Venereology | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 1994 | |||
Recorded | January–February 1994 | |||
Venue | Yaneura II, Tokyo | |||
Studio | ZSF Produkt Studio, Tokyo | |||
Genre | Noise [1] | |||
Length | 50:16 | |||
Label | Release Entertainment | |||
Producer | Masami Akita | |||
Merzbow chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Exclaim! | 7/10 [2] |
PopMatters | 8/10 [3] |
Venereology is an album by the Japanese noise musician Merzbow. It was inspired by death metal and grindcore. [4]
It was the first of five Merzbow albums released by the American heavy metal label Relapse Records, under their Release Entertainment imprint, and as such was responsible for bringing Merzbow's work to a much wider audience in the United States. Venereology has also gained notoriety for the loudness of its mastering, which violated American limitations on the dynamic range allowed on CDs, [5] and for its third track, "I Lead You Towards Glorious Times", which is often cited to be the loudest track created in CD format—having a RMS value of 0.00dB. [6] The liner notes includes an extensive thank you list in the style of many metal releases.
Venereology was reissued on vinyl with a revised track list and bonus tracks by Relapse in March 2019. [7] [8]
Venereology was my first release on a death metal label. So, my target was "death metal" itself. I used more serious dead visuals than on the usual death metal albums. For me, it's like J. P. Witkin or J. G. Ballard. The rhythm in Venereology was a little slower than in my past releases, but more heavy. Also, the tone of Venereology was lots of overlevels and dirty sound. It's important to know that I made Venereology while drinking lots of beer. These essences are all influenced by death metal. But not musically. I liked something more extreme than the death metal rules.
— Masami Akita [4]
Akita then explained that his next album for Relapse, Pulse Demon , was back to his normal sound and was recorded sober.
All music is composed by Masami Akita.
No. | Title | Length |
---|---|---|
1. | "Ananga-Ranga" | 29:02 |
2. | "Klo Ken Phantasie" | 9:22 |
3. | "I Lead You Towards Glorious Times" (excerpt from live at Yaneura II, 5 February 1994) | 5:29 |
4. | "Slave New Desart" | 6:22 |
All music is composed by Masami Akita.
No. | Title | Length |
---|---|---|
1. | "Ananga-Ranga Part 1" | 20:22 |
No. | Title | Length |
---|---|---|
1. | "Ananga-Ranga Part 2" | 8:39 |
2. | "Klo Ken Phantasie" | 9:20 |
No. | Title | Length |
---|---|---|
1. | "Last Splash" | 5:24 |
2. | "Slave New Desart" | 6:19 |
3. | "TD 3" | 7:32 |
No. | Title | Length |
---|---|---|
1. | "Outtrack 1" | 14:58 |
2. | "Outtrack 2" | 5:26 |
Credits adapted from the album notes. [9]
Musicians
Technical and visual personnel
Region | Date | Label | Format | Quantity | Catalog | Notes |
---|---|---|---|---|---|---|
United States | 1994 | Release | CD | n/a | RR6910-2 | |
Russia | 2006 | Irond | n/a | IROND CD 06-1120 | ||
United States | 2019 | Relapse | LP | 650 | RR6669 | black vinyl [10] |
250 | neon violet vinyl [10] | |||||
100 | purple/white with red splatter vinyl [10] | |||||
100 | clear vinyl [10] |
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