Rock-cut architecture is the creation of structures, buildings, and sculptures by excavating solid rock where it naturally occurs. Intensely laborious when using ancient tools and methods, rock-cut architecture was presumably combined with quarrying the rock for use elsewhere. In India and China, the terms cave and cavern are often applied to this form of man-made architecture, but caves and caverns that began in natural form are not considered to be rock-cut architecture even if extensively modified. [1] Although rock-cut structures differ from traditionally built structures in many ways, many rock-cut structures are made to replicate the facade or interior of traditional architectural forms. Interiors were usually carved out by starting at the roof of the planned space and then working downward. This technique prevents stones falling on workers below. The three main uses of rock-cut architecture were temples (like those in India), tombs, and dwellings (like those in Cappadocia).
A related term, monolithic architecture, refers to free-standing structures made of a single piece of material. Monolithic architecture is often rock-cut, as in the Ellora Kailasanathar Temple, but monolithic structures may also be cast of artificial material, such as concrete. The largest monolithic statue in the world, the Gommateshwara statue of Bahubali at Shravanabelagola in the Indian state of Karnataka, was carved in 983 CE from a single block of granite. [2] [3]
Some rock-cut architecture is excavated entirely in chambers under the surface of relatively level rock. This is especially common in rock-cut tombs. Excavations instead made into the side of a cliff or steep slope can feature an impressive facade, as in Lycian tombs, Petra, and the Ajanta Caves. The most laborious and imposing rock-cut architecture is the excavation of tall free-standing monolithic structures entirely below the surface level of the surrounding rock, in a large excavated hole around the structure. Ellora in India and the Zagwe-built Lalibela in Ethiopia provide some of the most famous examples of such structures. Many parts of the world feature rock reliefs, relief sculptures carved into rock faces, often outside caves.
Ancient monuments of rock-cut architecture are widespread in several regions of world. A small number of Neolithic tombs in Europe, such as the c. 3,000 B.C. Dwarfie Stane on the Orkney island of Hoy, were cut directly from the rock, rather than constructed from stone blocks.
Alteration of naturally formed caverns, although distinct from completely carved structures in the strict sense, date back to the neolithic period on several Mediterranean islands e.g. Malta (Hypogeum of Ħal-Saflieni), Sardinia (Anghelu Ruju, built between 3,000 and 1,500 BCE) and others.
During the Bronze Age, Nubian ancestors of the Kingdom of Kush built speos between 3700 and 3250 BCE. This greatly influenced the architecture of the New kingdom. [4] Large-scale rock-cut structures were built in Ancient Egypt. Among these monuments was the Great Temple of Ramesses II, known as Abu Simbel, located along the Nile in Nubia, near the borders of Sudan about 300 kilometers from Aswan in Egypt. It dates from about the 19th Dynasty (ca. 1280 BCE), and consists of a monumentally scaled facade carved out of the cliff and a set of interior chambers that form its sanctuary. [5]
In the 8th century, the Phrygians started some of the earliest rock-cut monuments, such as the Midas monument (700 BCE), dedicated to the famous Phrygian king Midas. [6] [7]
In the 5th century BCE, the Lycians, who inhabited southern Anatolia (now Turkey) built hundreds of rock-cut tombs of a similar type, but smaller in scale. [8] Excellent examples are to be found near Dalyan, a town in Muğla Province, along the sheer cliffs that faces a river. Since these served as tombs rather than as religious sites, the interiors were usually small and unassuming. The ancient Etruscans of central Italy also left an important legacy of rock-cut architecture, mostly tombs, as those near the cities of Tarquinia and Vulci.
The creation of rock-cut tombs in ancient Israel began in the 8th-century BCE and continued through the Byzantine period. The Tomb of Absalom was constructed in the 1st century CE in the Kidron Valley of Jerusalem.
Rock-cut architecture occupies a particularly important place in the history of Indian Architecture. The earliest instances of Indian rock-cut architecture, the Barabar caves, date from about the 3rd to the 2nd century BCE. They were built by the Buddhist monks and consisted mostly of multi-storey buildings carved into the mountain face to contain living and sleeping quarters, kitchens, and monastic spaces. [9] Some of these monastic caves had shrines in them to the Buddha, bodhisattvas and saints. [10] As time progressed, the interiors became more elaborate and systematized; surfaces were often decorated with paintings, such as those at Ajanta. At the beginning of the 7th century Hindu rock-cut temples began to be constructed at Ellora. Unlike most previous examples of rock-cut architecture which consisted of a facade plus an interior, these temples were complete three-dimensional buildings created by carving away the hillside. They required several generations of planning and coordination to complete. Other major examples of rock-cut architecture in India are at Ajanta and Pataleshwar.
Artisans in the Nabataean city of Petra, in modern Jordan, extended the Western Asian tradition, carving their temples and tombs into the yellowish-orange rock that defines the canyons and gullies of the region. These structures, dating from 1st century BCE to about 2nd century CE, are particularly important in the history of architecture given their experimental forms. [11] Here too, because the structures served as tombs, the interiors were rather perfunctory. In Petra one even finds a theater where the seats are cut out of the rock.
The technological skills associated with making these complex structures moved into China along the trade routes. The Longmen Grottoes, the Mogao Caves, and the Yungang Grottoes consist of hundreds of caves many with statues of Buddha in them. Most were built between 460 and 525 CE. There are extensive rock-cut buildings, including houses and churches in Cappadocia, Turkey. [12] They were built over a span of hundreds of years prior to the 5th century CE. Emphasis here was more on the interiors than the exteriors.
Another extensive site of rock-cut architecture is in Lalibela, a town in northern Ethiopia. The area contains numerous Orthodox churches in three dimensions, as at Ellora, that were carved out of the rock. These structures, which date from the 12th and 13th centuries CE and which are the last significant examples of this architectural form, ranks as among the most magnificent examples of rock-cut architecture in the world, with both interior and exterior brought to fruition.[ citation needed ]
Ancient rock cut tombs, temples and monasteries often have been adorned with frescoes and reliefs. The high resistance of natural cliff, skilled use of plaster and constant microclimate often have helped to preserve this art in better condition than in conventional buildings. Such exceptional examples are the ancient and early medieval frescoes in such locations as Bamyan Caves in Afghanistan with the most ancient known oil paintings in the world from 8th century CE, Ajanta Caves in India with well preserved tempera paintings from 2nd century BCE, Christian frescoes on Churches of Göreme, Turkey and numerous other monuments in Asia, Europe and Africa.
The Ajanta Caves are 30 rock-cut Buddhist cave monuments dating from the second century BCE to about 480 CE in Aurangabad district of Maharashtra state in India. Ajanta Caves are a UNESCO World Heritage Site. Universally regarded as masterpieces of Buddhist religious art, the caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form.
Indian architecture is rooted in the history, culture, and religion of India. Among several architectural styles and traditions, the best-known include the many varieties of Hindu temple architecture and Indo-Islamic architecture, especially Rajput architecture, Mughal architecture, South Indian architecture, and Indo-Saracenic architecture. Early Indian architecture was made from wood, which did not survive due to rotting and instability in the structures. Instead, the earliest existing architecture are made with Indian rock-cut architecture, including many Buddhist, Hindu, and Jain temples.
The Ellora Caves are a UNESCO World Heritage Site in Aurangabad district, Maharashtra, India. It is one of the largest rock-cut Hindu temple cave complexes in the world, with artwork dating from the period 600–1000 AD, also including several Buddhist and Jain caves. The complex is a leading example of Indian rock-cut architecture, and several are not strictly "caves" in that they have no roof. Cave 16 features the largest single monolithic rock excavation in the world, the Kailash temple, a chariot-shaped monument dedicated to the god Shiva. The Kailash temple excavation also features sculptures depicting various Hindu deities as well as relief panels summarizing the two major Hindu epics.
A monolithic church or rock-hewn church is a church made from a single block of stone. Because freestanding rocks of sufficient size are rare, such edifices are usually hewn into the ground or into the side of a hill or mountain. They can be of comparable architectural complexity to constructed buildings.
Vihāra generally refers to a Buddhist temple or Buddhist monastery for Buddhist renunciates, mostly in the Indian subcontinent. The concept is ancient and in early Pali texts, it meant any arrangement of space or facilities for dwellings. The term evolved into an architectural concept wherein it refers to living quarters for monks with an open shared space or courtyard, particularly in Buddhism. The term is also found in Jain monastic literature, usually referring to temporary refuge for wandering monks or nuns during the annual Indian monsoons. In modern Jainism, the monks continue to wander from town to town except during the rainy season (chaturmasya), and the term "vihara" refers to their wanderings.
A chaitya, chaitya hall, chaitya-griha, refers to a shrine, sanctuary, temple or prayer hall in Indian religions. The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile. Strictly speaking, the chaitya is the stupa itself, and the Indian buildings are chaitya halls, but this distinction is often not observed. Outside India, the term is used by Buddhists for local styles of small stupa-like monuments in Nepal, Cambodia, Indonesia and elsewhere. In Thailand a stupa itself, not a stupa hall, is called a chedi, a local Thai word derived from the Pali Cetiya. In the historical texts of Jainism and Hinduism, including those relating to architecture, chaitya refers to a temple, sanctuary or any sacred monument.
Aurangabad district, officially known as Chhatrapati Sambhaji Nagar district, is one of the 36 districts of the state of Maharashtra in western India. It borders the districts of Nashik to the west, Jalgaon to the north, Jalna to the east, and Ahmednagar to the south. The city of Aurangabad houses the district's administrative headquarters. The district has an area of 10,100 km2, of which 37.55% is urban and the rest is rural. Aurangabad District is a major tourism region in Marathwada, with attractions including the Ajanta Caves and Ellora Caves.
Indian rock-cut architecture is more various and found in greater abundance in that country than any other form of rock-cut architecture around the world. Rock-cut architecture is the practice of creating a structure by carving it out of solid natural rock. Rock that is not part of the structure is removed until the only rock left makes up the architectural elements of the excavated interior. Indian rock-cut architecture is mostly religious in nature.
In Indian architecture, gavaksha or chandrashala are the terms most often used to describe the motif centred on an ogee, circular or horseshoe arch that decorates many examples of Indian rock-cut architecture and later Indian structural temples and other buildings. In its original form, the arch is shaped like the cross-section of a barrel vault. It is called a chaitya arch when used on the facade of a chaitya hall, around the single large window. In later forms it develops well beyond this type, and becomes a very flexible unit, "the most common motif of Hindu temple architecture". Gavākṣha is a Sanskrit word which means "bull's or cow's eye". In Hindu temples, their role is envisioned as symbolically radiating the light and splendour of the central icon in its sanctum. Alternatively, they are described as providing a window for the deity to gaze out into the world.
The architecture of Ethiopia varies greatly from region to region. Over the years, it has incorporated various architectural styles and techniques.
The Aurangabad caves, are twelve rock-cut Buddhist shrines located on a hill running roughly east to west, close to the city of Aurangabad, Maharashtra. The first reference to the Aurangabad Caves is in the great chaitya of Kanheri Caves. The Aurangabad Caves were dug out of comparatively soft basalt rock during the 6th and 7th century.
The Tomb of Payava is a Lycian tall rectangular free-standing barrel-vaulted stone sarcophagus, and one of the most famous tombs of Xanthos. It was built in the Achaemenid Persian Empire, for Payava, who was probably the ruler of Xanthos, Lycia at the time, in around 360 BC. The tomb was discovered in 1838 and brought to England in 1844 by the explorer Sir Charles Fellows. He described it as a 'Gothic-formed Horse Tomb'. According to Melanie Michailidis, though bearing a "Greek appearance", the Tomb of Payava, the Harpy Tomb and the Nereid Monument were built according to the main Zoroastrian criteria "by being composed of thick stone, raised on plinths off the ground, and having single windowless chambers".
Maharashtra state in India is known for its Famous caves and cliffs. It is said that the varieties found in Maharashtra are wider than the caves and rock-cut architecture found in the rock cut areas of Egypt, Assyria, Persia and Greece. The Buddhist monks first started these caves in the 2nd century BC, in search of serene and peaceful environment for meditation, and they found these caves on the hillsides.
The Pitalkhora Caves, in the Satmala range of the Western Ghats of Maharashtra, India, are an ancient Buddhist site consisting of 14 rock-cut cave monuments which date back to the third century BCE, making them one of the earliest examples of rock-cut architecture in India. Located about 40 kilometers from Ellora, the site is reached by a steep climb down a flight of concrete stairs, past a waterfall next to the caves.
Tourism in Marathwada refers to tourism in the Marathwada region of Maharashtra state in India. Aurangabad is a regional headquarters in Marathwada, and the tourism capital of Maharashtra state. Out of the four UNESCO World Heritage Sites in Maharashtra, two are in the Marathwada region. There are also 110 monuments in Marathwada which are protected by Government of Maharashtra and recognized by Archaeological Survey of India.
Xanthos, also called Xanthus, was a chief city state of the Lycians, an indigenous people of southwestern Anatolia. Many of the tombs at Xanthos are pillar tombs, formed of a stone burial chamber on top of a large stone pillar. The body would be placed in the top of the stone structure, elevating it above the landscape. The tombs are for men who ruled in a Lycian dynasty from the mid-6th century to the mid-4th century BCE and help to show the continuity of their power in the region. Not only do the tombs serve as a form of monumentalization to preserve the memory of the rulers, but they also reveal the adoption of Greek style of decoration.
The Buddhist caves in India form an important part of Indian rock-cut architecture, and are among the most prolific examples of rock-cut architecture around the world. There are more than 1,500 known rock cut structures in India, out of which about 1000 were made by Buddhists, 300 by Hindus, and 200 by Jains. Many of these structures contain works of art of global importance, and many later caves from the Mahayana period are adorned with exquisite stone carvings. These ancient and medieval structures represent significant achievements of structural engineering and craftsmanship.
Cave temples are subterranean sacred buildings carved into the rock or created in a natural cave. Cave temples and monolithic rock temples carved out of the stone are a form of early natural architecture and rock construction, a building technique in solid rock closely related to sculpture. The most extensive artificially created cave temple complexes (subterranea) originated in India, where about 1200 complexes are documented, and in the neighboring regions of Asia.