An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record. Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of records other than 78 rpm standard play (SP) and LP, but it is now applied to mid-length CDs and downloads as well.
Soft rock, also known as light rock and adult-oriented rock, is a derivative form of pop rock that originated in the late 1960s in the U.S. region of Southern California and in the United Kingdom. The style smoothed over the edges of singer-songwriter and pop rock, relying on simple, melodic songs with big, lush productions. Soft rock was prevalent on the radio throughout the 1970s and eventually metamorphosed into a form of the synthesized music of adult contemporary in the 1980s.
"Regret" is a song by British alternative rock band New Order. It was released on 5 April 1993 as the lead single from their sixth studio album, Republic (1993). Stephen Hague is credited as both the producer and as a co-writer. It was the band's first single released on CentreDate Co Ltd following the collapse of Factory Records.
"Good Riddance " is a song by American rock band Green Day, released in December 1997 as the second single from their fifth studio album, Nimrod (1997). Although different from the band's usual sound, it is one of the band's most popular songs. It has also become a staple of the band's concerts and is usually played as the final song in their live shows.
"Iris" is a song by American alternative rock band Goo Goo Dolls. Originally written for the soundtrack of the 1998 film City of Angels, the song was later included on the band's sixth album, Dizzy Up the Girl. The song was released as a single on April 1, 1998.
"Discothèque" is a song by Irish rock band U2. It is the opening track on their 1997 album, Pop, and was released as its lead single on 3 February 1997. The song exhibits influences from electronic dance music, characteristic of the band's musical direction in the 1990s. The music video, directed by Stéphane Sednaoui, was set inside of a mirrorball and featured the band members dressed as members of the disco group the Village People.
"Brain Stew" and "Jaded" are two songs released as a joint single by American rock band Green Day. They appear as the tenth and eleventh tracks and third single from the group's fourth studio album, Insomniac. The song was also included on Godzilla: The Album. The two songs were released as one single, as the songs are transitional – "Brain Stew" segues directly into "Jaded". After 9/11, "Brain Stew" was placed on Clear Channel's list of post-9/11 inappropriate titles. The song "Brain Stew" is about Armstrong dealing with insomnia. According to Armstrong himself, "Brain Stew" was originally called "Insomniac" on demo, and "Brain Stew" is a reference to Armstrong's long-time friend, James Washburn, who is nicknamed Brain Stew.
"Cat's in the Cradle" is a 1974 folk rock song by Harry Chapin from the album Verities & Balderdash. The single topped the US Billboard Hot 100 in December 1974. As Chapin's only number-one song, it became the best known of his work and a staple for folk rock music. Chapin's recording of the song was nominated for the 1975 Grammy Award for Best Male Pop Vocal Performance and was inducted into the Grammy Hall of Fame in 2011.
"Hard Headed Woman" is a rock and roll song recorded by Elvis Presley and published by Gladys Music, Presley's publishing company, in 1958. It is an American 12-bar blues written by African American songwriter Claude Demetrius. It was most notably recorded as a rock and roll song by Presley as part of the soundtrack for his 1958 motion picture King Creole, and was included on the record album of the same name. The song was also released as a single in both 78 RPM and 45 RPM formats. In 1958 it went to No. 1 on the Billboard charts and went to number two for two weeks on the R&B chart. It became the first rock and roll single to earn the RIAA designation of Gold Record.
"Hitchin' a Ride" is a song by American rock band Green Day. It was released on September 22, 1997 as the first single from their fifth album Nimrod and is the second track on the album.
"Fly" is a song by American rock band Sugar Ray. It appears on their 1997 album Floored twice: one version with reggae artist Super Cat and the other without.
"Smooth" is a collaboration between Latin rock band Santana and Matchbox Twenty vocalist Rob Thomas. The song was written by Itaal Shur and Thomas, produced by Matt Serletic and sung by Thomas. In the United States, it topped the Billboard Hot 100 for 12 weeks; it was the final number-one hit of the 1990s and the first number-one hit of the 2000s. "Smooth" is the only song to appear on two decade-end Billboard charts. In 2018 "Smooth" was ranked the second most successful song ever in Billboard's 60th anniversary all-time top 100 songs. It won three Grammy Awards: Record of the Year, Song of the Year, and Best Pop Collaboration with Vocals. The song reached number one in Canada and the top 10 in Australia, Austria, Ireland and the United Kingdom.
"Bittersweet Me" is a song by R.E.M., released as the second single from their 10th studio album, New Adventures in Hi-Fi (1996). Like much of the album, the song originated while the band were on the road for the Monster tour, although the song was only ever soundchecked and has never been played live as part of a concert. The song was a bigger hit in the United States than the first single from the album, "E-Bow the Letter", except on the Modern Rock Tracks chart, where the first single's number-two peak bested the number-six peak of "Bittersweet Me".
"What About Love" is a song originally recorded by Canadian rock group Toronto, re-released in 1985 by the American rock group Heart. The song was Heart's "comeback" single. It was the first Heart track to reach the top 40 in three years, and their first top 10 hit in five. It was released as the first single from the band's self-titled 1985 album, Heart, as well as their first hit single on their new record label, Capitol Records. Grace Slick and Mickey Thomas, co-lead vocalists of Starship at the time, provide additional background vocals on the song.
"Hard Luck Woman" is a song by American hard rock band Kiss and the lead single from their 1976 album, Rock and Roll Over. It was originally written by Paul Stanley as a possible track for Rod Stewart, but after the success of the soft rock ballad "Beth", Kiss decided to keep it for themselves as a follow-up. Stanley has stated his admiration and love of Stewart's music numerous times, and that "Hard Luck Woman" was inspired by Rod Stewart, in particular the songs "Maggie May" and "You Wear It Well". While Stewart's music served as a partial inspiration for the song, the nautical themed song "Brandy" by American pop-rock band Looking Glass served as Stanley's main inspiration.
"Anybody Seen My Baby?" is a song by English rock band the Rolling Stones, featured on their 1997 album Bridges to Babylon. It was written by Rolling Stones vocalist Mick Jagger and guitarist Keith Richards, and writing credits were added for k.d. lang and Ben Mink due to the similarities the chorus possesses with lang's 1992 hit "Constant Craving".
"Put Your Lights On" is a song by American rock band Santana and American musician Everlast from Santana's 18th studio album, Supernatural (1999). Released in August 1999, the song peaked at number 18 on the Billboard Bubbling Under Hot 100 and number eight on the Billboard Mainstream Rock Tracks chart. "Put Your Lights On" won a Grammy Award for Best Rock Performance by a Duo or Group with Vocal at the 42nd Annual Grammy Awards.
Canadian rock music charts publishes a weekly alternative rock music chart under the name Alternative 30.
"Memories" is a 1968 song originally recorded by Elvis Presley.
"Free Girl Now" is a song by Tom Petty and the Heartbreakers. It's the third track and the lead single from the band's album Echo. The single peaked at position #5 on the Mainstream Rock chart. In Canada, the song peaked at number 1 on the RPM Rock Report in April 1999. The song later repeaked at number one on the RPM rock chart in May 1999.
