"Traces" | ||||
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Single by Classics IV | ||||
from the album Traces | ||||
B-side | "Mary, Mary Row Your Boat" | |||
Released | January 1969 | |||
Recorded | 1968 | |||
Genre | ||||
Length | 2:45 | |||
Label | Imperial | |||
Songwriter(s) | Buddy Buie, J. R. Cobb, Emory Gordy Jr. | |||
Producer(s) | Buddy Buie | |||
Classics IV singles chronology | ||||
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"Traces" is a 1968 song by the American rock band Classics IV. Released as a single in January 1969, the cut served as the title track off the album of the same name. Written by Buddy Buie, J. R. Cobb, and Emory Gordy Jr., the song peaked at No. 2 on 29 March 1969 on the Hot 100, [4] as well as No. 2 on the Easy Listening music charts, making it the highest-charting single by the Classics IV. [5]
"Traces" was listed at 32 in BMI's Top 100 Songs of the Century. [6]
Chart (1969) | Peak position |
---|---|
Canada RPM 100 [7] | 2 |
Canada RPM Adult Contemporary [8] | 1 |
U.S. Billboard Hot 100 [9] | 2 |
U.S. Billboard Easy Listening [10] | 2 |
"Since I Don't Have You" is a song written and composed by Jackie Taylor, James Beaumont, Janet Vogel, Joseph Rock, Joe Verscharen, Lennie Martin, and Wally Lester. It was first a 1958 hit single for the doo-wop group the Skyliners on the Billboard Hot 100. Country music singer Ronnie Milsap had a hit with the song in 1991. American hard rock band Guns N' Roses also had some success in 1994 with their version of the song which reached the top 10 on the UK Singles Chart.
"All I Ever Need Is You" is a popular song written by Jimmy Holiday and Eddie Reeves, and initially recorded by Ray Charles for his 1971 album, Volcanic Action of My Soul. The most well-known version of the song is the hit single by Sonny & Cher which, in 1971, reached No. 7 on the U.S. Billboard Hot 100, and was their single of greatest chart longevity, spending 15 weeks on that chart. Their album by the same title sold over 500,000 copies reaching RIAA gold status.
"The Sweetest Thing (I've Ever Known)" is a country-pop song written by Otha Young for Juice Newton in the mid-1970s. Newton was known for charting hits on the Hot 100, Adult Contemporary, and Hot Country charts - and this song has the distinction of being the only single of hers to reach the top 10 on all three of those charts, peaking at #1 on two of them.
"Love's Theme" is an instrumental piece written by Barry White around 1965. Recorded and released as a single by White's Love Unlimited Orchestra in 1973, it was one of the few instrumental and purely orchestral singles to reach #1 on the Billboard Hot 100 chart in the United States, which it did in early 1974. Billboard ranked it as #3 on the Year-End Hot 100 singles of 1974.
"Am I the Same Girl?" is a popular song written by Eugene Record and Sonny Sanders. First recorded in 1968 by Barbara Acklin, "Am I the Same Girl?" charted most successfully in the US as a 1992 release by Swing Out Sister. However, the song had its greatest impact as a 1968–69 instrumental hit single by Young-Holt Unlimited under the title "Soulful Strut".
"Have You Never Been Mellow" is a song recorded by British-Australian singer Olivia Newton-John for her 1975 fifth studio album of the same name. Written and produced by John Farrar, the song was released as the lead single from the album in January 1975.
"To Know Him Is to Love Him" is a song written by Phil Spector, inspired by the words on his father's gravestone, "To Know Him Was to Love Him". It was first recorded by the only vocal group of which he was a member, The Teddy Bears. The single spent three weeks at No. 1 on the Billboard Hot 100 chart in 1958, while reaching No. 2 on the UK's New Musical Express chart. Peter & Gordon and Bobby Vinton later each experienced chart success with the song, in 1965 and 1968, respectively.
"Nobody" is a song written by Kye Fleming and Dennis Morgan, and recorded by American country music artist Sylvia. It was released in June 1982 as the second single from the album Just Sylvia.
"Paper Roses" is a popular song written and composed by Fred Spielman and Janice Torre. It first was a top five hit in 1960 for Anita Bryant. Marie Osmond recorded it in 1973 and took her version to number one on the US country chart.
"Another Saturday Night" is a 1963 hit single by Sam Cooke from the album Ain't That Good News. The song was written by Cooke while touring in England when staying in a hotel where no female guests were allowed. It reached No. 10 on the Billboard Hot 100 and was No. 1 on the R&B chart for a single week. In the UK, the song peaked at No. 23 on the UK Singles Chart.
"This Magic Moment" is a song composed by lyricist Doc Pomus and pianist Mort Shuman. It was first recorded by The Drifters, with Ben E. King singing lead.
"Like to Get to Know You" is a 1968 song from Spanky and Our Gang. Written by Stuart Scharf, the song debuted at No. 71 on the Billboard Hot 100 on April 20, 1968, and peaked at No. 17 on June 8, 1968. It became a minor hit on the Billboard Easy Listening chart at the same time, eventually rising to No. 24 the same week it peaked on the Hot 100. In Canada, the song reached No. 5 on the RPM Magazine charts. On the album of the same name, the song is broken into two parts: the full vocal, and a coda that echoes the chorus and conversation from the song.
"Spooky" is originally an instrumental song performed by saxophonist Mike Sharpe (Shapiro), written by Shapiro and Harry Middlebrooks Jr, which first charted in 1967 hitting No. 57 on the US pop charts and No. 55 on the Canadian charts. Its best-known version was created by James Cobb and producer Buddy Buie for the group Classics IV when they added lyrics about a "spooky little girl". The vocalist was Dennis Yost. The song is noted for its eerie whistling sound effect depicting the spooky woman. It has become a Halloween favorite. In 1968, the vocal version reached No. 3 on the U.S. Billboard Hot 100, No. 1 in Canada, and No. 46 in the UK.
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
"Spinning Wheel" is a song recorded in 1968 by Jazz fusion/Rock band Blood, Sweat & Tears; it was written by Canadian lead vocalist David Clayton-Thomas and included on their eponymous album, released in 1968.
"Any Day Now" is a popular song written by Burt Bacharach and Bob Hilliard in 1962. It has been recorded by numerous artists over the years, including notable versions by Chuck Jackson in 1962, Alan Price in 1965, Elvis Presley in 1969, Scott Walker in 1973 and Ronnie Milsap in 1982. In the lyrics, the singer predicts the imminent demise of a romantic relationship and describes the sadness this will leave.
"What You Won't Do for Love" is a song by American singer-songwriter Bobby Caldwell. It was released in September 1978 as the lead single from his eponymous debut album (1978). It was written by Caldwell and Alfons Kettner, and produced by Ann Holloway. The song has been covered and sampled numerous times, including by Tupac Shakur in the posthumous 1998 hit "Do for Love".
"Then You Can Tell Me Goodbye" is a song written by John D. Loudermilk. It was first released in 1962 by Don Cherry, as a country song and again as a doo-wop in 1967 by the group The Casinos on its album of the same name, and was a number 6 pop hit that year. The song has since been covered by Eddy Arnold, whose version was a number 1 country hit in 1968, and by Neal McCoy, whose version became a Top 5 country hit in 1996.
"Morning Girl" is a 1969 song by The Neon Philharmonic. It was a hit in Canada and the United States. The recording featured a chamber-sized orchestra of Nashville Symphony Orchestra musicians, and the project was headed by composer Tupper Saussy and vocalist Don Gant.
"Stormy" is a hit song by the Classics IV released on their LP Mamas and Papas/Soul Train in 1968. It entered Billboard Magazine October 26, 1968, peaking at #5 on the Billboard Hot 100 and #26 Easy Listening. The final line of the chorus has the singer pleading to the girl: "Bring back that sunny day." The single, along with the prior release of "Spooky" and, soon after, the release of "Traces", formed a trio of solid hits for the band.