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Tony Saunders | |
|---|---|
Saunders in 2011 | |
| Background information | |
| Born | November 10, 1955 San Francisco, California, U.S. |
| Genres | |
| Occupations | Bassist, record producer and arranger. |
| Instrument | Bass guitar |
| Years active | 1970–present |
| Labels | San Francisco Records, Baja/TSR Records |
| Website | www |
Tony Saunders (born November 10, 1955) is an American bass and synthesizer player known for producing jazz, gospel, R&B, and pop music. He is also a composer, arranger, record producer, and founder of the Studio 1281 recording studio. [1] [2]
Saunders was born in San Francisco, California, in 1955. [3] Encouraged by his father, keyboardist Merl Saunders, he began singing at age five and later took piano lessons from musicians such as Herbie Hancock and Sly Stone. Saunders started playing bass at age fourteen, [4] receiving his first bass from Tom Fogerty of the Creedence Clearwater Revival. [5] [6] [7]
Growing up, Saunders was influenced by musicians such as Eddie Moore, Jimmy Smith, Stanley Turrentine, Creedence Clearwater Revival, [8] Sonny Rollins, Dewey Redman, George Duke, Al Jarreau, [9] Bola Sete, and John Handy. [10]
Saunders graduated from the San Francisco Conservatory of Music [11] and was awarded a fellowship in piano.
Saunders earned the first of his two Emmy Awards at age fourteen, while collaborating with his father, Merl on the PBS documentary Soul Is. [12] [13] By the age of eighteen, he was performing with his father and Jerry Garcia, lead guitarist and co-founder of the rock band the Grateful Dead, at various shows. [14] Saunders earned his second Emmy for an episode of Digital Journey titled "China: The Digital Economy". [15]
Saunders career began by playing with his father, Merl, and Jerry Garcia, becoming a featured musician in Merl Saunders & Aunt Monk when he was eighteen years old. Later, Saunders played in the original Rainforest Band and recorded all of his father's projects. Bassists Chuck Rainey, Jack Casady, and John Kahn were contemporaries of Saunders during this period. Kahn introduced Saunders to the music of James Jamerson. His other influences include Stanley Clarke, Alphonso Johnson, Rufus Reid, Ralphe Armstrong, and Marcus Miller. Anthony Davis and Lee Miles encouraged Saunders to play bass guitar full-time. [16]
Saunders has made appearances in films, corporate videos, TV shows, and commercials, and produced numerous CDs–primarily at his studio, Studio 1281. [17] He composed the music for the stage play Zetta, which was performed in San Francisco by the American Conservatory Theater. He acted as the musical director for Zetta and Rock Justice, the latter written by Bob Heyman and Marty Balin of Jefferson Starship. [11]
Saunders studied under choir director Leon Patillo. Saunders met the Hawkins family when he was fourteen and has credited them with not only inspiring him to play the bass but also providing him spiritual guidance. He played with Walter Hawkins, Edwin Hawkins, and the Love Center Choir in the 1980s and released He Lifted Me Up, his first gospel project, in 2005. Other gospel artists Saunders has played with include Andrae Crouch, the Clark Sisters, Reverend James Moore, Daryl Coley, James Cleveland, the Williams Brothers, The Mighty Clouds of Joy, and Shirley Caesar. He completed a gospel project featuring Derrick Hughes, Alfreda Lyons-Campbell, and Saunders's long-time friend, gospel bassist and drummer, Joel Smith (nephew of Walter and Edwin Hawkins). [18]
Artists collaborating with him on projects have included Nils, Jeff Lorber, Paul Brown, Gail Johnson, Jeff Ryan, Marion Meadows, Mavis Staples, John Lee Hooker, and Austin "Auggie" Brown, the nephew of Michael Jackson (Auggie's project was later sold to Midas Records). Saunders was hired as a staff producer for San Francisco Records. He had previously worked for the label's president, Ron Umile, when he was at Associated Booking in New York. Umile hired Saunders to work with Martha Reeves and Randy Crawford, among others. Saunders's first solo album, Bigger than Outside, was released in October 2011.
Saunders' second album, Appaloosa, was released on January 22, 2014, featuring Grammy Award-winners Howard Hewett, Bill Champlin, and Tony Lindsay on vocals. Tom Politzer (from Tower of Power) and Rock Hendricks (from Paul Hardcastle's Jazzmasters series) performed saxophone on the CD. Fred Ross and Sakai, who were longtime friends of Saunders and background singers with the rock band Train, sang on the duet "The Question Is". [19]
Saunders' third album for San Francisco Records, Uptown Jazz, featured Gabriel Mark Hasselbach, Rock Hendricks, Sakai, Paul Hardcastle Jr., and Gerald Albright. Saunders's single "Rock Steady" was a cover of The Whispers' 1980s hit and was produced in Atlanta by Magic Mendez. Harmony Blackwell, The Whispers' programmer/background vocalist, and Mendez sang the vocals. Mendez is also credited with layering the audio tracks.[ citation needed ]
His fourth album, Sexy Somethin', was released on February 21, 2020, on San Francisco Records, featuring Jeff Lorber, Marion Meadows, Paul Brown, Nils, Gail Johnson, Jeff Ryan, Ray Chew, and Paul Jackson Jr. [20]
In 2021, Saunders signed to the label Baja/TSR Records and produced a new CD called All About Love. [21]
Saunders, who co-authored the video "Black Lives Matter" with Nona Brown, won a Telly Award [22] in 2022. In addition to this honor, he has also received two Emmy Awards. Furthermore, Saunders won the New York Film Festival's Grand and Silver Awards for educational compositions. [11]
This section may require cleanup to meet Wikipedia's quality standards. The specific problem is: Unreferenced.(December 2018) |
| Year | Artist | Album | Details |
|---|---|---|---|
| 1969 | The Man Child Singers | Right On / Mighty Whitey | |
| 1974 | Merl Saunders | Merl Saunders | Bass |
| 1976 | Merl Saunders | You Can Keep Your Hat On | Bass |
| 1976 | David Liebman | Light'n Up, Please! | Bass |
| 1977 | Juice Newton & Silver Spur | Come to Me | Bass |
| 1979 | Marty Balin | Rock Justice | Cast recording, music director |
| 1982 | Edwin Hawkins Singers | Imagine Heaven | Clavinet, bass |
| 1984 | Combat 84 | Death or Glory | Liner notes only |
| 1988 | Various artists | Do the Right Thing [Soundtrack] | Mixing, engineering |
| 1990 | The Family Stand | Chain | Mixing |
| 1993 | Jim Payne | Funk Drumming | |
| 1994 | Rev. James Moore | Brothers & Sisters I Will Be Praying for You | Bass |
| 1995 | Neal Schon | Beyond The Thunder | |
| 1995 | Lady Bianca | Best Kept Secret | Bass |
| 1995 | Various artists | Red Blooded Blues | Percussion |
| 1995 | Joe Louis Walker | Blues of the Month Club | Bass |
| 1996 | Various artists | Blue Gold | Bass |
| 1997 | Merl Saunders | Keepers | Bass |
| 1997 | Various artists | Takoma Eclectic Sampler | Bass |
| 1998 | Various artists | Every Woman's Blues: The Best of New Generation | Bass |
| 1998 | Merl Saunders & Rainforest Band | Fiesta Amazonica | Bass |
| 1998 | Larry Vann | Summertime in the Big City | Bass, arrangement, production, engineering, keyboard programming |
| 1999 | Fifty One Fifty | Illegally Insane | |
| 1999 | Various artists | Blues Routes: Heroes & Tricksters | Bass |
| 1999 | Ricardo Scales | Yes I'm Ready | Bass |
| 2000 | Various artists | Blues for a Rotten Afternoon | Bass |
| 2001 | Lady Bianca | Rollin' | Bass |
| 2003 | John Lee Hooker | Final Recordings 1 | Organ, bass |
| 2003 | Loni Williams | Reason Why | Engineering, mixing |
| 2003 | Larry Vann | Rhythm & Roots of Larry Vann | arrangement, bass guitar, keyboards, drum programming, keyboard programming |
| 2003 | Sweet Jimmie | Sweet Jimmie Sings the Blues | Bass |
| 2004 | John Lee Hooker | Face to Face | Organ, bass |
| 2004 | Rene | I Am Sorry | Bass, producer, vocal arrangement, drum programming, mixing |
| 2004 | Tony Saunders | The Unsung Soldier | |
| 2004 | Merl Saunders | Still Groovin' | Bass, keyboards, arrangement, production, mixing |
| 2004 | M.R.L.S. | Jazz Ala Soul | Arrangement, engineering, mixing, bass |
| 2004 | R&B All-Stars | Live! From San Francisco | Bass, arrangement, production, engineering, synthesizer programming, repair |
| 2004 | Juel Nero | Songs for My Three Mothers | Backing vocals, production |
| 2005 | Steven B.'s Heart Language | Songs for the Being Human | Bass, arrangement, vocals, backing vocals, production |
| 2005 | Automatic Pilot | Back From the Dead | Bass guitar, guest appearance |
| 2005 | Ayana | Sunlight of My People | Bass, engineering, mixing |
| 2005 | Patricia Wilder | Sweet Love | Synthesizer, bass, arrangement, keyboards, production, engineering, executive production, mixing |
| 2006 | II Big | In a Mendocino Town [Bonus Tracks] | Bass guitar, production, engineering, mixing, guest appearance |
| 2007 | II Big | Face in the Glass | Bass, producer, engineer, mixing, guest appearance |
| 2007 | James Levi | Knee Deep | Bass, keyboards, production, engineering |
| 2008 | Nikita Germaine | Just Kita | |
| 2008 | Ashling Cole | Sweet Feelings | |
| 2008 | Various artists | Cyril Magnin Street Fair | Group member |
| 2008 | We 3 | Live at John's Grill | Bass (electric, upright, 6-String, 5-String) production, executive production, group member |
| 2008 | Ron Thompson and the Resistors | Magic Touch | Bass, engineering, mastering |
| 2008 | Hartfield Family | Paradise in the Valley | Synthesizer, bass, piano, arrangement, production, engineering, vocal arrangement, editing, drum programming, mixing, instrumentation |
| 2008 | Pastor Rodney G. McNab SR. / The Spiritual | St. Mark Baptist Church: 60th Anniversary | Bass guitar, production, engineering, executive production, horn arrangements, string arrangements |
| 2011 | Tony Saunders | Romancing The Bass | Production, engineering, bass, composition |
| 2014 | Tony Saunders | Appaloosa | Production, engineering, bass, composition |
| 2016 | Tony Saunders | Uptown Jazz | Production, engineering, bass, composition |
| 2020 | Tony Saunders | Sexy Somthin | Production, engineering, bass, composition |
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