Twin Sons of Different Mothers | ||||
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Studio album by | ||||
Released | August 1978 [1] | |||
Recorded | 1978 | |||
Studio |
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Genre | rock, soft rock, jazz, classical | |||
Length | 34:32 | |||
Label | Full Moon, Epic | |||
Producer | Dan Fogelberg, Tim Weisberg | |||
Dan Fogelberg and Tim Weisberg chronology | ||||
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Dan Fogelberg chronology | ||||
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Tim Weisberg chronology | ||||
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Singles from Twin Sons of Different Mothers | ||||
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Twin Sons of Different Mothers is a collaboration album by American singer-songwriter Dan Fogelberg and jazz flutist Tim Weisberg,released in 1978. It was the first of two collaborations between the pair;the second was No Resemblance Whatsoever .
The album peaked at number 8 on the Billboard 200 ,and at number 7 on the Cashbox Top 100 Albums. The album was a double-platinum seller. [2] The closing track of the album,"The Power of Gold",was released as a single,reaching number 24 on the Billboard Hot 100 and number 51 in Canada.
American music journalist Paul Zollo wrote that after the success of Fogelberg's album Nether Lands ,he wanted to make his next album "completely about music,without any commercial aspirations whatsoever". Having previously worked with Weisberg on Nether Lands,Fogelberg invited him to make the album a duet. At the time,they both had long hair and beards,so they decided to title the album Twin Sons Of Different Mothers. [3] The single "The Power of Gold" was added to the album at the last minute,due to the initial track they had planned on,had the piano out of tune with the orchestra,and it would have to be redone. To avoid the cost of that endeavor,Fogelberg quickly penned "Power of Gold",which was instead added to the album. [3] Little did he know,Zollo opines,that the single would become one of the "biggest hits of his career". [3]
Zollo also wrote that Fogelberg wasn't really optimistic about the success of the duo's album,and "expected it to be savagely attacked by the critics",so he flew to Europe with some friends before the album was released. [3] He was astounded when he received an "excited call from his manager Irving Azoff informing him that the album had gone Top 20". [3] Zollo goes on to say that Fogelberg figured "there was no sense in fighting it",so he then returned to the United States,and "went into the studio immediately to work on songs for his next album, Phoenix ". [3]
This album constitutes a collaboration, experimental in nature, between Tim and myself. It is an attempt for both of us to move outside our own recognizable boundaries and try new directions - new forms of music which we rarely get to explore on our own. It is a chance to stretch, an opportunity to grow and a hell of a lot of fun. [4]
— Dan Fogelberg
Review scores | |
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Source | Rating |
Allmusic | [5] |
Rolling Stone | [6] |
Cash Box Magazine said the album "combines the talents of two performers in an experimental way" and "interestingly blends the folk-rock, guitar flavored elements of Fogelberg's music with Weisberg's more airy, free-spirited, flute laden sound". They pointed to "Tell Me Why To My Face" and "The Power of Gold" as "standouts" on the LP. [7] Madeline Kind of The Jerusalem Post Magazine, was blunt in her assessment of the album, calling it "rather boring". [8]
Author Dave DiMartino from Billboard Books , highlighted the "extraordinary version" of The Hollies "Tell Me to My Face", that "revealed an aspect of Fogelberg's rock roots that hasn't been on display since". [9] In 2003, Blender Magazine rated Twin Sons of Different Mothers as the "worst CD" of Fogelberg's, with Fogelberg additionally being listed number 19 on "The 50 Worst Artists In Music History". [10]
The San Francisco Bay Guardian said the album was "generally satisfying", remarking that Fogelberg "dominated most of the album", and praised the tracks "Hurtwood Alley" and "The Power of Gold" as "especially propelling". They also noted that the album had an "occasional tendency toward musical cliche". They criticized "Guitar Etude No. 3" as sounding like a "warped version of 'Girl From Ipanema'". [11]
American music critic Dave Marsh wrote in The Rolling Stone Record Guide that the album reminded him of "smooth post-rock cocktail-lounge Muzak". He criticized Fogelberg for being "bland", but said Weisberg made up for it in "spades". He also said the "combination ought to be marked as an insomnia cure". [6]
All tracks are written by Dan Fogelberg, except where noted
No. | Title | Writer(s) | Length |
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1. | "Twins Theme" | 1:29 | |
2. | "Intimidation" | 3:27 | |
3. | "Lazy Susan" | 2:36 | |
4. | "Guitar Etude No. 3" | 2:53 | |
5. | "Tell Me to My Face" | 7:15 | |
6. | "Hurtwood Alley" | 2:48 | |
7. | "Lahaina Luna" | 3:15 | |
8. | "Paris Nocturne" | 3:34 | |
9. | "Since You've Asked" | Judy Collins | 2:41 |
10. | "The Power of Gold" | 4:34 |
Studios
Chart (1978) | Position |
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Australia (Kent Music Report) [12] | 81 |
US Billboard 200 [13] | 8 |
Cashbox Top 100 Albums [14] | 7 |
Region | Certification | Certified units/sales |
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United States (RIAA) [2] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
Daniel Grayling Fogelberg was an American singer, songwriter, and multi-instrumentalist. He is primarily known for his 1980s soft rock hits, including "Longer" (1979), "Same Old Lang Syne" (1981), and "Leader of the Band" (1982).
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No Resemblance Whatsoever is a collaboration album by American singer-songwriter Dan Fogelberg and jazz flutist Tim Weisberg, released in 1995. The cover art was a current picture of the two in a pose similar to that on the cover of their 1978 collaboration Twin Sons of Different Mothers. The album title was a comedic reference to the pair who once looked somewhat like brothers, but now not so much with their clean-shaven faces and the passage of 17 years. This particular album, according to Fogelberg, only took 10 days to record. Weisberg sued Fogelberg in 1997 claiming fraud and breach of contract over money Weisberg claimed was owed to him from the album sales and the subsequent tour.
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