UFO (for solo percussion and orchestra (1999), and for solo percussion and symphonic band (2000)) is a composition written by American composer Michael Daugherty for percussionist Evelyn Glennie.
The world of American popular culture inspires much of Daugherty's music – in the present case, the unidentified flying objects that have been an obsession in American popular culture since 1947 ( Scott 2003 , 35).
UFO for solo percussion and orchestra was commissioned by the National Symphony Orchestra through a grant from the John and June Hechinger Commissioning Fund.[ citation needed ] It was first performed by Evelyn Glennie and the National Symphony Orchestra conducted by Leonard Slatkin at the Kennedy Center, Washington D.C. on April 10, 1999.[ citation needed ] In 2000, on a commission from Michigan State University, the University of Michigan, Baylor University, the Arizona State University, and the University of North Texas, Daugherty adapted the orchestral part for symphonic band. This version was premiered by the Michigan State University Symphony Band conducted by John Whitwell, with solo percussionist Allison Shaw, on October 7, 2000, at Michigan State University, East Lansing, Michigan ( Scott 2003 , 41), and by Evelyn Glennie, solo percussion and the North Texas Wind Symphony conducted by Eugene Migliaro Corporon on April 19, 2001 in Denton, Texas. [1]
In five movements with a total duration of about 40 minutes, the concerto is scored for piccolo, 2 flutes, 2 oboes, English horn, B♭ clarinet, E♭ clarinet, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 4 trumpets, 3 trombones, tuba, and strings.
The symphonic band version is scored for piccolo, 4 flutes, 2 oboes, English horn, E♭ clarinet, 4 B♭ clarinets, bass clarinet, 2 bassoons, contrabassoon, soprano, alto, tenor, and baritone saxophones, 4 horns, 4 trumpets, 2 trombones, bass trombone, 3 euphoniums, 2 tubas, and contrabass.
The Pomp and Circumstance Marches, Op. 39, are a series of five marches for orchestra composed by Sir Edward Elgar. The first four were published between 1901 and 1907, when Elgar was in his forties; the fifth was published in 1930, a few years before his death; and a sixth, compiled posthumously from sketches, was published in 1956 and in 2005–2006. They include some of Elgar's best-known compositions.
Miroirs is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905. First performed by Ricardo Viñes in 1906, Miroirs contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches.
Václav Nelhýbel was a Czech American composer, mainly of works for student performers.
Joseph Clyde Schwantner is a Pulitzer Prize-winning American composer, educator and a member of the American Academy of Arts and Letters since 2002. He was awarded the 1970 Charles Ives Prize.
Music for Prague 1968 is a programmatic work written by Czech-born composer Karel Husa for symphonic band and later transcribed for full orchestra, written shortly after the Soviet Union crushed the Prague Spring reform movement in Czechoslovakia in 1968. Karel Husa was sitting on the dock at his cottage in America at the time, listening to the BBC broadcast of the events on the radio. He was deeply moved, and wrote Music for Prague 1968 to memorialize the events. This piece is a standard among wind ensemble repertoire.
Bells for Stokowski for Orchestra and for Symphonic Band by American composer Michael Daugherty, is a 14-minute, single-movement tribute to one of the most prominent 20th century conductors, Leopold Stokowski. Bells for Stokowski for Orchestra (2001) stands alone as a concert piece, however, it is also the last movement of the three-movement work, Philadelphia Stories. Philadelphia Stories was commissioned by the Philadelphia Orchestra in celebration of the Orchestra's centennial under the direction of Wolfgang Sawallisch. The premiere was performed by the Philadelphia Orchestra at the Academy of Music in Philadelphia, under the direction of David Zinman, in November 2001.
Margaret Brouwer is an American composer and composition teacher. She founded the Blue Streak Ensemble chamber music group.
Symphony in B-flat for Band was written by the German composer Paul Hindemith in 1951. It was premiered on April 5 of that year by the U.S. Army Band "Pershing's Own" with the composer conducting.
Metropolis Symphony for Orchestra (1988–93) by American composer Michael Daugherty is a five-movement symphony inspired by Superman comics. The entire piece was created over the span of five years with separate commissions for each movement. Individual movements may be performed separately; however, it is preferred that the 41 minute symphony be performed in its entirety. MetropolisSymphony was premiered by the New Hampshire Symphony Orchestra, James Bolle conducting, in November 1993, at the Palace Theater in Manchester, New Hampshire. A connective narrative between movements was written and read by Jack Larson, who had played Jimmy Olsen on television in The Adventures of Superman. The orchestral version without narration was premiered by the Baltimore Symphony Orchestra, David Zinman conducting, in January 1994, at the Meyerhoff Concert Hall in Baltimore, Maryland.
Naive and Sentimental Music is a symphonic work by American composer John Adams. The title of the work alludes to an essay by Friedrich Schiller, On Naïve and Sentimental Poetry, that contrasts a creative personality that creates art for its own sake versus one conscious of other purposes, such as art’s place in history. The composer cites both the slowly developing harmonies of Bruckner's Fourth Symphony and the atmosphere of the Sonoma coastline as inspirations for the work. The piece was co-commissioned by the Los Angeles Philharmonic, the Ensemble Modern, the Vancouver Symphony Orchestra, and the Sydney Symphony Orchestra. It received its first public performance by the Los Angeles Philharmonic conducted by Esa-Pekka Salonen on February 19, 1999. A recording by Salonen and the Los Angeles Philharmonic was subsequently released by Nonesuch Records.
Deus ex Machina is a piano concerto by the American composer Michael Daugherty. The 33-minute work was jointly commissioned by the Charlotte, Nashville, New Jersey, Rochester and Syracuse Symphony Orchestras. It won the 2011 Grammy for Best Classical Contemporary Composition for a recording by soloist Terrance Wilson and the Nashville Symphony Orchestra under the baton of Giancarlo Guerrero.
Aaron Copland wrote the Symphony for Organ and Orchestra in 1924. It represents a major work in the composer's oeuvre, as it was his first fully realized orchestral work, his first work for organ, and the first piece whose orchestration he heard. It was premiered on January 11, 1925, in New York. In 1928, Copland re-orchestrated the work without organ as his Symphony No. 1, rewriting the organ part in the brass and adding saxophone.
Raise the Roof is a one-movement concerto for timpani and orchestra by the American composer Michael Daugherty. The work was commissioned by the Detroit Symphony Orchestra for the opening of the Max M. Fisher Music Center. It was premiered in Detroit, October 16, 2003, with conductor Neeme Järvi leading the Detroit Symphony Orchestra and timpanist Brian Jones. Daugherty later arranged the piece for concert band in 2007; this arrangement was commissioned by the University of Michigan Symphony Band and was premiered under conductor Michael Haithcock at the National Conference of the College Band Directors National Association on March 30, 2007. Raise the Roof is one of Daugherty's most-programmed pieces and has been frequently performed as a concert opener since its publication.
Mothership is a single-movement composition for orchestra and electronica by the American composer Mason Bates. The piece received its world premiere March 20, 2011 at the Sydney Opera House by the YouTube Symphony Orchestra under Michael Tilson Thomas, with featured improvisatorial soloists Paulo Calligopoulos on electric guitar, Ali Bello on violin, Su Chang on zheng, and John Burgess on bass guitar. The premiere was broadcast live on YouTube and garnered nearly two million viewers.
Rusty Air in Carolina is a symphonic poem for electronica and orchestra by the American composer Mason Bates. The work was commissioned by conductor Robert Moody, a longtime friend and collaborator of Bates. It was premiered in 2006 by Robert Moody and the Winston-Salem Symphony. The piece was composed as a homage to the culture and climate of the Carolinas.
Air Music is a set of ten variations for orchestra by the American composer Ned Rorem. The work was completed in 1974 and was first performed by the Cincinnati Symphony Orchestra on December 5, 1975. The piece won the 1976 Pulitzer Prize for Music.
The Symphony No. 6, From a New Zealand Diary, Op. 65, is an orchestral composition by the Finnish composer Aulis Sallinen, who wrote the piece from 1989–90. The New Zealand Symphony Orchestra, the commissioning institution, premiered the work on 6 September 1990 in Napier, under the baton of Sallinen's longtime advocate, Okko Kamu. Sallinen and his wife had vacationed in New Zealand the year prior, providing the composer with inspiration for the symphony, which—though properly symphonic in scope and in structure—has been described as involving "tone painting"; indeed, each of the four movements contains a descriptive title, unusual for a Sallinen symphony.
The Concerto for Viola and Orchestra is a viola concerto by Soviet and German composer Alfred Schnittke. It was written in the summer of 1985. Its dedicatee is viola player Yuri Bashmet, who gave the work its world premiere with the Royal Concertgebouw Orchestra conducted by Lukas Vis at the Concertgebouw in Amsterdam on 9 January 1986.
Russian composer Alfred Schnittke's Symphony No. 7 was composed in 1993. It is dedicated to conductor Kurt Masur who gave its world premiere performance in New York with the New York Philharmonic Orchestra on 10 February 1994.