Celia Humphris Barry Clarke David Costa Bias Boshell Unwin Brown Barry Lyons Alun Eden Chuck Fleming
Trees was a British folk rock band recording and touring throughout 1969, 1970 and 1971, reforming briefly to continue performing throughout 1972. Although the group met with little commercial success in their time, the reputation of the band has grown over the years, and underwent a renaissance in 2007 following Gnarls Barkley's sampling of the track "Geordie" (from Trees’ second album On The Shore) on the title track of their multi-million selling album St. Elsewhere.
David Costa, son of British singer and radio presenter Sam Costa, was reading Fine Arts at the recently opened University of East Anglia when he met Barry Clarke (who had been working at Royd's advertising agency in London) through a mutual girlfriend who had suggested, as they were both guitar players, that they should connect. In David's words, following their first meeting—"I never went back to University, and Barry never went back to his office." Barry Clarke was living at the time in a house in Barnes, shared with Bias Boshell.
Bias Boshell and Unwin Brown had both attended Bedales School in Petersfield, Hampshire, and within a short time all four were sharing their diverse musical experiences, exploring their different tastes and bringing together what they each enjoyed in common with each other. Lacking a singer, Costa suggested they audition the sister of an acquaintance of his and introduced Celia Humphris into the mix, who had just left Arts Educational where she had studied dance, drama and singing. Humphris' father was the painter and illustrator Frank Humphris (e.g. for the Riders of the Range strip in the boys' comic The Eagle).
The five of them began rehearsing in the early spring of 1969, starting to do their first gigs and early demo tracks throughout June and July of the same year.[citation needed]
Career
Signed to CBS in August 1969, Trees produced two studio albums in relatively quick succession, The Garden of Jane Delawney (released April 1970) and On The Shore (released January 1971), both recorded at Chelsea'sSound Techniques studios, and both produced by Tony Cox. On The Shore featured cover artwork by Storm Thorgerson of the Hipgnosis studio. Like other folk contemporaries, Trees was compared with Fairport Convention, but regarded as delivering with a more psychedelic edge. The group's material was divided between adaptations of traditional songs and original compositions, primarily by Bias Boshell. In a 2020 interview, Costa commented: "We got labelled as a folk-rock band, full stop, but our influences were generally far more American than British."[1]
The original group disbanded in 1971 after recording the two albums. A second Trees incarnation formed in 1972 and played until 1973; this group featured Celia Humphris, Barry Clarke, Barry Lyons (ex-member of Mr Fox), Alun Eden (also ex-member of Mr Fox) and Chuck Fleming (ex-member of the JSD Band). Recordings by this line-up can be found on bootleg releases.[citation needed]
This latest formation also contributed to Phil Trainer's solo album Trainer[2] (BASF, 1972)
Trees achieved ongoing support from early in their performing and recording career by radio DJs John Peel and Bob Harris, for whom they were later to appear twice in his Sounds of the Seventies TV series, and also Pete Drummond, who was later to marry singer Celia Humphris.[citation needed]
Post-Trees
Following the demise of the original lineup, Bias Boshell went on to work as a keyboard player and songwriter with The Kiki Dee Band, writing her hit song I've Got the Music in Me, before joining Barclay James Harvest and subsequently The Moody Blues, replacing keyboard player Patrick Moraz. He now lives in North Wales. Barry Clarke went on to join the Vigrass and Osborne band, subsequently to rejoin David Costa in the 1973 band and eponymous album Casablanca[7] (Rocket Records). David Costa went on to become art director and designer for many notable artists such as Elton John, George Harrison, Eric Clapton, the Rolling Stones and the Beatles. Costa and Boshell performed together as the "reunion" On The Shore Band in 2018.[1] Barry Clarke continued into the jewellery business, now living part-time in France. After a brief spell as drummer with the pop foursome Capricorn, Unwin Brown went on to enjoy a long career as a teacher, eventually at Thomas's School in Kensington until his death in 2008.[citation needed]
Celia Humphris continued with Trees' second lineup, and subsequently went on to become a sought-after voice-over artist and provided guest vocals for several songs on Judy Dyble's Talking With Strangers album in 2009, Dodson and Fogg, a folk-rock project released in 2012, and as guest vocalist on Galley Beggar's 2017 album Heathen Hymns, released on Rise Above Records. She later lived in France. She died on 11 January 2021.[8]
Both The Garden of Jane Delawney and On the Shore have been continuously available since their original release in either vinyl, cassette or CD formats. A deluxe two-disc edition of On the Shore was released in 2007, containing previously unreleased and remixed material. A new edition of The Garden of Jane Delawney followed in 2008, also containing previously unreleased material as well as some new recordings. Both double packages featured an extensive essay by comedian, director and writer Stewart Lee.
A four-album box set of Trees' recordings, including demos, remixes, plus live recordings from the Trees' 1998 "reunion" On The Shore Band, was released in 2020 to mark the band's fiftieth anniversary.[1][9]
Track listing
Album
Track
Length
The Garden Of Jane Delawney, original LP
Nothing Special
4:29
The Great Silkie
5:13
The Garden Of Jane Delawney
4:05
Lady Margaret
7:11
Glasgerion
5:15
She Moved Thro’ The Fair
8:07
Road
4:35
Epitaph
3:23
Snail’s Lament
4:38
The Garden of Jane Delawney Additional tracks on 2007 Sony re-release
She Moved Thro’ The Fair (1970 demo)
5:26
Pretty Polly (1970 demo)
4:50
Black Widow (recorded 2008)
3:22
Little Black Cloud Suite (recorded 2008)
1:39
On the Shore, original LP
Soldiers Three
1:48
Murdoch
5:03
Streets Of Derry
7:32
Sally Free And Easy
10:08
Fool
5:19
Adam’s Toon
1:10
Geordie
5:04
While The Iron Is Hot
3:18
Little Sadie
3:08
Polly On The Shore
6:08
On the Shore Additional tracks on 2007 Sony re-release
Anglo-Danish duo Andrew John and Lissa in 1976 covered The Garden of Jane Delawney on their album Louise...A Life Story
All About Eve performed a cover version of The Garden of Jane Delawney as the B-Side to the single What Kind of Fool.
In 2006, the Trees' version of Geordie was sampled on the title track of Gnarls Barkley's first album, St. Elsewhere.
French goth group Dark Sanctuary covered The Garden of Jane Delawne on the 2006 album Exaudi Vocem Meam.
Heather Jones's Welsh-language take on The Garden of Jane Delawney, Cân I Janis, appeared on the compilation Welsh Rare Beat 2[10] (Finders Keepers Records, 2007).
The Dutch folkduo Ygdrassil recorded The Garden of Jane Delawney for their 2005 album Easy Sunrise.
Flying Saucer Attack covered Sally Free and Easy on their 1996 Sally Free and Easy EP.
"If you are about to listen to On The Shore for the first time, then you are to be envied."—Stewart Lee, sleeve notes for Sony BMG 2007 re-releases.
"This is a timely reissue. Freak-folkers will value this fusion of the modern and the ancient, and heads will enjoy the acidic guitar... On The Shore is a vivid reminder of a period when the spirit flew free – so much so that it remains an inspiration decades later." --Jon Savage, Mojo, April 2007.
"At Queen Elizabeth Hall third on the bill, and relatively unknown, were a group called Trees. They didn’t stay unknown for long. The capacity audience were won over by the group’s fine performance, and critics were full of praise." --Beat Instrumental, August 1970.
"The current crop of folkies owe a huge debt to Trees and their twisted take on traditional forms. There could be no better Year Zero from which to perpetuate this most vital of UK musical threads. Blooming marvellous from root to tip."—Jan Zarebski, Record Collector, April 2007.
"It’s good to know that some rare and collectable British rock albums are rare and collectable for all the right reasons – i.e. they’re bloody marvellous." --Peter Dogget, Record Collector, 1993
"This has to be one of the most under-rated albums of all time, a perfect mixture of west coast acid rock with dark lilting English folk, it’s timeless and beautiful."—Copy of On The Shore auctioned on Popsike.com, 30 June 2004, £375.
"Readers of the Terrascope, eclectic to a man/girl, will no doubt be aware of the esteem and mystique surrounding the band Trees. Amongst folk-rock enthusiasts, the 2 albums on CBS (1970) are hailed as pinnacles of the genre." --Ptolemaic Terrascope, Issue 7, 1993.
"To list all the favourable ravings that have been inspired by Trees would fill the whole paper. John Peel, after playing one of their numbers on the radio, said that he wished he could devote a whole programme to them..."—Dai Davies, Music Now, 1970.
"On The Shore was released in 1970, the follow-up to the previous year’s The Garden of Jane Delawney. While no one can deny that their debut is a thing of beauty and wonder, the leap made by this middle-England folk rock quintet by the time they unleashed their second album is astonishing." --Shindig, July 2007.
"The importance of Trees is that, in addition to their undoubted musical excellence, their inspiration goes back independently to the folk and rock scenes of a few years ago, indicating that the long-awaited, long needed reconciliation between the folk and pop movements is actually beginning to happen." --Karl Dallas, Melody Maker, June 1970.
'On The Shore' ranked #3 of Five Folk-rock Classics (after Fairport Convention's 'Liege and Lief' and before Led Zeppelin III) --The Independent, September, 2007.
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References
1 2 3 Jim Wirth, "Trees", Uncut, No.283, December 2020, pp.40-43
↑ "At Queen Elizabeth Hall third on the bill, and relatively unknown, were a group called Trees. They didn’t stay unknown for long. The capacity audience were won over by the group’s fine performance, and critics were full of praise." --Beat Instrumental, August 1970.
↑ "It’s good to know that some rare and collectable British rock albums are rare and collectable for all the right reasons – i.e. they’re bloody marvellous." --Peter Dogget, Record Collector, 1993
↑ "The importance of Trees is that, in addition to their undoubted musical excellence, their inspiration goes back independently to the folk and rock scenes of a few years ago, indicating that the long-awaited, long needed reconciliation between the folk and pop movements is actually beginning to happen." --Karl Dallas, Melody Maker, June 1970.
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