The Viola Concerto by the American composer Jennifer Higdon is a concerto for viola and orchestra in three movements. The work was jointly commissioned by the Library of Congress, the Nashville Symphony, the Curtis Institute of Music, and the Aspen Music Festival. It was premiered March 7, 2015 at the Thomas Jefferson Building in Washington, D.C., with conductor Robert Spano leading violist Roberto Díaz and the Curtis Chamber Orchestra. [1] [2] The work won the 2018 Grammy Award for Best Classical Contemporary Composition. [3]
David Patrick Stearns of The Philadelphia Inquirer praised the Viola Concerto as "unstoppable." [4] Likewise, Lawrence Budmen of the South Florida Classical Review called it "splendidly crafted" and "a significant addition to the solo literature for the instrument." [5] Joan Reinthaler of The Washington Post described Higdon's writing as "completely at home in her own idiom" and wrote, "The first of the concerto’s three movements opened with the deepest tones of the viola, exploring a slow melody, built to a martial, high-energy, brass-driven celebration that, having had its say, took a deep breath and calmed to a gentle string fuzz accompanying a sort of solo violin reminiscence." Reinthaler continued, "The urgent second movement drove the viola to technical challenges that Diaz navigated smoothly but without the bowing bite that the music seemed to imply. And the third movement that began with a broad, hymnlike accompaniment to some solo violin and cello interplay, ended in joyous and jazzy rhythmic counterpoint." [6]
Hilary Hahn is an American violinist. A three-time Grammy Award winner, she has performed throughout the world as a soloist with leading orchestras and conductors, and as a recitalist. She is an avid supporter of contemporary classical music, and several composers have written works for her, including concerti by Edgar Meyer and Jennifer Higdon, partitas by Antón García Abril, two serenades for violin and orchestra by Einojuhani Rautavaara, and a violin and piano sonata by Lera Auerbach.
A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Throughout music history, especially during the Baroque, Classical, Romantic eras, viola was viewed mostly as an ensemble instrument. Though there were a few notable concertos written for the instrument in this time period, these instances were quite rare and the instrument continued to be ignored. However, during the 20th century, the instrument was revitalized thanks to the work of a number of violists and composers, which led to the commission and composition of many more viola concertos, expanding the repertoire significantly.
Jennifer Elaine Higdon is an American composer of contemporary classical music. She has received many awards, including the 2010 Pulitzer Prize for Music for her Violin Concerto and three Grammy Awards for Best Contemporary Classical Composition for her Percussion Concerto in 2010, Viola Concerto in 2018, and Harp Concerto in 2020. Elected a Member of the American Philosophical Society in 2019, she was a professor of composition at the Curtis Institute of Music from 1994 to 2021.
Richard Danielpour is an American composer and academic, currently affiliated with the Curtis Institute of Music and the University of California, Los Angeles.
Roberto Sierra is a Puerto Rican composer of contemporary classical music.
Yannick Nézet-Séguin, CC is a Canadian conductor and pianist. He is currently music director of the Orchestre Métropolitain (Montréal), the Metropolitan Opera, and the Philadelphia Orchestra. He was the principal conductor of the Rotterdam Philharmonic Orchestra from 2008 to 2018.
Hugh Sung is a Korean-American classical pianist.
David Serkin Ludwig is an American composer, teacher, and Dean of Music at The Juilliard School. His uncle was pianist Peter Serkin, his grandfather was the pianist Rudolf Serkin, and his great-grandfather was the violinist Adolf Busch. He holds positions and residencies with nearly two dozen orchestras and music festivals in the US and abroad. His choral work, The New Colossus, was performed at the 2013 presidential inauguration of Barack Obama.
Mimi Stillman is a professional concert flutist.
Time for Three (Tf3) is a classically trained string trio that explores a variety of musical genres. The members of the group are Nicolas (Nick) Kendall (violin), Charles Yang, and Ranaan Meyer. Because of their eclectic musical tastes, ranging from classical to bluegrass to rock to jazz to hip-hop, and their usual casual dress, even while performing at Carnegie Hall, the group refers to itself as a "classically trained garage band." The trio won the 2023 Grammy Award for Best Classical Instrumental Solo.
The Percussion Concerto is a one-movement concerto for solo percussion and orchestra by the American composer Jennifer Higdon. The work was jointly commissioned by the Philadelphia Orchestra, the Indianapolis Symphony Orchestra, and the Dallas Symphony Orchestra, with contributions from the Philadelphia Music Project and the Lacy Foundation of LDI, Ltd. The piece was completed in 2005 and is dedicated to the percussionist Colin Currie, for whom the concerto was written. The piece won the 2010 Grammy Award for Best Classical Contemporary Composition. That same year, Higdon won the Pulitzer Prize for Music for her Violin Concerto (2008).
The Concerto for Orchestra is an orchestral composition in five movements by the American composer Jennifer Higdon. The work was commissioned by the Philadelphia Orchestra with contributions from the National Endowment for the Arts, the Philadelphia Music Project, and Peter Benoliel. It was premiered at the Kimmel Center for the Performing Arts in Philadelphia June 12, 2002, with conductor Wolfgang Sawallisch leading the Philadelphia Orchestra.
Concerto 4-3 is a concerto for two violins, double bass, and orchestra in three movements by the American composer Jennifer Higdon. The work was commissioned for the string trio Time for Three by the Philadelphia Orchestra, the Pittsburgh Symphony Orchestra, and the Wheeling Symphony Orchestra. It was first performed in Philadelphia on January 10, 2008, by Time for Three and the Philadelphia Orchestra conducted by Christoph Eschenbach.
Dooryard Bloom is a composition for solo baritone and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Brooklyn Philharmonic in 2004 and was premiered on April 16, 2005, by the baritone Nmon Ford and the Brooklyn Philharmonic under the conductor Michael Christie. The piece is adapted from the poem "When Lilacs Last in the Dooryard Bloom'd" by the American author Walt Whitman.
The Singing Rooms is a concerto for solo violin, choir, and orchestra by the American composer Jennifer Higdon. The work was jointly commissioned by the Philadelphia Orchestra, the Atlanta Symphony Orchestra, and the Minnesota Orchestra. It was first performed on January 17, 2008 in Philadelphia by the violinist Jennifer Koh, The Philadelphia Singers, and the Philadelphia Orchestra under the conductor Christoph Eschenbach. The text of the piece is set to poems by Jeanne Minahan. The piece was most recently done in March 2019 at the Kimmel Center for Performing Arts in Philadelphia by the Temple University Choirs and Orchestra, with a featured violin soloist.
blue cathedral is an orchestral composition by the American composer Jennifer Higdon. The work was commissioned by the Curtis Institute of Music in 1999 to commemorate the conservatory's 75th anniversary. It was first performed in 2000 by the Curtis Institute of Music Symphony Orchestra. The piece is dedicated to the memory of Higdon's brother and is one of the composer's most performed works.
Stroke is an orchestral composition by the American composer Joan Tower. The work was commissioned by the Pittsburgh Symphony Orchestra and is dedicated to the composer's brother, who suffered from a debilitating stroke in 2008. It was first performed in Pittsburgh on May 13, 2011, by the Pittsburgh Symphony Orchestra under the conductor Manfred Honeck.
Jonathan Leshnoff is an American classical music composer and pedagogue.
The Low Brass Concerto is a concerto for four solo low brass instruments and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Chicago Symphony Orchestra for their renowned low brass section and co-commissioned by the Baltimore Symphony Orchestra and the Philadelphia Orchestra. It was composed in 2017 and was first performed by the Chicago Symphony Orchestra under the direction of Riccardo Muti on February 1, 2018.
The Harp Concerto is a composition for harp and orchestra by the American composer Jennifer Higdon. It was commissioned by the Rochester Philharmonic Orchestra, Harrisburg Symphony Orchestra, Baton Rouge Symphony Orchestra, Fargo-Moorhead Symphony Orchestra, Lansing Symphony Orchestra, and the Oklahoma City Philharmonic. The work was completed in early 2018 and was given its world premiere at the Eastman Theatre in Rochester, New York, by the harpist Yolanda Kondonassis and the Rochester Philharmonic Orchestra under the conductor Ward Stare on May 10, 2018. The piece is dedicated to Yolanda Kondonassis.