Black Mafia Life is the second studio album by American hip hop group Above the Law. This album is what would be considered the blueprint of the G-Funk sound similar to Dr Dre's The Chronic. The album was recorded in 1991 into 1992 but was held back due to legal issues with Epic And Dr. Dre's Departure from Ruthless Records. It was released on February 2, 1993, via Ruthless Records. The album peaked at number 6 on the Top R&B/Hip-Hop Albums and number 37 on the US Billboard 200. Rolling Stone gave the album 4.5 stars of 5.
G-funk, short for gangsta funk, is a sub-genre of gangsta rap that emerged from the West Coast scene in the late 1980s, the genre is heavily influenced by 1970s psychedelic funk sound of artists such as Parliament-Funkadelic.
Dogg Food is the debut studio album by the American hip hop group Tha Dogg Pound, released in 1995. Its controversial lyrics were the subject of shareholder protest. The album was supposed to be released in July 1995 but as a result of the controversy from Time Warner, the release was delayed for three months. Two singles were released from the album, "Let's Play House" and "New York, New York", featuring Michel'le and Snoop Doggy Dogg, respectively.
Livin' Like Hustlers is the debut album by American hip hop group Above the Law. It was released on February 20, 1990, via Ruthless Records; an advanced promo cassette version was released two months earlier. The ten track record was produced entirely by Dr. Dre and Above the Law and featured a guest performance from N.W.A on the track titled "The Last Song". In addition, Eazy-E served as executive producer of the album. It peaked at number 14 on the Top R&B/Hip-Hop Albums and number 75 on the U.S. Billboard 200.
Bootlegs & B-sides is a compilation studio album by American recording artist Ice Cube. It was released on November 22, 1994 via Priority Records.
I Gotta Make It is the debut studio album by American R&B recording artist Trey Songz. It was released on July 26, 2005, by Atlantic Records.
Knowledge Is King is the third solo studio album by American rapper Kool Moe Dee, released on May 30, 1989, via Jive Records.
Funk Upon a Rhyme is the sophomore studio album by American recording artist Kokane. It was released in 1994 through Ruthless Records with distribution by Relativity Records. Recording sessions took place at the Edge Studio and Echo Sound in Los Angeles, California. Production was handled by Cold 187um with executive production by Eazy-E. The album features contributions from Janine, Nicki and Tha New Funkateers on background vocals, Cold 187 um on keyboards and vocals, Mike Smooth on guitar and keyboards, Mike "Crazy Neck" Sims on guitar, with guest appearances from Dirty Red, Tha Alkaholiks, Black Hole Of Watts, and Above The Law.
Black Elvis/Lost in Space is the fourth solo studio album by American rapper and producer Kool Keith, and his first release under the alias of 'Black Elvis'. It was intended to be released the same day as First Come, First Served, but was pushed back by Columbia Records and ended up being released four months later on August 10, 1999 through Relativity Entertainment Distribution rather than Sony Music Distribution, denoted by the WK prefix instead of the customary CK prefix and the legal copy on the release.
To Hell and Black is the debut and only studio album by American hip hop group Capital Punishment Organization. It was released through Capitol Records on August 7, 1990, and featured its two lead singles "Ballad of a Menace" and "This Beat Is Funky". The album peaked at No. 33 on the Billboard Top R&B/Hip-Hop Albums chart.
Addictive Hip Hop Muzick is the debut studio album by American recording artist Kokane, and the only one released under his 'Who Am I?' alias. It was released on July 2, 1991 through Ruthless Records and Epic Records. Recording sessions took place at the Edge Recording Studio in Inglewood, California. Production was handled by Cold 187um and fellow Above the Law members with executive production by Lay Law and Eazy-E. It was mixed by Dr. Dre and Cold 187um at Audio Achievements in Torrance, California. The album features contributions from DJ Total K-oss, Funkette, Go Mack, KM.G, Lay Law, Lillian, Mz Kilo and Tha New Funkateers on vocals, Cold 187 um on vocals and keyboards, Stan "The Guitar Man" Jones on bass and guitar.
This Is the Shack is the debut studio album by American G-funk trio The Dove Shack. It was released on August 22, 1995 via G-Funk Entertainment/Def Jam Recordings. The album peaked at #68 on the US Billboard 200 and #13 on the Top R&B/Hip-Hop Albums.
Back in Black is the third album by American hip hop group Whodini. It was recorded in London and released via Jive Records in 1986. Like on the group's previous work, audio production was handled by Larry Smith. The album peaked at #35 on the Billboard 200, #4 on the Top R&B/Hip-Hop Albums, and was certified gold by Recording Industry Association of America on June 23, 1986.
Six is the sixth and final studio album by American hip hop group Whodini and their first and only record released via Jermaine Dupri's So So Def label. It was released in 1996 along with the single "Keep Running Back". Audio production was handled by Dave Atkinson, Red Spyda, Carl So-Lowe, and Jermaine Dupri, who also served as executive producer.
New Funky Nation is the debut studio album by the Samoan-American hip hop band Boo-Yaa T.R.I.B.E. It was released in 1990 via 4th & B'way Records/Island Records. Recording sessions took place at Image Recording Studios and Paramount Studios in Hollywood from 1989 to 1990. Production was handled by the Dust Brothers, John O'Brien, Joe Nicolo of the Butcher Bros., Tony G., Suga Pop and Boo-Yaa T.R.I.B.E. The album peaked at #33 in New Zealand, #74 in the UK and #117 in the United States.
Paid the Cost is the only studio album by American rap duo Penthouse Players Clique. It was released on April 28, 1992 via Ruthless and Priority Records. Recording sessions took place at Skip Saylor Recording Studio A in Los Angeles with additional recording at Audio Achievements in Torrance, California. Production was mostly handled by DJ Quik, except for two tracks were produced by Penthouse Players Clique and DJ Battlecat. The album was a success for the group, making it to #76 on the Billboard 200, #28 on the Top R&B/Hip-Hop Albums and #1 on the Heatseekers Albums charts. Three singles were released, "Explanation of a Playa", "Trust No Bitch" and "P.S. Phuk U 2", however only "Explanation of a Playa" would make it to the billboard charts. This would mark the duos only album as they would disband only a year later.
Livin' in a Hoe House is the only studio album by American female rap group H.W.A.. The album was released in 1990 via Drive-By Records and was produced by Dangerous D and Ronnie Vann. The record was mildly successful, reaching #38 on the Top R&B/Hip-Hop Albums chart. No singles made it to the Billboard charts.
Michel'le is the self-titled debut studio album by American singer Michel'le. It was released on October 23, 1989, on Ruthless Records, Atco Records and Atlantic Records. The album was produced by Dr. Dre of N.W.A. The album was certified Gold by the Recording Industry Association of America five weeks after its release.
The Lawhouse Experience, Volume One is a hip hop compilation album presented by American producer Larry "Laylaw" Goodman. The eighteen-track album features guest appearances from several notable West Coast hip hop recording artists, such as Above The Law, Coolio, Dru Down, Ice Cube, Ice-T, Kausion, K-Dee, Kokane, Luniz, L.V., Ras Kass, The Pharcyde, WC and Xzibit. Recording sessions for the album took place at Da Lawhouse Recording Studio Complex in Los Angeles, California. It was released on August 29, 1997 via Zomba Records. Audio production of the album was handled primarily by Laylaw and Derrick "D'Maq" McDowell. It peaked at number 169 on the US Billboard 200 and at number 43 on the US Billboard Top R&B/Hip-Hop Albums.
South Central Los Skanless is the only album by American rap group Kausion. It was released October 10, 1995 through Lench Mob Records. The album peaked at number 37 on the US Billboard Top R&B/Hip-Hop Albums and at number 23 on the Heatseekers Albums charts.
