The Veiled Virgin is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875) depicting the bust of a veiled Virgin Mary. The exact date of the statue's completion is unknown, but it was probably in the early 1850s. The veil gives the appearance of being translucent, but is carved of marble. The technique is similar to Giuseppe Sanmartino's 1753 statue Veiled Christ in the Cappella Sansevero in Naples.
The Collegio Clementino is a palace in Rome, central Italy, sited between the Strada del'Orso and the banks of the Tiber. It was founded by Pope Clement VIII in 1595, to host Slavonian refugees. Giacomo della Porta was commissioned to erect a suitable building to house them, which would be one of the aged architect's last projects. On February 25, 1601, Urban VIII shifted the Slavs to Loreto and refounded the Collegio Clementino as an elite school for young noblemen of every nation and the richest families in Rome. The musical tradition of the Collegio Clementino remained strong: Alessandro Scarlatti wrote oratorios for Carnival seasons and came up from Naples to oversee their production.
Antonio Corradini was an Italian Rococo sculptor from Venice. He is best known for his illusory veiled depictions of the human body, where the contours of the face and body beneath the veil are discernible.
The Cappella Sansevero is a chapel located on Via Francesco de Sanctis 19, just northwest of the church of San Domenico Maggiore, in the historic center of Naples, Italy. The chapel is more properly named the Chapel of Santa Maria della Pietà. It contains works of Rococo art by some of the leading Italian artists of the 18th century.
Francesco Queirolo was an Italian Genoese-born sculptor, active in Rome and Naples during the Rococo period.
Innocenzo Spinazzi (1726–1798) was an Italian sculptor of the Rococo period active in Rome and Florence.
Giuseppe Mazzuoli was an Italian sculptor working in Rome in the Bernini-derived Baroque style. He produced many highly accomplished sculptures of up to monumental scale but was never a leading figure in the Roman art world.
Raimondo di Sangro, Prince of Sansevero was an Italian nobleman, inventor, soldier, writer, scientist, alchemist and freemason best remembered for his reconstruction of the Sansevero Chapel in Naples.
The Statue of Christ the Redeemer of Maratea is a statue of Jesus Christ in Maratea, southern Italy, realized in Carrara marble on the top of the Mountain “St. Biagio".
Giuseppe Sanmartino was a prominent Italian sculptor in Naples during the late Baroque period who focused on religious sculptures. His most famous work is the Veiled Christ (1753) in Sansevero Chapel in Naples.
The Palazzo D'Afflitto is a palace located in the San Giuseppe neighbourhood of Naples, Italy, adjacent to the Palazzo Capomazza di Campolattaro. It used to belong to the princely family d'Afflitto. In the third floor is the recently restored Church of the Real Monte Manso di Scala, built atop the famed Cappella Sansevero. The palace was built in the 15th century but underwent numerous reconstructions.
The Anatomical Machines are a pair of anatomical models reproducing the human circulatory system, displayed in the Cappella Sansevero in Naples. Created in the second half of the 18th century, they are constructed over a male and a female human skeleton. The reproduction of the vessel system is formed of metal wire, wax, and silk, but because of its richness of detail it was for a long time believed to be of natural origin.
The Veiled Nun is a marble bust depicting a female figure, sculpted by an unidentified Italian workshop c. 1863. Despite its name, the woman depicted is not a nun.
Modesty or Chastity or Veiled Truth by Antonio Corradini is a sculpture completed in 1752 during the Rococo period. Corradini was commissioned by Raimondo di Sangro to sculpt a memorial for his mother in the Cappella Sansevero in Naples, where the marble sculpture still remains.
Palazzo di Sangro, also known as either Palazzo de Sangro di Sansevero or Palazzo Sansevero, is a late-Renaissance-style aristocratic palace facing the church of San Domenico Maggiore, separated by the via named after the church, in the city center of Naples, Italy. Part of the palace facade faces the piazza in front of the church, which is also bordered to the south by the Palazzo di Sangro di Casacalenda.
Francesco Liani was an Italian painter, mainly known for his portraits of the Neapolitan royal family.
The Vestal Virgin Tuccia or Veiled Woman is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath. The work is housed in the Palazzo Barberini, Rome.
The Veiled Vestal is an 1847 sculpture by Raffaelle Monti. It was commissioned by William Cavendish, 6th Duke of Devonshire during an 1846 trip to Naples. It is a representation of a Vestal Virgin, the priestesses of the Ancient Roman goddess Vesta. The subject was popular at this time due to the then recent discovery of the House of the Vestals in Pompeii. The depiction of translucent fabrics was popular at the time and Monti was requested to use the technique in this sculpture. Monti completed the sculpture in April 1847 and it was afterwards displayed at Cavendish's West London Chiswick House.
Trojano or Troiano Spinelli was an Italian nobleman, philosopher, economist, and historian, active in Naples.
Carlo Amalfi or Aniello was an Italian painter, active in the Kingdom of Naples as mainly a portrait artist.
