were known for their radical overhaul of state religious policy, in which they promoted the earliest known form of monotheism, Atenism, centered on the sun disc and its direct connection to the royal household. With her husband, she reigned at what was arguably the wealthiest period of ancient Egyptian history. Some scholars believe that Nefertiti ruled briefly as Neferneferuaten after her husband's death and before the ascension of Tutankhamun, although this identification is a matter of ongoing debate. If Nefertiti did rule as Pharaoh, her reign was marked by the fall of Amarna and relocation of the capital back to the traditional city of Thebes.
The Great Hymn to the Aten is the longest of a number of hymn-poems written to the sun-disk deity Aten. Composed in the middle of the 14th century BC, it is varyingly attributed to the 18th Dynasty Pharaoh Akhenaten or his courtiers, depending on the version, who radically changed traditional forms of Egyptian religion by replacing them with Atenism. The hymn bears a notable resemblance to the biblical Psalm 104.
Meritaten, also spelled Merytaten, Meritaton or Meryetaten, was an ancient Egyptian royal woman of the Eighteenth Dynasty of Egypt. Her name means "She who is beloved of Aten"; Aten being the sun-deity whom her father, Pharaoh Akhenaten, worshipped. She held several titles, performing official roles for her father and becoming the Great Royal Wife to Pharaoh Smenkhkare, who may have been a brother or son of Akhenaten. Meritaten also may have served as pharaoh in her own right under the name Ankhkheperure Neferneferuaten.
Atenism, also known as the Aten religion, the Amarna religion, and the Amarna heresy, was a religion in ancient Egypt. It was founded by Akhenaten, a pharaoh who ruled the New Kingdom under the Eighteenth Dynasty. The religion is described as monotheistic or monolatristic, although some Egyptologists argue that it was actually henotheistic. Atenism was centred on the cult of Aten, a god depicted as the disc of the Sun. Aten was originally an aspect of Ra, Egypt's traditional solar deity, though he was later asserted by Akhenaten as being the superior of all deities. In the 14th century BC, Atenism was Egypt's state religion for around 20 years, and Akhenaten met the worship of other gods with persecution; he closed many traditional temples, instead commissioning the construction of Atenist temples, and also suppressed religious traditionalists. However, subsequent pharaohs toppled the movement in the aftermath of Akhenaten's death, thereby restoring Egyptian civilization's traditional polytheistic religion. Large-scale efforts were then undertaken to remove from Egypt and Egyptian records any presence or mention of Akhenaten, Atenist temples, and Atenist assertions of a uniquely supreme god.
Amarna art, or the Amarna style, is a style adopted in the Amarna Period during and just after the reign of Akhenaten in the late Eighteenth Dynasty, during the New Kingdom. Whereas Ancient Egyptian art was famously slow to change, the Amarna style was a significant and sudden break from its predecessors both in the style of depictions, especially of people, and the subject matter. The artistic shift appears to be related to the king's religious reforms centering on the monotheistic or monolatric worship of the Aten, the disc of the Sun, as giver of life.
Tomb TT188, located in the necropolis of El-Assasif in Thebes in Egypt, is the tomb of the Steward and King's Cupbearer Parennefer. It has been excavated by the Akhenaten Temple Project. The work has been thoroughly published by Susan Redford with architectural study and drawings by Keith Meikle.
Neferneferuaten Tasherit or Neferneferuaten the younger was an ancient Egyptian princess of the 18th Dynasty and the fourth daughter of Pharaoh Akhenaten and his Great Royal Wife Nefertiti.
Mahu was Chief of Police at Akhetaten.
Mutbenret or Mutnodjmet was an Egyptian noblewoman, and said to be the sister of the King's Great Wife Nefertiti.
Nakhtpaaten or Nakht was an ancient Egyptian vizier during the reign of Pharaoh Akhenaten of the 18th Dynasty.
Amarna Tomb 3 is a rock-cut cliff tomb located in Amarna, Upper Egypt. The tomb belonged to the Ancient Egyptian noble Ahmes (Ahmose), who served during the reign of Akhenaten. The tomb is situated at the base of a steep cliff and mountain track at the north-eastern end of the Amarna plains. It is located in the northern side of the wadi that splits the cluster of graves known collectively as the Northern tombs. Amarna Tomb 3 is one of six elite tombs belonging to the officials of Akhenaten. It was one of the first Northern tombs, built in Year 9 of the reign of Akhenaten.
Amarna Tomb 5 is an ancient sepulchre in Amarna, Upper Egypt. It was built for the courtier Pentu, and is one of the six Northern tombs at Amarna. The burial is located to the south of the tomb of Meryra. It is very similar to the tomb of Ahmes. The sepulchre is T-shaped and its inner chamber would have served as the burial chamber.
Amarna tomb 7 was one of the Southern tombs at Amarna, Egypt. It belonged to Parennefer, who was a pure handed cupbearer of the king's Person.
The Amarna Era includes the reigns of Akhenaten, Smenkhkare, Tutankhamun and Ay. The period is named after the capital city established by Akhenaten, son of Amenhotep III. Akhenaten started his reign as Amenhotep IV, but changed his name when he discarded all other religions and declared the Aten or sun disc as the only god. He closed all the temples of the other Gods and removed their names from the monuments. Smenkhkare, then Tutankhamun, succeeded Akhenaten. Discarding Akhenten's religious beliefs, Tutankhamun returned to the traditional gods. He died young and was succeeded by Ay. Many kings did their best to remove all traces of the period from the records. The Amarna art is very distinctive: the royal family was portrayed with extended heads, long necks and narrow chests. They had skinny limbs, but heavy hips and thighs, with a marked stomach.
The Tomb of Panehsy is a sepulchre in Amarna, Upper Egypt. It was erected for the noble Panehsy who bore the titles the First servant of the Aten in the house of Aten in Akhet-Aten, Second prophet of the Lord of the Two Lands Neferkheprure-Waenre (Akhenaten), the sealbearer of the King of Lower Egypt, Overseer of the storehouse of the Aten in Akhetaten, Overseer of cattle of the Aten in Akhet-Aten.
May was an ancient Egyptian official during the reign of Pharaoh Akhenaten. He was Royal chancellor and fan-bearer at Akhet-Aten, the pharaoh's new capital. He was buried in Tomb EA14 in the southern group of the Amarna rock tombs. Norman de Garis Davies originally published details of the Tomb in 1908 in the Rock Tombs of El Amarna, Part V – Smaller Tombs and Boundary Stelae. The tomb dates to the late 18th Dynasty.