This is a partial list of Indian rock-cut temples by state or union territory.
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None of these have been studied scientifically yet.
Fifteen rock-cut temples in the Indo-Aryan style are richly carved. This is a unique monolithic structure in the sub-Himalayan region. The main shrine contains three stone images of Rama, Lakshmana and Sita. The temple complex is located on a hill and has a large rectangular water pond. The temple complex is believed to have been built by the Pandava during their exile; the exact date is not known. The ancient name of the city Kangra was Bhimnagar, founded by Bhima, one of the Pandava brothers.
Elora kailash temple
Ellora Caves are a multi-religious rock-cut cave complex with inscriptions dating from the period 6th century CE onwards, located in the Aurangabad District of Maharashtra, India. They are also called verul caves.
Namakkal is a special grade municipality and the headquarters of Namakkal district in the Indian state of Tamil Nadu. It is the first ISO 14001-2004 certified municipality in Asia for environmental management, specifically the provision and maintenance of water supply, solid waste and sewage management, town planning, lighting and other social services. Namakkal is known as the Egg City due to its large egg production and Transport city.
Vihāra generally refers to a Buddhist monastery for Buddhist renunciates, mostly in the Indian subcontinent. The concept is ancient and in early Sanskrit and Pali texts, it meant any arrangement of space or facilities for dwellings. The term evolved into an architectural concept wherein it refers to living quarters for monks with an open shared space or courtyard, particularly in Buddhism. The term is also found in Ajivika, Hindu and Jain monastic literature, usually referring to temporary refuge for wandering monks or nuns during the annual Indian monsoons. In modern Jainism, the monks continue to wander from town to town except during the rainy season (Chaturmas), and the term "vihara" refers to their wanderings.
Rock-cut architecture is the creation of structures, buildings, and sculptures by excavating solid rock where it naturally occurs. Intensely laborious when using ancient tools and methods, rock-cut architecture was presumably combined with quarrying the rock for use elsewhere. Though, in India and China, the terms cave and cavern are often applied to this form of man-made architecture, caves and caverns that began in natural form are not considered to be rock-cut architecture even if extensively modified. Although rock-cut structures differ from traditionally built structures in many ways, many rock-cut structures are made to replicate the facade or interior of traditional architectural forms. Interiors were usually carved out by starting at the roof of the planned space and then working downward. This technique prevents stones falling on workers below. The three main uses of rock-cut architecture were temples, tombs, and cave dwellings.
The Chitharal Jain Monuments and Bhagavati Temple, also known as Chitharal Malai Kovil, Chitaral Cave Temple or Bhagavati Temple, are located near Chitharal village in Kanyakumari district, Tamil Nadu, India. They consist of stone beds with inscriptions, and two monuments – one rock cut Jain temple with outer wall reliefs and one Hindu goddess temple next to it that is a combination of rock-cut and stone that was added during the reign of Vikramaditya Varaguna Pandya. The monuments are from the 9th century CE.
Kalugumalai is a panchayat town in Kovilpatti Taluk of Thoothukudi district in the Indian state of Tamil Nadu. Kalugumalai is 21 km and 22 km from Kovilpatti and Sankarankovil respectively. The place houses the rockcut Kalugasalamoorthy Temple, monolithic Vettuvan Koil and Kalugumalai Jain Beds.
The Undavalli Caves, a monolithic example of Indian rock-cut architecture and one of the finest testimonials to ancient viswakarma sthapathis, are located in Vijayawada of Guntur district in the Indian state of Andhra Pradesh. The caves are located south west of Vijayawada, 22 km north east of Guntur City of Andhra Pradesh. It is one of the centrally protected monuments of national importance.
Indian rock-cut architecture is more various and found in greater abundance in that country than any other form of rock-cut architecture around the world. Rock-cut architecture is the practice of creating a structure by carving it out of solid natural rock. Rock that is not part of the structure is removed until the only rock left makes up the architectural elements of the excavated interior. Indian rock-cut architecture is mostly religious in nature.
In Indian architecture, gavaksha or chandrashala are the terms most often used to describe the motif centred on an ogee, circular or horseshoe arch that decorates many examples of Indian rock-cut architecture and later Indian structural temples and other buildings. In its original form, the arch is shaped like the cross-section of a barrel vault. It is called a chaitya arch when used on the facade of a chaitya hall, around the single large window. In later forms it develops well beyond this type, and becomes a very flexible unit, "the most common motif of Hindu temple architecture". Gavākṣha is a Sanskrit word which means "bull's or cow's eye". In Hindu temples, their role is envisioned as symbolically radiating the light and splendour of the central icon in its sanctum. Alternatively, they are described as providing a window for the deity to gaze out into the world.
The history of cave paintings in India or rock art range from drawings and paintings from prehistoric times, beginning in the caves of Central India, typified by those at the Bhimbetka rock shelters from around 10,000 BP, to elaborate frescoes at sites such as the rock-cut artificial caves at Ajanta and Ellora, extending as late as 6th–10th century CE.
Jainism has an extensive history in the Indian state of Tamil Nadu, although practiced by a minority of Tamils in contemporary times. According to the 2011 India Census, Jains represent 0.12% of the total population of Tamil Nadu, and are of the Digambara sect. Tamil Jains are primarily concentrated in northern Tamil Nadu, in the districts of Madurai, Viluppuram, Kanchipuram, Vellore, Tiruvannamalai, Cuddalore and Thanjavur.
Samanar Hills, also known as Samanar Malai or Amanarmalai or Melmalai, is a rocky stretch of hills located near Keelakuyilkudi village, 10 kilometres (6.2 mi) west of Madurai city, Tamil Nadu, India. They stretch east–west over 3 kilometers towards Muthupatti village. These rocky hillocks are home to many Jain and Hindu monuments. The hill has been declared as a protected monument by the Archaeological Survey of India.
Tourism in Marathwada refers to tourism in the Marathwada region of Maharashtra state in India. Aurangabad is a regional headquarters in Marathwada, and the tourism capital of Maharashtra state. Out of the four UNESCO World Heritage Sites in Maharashtra, two are in the Marathwada region. There are also 110 monuments in Marathwada which are protected by Government of Maharashtra and recognized by Archaeological Survey of India.
Vettuvan Koil in Kalugumalai, a panchayat town in Thoothukudi district in the South Indian state of Tamil Nadu, is a temple dedicated to the Hindu god Shiva. Constructed in the Pandyan Architecture and rock cut architecture, the unfinished temple was built during the 8th century CE by the early Pandyas. The other portions of Kalugumalai hillock houses the 8th century Kalugumalai Jain Beds and Kalugasalamoorthy Temple, a Murugan temple.
The Narasimhaswamy temple in Namakkal, a town in Namakkal district in the South Indian state of Tamil Nadu, is dedicated to the Hindu god Narasimha, an avatar of Vishnu. Constructed in the Dravidian style of architecture and Rock-cut architecture, the temple is located in the Salem–Namakkal–Trichy Road. The legend of the temple is associated with Narasimha, an avatar of Hindu god Vishnu appearing for Lakshmi, his consort, and Hanuman. Based on the architectural features, historians believe that the temple was built during the 8th century by the Adiyamans also called Satyaputras as evident from the inscription mentioning the temple as 'Adiyendra Vishnu Gruham' or 'The house of Vishnu of the Adiyaman kings'. The temple does not find a mention in Nalayira Divya Prabhandams, and thus is not listed in Divya Desam group of 108 temples. But it is classified one among the 108 Abhimana Kshethram of Vaishnavate tradition.
The Buddhist caves in India. Maharashtra state Aurangabad Dist. Ellora caves form an important part of Indian rock-cut architecture, and are among the most prolific examples of rock-cut architecture around the world. There are more than 1,500 known rock cut structures in India, out of which about 1000 were made by Buddhists, 300 by Hindus, and 200 by Jains. Many of these structures contain works of art of global importance, and many later caves from the Mahayana period are adorned with exquisite stone carvings. These ancient and medieval structures represent significant achievements of structural engineering and craftsmanship.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".
