"Victims" | ||||
---|---|---|---|---|
Single by Culture Club | ||||
from the album Colour by Numbers | ||||
B-side |
| |||
Released | 28 November 1983 | |||
Recorded | 1983 | |||
Genre | Soft rock | |||
Length | 4:56 | |||
Label | Virgin | |||
Songwriter(s) | ||||
Producer(s) | Steve Levine | |||
Culture Club singles chronology | ||||
|
"Victims" is a song by English band Culture Club, released as a single in 1983 and taken from the album Colour by Numbers . As with most early Culture Club singles, the song is about lead singer Boy George's then publicly unknown and rather turbulent relationship with drummer Jon Moss. Although the group's previous single "Karma Chameleon" had been a massive hit throughout the world, "Victims" was only issued in the United Kingdom, Ireland, Germany, and Australia. The piano ballad [1] peaked at #3 on the UK Singles Chart. In Ireland, it peaked at #2, and in Australia, at #4. The single was not released in the United States, Canada or Japan, where they released "Miss Me Blind" instead.
Its B-side was the then unreleased track "Colour by Numbers", which is the title of the album but not included on it. An instrumental version was also issued on the 12″, renamed "Romance Revisited". Both extra tracks are now available on the 2003 remastered version of Colour by Numbers . Boy George re-recorded the song himself as a solo artist, as a folk arrangement with piano and an orchestra, in 2002. That version can be found on the Culture Club box set that was released the same year.
Chart (1983–1984) | Peak position |
---|---|
Australia (Kent Music Report) [2] [3] | 4 |
Belgium (Ultratop 50 Flanders) [4] | 11 |
Germany (Official German Charts) [5] | 39 |
Ireland (IRMA) [6] | 2 |
Netherlands (Single Top 100) [7] | 17 |
New Zealand (Recorded Music NZ) [8] | 7 |
Paraguay (UPI) [9] | 9 |
Switzerland (Schweizer Hitparade) [10] | 18 |
UK Singles (OCC) [11] | 3 |
Chart (1984) | Position |
---|---|
Australia (Kent Music Report) [2] | 38 |
Kissing to Be Clever is the debut album by the English band Culture Club, released on 8 October 1982 in the United Kingdom. It includes Culture Club's international breakthrough hit single, "Do You Really Want to Hurt Me", which reached number one in the band's native UK and the top 10 of many charts around the world. The album has reportedly sold over 4 million copies worldwide, including over 1 million in the US where it has been certified Platinum by the RIAA.
Helen Terry is a British singer and television producer, known for her backing vocal work with Culture Club. As a solo performer, she scored a Top 40 hit single in 1984 with "Love Lies Lost", and released one album in 1986, Blue Notes.
Colour by Numbers is the second album by the British new wave group Culture Club, released in October 1983. Preceded by the hit single "Karma Chameleon", which reached number one in several countries, the album reached number one in the UK and has sold 10 million copies. It has been certified triple platinum in the UK and quadruple platinum in the US. It was ranked number 96 on Rolling Stone magazine's list of the 100 Best Albums of the 1980s.
"Candle in the Wind" is a threnody style ballad written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It was originally written in 1973, in honour of Marilyn Monroe, who had died 11 years earlier.
"Needles and Pins" is a rock song credited to American writers Jack Nitzsche and Sonny Bono. Jackie DeShannon recorded it in 1963 and other versions followed. The most successful ones were by the Searchers, whose version reached No. 1 on the UK singles chart in 1964, and Smokie, who had a worldwide hit in 1977. Others who recorded the song include the Ramones, Gene Clark, Petula Clark, and Tom Petty and the Heartbreakers with Stevie Nicks.
"Smalltown Boy" is the debut single by the British synth-pop band Bronski Beat, released in May 1984. It was included on their debut album, The Age of Consent. The lyrics describe a young man who is forced to leave home. "Smalltown Boy" is a gay anthem and is associated with the rise of British gay culture in the 1980s. In 2022, Rolling Stone named it the 163rd-greatest dance song.
"Ghostbusters" is a song written by American musician Ray Parker Jr. as the theme to the 1984 film Ghostbusters, and included on its soundtrack. Debuting at number 68 on June 16, 1984, the song peaked at No. 1 on the Billboard Hot 100 on August 11, staying there for three weeks, and at No. 2 on the UK Singles Chart on September 16, staying there for three weeks. The song reentered the UK Top 75 on November 2, 2008 at No. 49 and again on November 5, 2021, at No. 38.
"I'm So Excited" is a song by American girl group the Pointer Sisters. Jointly written and composed by the sisters in collaboration with Trevor Lawrence, it was originally released in September 1982, reaching number 30 on the US Billboard Hot 100. This was followed by a remixed re-release in July 1984, reaching number 9 on the Billboard Hot 100. Billboard named the song number 23 on their list of "100 Greatest Girl Group Songs Of All Time".
"Karma Chameleon" is a song by English band Culture Club, featured on the group's 1983 album Colour by Numbers. The single was released in the United Kingdom in September 1983 and became the second Culture Club single to reach the top of the UK singles chart, after "Do You Really Want to Hurt Me". The record stayed at number one for six weeks and became the UK's biggest-selling single of the year 1983, selling 955,000 copies in 1983 and certificated platinum by BPI. To date, it is the 38th-biggest-selling single of all time in the UK, selling over 1.52 million copies.
"Let's Hear It for the Boy" is a song by Deniece Williams that appeared on the soundtrack to the feature film Footloose. The song was released as a single from both the soundtrack and her album of the song's same name on February 14, 1984, by Columbia Records. It was written by Tom Snow and Dean Pitchford and produced by George Duke. The song became Williams' second number one on the US Billboard Hot 100 on May 26, 1984, also topping the dance and R&B charts, and peaked at number two on the UK Singles Chart, behind "Wake Me Up Before You Go-Go" by Wham!. It was nominated for an Academy Award for Best Original Song, and was certified platinum in the US and gold in Canada and the UK by the Recording Industry Association of America, Music Canada and the British Phonographic Industry, respectively. The music video was released in mid-April 1984. The song features background vocals from George Merrill and Shannon Rubicam, who would go on to form the duo Boy Meets Girl.
"Sexcrime " is a song written and performed by the British duo Eurythmics. It was released as the first single from their album 1984 , which served as the soundtrack to the film Nineteen Eighty-Four, an adaptation of the novel of the same name by George Orwell. The song was produced by Dave Stewart.
"Church of the Poison Mind" is a 1983 hit single by the British new wave band Culture Club. It was released as the lead single from their second, and most successful, album Colour by Numbers. The song reached #2 in the United Kingdom, being kept out of the top spot by David Bowie's "Let's Dance". It was also the band's fourth Top 10 hit in Canada and the United States. In America, it was still climbing the charts when "Karma Chameleon" was released as a single. Epic Records released"Karma" ahead of schedule. "Church of the Poison Mind" reached its peak position the same week "Karma Chameleon" debuted on the US chart. In many countries its B-side was the heavily percussive street song "Man Shake" and in some others, such as the United States, it was the song "Mystery Boy". Both songs were on the 12-inch single in many countries, except Canada, where it was issued with an extended version of previous hit "I'll Tumble 4 Ya".
"Do You Really Want to Hurt Me" is a song written and performed by English new wave band Culture Club. Released as a single in September 1982 from the group's platinum-selling debut album, Kissing to Be Clever (1982), this ballad was the band's first major hit and first UK No. 1 hit. In the United States, the single was released in November 1982 and also became a hit, reaching No. 2 for three weeks.
"Everything I Own" is a song written by American singer-songwriter David Gates. It was originally recorded by Gates's soft rock band Bread for their 1972 album Baby I'm-a Want You. The original reached No. 5 on the American Billboard Hot 100. Billboard ranked it as the No. 52 song for 1972. "Everything I Own" also reached No. 5 in Canada and No. 12 in Australia.
"Miss Me Blind" is a song by English new wave band Culture Club. Known for a guitar solo midway through the song, it was the third single released from the album Colour by Numbers in North America, peaking at number 5 on the US Billboard Hot 100 chart in spring 1984. This gave the band its sixth consecutive top 10 hit in the US, as well as its final top 10 hit in that country, although the group would score several other top 20 hits in the US. The single reached number 5 in Canada, and was also released in several South American countries, Australia, and Japan. It was also the band's biggest R&B hit, reaching number 5 on the US Billboard Soul/R&B chart.
"What About Me" is a song written by Garry Frost and Frances Swan. It was first recorded by Australian rock band Moving Pictures, of which Garry Frost was a member, for its 1981 debut album, Days of Innocence. It became the band's first and only number-one single in Australia, spending six weeks atop the Kent Music Report; it was the second-highest-selling single of 1982 there. At the 1982 Countdown Music Awards, the song won Best Australian Single. In January 2018, as part of Triple M's "Ozzest 100", the 'most Australian' songs of all time, "What About Me" was ranked number 37.
Culture Club's discography consists of 6 studio albums, 9 compilation albums, 3 box sets, 3 extended plays, 24 regular commercial singles, and 5 promotional singles, largely released during the 1980s and 1990s. Culture Club has sold more than 50 million records worldwide, including 7 million records in the United States. For the comprehensive Boy George solo discography, see Boy George discography.
"Time (Clock of the Heart)" is a song by the British new wave band Culture Club, released as a stand-alone single in most of the world and as the second single from their debut album Kissing to Be Clever in North America. As the follow-up single to their global hit, "Do You Really Want to Hurt Me", "Time (Clock of the Heart)" peaked at #2 on the US Billboard Hot 100, kept from the #1 spot by Irene Cara's "Flashdance... What a Feeling". "Time" was also a major hit in the band's native UK, reaching #3 on the UK Singles Chart and selling over 500,000 copies in that country.
"The War Song" is a song by British band Culture Club, featuring background vocals from Clare Torry. It was released as the lead single from the band's third album, Waking Up with the House on Fire (1984), in September 1984. The song became the group's seventh top-five hit on the UK Singles Chart. In the United States, the single peaked at number 17 on the Billboard Hot 100. Elsewhere, it reached the top 10 in several countries, including Australia, Canada, and Ireland, peaking at number one in the latter country.
"Move Away" is a song by British band Culture Club, issued as the lead single from their fourth album, From Luxury to Heartache (1986). The song was produced by Lew Hahn and Arif Mardin. Released in March 1986, it became the group's eighth top-10 hit on the UK Singles Chart, peaking at number seven. In the United States, it reached number 12 on the Billboard Hot 100, becoming their last top-40 hit in the US. It also reached the top 10 in various other countries, including Denmark, where it peaked at number three.