Lwa, also called loa, are spirits in the African diasporic religion of Haitian Vodou and Dominican Vudú. They have also been incorporated into some revivalist forms of Louisiana Voodoo. Many of the lwa derive their identities in part from deities venerated in the traditional religions of West Africa, especially those of the Fon and Yoruba.
Papa Legba is a lwa, or loa, in West African Vodun and its diasporic derivatives, who serves as the intermediary between God and humanity. He stands at a spiritual crossroads and gives permission to speak with the spirits of Guineé, and is believed to speak all human languages. In Haiti, he is the great elocutioner. Legba facilitates communication, speech, and understanding. He is commonly associated with dogs. Papa Legba is invoked at the beginning of every ceremony. Papa Legba has his origins in the historic West African kingdom of Dahomey, located within present-day Benin.
Obeah, also spelled Obiya or Obia, is a broad term for African diasporic religious, spell-casting, and healing traditions found primarily in the former British colonies of the Caribbean. These practices derive much from West African traditions but also incorporate elements of European and South Asian origin. Many of those who practice these traditions avoid the term Obeah due to the word's pejorative connotations in many Caribbean societies.
Abakuá, also sometimes known as Ñañiguismo, is a Cuban initiatory religious fraternity founded in 1836. The society is open only to men and those initiated take oaths to not reveal the secret teachings and practices of the order. Members are typically known as Abanékues and are divided amongst lodges or chapters called juegos. Abakuá derives largely from the Ékpè society of West Africa, but displays adaptations like the inclusion of Roman Catholic symbolism.
The term voodoo doll commonly refers to an effigy that is typically used for the insertion of pins. Such practices are found in various forms in the magical traditions of many cultures around the world.
A manbo is a priestess in the Haitian Vodou religion. Haitian Vodou's conceptions of priesthood stem from the religious traditions of enslaved people from Dahomey, in what is today Benin. For instance, the term manbo derives from the Fon word nanbo. Like their West African counterparts, Haitian manbos are female leaders in Vodou temples who perform healing work and guide others during complex rituals. This form of female leadership is prevalent in urban centers such as Port-au-Prince. Typically, there is no hierarchy among manbos and oungans. These priestesses and priests serve as the heads of autonomous religious groups and exert their authority over the devotees or spiritual servants in their hounfo (temples).
Haitian Vodou is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is no central authority in control of the religion and much diversity exists among practitioners, who are known as Vodouists, Vodouisants, or Serviteurs.
Espiritismo is a term used in Latin America and the Caribbean to refer to the popular belief that evolved and less evolved spirits can affect health, luck and other aspects of human life.
Sallie Ann Glassman is an American practitioner of Vodou, a writer, and an artist. She was born in Kennebunkport, Maine and is a self-described "Ukrainian Jew from Maine", and a former member of Ordo Templi Orientis.
Louisiana Voodoo, also known as New Orleans Voodoo, is an African diasporic religion and magic tradition that originated in Louisiana. It arose through a process of syncretism between the traditional religions of West Africa, the Roman Catholic form of Christianity, and Haitian Vodou. No central authority is in control of Louisiana Voodoo, which is organized through autonomous groups.
Vodou drumming and associated ceremonies are folk ritual faith system of henotheistic religion of Haitian Vodou originated and inextricable part of Haitian culture.
Christian-Vodou can be seen as a syncretism of different cultures and religions. Primarily focused on Haitian Vodou and Catholic Christianity, the two have been merging together in a way since around the 18th century, when a majority of Haiti was part of the Atlantic slave trade.
Frisner Augustin was a major performer and composer of Haitian Vodou drumming, and the first and only citizen of Haiti to win a National Heritage Fellowship from the National Endowment for the Arts in the United States, where he resided for forty years.
The religion of Haitian Vodou has been present in Cuba since at least the 18th century. It was transmitted to the island by Haitian migrants, the numbers of whom grew rapidly in the early 20th century, and is primarily practised by their descendants. It is distributed primarily in eastern parts of the island, especially in Oriente. In Cuba, some practitioners of Haitian Vodou have also become involved in the related Afro-Cuban religion of Santería.
Haitian Vodou art is art related to the Haitian Vodou religion. This religion has its roots in West African traditional religions brought to Haiti by slaves, but has assimilated elements from Europe and the Americas and continues to evolve. The most distinctive Vodou art form is the drapo Vodou, an embroidered flag often decorated with sequins or beads, but the term covers a wide range of visual art forms including paintings, embroidered clothing, clay or wooden figures, musical instruments and assemblages. Since the 1950s there has been growing demand for Vodou art by tourists and collectors.
Pierrot Barra (1942–1999) was a Haitian Vodou artist and priest, who was president of a Bizango society. He was well-known for his use of diverse materials to create “Vodou Things,” which functioned as charms or altars for the Vodou religion.
New Orleans Historic Voodoo Museum is a voodoo museum in New Orleans, United States. Its exhibits focus on mysteries, history, and folklore related to the African diaspora religion of Louisiana Voodoo. It is situated between Bourbon and Royal Streets in the centre of the French Quarter. Although only a small museum, consisting of two rooms, it is one of few museums in the world dedicated entirely to Vodou art. There is a voodoo priest on site giving readings. Separately, the museum also hosts walking tours to the Marie Laveau tomb in the Saint Louis Cemetery and the Congo Square.
Santería is an Afro-Cuban religion that arose in the 19th century.
Bondye, also known Gran Maître, is the supreme creator god in the African diasporic religion of Haitian Vodou. Vodouists believe Bondye was responsible for creating the universe and everything in it, and that he maintains the universal order. They nevertheless deem him to be transcendent and thus inaccessible to humans, who must instead interact with spirits called lwas.
The Magic Island is a book by American explorer and traveler William Seabrook. First published in 1929 by Harcourt, Brace & Company, The Magic Island is an account of Seabrook's experiences with Haitian Vodou in Haiti, and is considered the first popular English-language work to describe the concept of a zombie, defined by Seabrook as "a soulless human corpse, still dead, but taken from the grave and endowed by sorcery with a mechanical semblance of life—it is a dead body which is made to walk and act and move as if it were alive."
